22 pieces by old masters for trumpet and organ or piano. Par . Let the Trumpet Sound (« Que la trompette sonne ! ») est un recueil de 22 pièces signées des plus grands compositeurs, couvrant une période de trois siècles, de niveau facile moyennement difficile, dans des arrangements pour trompette et orgue réalisés par Jan van Beekum. Avec des ?uvres de Purcell, Telemann, Haendel, Bach et bien d´autres encore, cet ouvrage met clairement l´accent sur l´ère baroque. D´un caractère plutôt solennel, elles sont particulièrement bien adaptées à une interprétation en église, mais conviendront également pour les salles de concert et les récitals. Selon l´occasion, l´accompagnement l´orgue de la partition peut être exécuté au piano. Les fichiers audio disponibles en ligne au format MP3 seront utiles pour s´exercer ou lorsqu´un accompagnateur n´est pas disponible. Les 22 pièces sont toutes enregistrées en direct : en version complète avec trompette et orgue, et en version avec l´accompagnement d´orgue seul. / Date parution : 2023-06-01/ Recueil / Trompette et Piano or Orgue

Par BRUCKNER ANTON. Great art in small forms ? Bruckner's smaller sacred works reveal a more personal side to the master symphonist and creator of large-scale orchestral masses. Throughout his life, Bruckner?s deep faith and dedication to the Catholic liturgy inspired him to write church music in smaller forms suitable for performance at Sunday services or in sacred concerts. The long phrases and shimmering sounds of Locus iste, the chromatic modulations and thrilling climaxes in Christus factus est (1884) and in Virga Jesse (1885), or the use of church modes in almost all the motets present a range of fascinating challenges to any choir.In addition to the well-known motets, the choral collection includes smaller sacred works such as short mass settings (a cappella or with organ) and simple liturgical songs and hymns, some with organ or occasionally with trombones. In addition, the volume presents two somewhat longer works from Bruckner?s youth: a Magnificat and a setting of Psalm 23, both with piano accompaniment.The Choral Collection Bruckner. Sacred Choral Music is an expanded new edition of the successful choral collection Anton Bruckner für Gottesdienst und Konzert (Sacred works for worship and concert, Carus 2.065).A detailed preface and several indexes supplement the musical scores in the editionCHORLEITUNG with information on the works and their liturgical usability. An affordable volume (editionCHOR) is also available for purchase, as well as separate editions in print and digital form.?,New expanded volume featuring 39 sacred choral works at all levels of difficulty?,For use both in worship and in concert / Date parution : 2023-06-01/ Répertoire / SATB et Piano

Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann the 1840 work as 'a ?symphony for chorus and orchestra?? First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ?Everything which has breath, Praise the Lord?; one understands by this that first the instruments give praise in their own way, and then the chorus and the individual voices.' / Date parution : 2023-06-01/ Répertoire / Solistes [SST], SSAATB et Orchestre

Graduale. Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Thomas Doss a arrangé pour orchestre d'harmonie cette transcription exaltante et très abordable de Christus factus est (WAB 11), le motet écrit par Bruckner en 1884. Après la Messe für den Gründonnerstag (1844) et un motet pour ch'ur mixte à huit voix, trois trombones et instruments à cordes ad libitum (1873), cette 'uvre est la troisième mise en musique du graduel (chant grégorien) du même nom. L'influence de Wagner se manifeste clairement. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie

BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three oratorios which Carl Philipp Emanuel Bach composed when he was music director in Hamburg, Die Auferstehung und Himmelfahrt Jesu is particularly intended to create splendor and effect with its use of magnificent-sounding trumpets and timpani. Bach liked this work very much and had it published in 1787, the year before his death. The following year the oratorio was performed by Mozart in Vienna.The text of the oratorio by Carl Wilhelm Ramler (1725?1798; better known as the poet of the frequently-set ?Der Tod Jesu?) covers the Easter story of the disciples at Emmaus and the doubting Thomas, up to the image of Jesus ascending to heaven.The score is published as Vol. IV,2 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute. Carus publishes the vocal score and choral score for this work. The full score and parts can also be obtained from Carus. / Date parution : 2023-03-11/ Répertoire / Soli [STB], SATB

