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Leopold Mozart: Leopold Mozart: Notenbuch Fur Wolfgang: Piano: Instrumental Work
11.50
Leopold Mozart: Leopold Mozart: Notenbuch Fur Wolfgang: Piano: Instrumental Work
Piano seul
Schott
32 pieces displaying the styles and conventions of the classical period. Accordi...
(+)
32 pieces displaying the styles and conventions of the classical period. According to the traditional interpretation the notebook was given to Wolfgang as a present on his seventh birthday Oct. 31st 1762 from his father Leopold. Wolfgang Plath writes in the preface to volume IX/27/1 of the Neue Mozart-Ausgabe (p.IX): 'The dedication inscription allegedly written by Leopold Mozart and dated 31. Oktober 1762 turned out to be a crude forgery. There remained an anomymous piano- and music-book from about 1750 of Central German provenance without any relationship to Mozart.'
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Ondrej Sarek: Leopold Mozart's Notebook For Wolfgang: Ukulele: Artist Songbook
9.99
Ondrej Sarek: Leopold Mozart's Notebook For Wolfgang: Ukulele: Artist Songbook
Ukulele
-
Avancé
Mel Bay
Arranged For Ukulele-While many are familiar with the music of Wolfgang Amadeus ...
(+)
Arranged For Ukulele-While many are familiar with the music of Wolfgang Amadeus Mozart fewer are aware that his father Leopold Mozart was a famous composer in his own right.At the age of seven Wolfgang received a notebook fromhis father as a birthday gift. The 'Notebook for Wolfgang' includes contemporary dances and arias mostly by Leopold Mozart. These compositions provide a glimpse into the formative years of Wolfgang Amadeus Mozart.This book includes fifteen pieces from the notebook arranged for the Ukulele. The melody and bass parts are arranged so the original notation and polyphony are maintained. Each chapter includes pieces presented in standardnotation and tablature.
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Leopold Mozart: Leopold Mozart Die Schlittenfahrt Percussion Part: Percussion:
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Leopold Mozart Die Schlittenfahrt Percussion Part
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Leopold Mozart: Leopold Mozart Die Schlittenfahrt Bass Flute Part: Bass Flute:
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Leopold Mozart Die Schlittenfahrt Bass Flute Part
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Leopold Mozart: Beata es Virgo Maria: SATB
Chorale SATB
Carus Verlag
Offertorium de Beata Maria Virgine-In the 17th and 18th centuries Salzburg whe...
(+)
Offertorium de Beata Maria Virgine-In the 17th and 18th centuries Salzburg where Leopold Mozart was Assistant Court Music Director was a center for polyphonic Offertory settings and multimovement offertory concerti which developed into a main genre of Catholic liturgical music in the south German region.The Salzburg Cathedral seems an obvious choice which the 'solemn' orchestration with trumpets and timpani would support.
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Leopold Mozart: Dona Nobis Pacem: SSA: Vocal Score
17.50
Leopold Mozart: Dona Nobis Pacem: SSA: Vocal Score
Chorale 3 parties
SSA
[Vocal Score]
Hinshaw Music Inc.
Looking for a liturgical masterwork for your women's chorus? Here you are! In th...
(+)
Looking for a liturgical masterwork for your women's chorus? Here you are! In this Patrick Liebergen arranges a marvelous work by Leopold Mozart. (Try it with the optional flutes!)
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Briefe Und Aufzeichnungen, Band 8 (MOZART WOLFGANG AMADEUS)
55.70
Briefe Und Aufzeichnungen, Band 8 (MOZART WOLFGANG AMADEUS)
[Partition]
Barenreiter
Gesamtausgabe: Einführung und Ergänzungen. Par MOZART WOLFGANG AMADEUS. (voir ...
(+)
Gesamtausgabe: Einführung und Ergänzungen. Par MOZART WOLFGANG AMADEUS. (voir aussi BVK 143-145, 401)/ Répertoire / Livre
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Veni Sancte Spiritus (MOZART WOLFGANG AMADEUS)
2.90
Veni Sancte Spiritus (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
[Partition]
Carus Verlag
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzb...
(+)
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzburger Vorbilder Mozarts im Hinblick auf die Kirchenmusik. Der Kontrast zwischen Solo und Tutti und die kurzen imitatorischen Abschnitte verweisen auf Leopold Mozart, Eberlin und Michael Haydn. Mozart schrieb hier ein Werk mit großer klanglicher Pracht, die zudem durch Bläser und Pauken verstärkt wird. / Hymnes et chorals / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
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Veni Sancte Spiritus (MOZART WOLFGANG AMADEUS)
13.80
Veni Sancte Spiritus (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
Carus Verlag
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzb...
