This setting of Hildegard von Bingen's Ave Generosa text uses a hauntingly joyful tonality paying homage to the mysterious story of Mary. A beautiful middle section is surrounded by contrasting modal beginning and ending sections. The juxtaposition of sustained and moving moments holds true to the composer's style while the harmonic structure and vocal construction offer something very fresh.

O Virgo Virginum by Gabriel Jackson for solo Tenor and SSATB unaccompanied.Following on from the publication of Jackson's settings of the seven 'O' antiphons under the title Seven Advent Antiphons O Virgo virginum is a setting of the Latin text recognised as the eighth 'O' antiphon and performed as such in many Christian traditions. Jackson's imaginative setting features a melismatic line for tenor soloist and aleatoric writing.

The Chandos Anthems were composed by Handel while serving as court musician for the English Duke of Chandos. Master editor Walter Ehret has taken the fairly extended eighth chorus and created a version that will work well forchurch or school. The lively spirit and crisp construction for which Handel is famous rings true with this fine edition. Notes and sources are provided.

Jay Rouse has captured a pop/R&B groove for this standard from the '60s. Amazingly fresh and incredibly fun to sing – now arranged in 4/4 time instead of the usual 3/4 time with the sixteenth note not the eighth note swung. There are opportunities for solo performances with a hint of gospel to finish. Do not miss this stellar arrangement featuring the familiar classic set to a modern groove. Available separately: SATB SAB StudioTrax CD.

Don't Let The Sun Go Down On Me is the first single from Elton John's eighth studio album Caribou. This song achieved great success upon its second release in 1991 as a duet with George Michael. It reached number 1 in the UK and US singles charts and has been widely covered by prominent artists ever since.This song is a staple inclusion within the beginner choir's repertoire with its simple but effective harmonies and iconic Piano part. The song is arranged here for SATB choir and Piano accompaniment by Simon Foxley and Christopher Hussey.

Uses: Christmas Concert Scripture: Matthew 9:37-38 Luke 2:6-8 This pleasing menagerie of carols is a treasure trove of memorable themes that sing It's Christmas! A running eighth note pattern gently leads us into the first carol In the Bleak Midwinter. The approachable SAB voicing provides a gratifying texture that shimmers with hope and promise. The Holly and the Ivy and Once in Royal David's City also make an appearance before quietly winding down to a lovely rendering of the final verse of the treasured Rossetti poem.

for SATB unaccompanied A short but eloquent setting of the eighth stanza of the hymn 'Pange lingua' and thus an effective Holy Week motet.

Volume 8 - Songs 1928-1930-The critically and editorially authoritative editions of the songs of Peter Warlock. This eighth collection spans the years of 1923 and 1924 contains seventeen songs for voice and Piano by Warlock including Seven Songs of Summer. Edited and introduced by Fred Tomlinson.

A unique arrangement of one of the all-time great friendship songs - unique because it can be performed with a swing beat OR with even eighth notes! The straightforward treatment means it's easy-to-learn in just a few rehearsals so it's perfect for the beginning or the end of the school year. A good choice for movement.

A new classic this eighth century Easter text has been set in a neo-Baroque style by Dana Mengel. This light and bouncy resurrection anthem uses lots of imitation between voices to add interest and is sung a cappella calling tomind the sacred music of old. But “Sing an Alleluia!” isn't just for Easter. Optional text is provided for Christmas and for general use making it an extremely versatile anthem. “Sing an Alleluia!” is awonderful return to a time in music history long passed.