Folk Songs
Partitions Pour Piano-Orgue, Paroles Et Accords.
`Folk Songs` Est Un Album Très Eclectique Réunissant Les Succès Du Folklore Américains Et Français. /

Le langage de la Folk Livre 2 propose 16 intermédiaire de chansons folkloriques de pointe autour des îles britanniques et d'ailleurs, soigneusement sélectionnés et agencés pour développer les compétences clés et des styles vocaux intégrés à la chanson folklorique.

Produit en association avec The Sage Gateshead et son programme de musique folklorique de renommée nationale, ces livres offrent une richesse de matériel à la fois pour les chanteurs folkloriques établis et ceux qui découvrent le monde de folk.


16 chansons folkloriques variées, progressant de la 5e à la 8e année

Comprend deux chansons non accompagnés et des chansons arrangées avec accompagnement de piano

Notes contextuelles informatifs et des conseils pratiques pour chaque chanson

Les noms des accords prévus pour tous les morceaux, offrant artistes la liberté d'ajouter leur propre accompagnement

L'introduction utile à la chanson genre folklorique, y compris un guide du débutant à l'ornementation

CD avec des représentations authentiques de chaque chanson par les jeunes chanteurs de folk, avec des pistes d'accompagnement pour les morceaux accompagnés

Feuilles de paroles complètes disponibles au format PDF à imprimer sur le CD / Partition CD /

This is a new edition of Béla Bartók?s popular Romanian Folk Dances in its original scoring for Solo Piano. With fascinating background notes and unique imagery this publication is essential for pianistsinterested in the work of the Hungarian composer.When Bartók?was just 23 years old he visited the Transylvanian town of?Gerlicepuszta. Overhearing a lullaby sung by a teenage servant girl named LidiDósa he quizzed her about it and noted it down. This was the beginning of a passion for folk music that would go on to change the course of the composer's life and work. Romanian FolkDances?remains one of Bartók's most popular and enduring works evoking the folk melodies combined with his own idiosyncratic harmonies and textures. Each of the six short pieces here is based on atraditional melody which Bartók?penned during his travels.? Including newly engraved masterpieces?Stick Dance Waistband Dance In One Spot Dance From Butschum Romanian Polkaand Fast Dance this sheet music collection features editorial revisions guided by recordings of Bartók's own performance. The notation also includes fingering guidancethroughout. Romanian Folk Dances also?features a specially-written introduction as well as some fantastic photographs that both tell the story of the young composer and the intriguingbackstory of this work.? One of the most important 20th century composers and along with Liszt one of Hungary's finest musical minds Bartók?held a strong fascination for folkmusic. Through his studies recordings and arrangements he composed some incredible music like these?Romanian Folk Dances ?while simultaneously initiating the field of

This short suite, much inspired by Bartók's Six Romanian Folk Dances, is based on traditional dances and songs of Argentina. Although the original rhythms and melodies are often transformed by the use of contemporary techniques, the piece preserves the authentic spirit of each of these folk forms.Zamba de Vargas, a well known folk song, refers to a battle in Argentina between two armies of gauchos during the civil wars of the nineteenth century.Ojos Azules (Blue Eyes) is an introspective lament for lost love of Quichua origin (Northwest of Argentina). It was first collected by musicologist Leda Valladares.Both the Milonga and the Valsecito Criollo, (folk forms which developed in rural areas and then made it to the outskirts of Buenos Aires at the turn of the century) are original themes written by me based on my own personal understanding of the genre.Lastly, the Baguala is inspired on a transcription documented by Isabel Aretz which was reproduced in Las Canciones Folklóricas de la Argentina and published by Instituto Nacional de Musicología of Buenos Aires in 1969.Commissioned by and dedicated to the Minnesota Sinfonia and to its Music Director, Jay Fishman. / Flûte, Alto Et Piano

Béla Bartók Complete Critical Edition Volume 38. Par BARTOK BELA. The third volume in the Complete Edition contains Bartók's works for piano solo composed between 1914 and 1920. Bartók's pianistic oeuvre from the years of World War I span a broadly varied spectrum; in addition to simple arrangements of folk music (15 Hungarian Peasant Songs, Sonatina) and original pieces for the concert podium (Suite, op. 14), we find Bartók's audaciously innovative Etudes (op. 18) inspired by Liszt, as well as Improvisations (op. 20), perhaps his most abstract and original folk music adaptations. The appendix of the volume reproduces movements originally intended for, but eventually discarded from, Suite and 15 Hungarian Peasant Songs, as well as all original sources for the folk-inspired pieces. The introductory essays in English, Hungarian, and German not only explore the genesis and reception of the works more thoroughly than ever before, but also orient the reader in issues of notation and performance. The critical commentary presents all manuscript and print sources of the works in detail (including folk music sources), it documents the compositional processes and surveys the range of textual variants and problems. / Somfai, László / Répertoire / Piano

