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SARAH JEFFERY - MY FAVOURITE MELODIES - FLUTE A BEC
21.50
SARAH JEFFERY - MY FAVOURITE MELODIES - FLUTE A BEC
Flûte à Bec
[Partition + Accès audio]
Schott
Sarah Jeffery, connue dans le monde de la flûte à bec notamment grâce à sa c...
(+)
Sarah Jeffery, connue dans le monde de la flûte à bec notamment grâce à sa chaîne YouTube Team Recorder , présente dans ce volume ses morceaux préférés pour flûte à bec soprano (ténor) et piano. Des variations sur The Wellerman aux adaptations romantiques et aux compositions modernes, en passant par l'estampie médiévale, les danses de la Renaissance et les mouvements baroques, 14 ?uvres originales et des arrangements de difficulté moyenne garantissent un pur plaisir de jouer. Avec des pistes audio à écouter et à accompagner ainsi que des vidéos avec des informations et des conseils. Photo de couverture par Claudia Hansen.Anon. (Irish Traditional): Dear Irish BoyAnon. (Sea Shanty from New Zealand): The Wellerman (Variations)Anon. (14th Century): EstampieJacob van Eyck (ca. 1590 ? 1657): Doen Daphne (Variations)John Dowland (1563?1623): The Earl of Essex GaillardHenry Purcell (1659?1695): Rondeau (No. 2 from Abdelazar)Michel Blavet (1700?1768): Sonata seconda, 1st and 3rd movements - George Frideric Handel (1685?1759): Voli per l?aria chi può volareJoseph Bologne, Chevalier de Saint-Georges (1745?1799): Rondo (from: Harpsichord Quartet)Samuel Dushkin (1891?1976) / Maria Theresia von Paradis (1759?1824): SicilienneClara Schumann (1819?1896): Ich stand in dunklen TräumenVittorio Monti (1868?1922) CzárdásBarbara Heller (*1936) Water Lily (from: Musical Flowers)Victor Alcantára (*1975): Invisible Poem (extracts) / Flûte à bec / Schott
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Barenreiter Album Of Opera Choruses For Mixed Choir
26.40
Barenreiter Album Of Opera Choruses For Mixed Choir
Chorale SATB
SATB, Clavier
Barenreiter
This album for mixed choir and piano contains a selection of richly varied choru...
(+)
This album for mixed choir and piano contains a selection of richly varied choruses from Italian, French, German, English and Russian operas from the 17th to 19th centuries, illuminating the great diversity of the genre. Included are opera choruses from the following works: · Claudio Monteverdi: L'Orfeo · George Frideric Handel: Acis and Galatea HWV 49b · Christoph Willibald Gluck: Alceste (Vienna Version 1767) · Wolfgang Amadeus Mozart: Idomeneo K 366 · Franz Schubert: Fierabras D 796 · Vincenzo Bellini: Norma · Camille Saint-Saens: Samson et Dalila · Georges Bizet: Carmen · Pyotr Ilyich Tchaikovsky: Eugen Onegin (Cyrillic script with transliteration) / Choeur Mixte (SATB)
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Almira, Konigin Von Kastilien Hwv 1 (HAENDEL GEORG FRIEDRICH)
356.60
Almira, Konigin Von Kastilien Hwv 1 (HAENDEL GEORG FRIEDRICH)
Solistes, SATB et Orchestre
[Conducteur]
Barenreiter
Opera in three acts. Par HAENDEL GEORG FRIEDRICH. ; Almira, Handel's first opera...
