On July 30 1838 Mendelssohn wrote to Ferdinand David his concertmaster at Leipzig telling him that he would like to write a Violin Concerto for him: One in E minor goes through my head and the beginning will not leave me in peace. This Violin Concerto is now a pillar of the Violin repertoire and is commonly known as the Mendelssohn Concerto.

Par BALAZS ARPAD. Árpád Balázs (*1937) composed the first version of Rhapsody for Hungarian cimbalom and concert band in 2001; in 2021, on the encouragement by a Japanese marimba player he arranged the solo part for marimba, and therefore the opportunities for the work to be played have significantly widened. The Rhapsody follows the one-movement structure created by Franz Liszt. The beginning solo section of the cimbalom (or marimba) returns before the coda as a pillar of the form. The composition, which can be divided into five sections, develops and works with a Lydian tetrachordal motif (G-A-B-C sharp) in different characters, stretching the span of music from a simple, children's song-like appearance to an obstinate ritual dance. In conclusion, the Rhapsody is a passionately emotional lyric orchestral poem rich in colours and characters, which has a place on the repertoire of every concert band playing quality music. / Date parution : 2023-06-01/ Répertoire / Concert Band et Marimba

Interlude I From The Opera Alice In Wonderland-This is a highly illustrative piece of programme music referring to Chapter V of Lewis Carroll?s Alice?s Adventures in Wonderland.By playing the Bass Clarinet the caterpillar ?speaks? his lines the performer is therefore encouraged to use their full imagination with regards to articulation agogics and gestures. Exaggeration and theatrical expression are by no means to be avoided on the contrary they are expected!Ideally the dialogue between Alice and the Caterpillar ? which appears throughout this score ? should be projected onto a screen. German and French translations of this text are included.

Piano, Voix, Guitare Tablature / Pardon ; Le baiser ; Tailler la zone; Rive gauche; L'horrible bye-bye; Au ras des paquerettes; Menti -Petit tas tombé; Une guitare un citoyen; Caterpillar; La vie ne vaut rien.

Par PILLARD JEAN-MARC. This book and audio teaches excellent techniques to use for walking bass lines on guitar when playing in a duet format, either with another guitar player or with a singer or other instrumentalists. The idea of this book is to give a few answers to the question, 'How do I harmonize walking bass lines when I've never done it before?'. We will take the principal chords, major 7, 6, dominant 7, minor, diminished, and minor 7 flat 5 and walk bass lines on the sixth or fifth string. Written in notation and tablature. Includes access to online audio./ Tablatures / Guitare Tablatures

Deux charmants et factuels minicomédies pour les jeunes enfants. Chaque musical a cinq chansons avec reliant la narration. Têtard Rag raconte en mots et en chanson du cycle de vie de la grenouille, un sujet important à l'école. Il peut être exécuté comme un minicomédies en costume d'époque musicales avec beaucoup de plaisir les mouvements et la danse, ou comme un morceau de concert.Caterpillar Boogie décrit le cycle de vie du papillon, une fois de plus un sujet important à cet âge. Il y a beaucoup de possibilités de design créatif, de mouvement, de danse et de chant. Durée : 15 minutes. / Piano / Cassette

Par FARKAS FERENC. “I wrote this Christmas cantata from Köröshegy at the request of the Council of the Komitat Somogy. When I visited the still unrenovated little church at Köröshegy about ten years ago I had no idea that this beautiful Gothic building would one day be the scene of the world première of one of my works. - The cantata is founded on four pillars: four organ soli which could be described as “ritornelli”, followed by four a cappella choruses with the same melody but different harmonizations. These are settings of the four verses of In Epiphaniam by Janus Pannonius, the most renowned Hungarian poet and humanist of the Renaissance. Between these pillars I have introduced movementsfor choir or for soloists based on Hungarian folk tunes and Christmas songs from Transylvania and the Komitat Somogy: songs of the shepherds, angels and wise men, and, after a pastorale for organ, a large scale mixed-voice chorus intoning Ez karácsony éjszakáján [Holy Night]. A narrator introduces the individual numbers with passages from the Christmas story. An organ postlude concludes the work. ” [Ferenc Farkas] This work may be performed in German, English, French or Hungarian language, accompanied by a chamber ensemble or a larger orchestra./ Répertoire / Petit Orchestre: Récitant, Solistes et Choeur SSAT

