SKU: BR.PB-15132
ISBN 9790004214688. 10 x 12.5 inches.
Bruch's evergreen for the first time in UrtextThanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto?The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work.
SKU: BR.OB-15132-15
ISBN 9790004341940. 10 x 12.5 inches.
SKU: BR.PB-15133-07
In Cooperation with G. Henle Verlag
ISBN 9790004214695. 6.5 x 9 inches.
SKU: BR.PB-15133
SKU: BR.OB-15132-19
ISBN 9790004341964. 10 x 12.5 inches.
SKU: BR.OB-15132-23
ISBN 9790004341971. 10 x 12.5 inches.
SKU: BR.OB-15132-27
ISBN 9790004341988. 10 x 12.5 inches.
SKU: BR.EB-10708
ISBN 9790201807089. 9.5 x 12 inches.
Bruch's evergreen for the first time in Urtext Thanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto? The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work.In Cooperation with G. Henle Verlag.
SKU: BR.OB-15132-30
ISBN 9790004341995. 10 x 12.5 inches.
SKU: BR.OB-15132-16
ISBN 9790004341957. 10 x 12.5 inches.
SKU: CA.1036412
ISBN 9790007190392. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.
Max Bruch succeeded in composing an impressive setting of the well known Advent text, O Heiland, reiss die Himmel auf (O Saviour, tear open the heavens). Compositionally it is extremely sophisticated in its construction; Bruch combines both the choir and orchestra in a powerfully expressive and moving portrayal of mankind waiting for the coming of the Saviour. Following the premiere of the work in 1869 it was celebrated as Bruch's most important choral work, but later it fell largely into oblivion. Almost 150 years after it was composed, for the first time a critical-scholarly edition is now available to the public. Score and part available separately - see item CA.1036400.
SKU: CA.1036411
ISBN 9790007190385. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.
SKU: CA.1036405
ISBN 9790007166540. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.
Max Bruch succeeded in composing an impressive setting of the well known Advent text, O Heiland, reiss die Himmel auf (O Saviour, tear open the heavens). Compositionally it is extremely sophisticated in its construction; Bruch combines both the choir and orchestra in a powerfully expressive and moving portrayal of mankind waiting for the coming of the Saviour. Following the premiere of the work in 1869 it was celebrated as Bruch's most important choral work, but later it fell largely into oblivion. Almost 150 years after it was composed, for the first time a critical-scholarly edition is now available to the public. Score available separately - see item CA.1036400.
SKU: CA.1036415
ISBN 9790007190422. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.
SKU: CA.1036403
ISBN 9790007166533. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.
SKU: CA.1036413
ISBN 9790007190408. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.
SKU: CA.1036409
ISBN 9790007190378. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.
Max Bruch succeeded in composing an impressive setting of the well known Advent text, O Heiland, reiss die Himmel auf (O Saviour, tear open the heavens). Compositionally it is extremely sophisticated in its construction; Bruch combines both the choir and orchestra in a powerfully expressive and moving portrayal of mankind waiting for the coming of the Saviour. Following the premiere of the work in 1869 it was celebrated as Bruch's most important choral work, but later it fell largely into oblivion. Almost 150 years after it was composed, for the first time a critical-scholarly edition is now available to the public. Score and parts available separately - see item CA.1036400.
SKU: CA.1036414
ISBN 9790007190415. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.
SKU: CA.1036419
ISBN 9790007166557. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.
SKU: CA.1036400
ISBN 9790007166526. Language: German. Text: von Spee, Friedrich / Simrock, Karl. Text by Friedrich von Spee / Karl Simrock.
Max Bruch succeeded in composing an impressive setting of the well known Advent text, O Heiland, reiss die Himmel auf (O Saviour, tear open the heavens). Compositionally it is extremely sophisticated in its construction; Bruch combines both the choir and orchestra in a powerfully expressive and moving portrayal of mankind waiting for the coming of the Saviour. Following the premiere of the work in 1869 it was celebrated as Bruch's most important choral work, but later it fell largely into oblivion. Almost 150 years after it was composed, for the first time a critical-scholarly edition is now available to the public.
SKU: CA.1036449
ISBN 9790007190439. Language: German. Text: von Spee, Friedrich / Simrock, Karl. Text by Friedrich von Spee / Karl Simrock.
SKU: HL.48024669
ISBN 9783923051618. UPC: 888680951641.
Max Bruch wrote his Concerto for two pianos in 1912 for an American piano duo, who only ever performed a cut down version. It was not until 1976 that the original version was released. The piano reduction by Wilhelm Bruckner-Ruggeberg is now available in this new edition and is also available with additional separate solo parts for both piano parts. Bruch's pianistic, powerful late arrival reflects echoes of Bach and Brahms.
SKU: AP.36-M326991
UPC: 660355184079. English.
Max Bruch (1838-1920) was a German composer and contemporary of Johannes Brahms, with a style very much in the same Romantic classicism camp as that of his better known friend. Best known for his violin concerti and choral works, his chamber works are also revived occasionally. This reprint collection of short Romantic works for piano include the following: I. Andante sostenuto, II. Andante con moto, III. Impromptu. Allegretto, IV. Moderato, V. Walzer. Grazioso, and VI. Andante con larghezza.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: HL.49020832
ISBN 9783254001580. 6.0x8.75x0.969 inches. German.
... und spielst du auch Geige?Diese Frage begleitete den Sohn des beruhmten Geigers Carl Flesch (1873-1944) ein Leben lang. Mit diesem Satz beginnt er seinen Lebensbericht, der gleichzeitig auch die Geschichte seines Vaters und die Geschichte des Musiklebens in einer Zeit des Umbruchs und der grossen Finsternis ist. Ein unglaublich fesselnder Ausschnitt aus der Musik- und Kulturgeschichte unseres Jahrhunderts.Vor den Augen des Lesers entsteht ein lebendiges Kaleidoskop, in das Auszuge aus Briefen beruhmter Zeitgenossen, Zitate aus den Tagebuchaufzeichnungen, Charakterbeschreibungen beruhmter Musiker, selbsterlebte oder in der Familie uberlieferte Anekdoten und die oft eigenwilligen Ansichten des Autors mit eingewoben werden.Das wertvolle, meist bisher unveroffentlichte authentische Material ist nicht nur fur Musikinteressierte faszinierend, sondern ebenso von zeitgeschichtlichen Interesse: Furtwanglers Verhalten im Dritten Reich, Arthur Schnabels Glaubensbekenntnis eines unverstandenen zeitgenossischen Komponisten, die ergotzliche Theorie uber das Lampenfieber, die Atmosphare im Kunstlerzimmer, das oft deprimierende Leben von Wunderkindern und Kunstlerfrauen - kurzum, ein mit erfrischendem Humor geschriebenes, mit vielen Anekdoten gewurztes Panorama einer Epoche.