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Michael Nyman: I Sonetti Lussuriosi: String Ensemble: Score
37.50
Michael Nyman: I Sonetti Lussuriosi: String Ensemble: Score
VCE/PFC/STR QUARTET::Voice, Piano Chamber, String Quartet
[Partition]
Chester
I Sonetti Lussuriosi is a collection of pieces by world-renowned composer Michae...
(+)
I Sonetti Lussuriosi is a collection of pieces by world-renowned composer Michael Nyman. This work is a setting of 8 pieces of erotic poetry by Italian poet Pietro Aretino. This is the FullScore and is arranged for Voice and Piano Quintet. I Sonetti Lussuriosi was inspired by Renaissance engravings of couples engaged in sexual intercourse which caused outrage amongauthorities at the time. At the world premiere of Nyman's work Marie Angel voiced both the male and female characters with the Orchestra di Santa Cecilia conducted by Michael Nyman himself.
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Michael Nyman: I Sonetti Lussuriosi: String Ensemble: Parts
42.50
Michael Nyman: I Sonetti Lussuriosi: String Ensemble: Parts
PFC/STR QUARTET::Piano Chamber, String Quartet
[Partition]
Chester
I Sonetti Lussuriosi is a collection of pieces by world-renowned composer Michae...
(+)
I Sonetti Lussuriosi is a collection of pieces by world-renowned composer Michael Nyman. This work is a setting of 8 pieces of erotic poetry by Italian poet Pietro Aretino. These are theParts of this work including Violin I Violin II Viola Cello and Piano. I Sonetti Lussuriosi was inspired by Renaissance engravings of couples engagedin sexual intercourse which caused outrage among authorities at the time. At the world premiere of Nyman's work Marie Angel voiced both the male and female characters with the Orchestra di Santa Cecilia conducted byMichael Nyman himself.
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Tarik O'Regan: The Ecstasies Above (String Quartet Parts): String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
-
Intermédiaire/avancé
Novello & Co Ltd.
The Ecstasies Above commissioned from the Robert Baker Commissioning Fund for S...
(+)
The Ecstasies Above commissioned from the Robert Baker Commissioning Fund for Sacred Music by Yale Institute of Sacred Music was premièred by Yale Schola Cantorum under the direction of Simon Carrington on 4th March 2007 in Woolsey Hall Yale University. The minimum number of singers required is 16 (two each per chorus part together with the solo voices); however a larger number for the main chorus (16-32 voices for example) is more suitable. The string quartet and the two solo vocal quartets should be placed in front of the chorus. The vocal quartets should be spatially separated from each other. Depending on the venue and the size of the chorus the string quartetmay need to be amplified.
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String quartet no. 1 (2015) (FREEMAN ALEX)
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String quartet no. 1 (2015) (FREEMAN ALEX)
Quatuor à cordes: 2 violons, alto, violoncelle
Fennica Gehrman
Par FREEMAN ALEX. Alex Freeman found initial inspiration for his string quartet ...
(+)
Par FREEMAN ALEX. Alex Freeman found initial inspiration for his string quartet (2015) in a series of photographs a geologist friend showed him of en échelon veins in rock formations. The open strings punctuated with pizzicato unisons that begin the single-movement work call to mind something crystalline and shimmering, which is immediately infused with tumbling lyrical lines in something of a rapid caccia technique throughout. The middle of the work becomes more suspended in slower material loosely based on a technique of prolation canon, comprises layers of free, expressive, lyrical, and even elegiac music moving at different speeds. As the work concludes, the materials converge in a rhythmically pulsating stasis and an almost chorale-like statement. Duration: c. 13' This product includes the score and the parts (A4 sized). American-Finnish composer Alex Freeman (b.1972) has established himself among the foremost composers of choral music in Finland. A dedicated citizen of his musical community, a teacher, and a choral singer himself, he composes music that reflects an appreciation for a wide range of aesthetics and a passion for communicating with listeners and performers. In his choral works, in particular, we find music that aims to be sonorous, melodic, and resonant, but is always crafted to carefully avoid the cliches that can burden conventional tonality. His instrumental works run the gamut: a cantata with orchestra based on poetry of Whitman; a significant body of solo piano works that reveal deep roots in everything from austere absolute music to soaring elegaic rhetoric (see Albany Records, Inner Voice); his chamber work Blueshift (Navona Records), which is a kind of paean to Reich and Adams in miniature; open-ended modular works, like various iterations of his Slow All Clocks for electronic media, solo clarinet, and mixed choirs of kanteles; and, recently, some new directions in microtonal music. / Date parution : 2022-05-31/ Répertoire / Quatuor à Cordes
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Pelle Gudmundsen-Holmgreen: All In One: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
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Avancé
Wilhelm Hansen
All In One for 3 String Quartets was composed by Pelle Gudmundsen-Holmgreen in 2...