Par FARKAS FERENC. “I wrote this Christmas cantata from Köröshegy at the request of the Council of the Komitat Somogy. When I visited the still unrenovated little church at Köröshegy about ten years ago I had no idea that this beautiful Gothic building would one day be the scene of the world première of one of my works. - The cantata is founded on four pillars: four organ soli which could be described as “ritornelli”, followed by four a cappella choruses with the same melody but different harmonizations. These are settings of the four verses of In Epiphaniam by Janus Pannonius, the most renowned Hungarian poet and humanist of the Renaissance. Between these pillars I have introduced movementsfor choir or for soloists based on Hungarian folk tunes and Christmas songs from Transylvania and the Komitat Somogy: songs of the shepherds, angels and wise men, and, after a pastorale for organ, a large scale mixed-voice chorus intoning Ez karácsony éjszakáján [Holy Night]. A narrator introduces the individual numbers with passages from the Christmas story. An organ postlude concludes the work. ” [Ferenc Farkas] This work may be performed in German, English, French or Hungarian language, accompanied by a chamber ensemble or a larger orchestra./ Répertoire / Petit Orchestre: Récitant, Solistes et Choeur SSAT

Par FARKAS FERENC. “I wrote this Christmas cantata from Köröshegy at the request of the Council of the Komitat Somogy. When I visited the still unrenovated little church at Köröshegy about ten years ago I had no idea that this beautiful Gothic building would one day be the scene of the world première of one of my works. - The cantata is founded on four pillars: four organ soli which could be described as “ritornelli”, followed by four a cappella choruses with the same melody but different harmonizations. These are settings of the four verses of In Epiphaniam by Janus Pannonius, the most renowned Hungarian poet and humanist of the Renaissance. Between these pillars I have introduced movementsfor choir or for soloists based on Hungarian folk tunes and Christmas songs from Transylvania and the Komitat Somogy: songs of the shepherds, angels and wise men, and, after a pastorale for organ, a large scale mixed-voice chorus intoning Ez karácsony éjszakáján [Holy Night]. A narrator introduces the individual numbers with passages from the Christmas story. An organ postlude concludes the work. ” [Ferenc Farkas] This work may be performed in German, English, French or Hungarian language, accompanied by a chamber ensemble or a larger orchestra./ Répertoire / Petit Orchestre: Récitant, Solistes et Choeur SSAT

Par FARKAS FERENC. “I wrote this Christmas cantata from Köröshegy at the request of the Council of the Komitat Somogy. When I visited the still unrenovated little church at Köröshegy about ten years ago I had no idea that this beautiful Gothic building would one day be the scene of the world première of one of my works. - The cantata is founded on four pillars: four organ soli which could be described as “ritornelli”, followed by four a cappella choruses with the same melody but different harmonizations. These are settings of the four verses of In Epiphaniam by Janus Pannonius, the most renowned Hungarian poet and humanist of the Renaissance. Between these pillars I have introduced movementsfor choir or for soloists based on Hungarian folk tunes and Christmas songs from Transylvania and the Komitat Somogy: songs of the shepherds, angels and wise men, and, after a pastorale for organ, a large scale mixed-voice chorus intoning Ez karácsony éjszakáján [Holy Night]. A narrator introduces the individual numbers with passages from the Christmas story. An organ postlude concludes the work. ” [Ferenc Farkas] This work may be performed in German, English, French or Hungarian language, accompanied by a chamber ensemble or a larger orchestra./ Répertoire / Petit Orchestre: Récitant, Solistes et Choeur SSAT

Rhythm Orff and Song for All Year Long Collection (with singer PDF access)-This inspiring Orff collection is jam-packed with musical creativity for your K-5 Orff classroom. Songs for rhythm speech and exact pitch singing are included and written to teach steady beat movement and use of barred and non-pitched percussion ostinato. Other teaching highlights include rhythmic and melodic writing for students improvisation musical styles and solfege. Think of each piece as a starting point for your students to unleash their creativity! Full scores helpful teaching suggestions lesson objectives and extensions are provided along with digital access to PDFs of singer songsheets. 23 songs including: Animal Sounds Beat Bear Caterpillar Caterpillar The Color Song Five Frogs on a Log Howdy Do I Like to Go to School Katy Kangaroo Pizza Play Your Name School Is Cool and more! Suggested for grades K-5.

Intermediate-level arrangements of well-known Classical and Romantic works. Par AUTEURS DIVERS / BROOKER DAVID (Arr.). In his preface to 'Piano Trios on Stage”, the arranger, David Brooker, reminds us that, just as the string quartet, the piano trio has always been one of the pillars of chamber music. In the 19th and early 20th century, it was almost like the later invention of the gramophone record, allowing larger works, in arrangement, as well as lighter pieces to be presented to small audiences, often as background music. David comments that string players have plenty of easy material to introduce them to the pleasure of making music with other instrumentalists but when it comes to piano parts these are usually written or arranged with a teacher or more advanced student in mind. David sets out to rectify that imbalance and his arrangements aim to put all three players on an equal footing. Of easy to intermediate standard, they are ideal for violinists, cellists and pianists who are now ready to try their hand at proper chamber music. The music is fun and instantly recognizable, drawing on Grieg's 'Peer Gynt”, Tchaikovsky's 'Nutcracker” and Leopold Mozart's 'Musical Sleigh Ride”./ Recueil / Violon Ou Flûte, Violoncelle Et Piano