Arrangements en ligne de melodie pour les themes classique populaire. Comprennant 'Bolero' (Ravel), 'Nimrod' (Elgar) et 'Radetzky March' (Strauss). / Clarinette / 64 pages / Partition

Edward Elgar's Salut d'amour is one of those pieces by the British composer that has a particularly haunting melody. Composed in 1888 for his future wife Caroline Alice Roberts, the work became an enormous success early on. There are numerous arrangements - but the only versions for which the autograph manuscripts survive are those for Violin and Piano (HN 1188), Piano solo (HN 1190) and Violoncello and Piano. Up to now there has only been an arrangement of the cello part made by the original publisher, presumably with Elgar's approval. We are now for the very first time publishing the version following Elgar's autograph manuscript, which for unknown reasons had never been released. In addition we are publishing the trusted musical text from the first edition. / Violoncelle Et Piano

Op. 38. Par ELGAR EDWARD. This is the best of me, wrote Edward Elgar after the final measure of his Dream of Gerontius. Premiered in 1900, in Great Britain the work has long been a standard work in the repertoire of large oratorio choirs. Elgar’s moving, poetic setting of the eponymous poem by Cardinal John Henry Newman is about a dying man and his journey beyond death to God. Before the eyes of the listeners, a musical image of the soul is created which flies past mocking demons to God with its protecting angel at its side, is allowed to look at him briefly, then faces the purgatorial fire of salvation confident and comforted. The work is a real rarity in the history of oratorio, and for large choirs it is a thrilling alternative to the established repertoire of Requiem settings. Its popularity is thanks to the suggestive, often sensuous power of the music, the great choral scenes of the demons and the Angel, and the three impressive solo parts. All previous editions were reprints based on the historic first printed materials, which are inconsistent. By contrast, Carus has produced a modern, newly-engraved edition, compatible in all sections, which takes all the sources into consideration and evaluates the autograph manuscript in detail. For this edition the complete orchestral material is available on sale, and the vocal score and full score contain both English and German singing texts. The full score is also available digitally. / Date parution : 2022-05-31/ Répertoire / Solistes, Choeur SATB et Piano

Arr. Philip Sparke. Par ELGAR EDWARD. Avec Pomp and Circumstance, un cycle de cinq marches militaires, Edward Elgar a donné à la marche une véritable dimension symphonique. La Marche n° 1 est incontestablement la plus célèbre des cinq. De la mélodie du trio, Elgar devait déclarer qu’elle était de celles dont on n’a l’inspiration « qu’une fois dans sa vie ». Il réutilisera cette mélodie dans son oeuvre chorale Coronation Ode (1902) pour accompagner le texte Land of Hope and Glory d’A. C. Benson. Depuis, Land of Hope and Glory est devenu une sorte de second hymne national anglais et fait partie intégrante de la célébrissime Dernière Nuit des Concerts-promenades (the Last Night of the Proms). / Niveau : 2.5 / Musique pour célébration / Répertoire / Concert Band ou Harmonie

Edward Elgar's Salut d'amour is one of those pieces by the British composer that has a particularly haunting melody. The short work also had a special significance for the composer. Caroline Alice Roberts had been having piano lessons with Elgar since 1886. Their teacher-pupil relationship soon blossomed into love and they became engaged in 1888. It was in this year that Elgar composed 'Salut d'amour? for his bride, initially with the German title 'Liebesgruß?. They got married in 1889 and the work was published at the same time. We are now publishing this moderately difficult, immortal classic in the original versions for Violin and Piano, Violoncello and Piano (HN 1189) and Piano solo (HN 1190). / Violon Et Piano

The Library Of Romantic Music is a comprehensive collection of the greatest works of the Romantic period. Featuring composers like Frédéric Chopin, Claude Debussy and Gabriel Fauré, the works represented here truly some of the most beautiful ever composed. Now they're all in one conveniently spiral-bound volume, arranged for solo Piano for your sheer playing pleasure.Like the Baroque and Classical periods before it, Romantic music existed within a broader artistic, intellectual and literary movement. Emerging in the early 19th century it reflected a time of preoccupation with things mystical, spiritual, legendary and supernatural. This collection comprises fantastic original Piano works and beautiful arrangements from all the greatest composers of this era, including: Albéniz, Berlioz, Bizet, Brahms, Chopin, Dvorák, Debussy, Elgar, Fauré, Grieg, Mahler, Liszt, Mendelssohn, Puccini, Ravel and so many more.Spanning the 19th century, the Romantic movement was a reaction to what had come before. Music proved to be a particularly rich medium of expression for a new Zeitgeist that prized individualism and spirituality. Drawing together composers whose background was as diverse as the music they created, the period proved to be a very broad church indeed. This makes The Library Of Romantic Music particularly exciting, because the extraordinarily rich and expressive music is collected here in a single volume that is durable, convenient and is sure to be a mainstay of your music stand.For a simply stunning compendium of some incredible pieces of music composed by the masters, The Library Of Romantic Music is essential. The greatest compositions from such a fantastically rich period have been collected in this single volume, perfect for pianists looking for beautiful additions to their repertoire. / Piano