(+)
All In One for 3 String Quartets was composed by Pelle Gudmundsen-Holmgreen in 2013 (String Quartet No.12 13 and 14 played simultaneously). Gudmundsen-Holmgreen has written a collection of three new string quartets: String Quartet no. 12 ‘Each in Each’; String Quartet no. 13 ‘Mutual Ordering’ and String Quartet no. 14 ‘Well-Tuned Sounds’. Each quartet can be played on its own; they can also played simultaneously in any combination. When all three quartets are played together as they are tonight the combined work is titled All in One. About this collection Gudmundsen-Holmgreenwrites: 'Some years ago Kronos and the vocal group Theatre of Voices performed three new pieces which I had written for the two groups: one for Theatre of Voices (Green) and two for Kronos (New Ground and No Ground). They were played and sung by each group independently – but also both groups together concurrently on top of each other as a final gesture. The combined pieces were called New Ground Green and No Ground Green. 'David liked the idea (and the result) of pairs of quartets that could be played both independently and simultaneously and asked me if the vocal quartet could be transformed into a string quartet. It could not. He then asked me to repeat the whole set-up with a new pair of quartets adding also some percussion instruments as was the case with Green for Theatre of Voices. Of course this was tempting. Furthermore David asked me to make one of the two new quartets a little easier to play. 'I began to work. The Kronos part of the pair of quartets turned out to be tough to play as David puts it. Unfortunately the ‘easier’ one was tough to play also! So I had to write one more which was then a little easier still (but still not easy). 'The three new works can be played separately and on top of each other in many different combinations resulting in different kinds of
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David Blake: Searching The Skies: String Quartet: Parts
18.00
David Blake: Searching The Skies: String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
University Of York Music Press
For unison children's voices and strings (or with Piano).Published in 1994.Six p...
(+)
For unison children's voices and strings (or with Piano).Published in 1994.Six poems of Jessica George (1984-94)First performance by Jessica's friends St Olave's Church York on 22nd October1994.String Quartet Parts.
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Rued Langgaard: I Blomstringstiden / In The Flowering Time: Soprano: Score
Voix Soprano
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Rued Langgaard Edition
I Blomstringstiden / In The Flowering Time for Soprano and String Quartet by Rue...
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I Blomstringstiden / In The Flowering Time for Soprano and String Quartet by Rued Langgaard (1917) BVN 136. Text by Alvilde Prydz. Critical edition by Bendt Viinholt Nielsen / The Rued Langgaard Edition.
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John Tavener: The Bridegroom (Score/Vocal Score): Voice: Vocal Score
5.50
John Tavener: The Bridegroom (Score/Vocal Score): Voice: Vocal Score
VCE(4)/STR QUARTET::Voix (Quatuor)/Quatuor À Cordes
[Vocal Score]
Chester
Adopting the text from The Bridegroom Services of Orthodox Holy Week this work ...
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Adopting the text from The Bridegroom Services of Orthodox Holy Week this work for Four Female Voices and String Quartet was premiered by the Chilingirian Quartet and the Anonymous Four. String Parts available: SOS05507
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Ian Venables: The Song Of The Severn - String Quartet Parts: String Quartet:
20.99
Ian Venables: The Song Of The Severn - String Quartet Parts: String Quartet:
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Novello & Co Ltd.
Ian Venables' The Song Of The Severn is a cycle of songs in celebration of Worce...
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Ian Venables' The Song Of The Severn is a cycle of songs in celebration of Worcestershire scored for Baritone Voice String Quartet and Piano. “The Song of the Severn…clothes poems by Masefield Housman John Drinkwater and Philip Worner in sharply memorable music of bewitching lyricism idiomatic grace and rapt instinct…No lover of the early-20th-century English art song or pastoral tradition should fail to investigate this notable issue.” - Andrew Achenbach Gramophone “These five songs for voice with piano and string quartet accompaniment take the Severn Riverand its historical and natural associations as a common theme. They are absolutely stunning in their poignant beauty their profoundly noble and moving sense of tragedy and desolation that never turns sentimental or lachrymose and their perfect union of text and music to a level that rivals Schubert and Mahler.” - James A. Altena Fanfare Magazine
20.99 GBP - vendu par Musicroom GB
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John McCabe: String Quartet No.7 - Summer Eves: String Quartet: Score
24.99
John McCabe: String Quartet No.7 - Summer Eves: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Novello & Co Ltd.
Commissioned by the Presteigne Festival of Music and the Arts Limited with fund...