(+)
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzburger Vorbilder Mozarts im Hinblick auf die Kirchenmusik. Der Kontrast zwischen Solo und Tutti und die kurzen imitatorischen Abschnitte verweisen auf Leopold Mozart, Eberlin und Michael Haydn. Mozart schrieb hier ein Werk mit großer klanglicher Pracht, die zudem durch Bläser und Pauken verstärkt wird. / Hymnes et chorals / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
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Veni Sancte Spiritus (MOZART WOLFGANG AMADEUS)
2.90
Veni Sancte Spiritus (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
[Partition]
Carus Verlag
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzb...
(+)
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzburger Vorbilder Mozarts im Hinblick auf die Kirchenmusik. Der Kontrast zwischen Solo und Tutti und die kurzen imitatorischen Abschnitte verweisen auf Leopold Mozart, Eberlin und Michael Haydn. Mozart schrieb hier ein Werk mit großer klanglicher Pracht, die zudem durch Bläser und Pauken verstärkt wird. / Hymnes et chorals / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
2.90 EUR - vendu par LMI-partitions
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Veni Sancte Spiritus (MOZART WOLFGANG AMADEUS)
2.90
Veni Sancte Spiritus (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
[Partition]
Carus Verlag
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzb...
(+)
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzburger Vorbilder Mozarts im Hinblick auf die Kirchenmusik. Der Kontrast zwischen Solo und Tutti und die kurzen imitatorischen Abschnitte verweisen auf Leopold Mozart, Eberlin und Michael Haydn. Mozart schrieb hier ein Werk mit großer klanglicher Pracht, die zudem durch Bläser und Pauken verstärkt wird./ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
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Veni Sancte Spiritus (MOZART WOLFGANG AMADEUS)
17.70
Veni Sancte Spiritus (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
[Partition]
Carus Verlag
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzb...
(+)
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzburger Vorbilder Mozarts im Hinblick auf die Kirchenmusik. Der Kontrast zwischen Solo und Tutti und die kurzen imitatorischen Abschnitte verweisen auf Leopold Mozart, Eberlin und Michael Haydn. Mozart schrieb hier ein Werk mit großer klanglicher Pracht, die zudem durch Bläser und Pauken verstärkt wird. / Hymnes et chorals / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
17.70 EUR - vendu par LMI-partitions
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Veni Sancte Spiritus (MOZART WOLFGANG AMADEUS)
2.90
Veni Sancte Spiritus (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
[Partition]
Carus Verlag
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzb...
(+)
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzburger Vorbilder Mozarts im Hinblick auf die Kirchenmusik. Der Kontrast zwischen Solo und Tutti und die kurzen imitatorischen Abschnitte verweisen auf Leopold Mozart, Eberlin und Michael Haydn. Mozart schrieb hier ein Werk mit großer klanglicher Pracht, die zudem durch Bläser und Pauken verstärkt wird. / Hymnes et chorals / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
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Wolfgang Amadeus Mozart: Lucio Silla K.135: Voice: Vocal Score
78.00
Wolfgang Amadeus Mozart: Lucio Silla K.135: Voice: Vocal Score
Opéra
[Partition]
Barenreiter
Lucio Silla K. 135Dramma per musica in three actsOn 13 December 1769 Leopold Moz...
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Lucio Silla K. 135Dramma per musica in three actsOn 13 December 1769 Leopold Mozart and his son Wolfgang set out on their first tour of Italy. It was not until 28 March 1771 that they finally returned to Salzburg. The trip brought the young composer two commissions for opere serie. In March 1770 he was commissioned to write Mitridate K.87 (74a) for the 1770–71 Carneval season at the Regio Ducal Teatro in Milan. Mozart started work on the opera in Bologna on 29 September 1770 and the première duly took place on the Feast of St. Stephen (26 December) in 1770. The second Lucio Silla (K. 135) again commissioned for the 1771–72 Carneval season inMilan doubtless resulted from the success of Mitridate. News of the commission reached the Mozarts in March 1771 in Verona where they had stopped on their return to Salzburg. (At roughly the same time Wolfgang received an invitation from Vienna to supply a serenata teatrale for the wedding of Archduke Ferdinand the third son of Maria Theresia scheduled to take place in Milan in October 1771. This invitation ultimately resulted in Ascanio in Alba K. 111.)- Urtext of the New Mozart Edition- Full score (BA4590-01) and vocal score (BA4590-90) available for sale- Performance material (BA4590-72) available for hire
78.00 GBP - vendu par Musicroom GB
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Veni Sancte Spiritus (MOZART WOLFGANG AMADEUS)
2.90
Veni Sancte Spiritus (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
[Partition]
Carus Verlag
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzb...
(+)
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzburger Vorbilder Mozarts im Hinblick auf die Kirchenmusik. Der Kontrast zwischen Solo und Tutti und die kurzen imitatorischen Abschnitte verweisen auf Leopold Mozart, Eberlin und Michael Haydn. Mozart schrieb hier ein Werk mit großer klanglicher Pracht, die zudem durch Bläser und Pauken verstärkt wird. / Hymnes et chorals / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
2.90 EUR - vendu par LMI-partitions
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Veni Sancte Spiritus (MOZART WOLFGANG AMADEUS)
6.60
Veni Sancte Spiritus (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
[Partition]
Carus Verlag
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzb...