Arrangeur: Vilmos Bántai_Éva B. Sipos. Par BARTOK BELA. This book contains arrangements of piano pieces written by Béla Bartók (1881-1945) in his youth for piano pupils (Ten Easy Piano Pieces, For Children, The First Term at the Piano). Most are arrangements of Hungarian or Slovak folk songs, while the rest are based on the composer's own melodies. The pieces appear in order of difficulty, but even the simplest can be used as effective performance pieces. The album is recommended for the first three years of flute learning, and the first four pieces are playable within the first year. A piano accompaniment for each piece and a full performance by noted Hungarian musicians is provided on the accompanying CD to facilitate practice at home and help in developing a suitably styled performance of Bartók's music. / Niveau : Facile / Répertoire / Flûte Traversière et Piano

Dans cette nouvelle collection intemporelle, Hywel Davies présente huit nouvelles interprétations de chansons folkloriques traditionnels britanniques avec sept complémentaires folk inspirées des compositions originales pour le développement de clarinettistes pour apprendre, s'amuser et jouer.Idéal pour les étudiants de la norme qualité 1-3, cet album progressive contient également des notes utiles décrivant le caractère lyrique, le contenu et l'inspiration derrière chaque pièce, l'équipement aux joueurs de donner des représentations informées, authentique et élégante.Un superbe CD de spectacles, des playbacks, et ralenti la sauvegarde des pistes pour la pratique est inclus. / Flûte Et Piano

A beautiful illustrated collection containing over 100 folksongs from the British Isles. Songs of longing, of love, of the Irish and Scottish rebellions, as well as lullabies, children's songs, and even a few composed songs which have become part of the folk heritage can be found in this collection.Easily played piano and guitar accompaniments are provided, and not only translated lyrics, but phonetic transcriptions are also included so that songs may be sung in their original language. England: Hares On The Mountain; Allan Water; My Boy Willie; When Cockleshells Turn Silverbells; The Banks Of The Sweet Primroses; I?m Seventeen Come Sunday; Greensleeves; The Trees Are Geting High; On Ilkla Moor Baht? At; O Waly, Waly; Weel May The Keel Row; The Three Ravens; Early One Morning; O No, John!; A May Day Carol; The Oak And The Ash; Lavender?s Blue; Blow The Wind Southerly; The Cherry Tree Carol; The Green Bushes; Over The Mountains; Gently, Johnny, My Jingalo; Two Maidens Went Milking One Day; Cock Robin; Died For Love; Buttercup Joe; Ireland: Down By The Salley Gardens; Let Erin Remember The Days Of Old; The Crusikeen Lawn; Shule Aroon; The Little Red Fox; When Pat Came Over The Hill; The Bold Fenian Men; The Parting Glass; Bendemeer?s Stream; The Mountains O? Mourne; The Wearing Of The Green; The Rising Of The Moon; The Lark In The Clear Air; I Wish I Had The Shopherd?s Lamb; O?Donnell Aboo; She Moved Through The Fair; Mrs. McGrath; Lilli Burlero; Monday, Tuesday; Farewell! But Whenever You Welcome The Hour; Kevin Barry; Kilgary Mountain; Oft In The Stilly Night; Molly Brannigan; John O?Dywer Of The Glen; The Time I?ve Lost In Wooing; The Croppy Boy; The Banks Of Roses; The Bard of Armagh; ?Tis Pretty To Be In Balinderry; Whack Fol The Diddle; Scotland: Green Grow The Rashes, O!; Wae?s Me For Prince Charlie; The Wark O? The Weavers; Flow Gently, Sweet Afton; The Blue Bells Of Scotland; Baloo Baleerie; Is There For Honest Poverty; Corn Rigs Are Bonnie; Can Ye Sew Cushions?; A Hihgland Lad My Love Was Born; Ho Ro My Nut-Brown Maiden; Robin Adair; Awa?, Whigs, Awa?; My Love is Like a Red, Red Rose; Weaving Lilt; Turn Ye To Me; To The Beggin? I Will Go; Ye Banks And Braes O? Bonnie Doon; Scots Wha Ha?e Wi? Wallace Bled; Charlie Is My Darling; Oh Rowan Tree; Will Ye No? Come Back Again?; The Piper O? Dundee; Leezie Lindsay; The Road To The Isles; An Eriskay Love Lilt; Wales: The Bells Of Aberdovey; To See Swainson; Robin Redbreat; David Of The White Rock; The Kind Old Man; Men Of Harlech; Fairest Gwen; Over The Stone; Cuckoo Dear; Megan?s Fair Daugher; Little Saucepan; The Ash Grove; Rise, Rise, Thou Merry Lark; Lullaby; All Through The Night; Joy Upon The Bright Cheek Dances; Idle Days In Summertime; Counting The Goats; The Dove; Welsh National Anthem.