(+)
Opera in three acts. Par HAENDEL GEORG FRIEDRICH. ; Almira, Handel's first opera, was well received when premiered in 1705 at the Theater am Gänsemarkt in Hamburg. The director was Reinhard Keiser, who, remarkably, had himself already set Friedrich Christian Feustking's text to music. The role of Fernando was sung by Johann Mattheson. The translation used by Handel leaves several Italian arias in their original language, resulting in a delightful mixture of German and Italian. The opera which, after sundry entangled romances, ends in the wedding of three couples, is characterised by exuberant scenes: the procession at Almira's crowning ceremony, a duel, a prison scene and a masked-ball involving the three continents Europe, Africa and Asia. The vocal score to ; Almira by George Frideric Handel brings about a small sensation: Whilst conducting a reenactment of this work in 1732, Georg Philipp Telemann removed the Aria no. 28 ; Ingrato, spietato from his conducting score. Since then this aria has been deemed lost. Due to necessity only the edited vocal text devoid of any music was presented in the 1994 volume of the ; Halle Handel Edition. Thanks to a recently discovered contemporary manuscript copy from the beginning of the 18th century which was found in the music library of the Mariengymnasium in Jever, this aria has now been made available to performers for the first time in this new vocal score edition. Previous to this the corresponding pages could only be seen as a facsimile in an article of the ; Göttinger Händel -Beiträge. Now the aria can be performed again. Furthermore, with the help of this new source, missing measures in the basso continuo which had initially been completed by the editor of the ; Halle Handel Edition volume, could be reconstructed from the basso continuo part of the Bellante aria ; Ich brenne zwar (no. 71). - Urtext edition based on the ; Halle Handel Edition - Original German and Italian text with a German translation of the Italian arias/ Répertoire / Solistes, SATB et Orchestre
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Georg Friedrich Händel: Samson: Opera: Vocal Score
24.99
Georg Friedrich Händel: Samson: Opera: Vocal Score
Soli, choeur mixte et accompagnement
Soli, chœur mixte et piano
[Partition]
Novello & Co Ltd.
Samson an oratorio for soloists mixed chorus and orchestra by George Frideric ...
(+)
Samson an oratorio for soloists mixed chorus and orchestra by George Frideric Handel libretto by Newburgh Hamilton after Milton’s Samson Agonistes. Edited by Donald Burrows. This latest addition to the Novello Handel Edition is the first complete modern edition of the composer’s longest oratorio prepared after examination of all known contemporary sources both music and word-books. The publication embodies the complete text known to have been performed at the Covent Garden premiere in 1743 as well as identifying the later shorter versions and additions performed regularly by Handel and an Appendix of allfurther variants created by him and performed during his lifetime. It is thus a comprehensive and flexible edition for between four and eight soloists with an abundance of choral writing and some of Handel’s most sublime writing for voices.Includes an historical preface extensive notes on the performance of the different versions and useful practical notes on the interpretation of Handel.
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Samson New Novello Choral Edition
41.70
Samson New Novello Choral Edition
Piano, Voix
Novello & Co Ltd.
Samson , an oratorio for soloists, mixed chorus and orchestra by George Frideric...
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Samson , an oratorio for soloists, mixed chorus and orchestra by George Frideric Handel, libretto by Newburgh Hamilton after Milton's Samson Agonistes . Edited by Donald Burrows. This latest addition to the Novello Handel Edition is the first complete, modern edition of the composer's longest oratorio, prepared after examination of all known contemporary sources, both music and word-books. The publication embodies the complete text known to have been performed at the Covent Garden premiere in 1743, as well as identifying the later shorter versions and additions performed regularly by Handel, and an Appendix of all further variants created by him and performed during his lifetime. It is thus a comprehensive and flexible edition for between four and eight soloists, with an abundance of choral writing and some of Handel's most sublime writing for voices. Includes an historical preface, extensive notes on the performance of the different versions and useful practical notes on the interpretation of Handel. / Chant Et Piano
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Messiah (Messias)
651.50
Messiah (Messias)
Orchestre
[Partition]
Barenreiter
Facsimile of the autograph score in the British Library, London. Par HAENDEL GEO...
