?The Glagolitic Mass? one of the 20th century masterpieces of sacred music has a very complex genesis and constitutes an intricate editorial challenge. This new critical edition presents two different versions of the work in two separate volumes (B/5-I BA 6862 und B/5-II BA 6863): the ?September 1927? version which the composer completed before the first rehearsals and subsequent premiere in Brno and the version he partly reworked for the first Prague performance in April 1928. This second version was then revised further and published after Janacek?s death by Universal Edition Wien in 1930. Known as the ?final authorised version? it has been newly edited for thispublication which is based on the engraver?s copy of the score prepared by Janacek?s regular copyist Václav Sedlacek. The new Barenreiter edition also contains an informative preface (Cz/Eng/Ger/Fr/Ru) as well as detailed critical commentary. The ?September 1927? version can be seen more as a supplement and appears without text commentary.

Cycle for womens choir on text by F. S. Procházka-Hradcany SongsCycle for women's choir on texts by F. S. Proch?zka The first two months of 1916 during wartime was the only period during which Janacek wrote for female voices alone thus responding to the situation of the time when the majority of men had to leave to fight in the war. For the recently established Moravian Female Teachers' Choral Association he wrote among others settings of three patriotic poems by Frantisek Serafin Prochazka: Golden Lane (Zlata ulicka) The Weeping Fountain (Placici fontana) and Belvedere(Belveder). They were published under the title Hradcany Songs. The score contains a preface in three languages(Cz./Ger./Eng.).

Vecné evangelium / The Eternal Gospel Cantata for Solo Voices Mixed Chorus and Orchestra Leoš Janácek’s great oratorio “The Eternal Gospel” for soprano tenor mixed chorus and orchestra is based on a medieval legend in which an angel announces the coming of the Kingdom of Love on Earth to a Cistercian monk Joachim of Flora. Janácek set the text as a dramatic scene with two characters. The chorus unfolds as a contrasting foil to the two main figures until the final climax when the people sing “Alleluia” and receive the message of the brotherhood of all creation. The Eternal Gospel occupies aspecial place in Janácek’s œuvre. The dream-like atmosphere and emotional force of this twenty-minute cantata cast an unusually powerful spell. It originated during a time of turmoil: Janácek wrote it in spring 1914 on the eve of the First World War and the première took place in Prague in February 1917. In 1924 Janácek revised the cantata yet again for a festive performance on the occasion of his seventieth birthday. The vocal score has been prepared by Leoš Faltus one of the two editors of the volume for the Janácek Complete Edition (series B/volume 4). - Urtext Janacek Complete Edition - Full score (BA6860) and vocal score (BA6860-90) available for sale - Performance material (BA6860-72) available for hire

La référence LV0179 de l'éditeur Billaudot dont l'auteur célèbre est Janácek Leos, qui a pour titre Jenufa, a été écrite et composée pour Diverses Formations. Cette partition musicale appartient à la catégorie Livres, Revues, DVD, Logiciels Et Accessoires. / Livret

Fassung letzter Hand 1928. Par JANACEK LEOS. / Répertoire / Solistes, Chœur Mixte SATB, Orgue et Piano

Fassung letzter Hand 1928. Par JANACEK LEOS. / Répertoire / Solistes, Chœur Mixte SATB, Orgue et Piano

True Love (Laska opravdiva) Written in 1875/1876 this 2 minute work is scored for male chorus (TTBB) and based on texts from Slovak folk poetry.