Concertino for 12 Instruments. Arrangement of the original work for a string quartet (1920) made by Igor Stravinsky in 1952. Study score also available: WH27104BParts are for hire: hire@ewh.dk

Edward Gregson completed Tributes in the summer of 2010. Lasting some 16 minutes, there are five pieces in the set, each dedicated to a different composer and a different clarinettist (with whom Gregson had long musical associations). Each of the dedicatee composers wrote wonderfully for the Clarinet and, as a tribute to them, Gregson tried to invade, indeed imitate, their stylistic worlds in these pieces. They are as follows: To Francis Poulenc (for Emma Johnson) - a rather dreamy toccata, lyrical in feel, but interrupted by typically quirky and disruptive rhythmic episodes. To Gerald Finzi (for John Bradbury) - slow and lyrical with long melodic arches. To Igor Stravinsky (for Linda Merrick) - asymmetric rhythms dominate, with wide leaps in the solo line and bitonal harmony on the Piano. To Olivier Messiaen (for Nicholas Cox) - based on the ravishing slow movement for Cello in his Quartet for the End of Time, a seamless melody is woven around ever-changing repeated chords on the Piano. To Béla Bartók (for Michael Collins) - the most virtuoso of the set - after a slow introduction, a swirling folk-like dance unfolds, mirroring Bartok's penchant for simple modal shapes and ostinati rhythms. / Clarinette Et Piano

Study score for Concertino for 12 Instruments by Igor Stravinsky dating from 1952. Parts are for hire: hire@ewh.dk

A Collection Of Essential Contemporary Works. Cette nouvelle importante série met à l' honneur les plus grands trésors de l'opéra américain, avec des airs célèbres et d'autres moins connus, le 'Rake's progress' de Stravinsky , Nixon in China de John Adam, Trouble in Tahiti de Bernstein et d'autres grands opéras de Dominic Argento, Ned Rorem et Carlisle Floyd. Avec accompagnement de CD. Pour les chanteurs professionnels et du niveau conservatoire supérieur, idéal pour les récitals et les auditions, et une source essentielle pour l'étude du répertoire d'opéra américain./ Recueil / Soprano et Piano

Par SCHNITTKE ALFRED. Pour violoncelle et contrebasse (couplé avec le Canon In memoriam Igor Stravinsky)/ Répertoire / Quatuor à Cordes, Violoncelle et Contrebasse

Les Noces : scènes chorégraphiques russes avec chant et musique composées par Igor Stravinsky. Partitions compléte + texte en russe et en français. / Scores / Partition

The idea of a violin concerto came from Stravinsky‘s publisher at the time Willy Strecker from Schott and violinist Samuel Dushkin. Stravinsky even noted in his autobiography that the availability of advice from Dushkin‘s was a factor in writing the piece. He also sought the opinions of composer and violinist Paul Hindemith who reassured Stravinsky about his concerns with writing for an instrument he was unfamiliar with. The help he received may have helped Stravinsky discover new possibilities for the instrument.

A sumptuous paintakingly researched and fully authoritative edition of Stravinsky's 'Choreographic Scenes With Singing And Music' in large-format vocal score. Part of the Chester Stravinsky Edition series thispresentation of Les Noces is fully edited by Margarita Mazo based upon relevant autograph and printed scores. The book includes a substantial analytical history of the work examining the significance of the piece in thecanon of the great Stravinsky scores. You will find a full choreographical assessment by Stephanie Jordan alongside a detailed critical commentary by Mazo and associate editor Millan Sachania. A comprehensive bar-by-bar guide tothe texts and transliteration is also included making this a indispensable edition for the choral leader and accompanist.Performance text in French and Russian.

A sumptuous paintakingly researched and fully authoritative edition of Stravinsky's 'Choreographic Scenes With Singing And Music' in large-format study score. Part of the Chester Stravinsky Edition series thispresentation of Les Noces is fully edited by Margarita Mazo based upon relevant autograph and printed scores. The book includes a substantial analytical history of the work examining the significance of the piece in thecanon of the great Stravinsky scores. You will find a full choreographical assessment by Stephanie Jordan alongside a detailed critical commentary by Mazo and associate editor Millan Sachania. A comprehensive bar-by-bar guide tothe texts and transliteration is also included making this a indispensable study score for the conductor performer and scholar alike.

3 Mouvements de Pétrouchka 3 Sätze aus Pétrouchka-Stravinsky's goal in arranging Petrushka for the piano was to attempt to influence Arthur Rubinstein into playing his music. In order to gain the latter's attention Stravinsky ensured that Rubinstein would find the arrangement technically challenging but musically satisfying. Trois mouvements de Petrouchka reflects the composer's intentions and unsurprisingly it is renowned for its notorious technical and musical difficulties.

Disponible pour la première fois en un seul volume, cette collection comprend l'opéra et ballet des ententes conclues avec le violoniste Samuel Dushkin, un morceau pour violon non accompagné et un travail original de Stravinsky Duo concertante pour violon et piano. / Violon Et Piano