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Facsimile of the autograph score in the British Library, London. Par HAENDEL GEORG FRIEDRICH. The first performance of George Frideric Handel’s oratorio “Messiah” on 13 April 1742 in Dublin aroused unqualified rapture. A newspaper report a few days later declared that it combined “the Sublime, the Grand, and the Tender”. Its success has remained undiminished ever since, and the “Messiah” has taken its place in musical life. In 2009, to mark the 250th anniversary of Handel’s death, the British Library and Bärenreiter joined forces and made the autograph score of the “Messiah” available to the public in a meticulously reproduced, lavishly published facsimile. The renowned Handel scholar Donald Burrows introduces the characteristics of Handel’smanuscript, describes the history of the work’s composition, and explains the differences between later versions of the “Messiah”, as reflected in the conducting scores. A two-page sketch from the Fitzwilliam Museum Cambridge completes the publication. Facsimile of the autograph in the British Library. 282 + 2 pages of facsimile and 55 pages of introduction (English/German/Japanese) half-linen, hardback / Oratorio / Répertoire / Divers
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Haendel, Georg Friedrich : Messiah (Messias) HWV 56
517.00
Haendel, Georg Friedrich : Messiah (Messias) HWV 56
Tous instruments
[Fac-similé]
Barenreiter
The first performance of George Frideric Handel’s oratorio “Messiah” on 13...
(+)
The first performance of George Frideric Handel’s oratorio “Messiah” on 13 April 1742 in Dublin aroused unqualified rapture. A newspaper report a few days later declared that it combined “the Sublime, the Grand, and the Tender”. Its success has remained undiminished ever since, and the “Messiah” has taken its place in musical life.
In 2009, to mark the 250th anniversary of Handel’s death, the British Library and Bärenreiter joined forces and made the autograph score of the “Messiah” available to the public in a meticulously reproduced, lavishly published facsimile.
The renowned Handel scholar Donald Burrows introduces the characteristics of Handel’s manuscript, describes the history of the work’s composition, and explains the differences between later versions of the “Messiah”, as reflected in the conducting scores. A two-page sketch from the Fitzwilliam Museum Cambridge completes the publication. / [Le Messie HWV 56] / Classique / Fac-similé /
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Jeppesen Knud La Flora 1
61.30
Jeppesen Knud La Flora 1
Piano, Voix
Wilhelm Hansen
Une collection allant de c.1600 à c.1750, la grande période de l'écriture de ...
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Une collection allant de c.1600 à c.1750, la grande période de l'écriture de l'italien Bel Canto d'arpentage. Arias et chansons par Busatti, Buzzoleni, Caccini, Calestini, Carissimi, Cavalli, Frescobaldi, Gagliano, Handel, contraints, Monteverdi, Pasquini, Pietragrua et plus encore. / Chant Et Piano
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Piano Treasury Of Easy Classical Music Cd
30.20
Piano Treasury Of Easy Classical Music Cd
Piano seul
[Partition + CD]
Amsco Wise Publications
Compilation. The Piano Treasury of Easy Classical Music is designed to be the co...
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Compilation. The Piano Treasury of Easy Classical Music is designed to be the cornerstone of your personal music library. This tremendous piano collection contains 400 pages of great music literature, specially selected and edited for the pianist who loves classical music. No other single volume can provide the wealth of exquisite piano selections contained within these pages. Here you will find the world's favourite inventions, preludes, fugues, minuets, sonata movements, nocturnes, waltzes, mazurkas, intermezzos, romantic short pieces, impressionistic works, and light classics, as well as the most rewarding traditional arrangements of themes from the great symphonies, chamber works, operas, and ballets by the master composers of the past four centuries. / Niveau : Elémentaire / Rép Classique / Recueil / Piano
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Messiah Hmv 56 (HAENDEL GEORG FRIEDRICH)
25.20
Messiah Hmv 56 (HAENDEL GEORG FRIEDRICH)
Choeur Mixte et Instrument Divers
[Partition]
Carus Verlag
Arrangeur: Siegfried Petrenz. Par HAENDEL GEORG FRIEDRICH. George Frideric Hande...
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Arrangeur: Siegfried Petrenz. Par HAENDEL GEORG FRIEDRICH. George Frideric Handel is considered England’s first and foremost composer of oratorios. Above all, the Messiah is regarded as the epitome of sacred music and in German-speaking countries it is also one of the most often performed works in the genre. The version of the Messiah which is most often performed today is a combination of various versions. Consequently, the present critical edition by Ton Koopman contains all the surviving alternative versions of the solo movements. A concordance makes it possible to assign these movements to those various performances of the work conducted by Handel between the Dublin premiere in 1742 and the London concerts which took place up to 1759. In accordance with the wishes voiced by many choral conductors and singers, the vocal score is available in separate English and German versions. Handel's Messiah Messias) for SATB and Piano./ Répertoire / Choeur Mixte et Instrument Divers
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Great Choruses For Mixed Voices
28.20
Great Choruses For Mixed Voices
Piano, Voix
Novello & Co Ltd.