Over 60 of the most famous pieces in classical music specially arranged for Easy Piano. This superb collection covers a wide range of composers and musical periods from Bach, Mozart and Handel through to Chopin, Elgar, Debussy and Mahler. This book is perfect for any Grade 1 - 2 pianist to explore a wonderful variety of well-known masterpieces. / Piano

The Music Makers (1912) and The Spirit Of England (1915-1917) were Elgar's last major choral works. In both he set verses by men adjudged considerable poets in their day. The Elgar Complete Edition brings together for the first time all of the composer's surviving music from printed and manuscript sources.

The latest book in this popular series features the music of Sir Edward Elgar, in honour of his 150th birthday in 2007.<br>Includes solo-piano arrangements of Elgar's best-loved works, including selections from Sea Pictures, the Cello Concerto, Enigma Variations, Pomp and Circumstance March No. 1, and much more.<br>Arranged for intermediate solo piano. An essential addition to your piano library. / Classique / Partition /

Opus 2 no. 1. Par ELGAR EDWARD. En 1885, Edward Elgar est nommé organiste de l’église Saint-George de Worcester. À ce titre, il compose de nombreuses oeuvres liturgiques. En 1887, il crée un Pie Jesu, dans le cadre d'un triptyque comprenant aussi un Ave Maria et l’ Ave Maria Stella. Il remanie la pièce en 1892, et celle-ci devient alors l’ Ave Verum Corpus pour Soprano solo, Ténor solo, Choeur mixte et Orgue (Opus 2, n°1). Robert van Beringen en a réalisé un arrangement délicat et profond. / Niveau : 2 / Classique / Répertoire / Brass Band

Par ELGAR EDWARD. Dream Children Op. 43 is a setting composed by Edward Elgar to a reverie by Charles Lamb. There are two pieces for solo piano written in 1902./ Recueil / Instrument en Sib et Piano

Having achieved unprecedented success with his Symphony No.1 Elgar was now fully confident of his symphonic prowess and threw himself into work on its successor.Available here is an Eulenburg miniature score of Elgar’s second symphony which is ideal for study and perusal use.

Opus 2 no. 1. Par ELGAR EDWARD. En 1885, Edward Elgar est nommé organiste de l’église Saint-George de Worcester. À ce titre, il compose de nombreuses oeuvres liturgiques. En 1887, il crée un Pie Jesu, dans le cadre d'un triptyque comprenant aussi un Ave Maria et l’ Ave Maria Stella. Il remanie la pièce en 1892, et celle-ci devient alors l’ Ave Verum Corpus pour Soprano solo, Ténor solo, Choeur mixte et Orgue (Opus 2, n°1). Robert van Beringen en a réalisé un arrangement délicat et profond. / Niveau : 2 / Classique / Répertoire / Concert Band ou Harmonie

Opus 2 no. 1. Par ELGAR EDWARD. En 1885, Edward Elgar est nommé organiste de l’église Saint-George de Worcester. À ce titre, il compose de nombreuses oeuvres liturgiques. En 1887, il crée un Pie Jesu, dans le cadre d'un triptyque comprenant aussi un Ave Maria et l’ Ave Maria Stella. Il remanie la pièce en 1892, et celle-ci devient alors l’ Ave Verum Corpus pour Soprano solo, Ténor solo, Choeur mixte et Orgue (Opus 2, n°1). Robert van Beringen en a réalisé un arrangement délicat et profond. / Niveau : 2 / Classique / Répertoire / Fanfare

Elgar was pre-eminently the composer of large forms. Complex, lengthy development of musical ideas was for him a measure of genius. His songs, with the exception of the orchestral cycle Sea Pictures , were not often the vehicles for his most striking ideas. Paradoxically, he was also bedevilled by a fine literally taste. He once told a friend that he felt it better to set the best second-rate poetry to music, for the most immortal verse is music already. Some of his songs are therefore settings of poets now all but forgotten, such as Arthur Salmon and Gilbert Parker: to their verse his music might make a vital addition. Elgar's songs offer authentic Edwardian reflections which we can value now in their own terms. These songs are full of echoes of a master's thoughts - and especially in the songs written for the stage - flashes of his genius. / Chant Et Piano