Exploiting the Oboe to its full potential Fantaisie Pastorale is an exciting and challenging addition to the advanced oboists' repertoire. From Lent to Allegro passages this piece by French composer Eugène Bozza (1905-1991) covers a huge variety of the Oboe's possibilities. The piece begins with an emotional characterised cadenza portraying the pastoral title. However the tempo gradually increases through the piece evoking the fantasy aspect climaxing with flourishing semiquavers and ending with a grand tonic cadence. Bozza's Fantaisie Pastorale for Oboe and Piano is not only symbolic but also includes exciting challenges making for an imperative performance piece in the Oboe repertoire.

für Oboe und Streichquartett-The piano score of Crusell's Divertimento In C For Oboe And String Quartet features a Piano reduction to accompany the Oboe solo.

Concerto In C Minor for Oboe Strings and Basso Continuo composed by Matthäus Nikolaus Stulick [or Georg Friedrich Händel or Johann David Heinichen]. Piano reduction. There are three versions of this concerto with different assignments: Source A: In the library Schwerin [D-SWl] as „de Sing. Stulick' [Mus.5337]. Source B: In the collection Rheda [D-RH] as „Del Sing. Heinichen' [Ms 389]. Source C: In the univesity library Upsala [S-Uu]als „Dell Sing. Hendell' [i hs. 19:28]. The distribution of a baroque composition under various composers names was not uncommon and usually meant that it was aworthy work of high compositional quality. This Concerto for Oboe Strings and Basso continuo can serve in any case as evidence for this thesis. The question which of the three composers mentioned was the creator of the concert can not be answered conclusively. Two arguments suggest however that Matthäus Nikolaus Stulick (c.1700-1732) is the most likely of the three candidates: - The Schwerin manuscript [Source A] that names Stulick as the composer is the best by far; it contains far fewer errors and inconsistencies than the other two. - The designation of a work by a foreign composer name makes only sense if an unknown composer publishes under a name of a much more prominent composer not vice versa. Why should a work of Handel or at his time well-known Heinichen be played under the name of someone less known? We do not know much about the life of Matthäus Nikolaus Stulick. He was born around 1700 in Bohemia and worked in the 1730s as concertmaster at the court in Mainz where he died in 1732. Besides two Oboe concertos he composed a concerti à 4 for three wind instruments and BC.

Or Organ-Born in Geneva of a jeweller father (and excellent flautist) and singer mother Marguerite Roesgen-Champion (1894-1976) was one of those rare women who reconciled family life (in 1926 she settled in Paris with her husband a philately merchant) with a professional activity devoted to music. Her abundant output graced all genres with a predilection for sacred pieces the art song the Piano and chamber music. Published respectively in 1950 and 1953 the two Nocturnes for Oboe and Piano (or Organ) have their place in the glorious tradition of French music from the between-the-wars period. The first Nocturne subtitled 'Noël' is dedicated to Pierre Bajeux(1899-1961) who taught the oboe class at the Paris Conservatoire as of 1941. Of classic ABA construction this piece as simple as it is expressive is in the form of a pastorale: here the gentle opening recitative unfolds its dreamy melancholic volutes of which the modal character would have appealed to Charles Koechlin. The second Nocturne presents subtle modulations that give it a refined elegance. In both cases this tastefully polished music invites us to stroll in an Arcadian landscape bathed in azure: 'There all is order and beauty / Luxury calm and voluptuousness'.

17 Graded Solos for Oboe and Piano-Sounds Classical for Oboe is a collection of graded solos selected specifically for the developing oboe player.Designed to correlate with grades 1-4 of the exam syllabus of the Associated Board of the royal Schools of Music the pieces are drawn from four centuries of classical repertoire ranging from Susato to Sullivan and will provide ideal material for practice or recital.Also available: Sounds Classical for Bassoon AMP 362-400.

