A Treasury of European Service Music for Manuals is a generous collection of music by many of the fine organist-composers who flourished in the 18th 19th and early 20th centuries.The style is romantic and ideallysuited for Service use: the pieces are just the right length sight-readable and delightful to the ear.Richard Lloyd has edited them expertly for playing on modern instruments.Contents:Andante by Arthurde HovreAntiphon by Georges Debat-PonsanChorale by Louis BottazzoCommunion by Louis BottazzoCommunion by Adolphe d'HulstCommunion by Alfred MarichelleCommunion by Edouard TorresCoro Religioso by OrlandoA. MansfieldDeux Canons by Ludvig Mathias LindemanDeux Interludes by Eugène GigoutElévation by Domenico BellandoElévation by Adolphe d'HulstElévation by Jean HuréElévation by Edouard TorresFughetta byOscar DepuydtFugue in E minor by Guillaume LasceuxFugue in E minor by Jean-Nicolas MarriguesFugue in G minor by Jean-Jacques Beauvarlet-CharpentierImprovisation by Gustaf HäggInterlude by SantiagoTafallInvocation by Alexandre WinkelLarghetto by J. SurzynskiLe Carillon de Balleroy by A. ManciniMeditation by A. ManciniNoël by Alphonse Mailly Noël Lorrain by Guillaume LasceuxNorwegian Song by PeterLindemanOffertoire by Louis BottazzoOffertoire by Gaetano FoschiniOffertoire by Ernest GrosjeanOffertoire by Adolphe d'HulstOffertoire by Charles LefebvrePastorale by Paul FauchettPastorale by P. L.HillemacherPax by Giovanni BolzoniPiece in C by Emile PessardPrelude by Oscar DepuydtPrelude by Adolphe d'HulstPrelude by Augusto MachadoPrelude by Orlando A. MansfieldPrelude in E minor by ErnestGrosjeanPrelude on 'Iste Confessor' by Lucien BourgeoisPrelude on 'Pange Lingua' by Lucien BourgeoisPrière by Bruce SteanePrière by Johann Gustav Eduard StehleSong of Joy by Bruce SteaneVerset on 'Sacris

Séquences rares des légendes du vieux temps musique mettant en vedette Tommy Jarrell, Clarence Ashley, Roscoe Holcomb, Doc Watson, Sam McGee, Pete Steele, Jean Ritchie et autres. Une brochure complète de 22 pages mettant en vedette materail biographique, photographies rares et des détails sur les airs effectués est également disponible au téléchargement avec ce produit. / Guitare / Dvd

Par LABASTE JEAN-PIERRE. Ces études qui font suite aux 55 études pour débuter la clarinette, permettront aux élèves de cycle 2 d’acquérir les objectifs instrumentaux propres à ce niveau : maîtrise de l’embouchure et du son, technique des doigts, détaché et articulations, musicalité... Volontairement mélodiques et agréables, elle seront pour les clarinettistes une source de motivation et de progression pour poursuivre leur apprentissage./ Etude / Clarinette

Après la publication de Adolphe Sax album consacré aux premiers solos caractéristiques du temps d'Adolphe Sax, ce second volume propose un travail similaire et retrace le parcours du saxophone du commencement en 1840 jusqu'au 20e siècle naissant. Au-delà de la lecture des partitions proposées, cet ouvrage sera un outil pédagogique indispensable pour élargir la connaissance de l'instrument de Sax, bien avant la popularité qu'on lui connaît avec le jazz, la pop etc. Saxophonistes, professeurs, élèves, musicologues et amateurs de saxophone apprécieront certains solos, mélodies rares voire inconnues, les caractéristiques de l'écriture de l'époque propres à l'instrument et l'utilisation qu'en ont fait les compositeurs selon les contextes musicologiques, historiques et esthétiques. Contenu BERG Alban : Lulu symphonische stücken - CAPLET André : Impression d'automne - CRAS Jean : Demain - INDY Vincent d' : Poème des rivages - DUKAS Paul : L'ondine et le pêcheur - FRANCK César : Hulda et les pêcheurs - HOLST Gustav : Suites : HURE Jean : Concertstuck et Andante - KASTNER Georges : Le dernier Roi de Juda -LOEFFLER Charles-Martin : Ballade carnavalesque - MAGNARD Albéric : 1re Symphonie - MASSENET Jules : La valse de Lahore - MAYEUR Louis : Grande fantaisie de concert - MOUSSORGSKY Modeste : Le vieux château PUCCINI Giacomo : La sui monti dell'est de Turandot - RAVEL Maurice : Boléro - ROBJOHN William : Introduction et Thème - ROSSINI Gioacchino : La corona d'Italia - SOUSA John Philip : The Stars and Stripes Forever

Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant la flûte traversière.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en - deux volumes.Volume 1 (Réf. 5822) : ANCELET - Anonyme - BETHISY - Toussaint BORDET - Sébastien de BROSSARD - Michel CORRETTE - Louis Joseph, le neveu FRANCOEUR - - Antoine FURETIERE - François-Alexandre-Pierre de GARSAULT - Jacques Martin HOTTETERRE le Romain - Charles de LUSSE - Antoine MAHAULT - Marin MERSENNE - Valentin ROESER - Pierre TRICHET. Volume - 2 (Réf. 5823) : Anonyme - Giuseppe Maria CAMBINI - François DEVIENNE - Encyclopédie méthodique - Jean-Benjamin de LABORDE - MUSSARD - Othon-Joseph VANDENBROCK - Amand VAN - DER HAGEN.Table des matières : Volume 1 : Mersenne Marais : Harmonie Universelle - 1636Trichet Pierre : Traité des instruments - ca 1640Furetière Antoine : Dictionnaire universel - 1690Brossard Sébastien de : Dictionnaire de musique - 1703Hotteterre Jacques Martin le Romain : Principes de la flûte traversière - 1707Hotteterre Jacques Martin le Romain : L'art de préluder - 1719Béthisy J.L. de : Exposition de la théorie - 1754Bordet Toussaint : Méthode raisonnée pour apprendre - 1755Anonyme : Découverte de l'embouchure - 1756Ancelet : Observations sur la musique - 1757Mahaut Antoine : Nouvelle méthode pour apprendre en peu de temps à jouer de la flûte traversière - 1759Garsault François-Alexandre-Pierre de : Notionnaire ou Mémorial raisonné - 1761Lusse Charles de : L'art de la flûte traversière - 1761Francoeur Le Neveu Louis Joseph : Diapason général de tous les instruments à vent - 1772Corrette Michel : Méthode raisonnée (2e édition) - 1773Roeser Valentin : Gamme pour la flûte traversière - 1777Volume 2 : Mussard : Nouveaux principes pour apprendre à jouer de la flûte traversière - 1778Laborde Jean-Benjamin de : Essai sur la musique - 1780Encyclopédie méthodique : Edition Panckoucke et Plomteux (reprend le texte de l'Encyclopédie) - 1788Anonyme : Principe de flûte pour apprendre à jouer sans maître - ca 1790Vandenbrock Orthon-Joseph : Traité général de tous les instruments à vent - ca 1793Devienne François : Nouvelle méthode théorique et pratique pour la flûte - 1794Cambini Giuseppe Maria : Méthode pour la flûte traversière - ca 1795Van der Hagen : Nouvelle méthode de flûte - 1798Téléchargez le catalogue Anne Fuzeau Classique / Flûte Traversière / 600 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Board: Werner Breig/ Pieter Dirksen/ Reinmar Emans music text faithful to the sources and reflecting the current status of Bach research developed for musical practice through the cooperation of scholars and performers contains all of Bach's keyboard works that require an independent pedal manual contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty features comprehensive introductions, extensive source descriptions and text-critical notes features supplementary material illustrated synoptically on CD-ROM (in printable quality) brochure, in large format (32 x 25 cm) and compact music engraving, clear, easy to read, with convenient page turns 'The Breitkopf edition is obviously preferable if you're buying new copies. The series so far has been most impressive.' (Clifford Bartlett, Early Music Review) Subscription Conditions A subscription is only possible for the complete collection. The subscription price of the volumes is 20% lower than the final sales price. A subscription can begin at any time. The subscription obliges the subscriber to purchase the entire collection. The New Edition of Bach's Complete Organ Works With repertoire works, musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the organ works of Johann Sebastian Bach, which are available today in various editions. Among them is that of Heinz Lohmann, which Breitkopf and Härtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status, historically informed, edited with performers in mind: More than 40 years later, the demands made on a new Urtext edition of Bach's organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources, aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study, teaching and concert performance are, in addition to the above-mentioned demands, such external criteria as format, paper, convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition, beginning in 2010, also contains all keyboard works with pedal and the 'dubious works' that are hardly dubious anymore The edition of Johann Sebastian Bach's organ works which Breitkopf and Härtel is beginning to publish in fall 2010 wants to do justice to these demands. Next to the core contents of the repertoire, it will also feature all of the master's 'clavier' works which require an independent pedal. Moreover, it will include all authentic early versions as well as the fragmentarily transmitted works. As to the dubious works, it will contain those which can be attributed to Bach today with considerable certainty. It offers incerta, early, and alternative versions on CD-ROM In this work group, the new edition uses for the first time the modern forms of editorial technique with which the synoptical depiction of various versions is made possible on CD-ROM. Thanks to the collaboration with the EDIROM project, which is a leader in the field of digital scientific editorial technique, the edition offers new types of solutions. Incerta, early, and alternative versions that cannot be included in the printed volumes for reasons of size or problems of authenticity, are published on CD-ROM, supplied with comments, and depicted synoptically. Thus, after comparing the versions, the player can decide upon a different version than the one printed in the volume, and can make a high-quality print-out of it. The texts and comments customary to the 'Breitkopf Urtext' editions comprehensive introductions, extensive source descriptions and text-critical observations can be found in the printed version of the volumes. Edited by a competent team: With Werner Breig (Erlangen), Pieter Dirksen (Culemborg/Netherlands) and Reinmar Emans (Bochum), a.o. we have brought together a team that guarantees the highest expertise in various domains. Further Bach experts such as Sven Hiemke (Hamburg), David Schulenberg (Boston) and Jean-Claude Zehnder (Basel) were also enlisted for the edition of single volumes. Werner Breig (* 1932) studied Evangelical church music in Berlin as well as musicology in Erlangen and Hamburg. He obtained his doctorate in 1962 and completed his habilitation (postdoctoral lecturing qualification) in 1973. He then devoted himself to musicology at the Universities of Freiburg i. Br, Karlsruhe, Wuppertal and Bochum. Since his retirement in 1997 he has been living in Erlangen. Between 1997 and 2007 Breig was appointed General Editor of the complete edition of Richard Wagners letters. He is the author of many publications and editions, particularly of early clavier and organ music by Heinrich Schütz and Johann Sebastian Bach, but also of Richard Wagner and Arnold Schoenberg. Furthermore he is the author of the Bach article in the dictionary Die Musik in Geschichte und Gegenwart (MGG, 2nd edition). Pieter Dirksen (* 1961) studied organ, harpsichord and musicology. His 1996 doctoral thesis on Sweelinck's keyboard music was awarded the Praemium Erasmianum. Dirksen has since published many studies on, and editions of, several masters of the 17th century (Sweelinck, Bull, Cornet, Scheidt, Scheidemann, Buxtehude, Luebeck, Johann Christoph Bach) as well as Johann Sebastian Bach. In collaboration with Harald Vogel, he edited Sweelinck's Complete Works for Keyboard Instrument (4 volumes, Breitkopf and Härtel). Dirksen is a member of the academic board of the Bach-Jahrbuch as well as a sought-after harpsichordist, organist and continuo player in international ensembles. Dirksen issued a number of much-acclaimed solo recordings (Sweelinck, Scheidemann, Boehm, Louis Couperin, Bach-Vivaldi, Bachs Art of Fugue and Goldberg Variations). Edison Winner 2003. Reinmar Emans (* 1953) studied musicology in Bonn and wrote his doctoral thesis on the cantatas and canzonettas of Giovanni Legrenzi in 1982. From 1983 to 2008 he was an academic staff member of the Johann-Sebastian-Bach-Institut Göttingen, and temporarily deputy of the managing director. He has taught in Bochum, Marburg, Detmold, Cologne and Hamburg, and has been a freelance contributor to various music periodicals. In 2000 he was responsible for the conception and direction of the Thuringian state exhibition 'Der junge Bach: Weil er nicht aufzuhalten' in Erfurt. He has conducted research and produced publications on opera and the cantata in 17th-century Italy, on stylistic development in the music of Johann Sebastian Bach, and on editorial philology./ Répertoire / Orgue