17 Choruses for mixed voices from Handel's sacred works. Selected with introduct...
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17 Choruses for mixed voices from Handel's sacred works. Selected with introductory notes by Brian Kay. Rarely brought together, these diverse choruses demonstrate the enduring vitality of Handel's writing. / Chant Et Piano
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The Baroque Era : Intermediate Level - Schirmer Performance Editions
15.20
The Baroque Era : Intermediate Level - Schirmer Performance Editions
Piano seul
[Partition + Accès audio]
-
Intermédiaire
Hal Leonard
Offering insightful interpretive suggestions, pertinent fingering and historical...
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Offering insightful interpretive suggestions, pertinent fingering and historical and stylistic commentary, the Schirmer Performance Editions series is designed for Piano students and teachers, as well as professional pianists.This volume contains 20 pieces by 11 composers, including C. P. E. Bach, J. S. Bach, Couperin, Dandrieu, Handel, Kirnberger, Paradies, Rameau, D. Scarlatti and Telemann.Complete with online access to recorded performances, this book provides the intermediate level pianist with a newly-engraved collection of pieces from the Baroque Era, accompanied by historical notes and performance suggestions. / Piano
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Georg Friedrich Händel: For Unto Us A Child Is Born (Violin 1 Part): Violin:
2.99
Georg Friedrich Händel: For Unto Us A Child Is Born (Violin 1 Part): Violin:
Violon
[Partition]
Novello & Co Ltd.
The magnificent interweaving of harmonies and dialogue-like Voices in Handel&rsq...
(+)
The magnificent interweaving of harmonies and dialogue-like Voices in Handel’s For Unto Us A Child Is Born make it a perfect addition to the festive choral repertoire. German-born British Baroque composer George Frideric Handel originally composed this piece in 1741 for the English-language oratorio Messiah which eventually became one of the best-known and most frequently performed choral works in Western music. As the last song of Scene 3 of Part I of the oratorio which addresses Isaiah's specific prophecy about the virgin birth of a Messiah For Unto Us A Child Is Born tells the news of Christmas thebirth of a son in Isaiah’s words as found in the Scripture (Isaiah 9:6). The delicate familiar theme is introduced by the Sopranos and taken up by their counter-voices the Tenors later the same dialog is given over to the Altos and Basses. The tutti culminates in 'Wonderful' 'Counselor' 'The Mighty God' 'The Everlasting Father' and 'The Prince of Peace'.
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Sing, Choirs!: Anthems, Psalms And Hymns For Choirs (SATB/Organ)
28.20
Sing, Choirs!: Anthems, Psalms And Hymns For Choirs (SATB/Organ)
Chorale SATB
SATB, Orgue
Novello & Co Ltd.
Sing, Choirs! is a library in miniature. It contains many of the Christian churc...
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Sing, Choirs! is a library in miniature. It contains many of the Christian church's popular traditional anthems, including at least one example that will be suitable for each of the major services of the year. A number of Anglican chants (Psalms, Magnificat and Nunc Dimittis) are included, set out in a way that should enable those who are unfamiliar with the style to perform them easily. The selection of movements from the Mass can be used to enrich the music of the liturgy in services. Many of the works in Sing, Choirs! are presented in their original form, such as Bruckner's Locus Iste and Mozart's Laudate Dominum . Others are arrangements, adaptations or longer pieces, abridged to bring them into the scope of a useable anthem, including choral arrangements of Handel's Largo , the Ave Marias by Schubert and by Bach and Gounod, and Franck's Panis Angelicus amongst many others. This collection has practicability as a priority. The Organ parts can be played on either the Piano or the Keyboard. Much of the music in Sing, Choirs! will be suitable for special occasions, making this an indispensable volume for choirs singing at weekly church services, weddings, funerals and in the concert hall. / Choeur Mixte (SATB) Et Orgue
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Georg Friedrich Händel: For Unto Us A Child Is Born (Violin 2 Part): Violin:
2.99
Georg Friedrich Händel: For Unto Us A Child Is Born (Violin 2 Part): Violin:
Violon
[Partition]
Novello & Co Ltd.
