Servez-vous une pinte et ce songbook pour une soirée de fun à l'irlandaise ! Ce livre vous transportera en arrière avec 40 chansons tout arrangées le piano, le chant et la guitare. Parmi celles-ci retrouvez : All for Me Grog, Black Velvet Band, The Fields of Athenry, I Never Will Marry, I'm a Rover and Seldom Sober, The Irish Rover, Jug of Punch, Leaving of Liverpool, A Nation Once Again, The Rare Ould Times, Whiskey in the Jar, Whiskey, You're the Devil, et plus ! / Variétés Internationale / Partition /

Livre de partitions correspondant à l'album de cette chanteuse aux multi-Grammys. Inclus 'Angel', 'Building A Mystery' et 'Sweet Surrender'. Arrangements au piano et vocal avec une section spéciale de tablature de guitare. / Variétés Internationale / Partition /

Instrumentation: Vln?Pf Editor: Cliff Eisen Format: Sheet Music Details: This projected complete edition of the MozartSonatas for Keyboard and Violin has been researched and prepared by Cliff Eisen, one of the most distinguished Mozart scholars of our time. Professor Eisen recognises that many of the apparent inconsistencies and idiosyncrasies of Mozart's notation are perfectly deliberate, and that the attempts in many other editions to impose uniformity upon similar phrases or musical paragraphs can be misguided. As he writes in the preface: '?the notion that the classical style represents a model of symmetry, balanceand clarity is for the most part a 19th-century fiction?it has little to do withMozart's actual practice, which is based primarily on variety of both content and articulation. So in this new edition, alternative readings found in parallel passages are preserved, rather than being sterilised by a spurious quest for conformity. Naturally all such instances are noted within the Critical Commentary. The highly individual beaming within Mozart's autographs is also respected in the new edition, as this often contributes to our aural perceptions of phrase structure and accent. Professor Eisen is conscious that there is no single 'Urtext' for this music. On the contrary he believes that 'there is compelling evidence that Mozart's later performances of his works were characterised by changes ? sometimes substantial changes ? in the musical text'. It is the achievement of this edition to indicate how far this freedom of musical expression can extend, andas such it is likely to take pride of place in the collections of all those involved in the study and performance of these masterpieces. Contents: K454, K481, K526, K547 and Variations K359, K360

Forty beautiful Celtic melodies arranged for solo fingerstyle guitar. All the songs are arranged to be easily playable. Most of the songs are in standard tuning plus there is an additional section in DADGAD tuning. A CD is included featuring all the songs.

Instrumentation: 2Vln.Vla.Vc Editor: Rowland-Jones, S. Format: Score and Parts Details: Each volume of this edition includes: ? Full Score ? Fold-out Pages, as required in the separate parts, eliminating page-turns within movements ? Historical background to the quartets, as well as information on performance practice ? Extensive Critical Commentary Contents: Joseph Haydn was born in Rohrau, Austria, on March 31st, 1732 he died in Vienna, Austria, on May 31st, 1809.

Partition pour guitare Nombre de pages : 24 Niveau : 2 Contenu : Ker Avel (Côtes d'Armor) - Beg Leguer (Côtes d'Armor) - Huelgoat (Finistère) - Tonquedec (Côtes d'Armor) - L'Ile aux moines (Morbihan) - Penar Stang (Côtes d'Armor) - Brocéliande (Ille-et-Vilaine): Brumes sur le lac, Danse des korrigans. Le Petit Peuple de la forêt s'éveille, Veillée sous la lune. Chants et légendes des temps anciens - Stonehenge (Wiltshire, GB) - Connemara (Irlande) - Swallow Falls (Pays de Galles) - Galway (Irlande) - Highlands (Ecosse) - Ker Ys (Finistère)

Robert W. Smith has chosen three castles and several colorful characters known for legendary deeds from Irish history and folklore to put to music. The use of tinwhistle, the Irish drum bodran and hints of traditional Irish melodies add ethnic authenticity and fascination to the performance of this work. As we have come to expect from this highly inventive composer, the arena of sounds is expanded at every turn of the page. Musical imagery at its finest! (duration 6:59)