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Commissioned by the Presteigne Festival of Music and the Arts Limited with funds provided by the Arts Council of Wales for premiere in August 2012 by the Carducci String Quartet in St. Andrew?s Church Presteigne.Composer's Note'Some years ago I noted down the opening theme of what I anticipated would be a relatively Classical string quartet ?Classical? in the sense of the forms adopted plus perhaps a predominantly lyrical tone of voice. The commission for this work from the Presteigne Festival for their 30th anniversary in 2012 gave me the opportunity of putting into practice this long-held idea. It isdedicated to the Festival and to the Carducci Quartet whose career as much-admired friends and colleagues I have greatly enjoyed.The only break with ?classical? tradition is that there are five movements instead of four with two Scherzi as the second and third though both these are very short and contrasting. I found myself listening to Haydn?s string quartets a lot before and during the composition of this work and I hope the spirit of his delight in writing for this medium is echoed in my own music. The opening movement is in sonata form unusually for me and lyricism is I hope the basis of it though there is a good deal of activity at times. The Scherzo light and marked by frequently-changing rhythms is followed by an equally short but ferocious Perpetuum mobile marked Wild und rasch (one of my favourite German tempo markings). The fourth movement is an intense Adagio in which a single phrase uttered strongly in unison is gradually transformed into gentle diatonic chords before the close intermingled with cadenzas for cello for viola and for the two violins together. The finale (a Rondo) resumes the classical tone of the first movement but apart from one dance-like episode it builds up a fair head of steam towards a final Presto which however ascends slows and quietens towards a gentle summer sky at dusk.'
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John McCabe: String Quartet No.7 - Summer Eves (Parts): String Quartet: Parts
29.99
John McCabe: String Quartet No.7 - Summer Eves (Parts): String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Novello & Co Ltd.
Commissioned by the Presteigne Festival of Music and the Arts Limited with fund...
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Commissioned by the Presteigne Festival of Music and the Arts Limited with funds provided by the Arts Council of Wales for premiere in August 2012 by the Carducci String Quartet in St. Andrew?s Church Presteigne.Composer's Note.'Some years ago I noted down the opening theme of what I anticipated would be a relatively Classical string quartet ?Classical? in the sense of the forms adopted plus perhaps a predominantly lyrical tone of voice. The commission for this work from the Presteigne Festival for their 30th anniversary in 2012 gave me the opportunity of putting into practice this long-held idea. It isdedicated to the Festival and to the Carducci Quartet whose career as much-admired friends and colleagues I have greatly enjoyed.The only break with ?classical? tradition is that there are five movements instead of four with two Scherzi as the second and third though both these are very short and contrasting. I found myself listening to Haydn?s string quartets a lot before and during the composition of this work and I hope the spirit of his delight in writing for this medium is echoed in my own music. The opening movement is in sonata form unusually for me and lyricism is I hope the basis of it though there is a good deal of activity at times. The Scherzo light and marked by frequently-changing rhythms is followed by an equally short but ferocious Perpetuum mobile marked Wild und rasch (one of my favourite German tempo markings). The fourth movement is an intense Adagio in which a single phrase uttered strongly in unison is gradually transformed into gentle diatonic chords before the close intermingled with cadenzas for cello for viola and for the two violins together. The finale (a Rondo) resumes the classical tone of the first movement but apart from one dance-like episode it builds up a fair head of steam towards a final Presto which however ascends slows and quietens towards a gentle summer sky at dusk.'
29.99 GBP - vendu par Musicroom GB
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Michael Praetorius: Resonet in Laudibus: String Quartet: Parts
32.00
Michael Praetorius: Resonet in Laudibus: String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
Walton Music
Sing Out Dear Children-This edition of the work from the early 1600s offers gre...
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Sing Out Dear Children-This edition of the work from the early 1600s offers great versatility for the singers. The SSAATTB setting for young choirs and beyond allows the treble parts to be sung by soloists or a smaller mixed choir. Instruments may also be substituted for voices. For a bigger performance you may combine several choirs and add optional strings to the continuo. Available separately: SSAATTB Instrumental Accompaniment (Score and Parts for Strings). Duration: ca. 4:00.
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Tarik O'Regan: The Ecstasies Above (Full Score): String Quartet: Score
29.99
Tarik O'Regan: The Ecstasies Above (Full Score): String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
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Intermédiaire/avancé
Novello & Co Ltd.
Tarik O'Regan's The Ecstasies Above was commissioned by the Robert Baker Commiss...
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Tarik O'Regan's The Ecstasies Above was commissioned by the Robert Baker Commissioning Fund for Sacred Music by Yale Institute of Sacred Music and was premièred by Yale Schola Cantorum under the direction of Simon Carrington on 4th March 2007 in Woolsey Hall Yale University. The minimum number of singers required is 16 (two each per chorus part together with the solo voices); however a larger number for the main chorus (16-32 voices for example) is more suitable. The string quartet and the two solo vocal quartets should be placed in front of the chorus. The vocal quartets should be spatially separated from each other. Depending on thevenue and the size of the chorus the string quartet may need to be amplified.
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