The magnificent interweaving of harmonies and dialogue-like Voices in Handel&rsq...
(+)
The magnificent interweaving of harmonies and dialogue-like Voices in Handel’s For Unto Us A Child Is Born make it a perfect addition to the festive choral repertoire. German-born British Baroque composer George Frideric Handel originally composed this piece in 1741 for the English-language oratorio Messiah which eventually became one of the best-known and most frequently performed choral works in Western music. As the last song of Scene 3 of Part I of the oratorio which addresses Isaiah's specific prophecy about the virgin birth of a Messiah For Unto Us A Child Is Born tells the news of Christmas thebirth of a son in Isaiah’s words as found in the Scripture (Isaiah 9:6). The delicate familiar theme is introduced by the Sopranos and taken up by their counter-voices the Tenors later the same dialog is given over to the Altos and Basses. The tutti culminates in 'Wonderful' 'Counselor' 'The Mighty God' 'The Everlasting Father' and 'The Prince of Peace'.
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Young Violonist's Rep.Bk. 4 (Vln And Piano)
13.60
Young Violonist's Rep.Bk. 4 (Vln And Piano)
Violon et Piano
[Partition + CD]
Faber Music Limited
for Violin and Piano. Par KEYSER PAUL DE. Après les trois premiers livres de la...
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for Violin and Piano. Par KEYSER PAUL DE. Après les trois premiers livres de la série ce volume est le joueur déjà familier avec la première et la troisième position. Il présente une large gamme de EuAvailableean de la musique de trois siècles, dont certaines pièces magnifiques mais relativement peu familiers Handel, Leopold Mozart et d'autres. Priorité a été donnée à des pièces mélodiques exigeant un legato soutenu, afin que les joueurs sont introduits au style cantabile, si important à jouer du violon. Le niveau technique dans ce livre est environ AB Grade 3-5. / Date parution : 1986-05-23/ Recueil / Violon et Piano
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Georg Friedrich Händel: Highlights from Messiah: Piano: Instrumental Album
6.99
Georg Friedrich Händel: Highlights from Messiah: Piano: Instrumental Album
Piano seul
Kevin Mayhew
Some of the most popular choruses and arias from Handel’s masterpiece we...
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Some of the most popular choruses and arias from Handel’s masterpiece well arranged for Piano and of moderate difficulty. Contents: And the glory of the Lord For unto us a child is born Gloryto God He shall feed his flock Hallelujah I know that my redeemer liveth.Messiah is an English-language oratorio composed in 1741 by George Frideric Handel witha scriptural text compiled by Charles Jennens from the King James Bible and from the version of the Psalms included with the Book of Common Prayer. After an initially modest public reception the oratorio gained in popularity eventually becoming one of the best-known and most frequently performed choral works in Western music.
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Georg Friedrich Händel: For Unto Us A Child Is Born (Oboe 2 Part): Oboe: Part
2.99
Georg Friedrich Händel: For Unto Us A Child Is Born (Oboe 2 Part): Oboe: Part
Hautbois
[Partition]
Novello & Co Ltd.
The magnificent interweaving of harmonies and dialogue-like Voices in Handel&rsq...
(+)
The magnificent interweaving of harmonies and dialogue-like Voices in Handel’s For Unto Us A Child Is Born make it a perfect addition to the festive choral repertoire. German-born British Baroque composer George Frideric Handel originally composed this piece in 1741 for the English-language oratorio Messiah which eventually became one of the best-known and most frequently performed choral works in Western music. As the last song of Scene 3 of Part I of the oratorio which addresses Isaiah's specific prophecy about the virgin birth of a Messiah For Unto Us A Child Is Born tells the news of Christmas thebirth of a son in Isaiah’s words as found in the Scripture (Isaiah 9:6). The delicate familiar theme is introduced by the Sopranos and taken up by their counter-voices the Tenors later the same dialog is given over to the Altos and Basses. The tutti culminates in 'Wonderful' 'Counselor' 'The Mighty God' 'The Everlasting Father' and 'The Prince of Peace'.
