SKU: BR.OB-4953-23
Sibelius composed this short (only five minutes long) Romance in C Op. 42 in 1903; the work was first performed in Turku in March 1904. The Romance is not a concerto movement in disguise, but features the dark, dense string writing typical of Sibelius. Early modern; Late-romantic. Part. 4 pages. Duration 5'. Breitkopf and Haertel #OB 4953-23. Published by Breitkopf and Haertel (BR.OB-4953-23).
ISBN 9790004326497. 10 x 12.5 inches.
Sibelius composed this short (only five minutes long) Romance in C Op. 42 in 1903; the work was first performed in Turku in March 1904. The Romance is not a concerto movement in disguise, but features the dark, dense string writing typical of Sibelius.
SKU: BR.MN-12058
ISBN 9790004791844. 8.5 x 12 inches.
SKU: BR.OB-4765-23
ISBN 9790004320877. 10 x 12.5 inches.
SKU: BR.MN-12060
ISBN 9790004791868. 8.5 x 12 inches.
SKU: BR.EOS-21473-23
The new conductor's score to both suites is based on the proven edition of Richard Clarke, which is already accessible as a study score in the Eulenburg series.
ISBN 9790004780169. 10 x 12.5 inches.
After Henrik Ibsen obtained sensational feedback for his verse drama Peer Gynt, he decided to arrange the text for stage performances as well. He requested incidental music from Edvard Grieg, who immediately assured Ibsen of his cooperation. In its new version, Peer Gynt was given its first performance in February 1876 and also scored a tremendous success. After a further revision of his music, Grieg compiled four of the most striking pieces into an orchestral suite in 1888, and repeated this procedure three years later for a second suite. The publication of the first complete score further boosted the already exceptional acclaim of the incidental music to Grieg's Peer Gynt, which takes its place today among the composer's most beloved works.Breitkopf is now releasing a new conductor's score to both suites, based on the proven edition of Richard Clarke, which is already accessible as a study score in the Eulenburg series.The new conductor's score to both suites is based on the proven edition of Richard Clarke, which is already accessible as a study score in the Eulenburg series.
SKU: BR.MN-502
ISBN 9790004790014. 8.5 x 11.5 inches.
Geschrieben wurden diese einfachen 2-, 3- und 4-stimmigen Stucke, um das Gefuhl fur das gemeinsame Spiel und das gegenseitige Zuhoren zu vermitteln, und um die eigene Vorstellungskraft zu animieren.Jede Stimme kann auch von 2 oder 3 Instrumentalisten gespielt werden.
SKU: BR.EB-9135
ISBN 9790004182550. 12 x 9 inches.
Immer wieder stelle ich beim Horen und beim Beobachten von Horhaltungen in Proben und Konzerten fest, dass wir uns im Zeitalter der Medien so an das Horen uber Lautsprecher (Schallplatte, CD, Video, Radio, Fernsehen etc.) gewohnt haben, dass durch die Alltaglichkeit solcher Klangbilder das Empfinden fur die Qualitat RAUM fast verkummert ist. Lautsprecher simulieren RAUM bereits in ihrer Sende-Information. Ihre Fahigkeit, Raumlichkeit aus dem realen RAUM, in den sie ihren Klang abstrahlen, zu gewinnen, ist dagegen ausserst gering. Umgekehrt scheint es in der Natur des Instrumentalklangs zu liegen, vollkommen im RAUM aufgehen zu konnen, gerade in ihm das Neue, Einmalige seines Klingens zu finden und mit ihm erst das Klangleben aufbauen zu mussen. Im Prozess des ,,..... in die Stille-Gehens hat der Cellist Tone und Klange zu realisieren, die bis zum siebenfachen Piano reichen. Dies sollen jedoch keine Lautstarken sein, die eine blosse Erweiterung der Lautstarkenskala ins Unhorbare sind, sondern eher die Realisierung einer besonderen Form von RAUM-KLANG. Die Wirkung des Instruments als Ort der Abstrahlung verringert sich dadurch zugunsten eines Klangs, der sozusagen nur noch im RAUM alleine, wie ,,insistierend, vorhanden zu sein scheint. Es ist die schwebende Prasenz einer Beinahe-Lautlosigkeit wie etwa im Goethe-Vers ,,In allen Wipfeln spurest du/kaum einen Hauch. Je lautloser, desto prasenter! (Nicolaus A. Huber, 27. Juli 1998) Bibliography : ,,Es gibt Dinge, die sind richtig, aber sie ruhen. Nicolaus A. Huber im Gesprach mit Michael Struck-Schloen , in: MusikTexte, Heft 154 (August 2017), S. 31-37.World premiere: Furth, November 8, 1998.
SKU: BR.BG-1222
ISBN 9790004122297. 9 x 12 inches.
World premiere Witten, April 27, 1975 CD Heinrich Schiff (cello) Musik in Deutschland 1950-2000 RCA Red Seal 74321 73600 2World premiere Witten, April 27, 1975.