Op. 106. Par REGER MAX. Max Reger?s setting of Psalm 100 is one of the ?grand style? choral-symphonic works of the classical modern repertoire. Contrapuntal skill in the tradition of Bach combines with overwhelmingly powerful expressiveness, rich in contrasts. The full harmonic and stylistic breadth of the early 20th century sings out, not only in frenetic song, but also in the search for awareness in quieter passages. Reger?s opulence, tonal and contrapuntal almost throughout, finally culminates in a double fugue with an off-stage orchestra similar to the trumpets of Jericho over ?Ein feste Burg ist unser Gott?. The composer?s declared aim was: ?The psalm must go so brilliantly, that all will be simply ?bowled over?.? / Date parution : 2023-03-11/ Répertoire / SATB [Divisi] et Piano

A Chamber Cantata for Holy Week or Easter. Par MARTIN JOSEPH M.. From ministry to humility and Calvary to victory, the story of Christ's redemptive grace is clearly presented in this meaningful offering. There is a pleasing blend of original material with familiar hymns, along with a scripture-based narration. This flexible chamber cantata includes two final songs: one for Holy Week, and the other for Easter. A smaller, yet effective orchestration provides instrumental or track options, while voice dominant tracks make learning convenient and approachable. A cantata of remembrance, reflection and resurrection! Songs include:A Quiet Gathering; Somewhere in the Silence; Prepare Your Hearts; I Heard the Voice of Jesus Calling; Just Beyond the Palms; In the Stillness of This Moment; Silent Was the Night: The Lamb Is Silent Now; The Silence Speaks; Set Free Your Alleluia! Score and Parts (fl 1, fl 2/ob, cl, tpt, tbn, vn 1-2, vc, db) available as a digital download. / Date parution : 2023-06-01/ Recueil / SATB

BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three oratorios which Carl Philipp Emanuel Bach composed when he was music director in Hamburg, Die Auferstehung und Himmelfahrt Jesu is particularly intended to create splendor and effect with its use of magnificent-sounding trumpets and timpani. Bach liked this work very much and had it published in 1787, the year before his death. The following year the oratorio was performed by Mozart in Vienna.The text of the oratorio by Carl Wilhelm Ramler (1725?1798; better known as the poet of the frequently-set ?Der Tod Jesu?) covers the Easter story of the disciples at Emmaus and the doubting Thomas, up to the image of Jesus ascending to heaven.The score is published as Vol. IV,2 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute. Carus publishes the vocal score and choral score for this work. The full score and parts can also be obtained from Carus. / Date parution : 2023-03-11/ Répertoire / Soli [STB], SATB et Orchestre

Symphonie-Kantate B-Dur Nr. 2 - Vorwort in Dt. und Engl.. Par MENDELSSOHN-BARTHOLDY FELIX. / Date parution : 2023-03-11/ Répertoire / Solistes SST, Ch?ur SSAATB et Orchestre

WAB 29. Par BRUCKNER ANTON. Anyone who is familiar with Bruckner?s symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly evident in a work by Bruckner' And yet, isn?t it also possible to hear much of Bruckner?s later style'With this edition, the earliest of Bruckner?s orchestral masses is now available as an Urtext edition. It reflects the latest scholarly research, and the complete performance material is available on sale. Compared with Bruckner?s late masses, the demands on chorus and soloists are considerably less. The horns play in just two movements and can be replaced by trombones. This rarely performed work offers many choirs an exciting alternative to the better-known masses ? not only for the Bruckner anniversary in 2024! / Date parution : 2023-03-11/ Répertoire / Soli [SATB], SATB et Orchestre

Par STEENHUYSE-VANDEVELDE CHRISTA. Christa Steenhuyse-Vandevelde has been teaching for over 30 years with unbridled enthusiasm and unparalleled creativity. Throughout her career she inspired more than a thousand piano students, which she brought into contact with masters from the past and the present. Christa?s own compositions have a high romantic style with a flowing melody and a beautiful harmonic accompaniment. / Date parution : 2022-11-29/ Répertoire / SATB

Par PERGOLESI GIOVANNI BATTISTA. The ?Stabat Mater? is a 13th-century Catholic hymn to Mary which has been set to music by many composers throughout history. Composed in the final weeks of his life, Giovanni Battista Pergolesi originally scored it for solo soprano and alto voices, accompanied by strings and basso continuo. The haunting first movement, ?Stabat Mater Dolorosa,? is full of anguish and musical suspensions, a perfectly suitable candidate for arrangement for clarinet choir. / Date parution : 2022-11-29/ Répertoire / Ensemble de Clarinettes