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Georg Friedrich Händel: For Unto Us A Child Is Born (Continuo Part): Chamber
4.50
Georg Friedrich Händel: For Unto Us A Child Is Born (Continuo Part): Chamber
Novello & Co Ltd.
The magnificent interweaving of harmonies and dialogue-like Voices in Handel&rsq...
(+)
The magnificent interweaving of harmonies and dialogue-like Voices in Handel’s For Unto Us A Child Is Born make it a perfect addition to the festive choral repertoire. German-born British Baroque composer George Frideric Handel originally composed this piece in 1741 for the English-language oratorio Messiah which eventually became one of the best-known and most frequently performed choral works in Western music. As the last song of Scene 3 of Part I of the oratorio which addresses Isaiah's specific prophecy about the virgin birth of a Messiah For Unto Us A Child Is Born tells the news of Christmas thebirth of a son in Isaiah’s words as found in the Scripture (Isaiah 9:6). The delicate familiar theme is introduced by the Sopranos and taken up by their counter-voices the Tenors later the same dialog is given over to the Altos and Basses. The tutti culminates in 'Wonderful' 'Counselor' 'The Mighty God' 'The Everlasting Father' and 'The Prince of Peace'.
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Georg Friedrich Händel: For Unto Us A Child Is Born: String Orchestra: Score and
29.99
Georg Friedrich Händel: For Unto Us A Child Is Born: String Orchestra: Score and
Orchestre à Cordes
[Partition]
Novello & Co Ltd.
The magnificent interweaving of harmonies and dialogue-like Voices in Handel&rsq...
(+)
The magnificent interweaving of harmonies and dialogue-like Voices in Handel’s For Unto Us A Child Is Born make it a perfect addition to the festive choral repertoire. German-born British Baroque composer George Frideric Handel originally composed this piece in 1741 for the English-language oratorio Messiah which eventually became one of the best-known and most frequently performed choral works in Western music. As the last song of Scene 3 of Part I of the oratorio which addresses Isaiah's specific prophecy about the virgin birth of a Messiah For Unto Us A Child Is Born tells the news of Christmas thebirth of a son in Isaiah’s words as found in the Scripture (Isaiah 9:6). The delicate familiar theme is introduced by the Sopranos and taken up by their counter-voices the Tenors later the same dialog is given over to the Altos and Basses. The tutti culminates in 'Wonderful' 'Counselor' 'The Mighty God' 'The Everlasting Father' and 'The Prince of Peace'.
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Georg Friedrich Händel: For Unto Us A Child Is Born (Bassoon Part): Bassoon:
2.99
Georg Friedrich Händel: For Unto Us A Child Is Born (Bassoon Part): Bassoon:
Basson
[Partie séparée]
Novello & Co Ltd.
The magnificent interweaving of harmonies and dialogue-like Voices in Handel&rsq...
(+)
The magnificent interweaving of harmonies and dialogue-like Voices in Handel’s For Unto Us A Child Is Born make it a perfect addition to the festive choral repertoire. German-born British Baroque composer George Frideric Handel originally composed this piece in 1741 for the English-language oratorio Messiah which eventually became one of the best-known and most frequently performed choral works in Western music. As the last song of Scene 3 of Part I of the oratorio which addresses Isaiah's specific prophecy about the virgin birth of a Messiah For Unto Us A Child Is Born tells the news of Christmas thebirth of a son in Isaiah’s words as found in the Scripture (Isaiah 9:6). The delicate familiar theme is introduced by the Sopranos and taken up by their counter-voices the Tenors later the same dialog is given over to the Altos and Basses. The tutti culminates in 'Wonderful' 'Counselor' 'The Mighty God' 'The Everlasting Father' and 'The Prince of Peace'.