(+)
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzburger Vorbilder Mozarts im Hinblick auf die Kirchenmusik. Der Kontrast zwischen Solo und Tutti und die kurzen imitatorischen Abschnitte verweisen auf Leopold Mozart, Eberlin und Michael Haydn. Mozart schrieb hier ein Werk mit großer klanglicher Pracht, die zudem durch Bläser und Pauken verstärkt wird. / Hymnes et chorals / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
6.60 EUR - vendu par LMI-partitions
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Veni Sancte Spiritus (MOZART WOLFGANG AMADEUS)
7.50
Veni Sancte Spiritus (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
[Partition]
Carus Verlag
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzb...
(+)
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzburger Vorbilder Mozarts im Hinblick auf die Kirchenmusik. Der Kontrast zwischen Solo und Tutti und die kurzen imitatorischen Abschnitte verweisen auf Leopold Mozart, Eberlin und Michael Haydn. Mozart schrieb hier ein Werk mit großer klanglicher Pracht, die zudem durch Bläser und Pauken verstärkt wird. / Hymnes et chorals / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
7.50 EUR - vendu par LMI-partitions
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Missa In A (MOZART LEOPOLD)
9.50
Missa In A (MOZART LEOPOLD)
Solistes SATB, SATB, 2 Violons et Basse Continue,
[Partition]
Carus Verlag
Par MOZART LEOPOLD. If, during his lifetime, Leopold Mozart was highly regarded ...
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Par MOZART LEOPOLD. If, during his lifetime, Leopold Mozart was highly regarded as composer of programmatic instrumental music, it is his church music which has proven to comprise the more important part of his opus. This is also especially true for the influence which this music had on the sacred compositions of his son Wolfgang Amadeus. In the Missa in A [ca. 1765], in the manner of the times, Leopold Mozart blends baroque and gallant stylistic elements and through formal structure and an expressive musical language he gives the Credo a special importance./ Répertoire / Solistes SATB, SATB, 2 Violons et Basse Continue,
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Wolfgang Amadeus Mozart: Missa longa In C Major K.262: Mixed Choir: Part
5.00
Wolfgang Amadeus Mozart: Missa longa In C Major K.262: Mixed Choir: Part
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so ...
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The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale
5.00 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Missa longa In C Major K.262: Mixed Choir: Part
15.00
Wolfgang Amadeus Mozart: Missa longa In C Major K.262: Mixed Choir: Part
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so ...
(+)
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale
15.00 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Missa longa In C Major K.262: Cello & Double Bass: Part
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so ...
(+)
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale
5.00 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Missa longa In C Major K.262: Mixed Choir: Score
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
[Partition]
Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so ...
(+)
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale
41.00 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Missa longa In C Major K.262: Mixed Choir: Parts
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so ...
(+)
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale
35.50 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Missa longa In C Major K.262: Voice: Vocal Score
15.00
Wolfgang Amadeus Mozart: Missa longa In C Major K.262: Voice: Vocal Score
Soli, choeur mixte et accompagnement
Soli, chur mixte et piano
[Partition]
Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so ...
(+)
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale
15.00 GBP - vendu par Musicroom GB
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Piano Trios on Stage (AUTEURS DIVERS / BROOKER DAVID (Arr)
23.25
Piano Trios on Stage (AUTEURS DIVERS / BROOKER DAVID (Arr)
Violon Ou Flûte, Violoncelle Et Piano
[Partition]
Universal Edition
Intermediate-level arrangements of well-known Classical and Romantic works. Par ...
(+)
Intermediate-level arrangements of well-known Classical and Romantic works. Par AUTEURS DIVERS / BROOKER DAVID (Arr.). In his preface to 'Piano Trios on Stage, the arranger, David Brooker, reminds us that, just as the string quartet, the piano trio has always been one of the pillars of chamber music. In the 19th and early 20th century, it was almost like the later invention of the gramophone record, allowing larger works, in arrangement, as well as lighter pieces to be presented to small audiences, often as background music. David comments that string players have plenty of easy material to introduce them to the pleasure of making music with other instrumentalists but when it comes to piano parts these are usually written or arranged with a teacher or more advanced student in mind. David sets out to rectify that imbalance and his arrangements aim to put all three players on an equal footing. Of easy to intermediate standard, they are ideal for violinists, cellists and pianists who are now ready to try their hand at proper chamber music. The music is fun and instantly recognizable, drawing on Grieg's 'Peer Gynt, Tchaikovsky's 'Nutcracker and Leopold Mozart's 'Musical Sleigh Ride./ Recueil / Violon Ou Flûte, Violoncelle Et Piano
23.25 EUR - vendu par LMI-partitions
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