SKU: BR.EB-9357
Compulsory Piece for the Final Round oft he ARD International Music Competition (Munich, September 2019)
ISBN 9790004188279. 9 x 12 inches.
The sound of the cello in this piece should be foggy like voice of Ella Fitzgerald. Sweet, smooth and pleasant, but at the same time slightly hoarse, rustle, dirty. There are almost only natural harmonics; either single, or in chords (triple-stops) including two natural harmonics, or double-stops of two harmonics. All should be played flautando, sul tasto and molto lasciar vibrare. Flautando and sul tasto should serve in search for the foggy color - harmonics should speak less clear than normally, but more smooth and decent.(Martin Smolka) ,Like Ella' would be suited to a player of a high standard as many harmonics are in higher positions and played as triple-stops. I would recommend ,Like Ella' to an advanced cellist seeking to learn a piece of modern music to add to their concert repertoire.(Mitchell Smith, AUSTA Stringendo)Compulsory Piece for the Final Round of the ARD International Music Competition (Munich, September 2019).
SKU: BR.EOS-20897-23
Breitkopf is currently preparing the release of new and complete performance material in the framework of its cooperation with Eulenburg.
ISBN 9790004780091. 10 x 12.5 inches.
In 1884 the Norwegian city of Bergen celebrated the 200th birthday of Ludvig Holberg, one of its most famous sons and a symbolic figure of the late Baroque era. For this occasion Grieg wrote the piano suite Aus Holbergs Zeit , which he orchestrated for string orchestra. To this day, the Suite - particularly in this arrangement - ranks among Grieg's most popular works. By using the romantic string sound, Grieg brings the late Baroque orchestral suite and its various dance forms to life again. Along with the string serenades of Dvorak and Tchaikovsky, Aus Holbergs Zeit is regarded as the third great late-romantic work for string orchestra. Breitkopf is currently preparing the release of new and complete performance material in the framework of its cooperation with Eulenburg.Breitkopf is currently preparing the release of new and complete performance material in the framework of its cooperation with Eulenburg.
SKU: BR.EB-8817
This large volume is designed for the young beginner cellist, and is attractively presented with large print and enchanting colour illustrations. (Stringendo AUSTA)
ISBN 9790004183830. 9 x 12 inches.
The Cellokasten (Cello Case) offers a wealth of varied material for the beginner. Like the successful Geigenkasten, it can be used in teaching as a supplement to any cello method. And with its steadily increasing level of difficulty within each chapter, it can also serve as a kind of instruction method as well. The chapters are devoted to the following topics: - Games of posture and movement - Music on open strings and fundamentals of bowing technique - Playing with close stops and wide-stretch stops, high and low - Combination of close stop, wide-stretch stop and chromaticism - Playing, reading, notating rhythms; reading and notating tones as well as improvisation in the chapter Inventing Music . Along with lyrics for singing, there is almost always a second part, which lets two cello lovers make music together. The book offers songs and cello pieces for a variety of occasions and for every season. Interesting information about the instrument is also scattered throughout the book.This large volume is designed for the young beginner cellist, and is attractively presented with large print and enchanting colour illustrations. (Stringendo AUSTA).
SKU: BR.BG-1392
ISBN 9790004122877. 0 x 12 inches.
SKU: BR.EB-9114
World premiere: Graz (Steirischer Herbst), October 4, 1997
ISBN 9790004181843. 9 x 12 inches.
Die Form der Komposition ist dem Weg eines Gedankens vergleichbar, der unvermittelt Neues ebenso enthalten kann wie Ruckbezuge und Erinnerungen und dessen zeitlicher Verlauf keiner ausseren Logik folgt. Dennoch gibt es ein Netz von inneren Beziehungen zwischen einer Vielzahl von Elementen, die permanent erscheinen, verschwinden, sich verwandeln und verschmelzen; ein Prozess, der sich in der Vielschichtigkeit von Klangereignissen des Instruments widerspiegelt. Gleichzeitig tendiert die Form der internen Zersplitterung gelegentlich zur Selbstauflosung. Zwei eingeschobene Spiegelkanons lassen die Klange zu Linien werden und die Zeit zum richtungslosen Raum. Doch auch sie bleiben fluchtig und werden gebunden an die Form, die aus dem Spiel von Gedanken besteht, wie auch aus ihrem Vergessen. (Isabel Mundry) CDs: Michael Moser CD Durian 007-2 Christina Meissner (violoncello) CD HOROS 10902World premiere: Graz (Steirischer Herbst), October 4, 1997.
SKU: BR.EB-9087
World premiere: Bern, June 8, 1988
ISBN 9790004179604. 11.5 x 16.5 inches.
CD: Matthias Lorenz (violoncello) CD Cavalli Records CCD 247World premiere: Bern, June 8, 1988.