Alfred-Publishing - Choral SATB

Compositeur : Alexander T. Gretchaninov
Instrumentation : SATB
Année d'édition : 1985
Groupe d'Instruments : Choeur Mixte
GenreView Description : Musique religieuse
Édition musicale : Alfred Music Publications
Nombre de pages : 24 / Partitions classique / Vocale - chorale / Choeur et ensemble vocal / ALFRED PUBLISHING

From the new Sanctuary Praise and Worship Choral Series, this setting of a praise and worship modern classic is well-crafted. This anthem can be sung by choir and praise team (utilizing Alfred Music's 'Sanctuary Praise and Worship? songbook) if so desired. / Choeur Mixte (SATB)

Ce best-seller Alfred chorale est maintenant disponible pour la première fois dans SATB harmonisation. Très chantantes et festives, 'sonner les cloches de Pâques' est un hymne de résurrection joyeuse qui se chante pratiquement. La partie optionnelle de clochette est simple mais efficace. / Choeur Mixte (SATB)

Challenging harmonies and rhythmic passages have helped make this vocal jazz setting of the Gershwin standard a favorite. Now available exclusively from Alfred Music. / Choeur Mixte (SATB)

This full-sounding choral work with a driving, rhythmic intensity may be performed a cappella or with the piano doubling the voices. ABA form makes for quick learning. Secular text is perfect for school chorals . . . and a great festival work, too. Note: The SSAB edition is excellent for choirs with few men. / Choeur Mixte (SSATB) A Cappella

An exciting, original, a cappella Christmas spiritual from Jay Althouse in the tradition of his 'No Room,' 'Have You Heard?,' and 'Whisper! Whisper!' Lots of effective dynamic contrasts make this a thrilling choral work for both singers and audience. Lush, slow middle section contrasts with up-tempo opening and closing sections. A quality choral work for your Christmas concerts. / Choeur Mixte (SATB) A Cappella

Jay's particularly folky accompaniment features a jaunty piano with optional bass and percussion (available free at alfred.com/choralparts). Fully arranged with new harmonic and rhythmic content on each subsequent verse. Rollicking and fun, 'doo-dah day!' / Choeur Mixte (SATB)

This rhythmic rendition of the traditional carol is a blast! The funky feel craves choreography (on the Step One! DVD and at alfred.com/video), a likely addition, as accessible writing will make note learning a breeze. A new half-time bridge leads into a key change just before the final groovin' verse. / Choeur Mixte (SATB)

Here's an exuberant a cappella feature, equally appropriate for school and church. Traditional choral writing, a familiar form, a characteristic bass line, and a soprano descant give this original composition its authentic spiritual sound. A contrasting middle section features reflective phrases from well-known 'Mary Had a Baby.' / Choeur SATB A Cappella

A syncopated opening bass lick lays the groundwork for this quintessential a cappella spiritual. When the other voices join, we begin a journey of texture, harmonic development, and form, indicative of the great spiritual tradition. Strong choral writing, with some divisi in the women's voices as the impassioned piece unfolds. / Choeur SATB A Cappella

Bring a piano masterwork to the choral classroom! Bach's brilliant 'Minuet in G Major' sings beautifully. Precise vocables embody the elegant dance, while the well-placed vocal ranges encourage healthy tone. Perform a cappella, or use the optional piano part for support. Familiar, yet fresh! / Choeur Mixte (SATB) A Cappella

A thrumming bass line powers the harmonic motor of this seasonal pop selection from 80s group Wham! The melody percolates throughout the choir, while varied choral textures create interesting and supportive sonic layers. An awesome retro Christmas feel! / Choeur Mixte (SATB) A Cappella

Available for SSA or SATB, \'Temen Oblak?---which means \'Dark Clouds\'---is sung in Bulgarian and adapted from a poem by Hristo Botev. Featuring the intricate rhythms and harmonies of Bulgarian women\'s choirs, it was commissioned by the International Schools Choral Music Society (ISCMS) and was first performed on February 22, 2014 at the Forbidden City Concert Hall in Beijing by the ISCMS Festival Orchestra and Chorus, conducted by composer Christopher Tin. \'Temen Oblak? is the third movement of The Drop That Contained the Sea, a ten-movement work that deals with water in different forms. Orchestra parts are available for rent. / Choeur Mixte (SATB)

Infectious from the very beginning, this Christmas spiritual is dynamic and delightful! The classic call/answer format allows for select soloists or sections. The anthem builds to an exciting finish. The piano accompaniment supports the solid choral scoring. / Choeur Mixte (SATB)