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Georg Friedrich Händel: In The Lord Put I My Trust HWV 247: SATB: Score
29.99
Georg Friedrich Händel: In The Lord Put I My Trust HWV 247: SATB: Score
Chorale SATB
Novello & Co Ltd.
The Full Score for George Frideric Handel's 'Chandos Anthem' (No.2) In The Lord...
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The Full Score for George Frideric Handel's 'Chandos Anthem' (No.2) In The Lord Put I My Trust expertly edited by Damien Cranmer. Arranged for Tenor Soloist SATB Chorus and Orchestra. This version replaces Handel's original STB Chorus with an SATB Chorus dividing the original tenor line between the alto and tenor and expanding the chorus as a whole by using music from the instrumental parts where possible. You can purchase the Parts separately here.
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Georg Friedrich Händel: For Unto Us A Child Is Born (Viola Part): Viola: Part
2.99
Georg Friedrich Händel: For Unto Us A Child Is Born (Viola Part): Viola: Part
Alto (Viole)
[Partition]
Novello & Co Ltd.
The magnificent interweaving of harmonies and dialogue-like Voices in Handel&rsq...
(+)
The magnificent interweaving of harmonies and dialogue-like Voices in Handel’s For Unto Us A Child Is Born make it a perfect addition to the festive choral repertoire. German-born British Baroque composer George Frideric Handel originally composed this piece in 1741 for the English-language oratorio Messiah which eventually became one of the best-known and most frequently performed choral works in Western music. As the last song of Scene 3 of Part I of the oratorio which addresses Isaiah's specific prophecy about the virgin birth of a Messiah For Unto Us A Child Is Born tells the news of Christmas thebirth of a son in Isaiah’s words as found in the Scripture (Isaiah 9:6). The delicate familiar theme is introduced by the Sopranos and taken up by their counter-voices the Tenors later the same dialog is given over to the Altos and Basses. The tutti culminates in 'Wonderful' 'Counselor' 'The Mighty God' 'The Everlasting Father' and 'The Prince of Peace'.
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Great Fugues For Solo Keyboard (Bach Beethoven: Piano: Instrumental Album
8.95
Great Fugues For Solo Keyboard (Bach Beethoven: Piano: Instrumental Album
Piano seul
Dover Publications
An extensive volume filled with fugues from the last 350 years! Beginning with w...
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An extensive volume filled with fugues from the last 350 years! Beginning with works by Frescobaldi Scarlatti Giambattista and Handel this collection features several compositions by the fugue's most famous expositor Johann Sebastian Bach including many pieces from the Well-Tempered Clavier. Contributions from latter-day composers include works by Mozart Beethoven Mendelssohn Robert and Clara Schumann Brahms and Saint-Saëns.
8.95 GBP - vendu par Musicroom GB
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Georg Friedrich Händel: For Unto Us A Child Is Born: SATB: Vocal Score
2.99
Georg Friedrich Händel: For Unto Us A Child Is Born: SATB: Vocal Score
Chorale SATB
SATB, Piano
[Vocal Score]
Novello & Co Ltd.
The magnificent interweaving of harmonies and dialogue-like Voices in Handel&rsq...
(+)
The magnificent interweaving of harmonies and dialogue-like Voices in Handel’s For Unto Us A Child Is Born make it a perfect addition to the festive choral repertoire. German-born British Baroque composer George Frideric Handel originally composed this piece in 1741 for the English-language oratorio Messiah which eventually became one of the best-known and most frequently performed choral works in Western music. As the last song of Scene 3 of Part I of the oratorio which addresses Isaiah's specific prophecy about the virgin birth of a Messiah For Unto Us A Child Is Born tells the news of Christmas thebirth of a son in Isaiah’s words as found in the Scripture (Isaiah 9:6). The delicate familiar theme is introduced by the Sopranos and taken up by their counter-voices the Tenors later the same dialog is given over to the Altos and Basses. The tutti culminates in 'Wonderful' 'Counselor' 'The Mighty God' 'The Everlasting Father' and 'The Prince of Peace'. As an individual piece this song arranged for SATB Voices with Piano accompaniment is perfect for Christian settings especially during the Christmas season.
2.99 GBP - vendu par Musicroom GB
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