SKU: GI.G-008778
UPC: 641151087788.
Tomas o Albinoni‚ Adagio has inspired this alluring choral adaptation by prolific composer No?´l Goemanne. Hints of this classic melody are found throughout the four-part texture. Beginning with a simple pulse in the keyboard, the men state the initial theme in unison and fifths. The vocal writing takes some interesting harmonic turns and contains wonderful solo passages. A keyboard interlude introduces a duet between soprano and tenor and leads us to a concluding homophonic choral section. Agnus Dei will also serve well as a concert performance piece.
SKU: HL.44004696
UPC: 073999208160.
SKU: HH.HH029-MIN
ISBN 9790708024750.
This fine concerto shares its motto with Tomaso Albinoni's oboe concerto in G minor Op. 9 No. 8, published in 1722, and with Antonio Vivaldi's violin concerto in G minor, RV 317, published in 1729 as Op. 12 No. 1. It is very likely that Zani deliberately borrowed the beautiful motto as a homage to the famous masters; and the same motive recurs in the third movement in a subtle variant.
SKU: HH.HH029-IPT
ISBN 9790708024781.
SKU: HH.HH029-STR
SKU: HH.HH220-FSP
ISBN 9790708059288.
Thes e two sonatas/sinfonias survive in Durham Cathedral Library as part of a collection of numerous late 17th and early 18th century Italian instrumental compositions which contain a substantial amount of music by other composers with Mantuan connections, Tomaso Albinoni and Marc’Antonio Ziani. MS M.175 contains a score of these works whilst MS M.193 holds a set of parts, although sadly the tenor viola part is missing. The parts, which are in the north European portrait format, were probably copied from the scores which are in the Italian oblong format and in a different hand. The scores possibly hail from a source close to the composer judging from the high degree of accuracy on behalf of the copyist and also due to the biographical information contained therein; the work in A minor records the date of 1697 and his post at the Mantuan court – Maestro di Cappella di S.A.S. di Mantova, whilst the work in C is inscribed Fatta per la Signora Cati, probably alluding to one of the ladies of the court.
SKU: HH.HH143-FSP
ISBN 9790708041948.
This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is on the ever popular subject of the separation of lovers. It records the departure of Irene from 'Adria' the conventional Arcadian code word for Venice and doubtless was written to commemorate a genuine parting of, say, members of a court. Throughout, Albinoni maintains the simple, lightly elegiac mood that is the hallmark of his style.
SKU: HH.HH152-FSP
ISBN 9790708059066.
This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is on the familiar subject of the separation of lovers. The protagonist is the male lover about to depart, who expresses pain at leaving his beloved, promises to remain true to her and finally begs her to dry her tears since he is confident that, somehow, they will be reunited. Unusually for Albinoni, there are three arias, the third of which is dance like in the composer's best faux naïf vein. The first aria is noteworthy for its vigorous bass line, whose jagged quality contrasts strongly with the smoothness of the vocal line.
SKU: HH.HH141-FSP
ISBN 9790708041924.
This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is on the subject of the lover's separation from his (or it could be her) beloved, one of the most recurrent themes in the Baroque cantata. An introductory recitative expressing the pain of separation is followed by an extended aria in slow tempo that is among Albinoni's most accomplished and is remarkable for its modulations to distant keys. After a second recitative, which ends with a vivid evocation of Cupid's dart, we arrive at the lover's second aria, which is more tranquil in mood than the first, since he (or she) now looks forward to the expected reunion.
SKU: HH.HH153-FSP
ISBN 9790708059073.
This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, takes the form of a lover's plea to Clori, who is proving 'hard to get'. He begs her finally to yield to his love. Even if she does not reciprocate it, she should at least soothe his pain temporarily by glancing in his direction. As so often in Baroque cantatas, the exaggerated emotion seems to be ironised to some extent: Albinoni and his poet simultaneously express and critically observe the lover's feelings. The two arias are nicely contrasted, the first containing a large amount of written in vocal ornamentation and the second, in contrast, conveying a bluff breeziness.
SKU: HH.HH145-FSP
ISBN 9790708041962.
This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is on a more serious subject than most. Standing at the deathbed of Lidio, who has undeviatingly loved her without reciprocation all his life, Clori is stricken by remorse at her ingratitude and enjoins others to surrender to Cupid. As usual, Albinoni does not wallow in the lachrymose, but there is an affecting tenderness that suffuses the whole cantata.
SKU: HH.HH146-FSP
ISBN 9790708041979.
This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is on the ever popular subject of a timid lover who, in the course of three arias and two recitatives, eventually plucks up the courage to declare his love openly. His progress from confusion via self pity to a growing confidence is charted in the well contrasted arias, which show Albinoni's lyrical gift at its best.
SKU: HH.HH154-FSP
ISBN 9790708059080.
This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is on the common subject of a lover's jealousy. Clori falls in love with Fileno at first sight, but he proves unfaithful to her and a lovers' quarrel ensues. The music, by turns wistful and assertive, follows Clori's see sawing emotions, ending with a show of defiance. Albinoni's finely chiseled, undulating vocal line demonstrates his great gifts as a melodist.
SKU: HH.HH150-FSP
ISBN 9790708059042.
This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, describes how Clori, seeing her beloved Clizio asleep in a grassy meadow, begs him to awake – since only then will her love pangs be stilled. The verse may be banal, but the lightness and grace of Albinoni’s setting turns it into something delightful – a precursor, almost, of the versions by Brahms and Wolf of In dem Schatten meiner Locken.
SKU: HH.HH148-FSP
ISBN 9790708041993.
This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is a rare example, for this composer, of a Sujetkantate - the term coined by the music historian Eugen Schmitz for a cantata that re-enacts an episode taken from mythology or history. Here, the subject is Ariadne, who awakes to find her lover, Theseus, gone. Rushing to the shore, she sees his departing ship and curses his faithlessness - though not without betraying her continuing love for him. Albinoni rises to the occasion in music of power and eloquence.
SKU: HH.HH149-FSP
ISBN 9790708059035.
This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is on the evergreen subject of unrequited love. Elmindo, whose overtures to Irene are producing no result, masochistically begs her to look at him. His game plan is to weep even more profusely as a result, thereby provoking her into taking pity on him and reciprocating his affections. This is Albinoni at his most wistful and charming - with enough ironic detachment to prevent the emotion from becoming overblown.
SKU: HH.HH144-FSP
ISBN 9790708041955.
This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, belongs in spirit to the subgenre known as the lezione amorosa, or 'lesson in love'. The singer represents a lover who, in a homily addressed to his friend Fileno, reproaches his beloved for her doubts about his fidelity, a quality that he then proceeds to extol. As usual, Albinoni does not allow the mood to grow too intense: this is, after all, civilised conversation, not moral philosophy!
SKU: HH.HH147-FSP
ISBN 9790708041986.
This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is the opening work of the set. A shepherd receives a glance that he believes to be significant from Irene, on whom he has set his affections. Was this glance genuinely meant or only teasing? In two recitatives and two arias, variously playful and reflective, Albinoni explores the possibilities.
SKU: HH.HH142-FSP
ISBN 9790708041931.
This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is on the subject of the parting of lovers. Dalinda, forced to part from Tirsi, vows fidelity to him and asks for the same in return. With not only two da capo arias but also a final cavata (a fugue like section), this is one of Albinoni's more extended chamber cantatas, full of harmonic and tonal variety.
