Felix Mendelssohn's Come Let Us Sing Op.46 is a setting of the 95th Psalm and available here is the vocal score for Tenor solo SATB Chorus and Piano reduction.

(Novello Tonic Sol-Fa)-Felix Mendelssohn's Hymn Of Praise for mixed choir arranged for Tonic Sol fa.

Paperback-Felix Mendelssohn's For He Shall Give His Angels Charge Over Thee for SSAATTBB unaccompanied.Written in 1844 in thanksgiving for the preservation of the life of the Prussian King Friedrich Wilhelm after an unsuccessful assassination attempt this is the original a cappella version of the well-known chorus from Elijah. This edition presents both English and German texts.

Come Unto Him from the Hymn Of Praise by Felix Mendelssohn arranged for SATB chorus with Piano by Michael J. Diack.

This combination of a Felix Mendelssohn tune to the Charles Wesley text is a classic! Known for his creative ability in setting hymns in a concertato style Walter Pelz develops an exciting arrangement for large choir with organ brass timpani and even the congregation. This would make a terrific processional for your holiday concert.

A Piano piece in E flat major with the simple title ‘Lied’ (song) was Felix Mendelssohn’s surprise present to his sister Fanny on her birthday on 14 November 1828. Shortly afterwards she referred to the work as ‘Song without Words’ and probably coined the phrase under which her brother’s lyrical Piano pieces numbering nearly 50 are known today. The present edition contains in addition to the 48 well-known ‘Songs without Words’ a number of individual compositions which because of their title or character seem to fit the classification ‘Song withoutWords'. These and the above mentioned first example of 1828 are united in this essential compilation of works in a genre favoured by the composer. An enriching addition to the Piano repertoire of interest for teaching as well as for recital purposes.

Mendelssohn produced an early work for Organ in 1837 but it was a London music publishing firm who commissioned the first of his mature Organ works. The second half of the commissioned pieces are published in this volume. Mendelssohn himself saved all his manuscripts and they have survived in libraries in Berlin and Krakow providing the subtitle of this book.Eleven movements are included here all written in 1844 and 1845. What were originally commissioned as ‘Voluntaries’ were changed at the composer’s request to ‘Sonatas’. Whether one considers these movements as drafts and sketches or as distinct musical entities in their own right the works are not identical tothe final printed versions. For those who appreciate or study the Mendelssohn Organ oeuvre this volume is of immense interest.While the Organ never completely fell from grace as the instrument of church and religious music it is the editor’s belief that in the century dividing JS Bach from these works of Mendelssohn fashion and church practice had greatly diminished its importance and few works of real note were produced. Mendelssohn was introduced to the Organ early in his prodigious career and found a warm audience for his Organ performances in Engand to which he returned nine times over nearly twenty years.

Trompeten-Ouvertüre-The Overture in C major the so-called “Trumpet Overture” with its brass fanfare was composed in 1826 and a second version with considerable revisions was made in 1833 for performances in D?sseldorf and London.The Overture in C major was first published posthumously in 1867.Christopher Hogwood’s Urtext edition takes into account both Mendelssohn’s autograph now held in the Biblioth?que nationale in Paris which has two endings as well as the London manuscript copy made for the performance there in 1834; this manuscript contains three separate trombone parts in Mendelssohn’s hand. ?The newB?renreiter edition presents the work as found in Mendelssohn’s autograph for the first time. ?Christopher Hogwood also documents the development of the overture with facsimiles from the 1826 version. Full score & parts (BA9052) available for sale

Trompeten-Ouvertüre-The Overture in C major the so-called “Trumpet Overture” with its brass fanfare was composed in 1826 and a second version with considerable revisions was made in 1833 for performances in D?sseldorf and London.The Overture in C major was first published posthumously in 1867.Christopher Hogwood’s Urtext edition takes into account both Mendelssohn’s autograph now held in the Biblioth?que nationale in Paris which has two endings as well as the London manuscript copy made for the performance there in 1834; this manuscript contains three separate trombone parts in Mendelssohn’s hand. ?The newB?renreiter edition presents the work as found in Mendelssohn’s autograph for the first time. ?Christopher Hogwood also documents the development of the overture with facsimiles from the 1826 version. Full score & parts (BA9052) available for sale

from Mendelssohn's Symphony No. 5-This superb arrangement features the third movement of Mendelssohn’s Symphony No. 5 (Reformation). Arguably one of the most memorable melodies Mendelssohn ever wrote this version for strings retains all the beauty and finesse of the original. An ideal opportunity to teach phrasing and develop the slow bow control necessary for languid singing passages. This is fantastic music!

Oratorienfragment. Teil I: Die Geburt Christi - Teil Ii: Das Leiden Christi. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohns unfinished 3rd oratorio in its first critical edition. The parts 'Die Geburt Christi' and 'Das Leiden Christi' are presented with full orchestration. In 1852, five years after Mendelsohn’s death, two independently-performable fragments of an unfinished oratorio were published under the title 'Christus'. The second fragment, 'The Suffering of Jesus', comes from the middle of the Passion story: the scene 'Jesus before Pilot' is presented with rapid, dramatic alternation between the recitatives of the evangelist (tenor) and choruses of the people. A contemplative choral movement closes the fragment. / Oratorio / Répertoire / Solistes STBB, Choeur SATTBB, 2 Flûtes Traversière

Oratorienfragment. Teil I: Die Geburt Christi - Teil Ii: Das Leiden Christi. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohns unfinished 3rd oratorio in its first critical edition. The parts 'Die Geburt Christi' and 'Das Leiden Christi' are presented with full orchestration. In 1852, five years after Mendelsohn’s death, two independently-performable fragments of an unfinished oratorio were published under the title 'Christus'. The second fragment, 'The Suffering of Jesus', comes from the middle of the Passion story: the scene 'Jesus before Pilot' is presented with rapid, dramatic alternation between the recitatives of the evangelist [tenor] and choruses of the people. A contemplative choral movement closes the fragment. / Oratorio / Répertoire / Solistes STBB, Choeur SATTBB, 2 Flûtes Traversière