Cyril Scott was an English composer writer and poet. He was essentially a late romantic composer whose style was at the same time strongly influenced by impressionism. His harmony was notably exotic. Scott wrote around four hundred works which include two mature symphonies three operas three Piano concertos concertos for Violin Cello Oboe and Harpsichord several overtures four oratorios as well as a mass of chamber music.Scott composed his Concerto For Oboe & Orchestra in 1946. The three movements (Molto vigoroso Andante Pastorale:Tranquillo and Rondo giocoso: Allegronon troppo cadenza Con spirit) are published here with a Piano reduction of the orchestra accompaniment.Complete performance time of the entire piece is approximately 20 minutes.

Composer's NoteSecond Meeting was written in January 1992. The first performance took place in Stockholm in February (Bengt Rosengren oboe and Stefan Bojsten piano). The work belongs to a planned series of virtuosoduos 'meetings'. The first one (from 1982) is written for clarinet and harpsichord.Formally Second Meeting is very close to a familiar 'theme and variations' category although there are seven themes or melodies all quiteclosely related.In the autumn of the same year I decided to write a version of the piece for oboe and a small orchestra trying to remain reasonably faithful to the original (a la Ravel perhaps). The orchestral version iscalled Mimo 1).Esa-Pekka Salonen

Oboe Solos has been edited by James Brown for solo Oboe with Piano accompaniment. Book 1 includes eight pieces of music by composers such as Rossini Danzi Satie and Mozart.

Par BRITTEN BENJAMIN. Temporal Variations for Oboe And Piano was first performed on 15th December 1936 at the Wigmore hall in London, under the different name of Temporal Suite . Although Britten was pleased with the work, no further performance took place in his lifetime. The piece now though has earned it's place among Britten's most favoured pieces for Oboe and continues to delight audiences to the present day. / Niveau : Elémentaire / Répertoire / Hautbois et Piano

Par ROZMAN ANZE. Two Dances for Oboe and Piano by Anze Rozman. Two contrasting dances by Slovenian composer Anze Rozman showcase the lyrical and technical abilities of the oboe: Dance of the Firefly and Tarantella. / Date parution : 2022-11-29/ Répertoire / Hautbois et Piano

for Oboe and Piano. Par VIZZUTTI ALLEN. The Enchanted Oboe est une charmante composition originale de niveau intermédiaire pour solistes de tous âges. C?est une pièce extrêmement abordable pour mettre en valeur l?expression lyrique et un jeu audacieux. Avec ses mélodies tour à tour paisibles, chantantes ou évoquant une fanfare, cette ?uvre attrayante vient s?ajouter avec bonheur au répertoire pour hautbois. Elle sera pour vous aussi intéressante qu?agréable à apprendre et interpréter ! / Date parution : 2022-07-30/ Répertoire / Hautbois et Piano

First published in 1969 this tranquil and slow piece with it's gently undulating melody and soft chordal accompaniment is ideal for the repertoire of any Oboe player of grade four and above. The solo line is also suitable forperformance on the Oboe Clarinet Horn and Cello.

The great Fantaisie Italienne is a piece composed by Eugène Bozza for Oboe and Piano. Quite difficult it requires some advanced skills to be executed perfectly. Starting Moderato it opens with a cadenza which includes some solo Oboe sections and continues with a short and lyrical melody. It closes on a nice rhythmic section in Allegro. Really nice to play and to listen to  Fantaisie Italienne would make for a fantastic demonstration of your skills and technical abilities during a recital and a concert. Eugène Bozza won different prizes atthe Conservatoire de Paris such as the First Prizes for the Violin conducting and composition as well as the Grand Prix de Rome. He composed several operas chamber works and ballets among others.

pour hautbois avec petit orchestre-In the concertante Oboe repertory this Concerto by Martinu has established itself as a work of the first order alongside the concertos of Mozart and Richard Strauss. The present edition was the occasion for returning to the work's sources mainly the composer's autograph manuscript but also among others the scores used during the lifetime of the composer by early performers such as Tancibudek and Lady Eveyn Rothwell Barbirolli. This arrangement for Oboe with a Piano reduction of the orchestral material by Yann Ollivio with critical commentary and foreword by Maurice Bourge and Guy Porat.