Of the many works Bartók composed on Hungarian and Romanian folk melodies between 1914 and 1918 these three piano pieces occupy a special place. Originally outlined for the collection 15 Hungarian Peasant Songs (Urtext edition HN 1404) the drafts were left untouched for the next twenty years. Not until 1941 when Boosey and Hawkes asked the composer to contribute to an anniversary album for the great pianist Ignaz Paderewski did Bartók now settled in the United States return to these long since notated piano pieces on the folk music of his homeland and thoroughly revise them. Unusually the first edition issued in 1942 did not include the folk music sources however they have ofcourse been reproduced in this Urtext edition based on the Bartók Complete Edition. Whatâ??s more Bartókâ??s own recording of the pieces has been analysed by editor László Somfai both in his preparation of the text and in Suggestions for Performance. Of the many works Bartók composed on Hungarian and Romanian folk melodies between 1914 and 1918 these three piano pieces occupy a special place. Originally outlined for the collection 15 Hungarian Peasant Songs (Urtext edition HN 1404) the drafts were left untouched for the next twenty years. Not until 1941 when Boosey and Hawkes asked the composer to contribute to an anniversary album for the great pianist Ignaz Paderewski did Bartók now settled in the United States return to these long since notated piano pieces on the folk music of his homeland and thoroughly revise them. Unusually the first edition issued in 1942 did not include the folk music sources however they have ofcourse been reproduced in this Urtext edition based on the Bartók Complete Edition. Whatâ??s more Bartókâ??s own recording of the pieces has been analysed by editor László Somfai both in his preparation of the text and in Suggestions for Performance.

Celtic Folk Songs pour tous les âges est une charmante collection de mélodies riches et de ballades spécifiquement distinctives pour les cultures de l'Ecosse, Terre-Neuve, Irlande et l'Angleterre. Le CD d'accompagnement (inclu dans le livre solo) fournit deux pistes pour chaque morceau. La première piste inclut un performances d'exemple du solo avec l'accompagnement. La deuxième piste est juste l'accompagnement, permettant le soliste à jouer le jeu. Il y a également un accompagnement Piano distinct disponibles. / Piano Accompagnement / 52 pages / niveau : Facile - Elémentaire / Partition

A comprehensive collection of over 120 folk favorites including: All Night All Day - The Banana Boat Song - Cotton Eyed Joe - Down by the Salley Gardens - Frere Jacques (Are You Sleeping') - How Can I Keep from Singing - John Henry - Man of Constant Sorrow - O Happy Day - Pop Goes the Weasel - Somebody's Knockin' at Your Door - Three Blind Mice - and many more.

Finnish Folk Song With Variations (Op. 21) was based on the Finnish folk melody Alä Itke Aitini (Don?t Cry My Mother) and scored for solo Piano. Oskar Merikanto (1868-1924) wasa Finnish pianist organist and composer. Having studied in Leipzig and Berlin he took a full time position as an organist and teacher in Helsinki where he remained until his death. He is best known for his three operas whichwere the first operas to be written in the Finnish language. However his contribution to Finnish folk music is perhaps even greater: the depth and warmth of his addition to this genre are indicative of his wider musical prowess.

The Very Best Of Irish Folk Songs. Each Volume Features 50 Complete Songs With Music Words Guitar Chords And Interesting Background Notes On The Songs.

The Sightreading Folk series serves a dual purpose: a) Graded sightreading material initially and b) Lasting tuneful folk tunes to gradually acquaint the pupil with folk song repertoire.Grade: 1