SKU: SB.SBMP-1663
UPC: 000308159035.
Ever clever, composer Narverud came up with a highly rhythmic celebratory composition. The title translates “We are one”, the theme being that all human beings have much in common. The energetic djembe sets the tone, the piano adds its own rhythmic design, and the singers deliver the message, at times sounding as though there should be a campfire at the center of their circle. This BEST SELLER is great fun, a profound message, and an intriguing piece. See composer notes below for pronunciation.
SKU: GI.G-9074
UPC: 785147907404. English. Text by Ian Good.
This simple text can be interpreted in many ways. Some of the themes mentioned included personal growth and passing away. The central message that I intended to communicate is that of community, of the necessity of relying on each other to achieve our dreams. There may be times when we have to “fly” on our own, but ultimately our greatest strength is born of our unity. The djembe player is encouraged to embellish the given rhythm per the idiom of the instrument. Adding additional percussion is also encouraged. Percussion part is for djembe.
SKU: HL.668194
UPC: 196288080756. 6.75x10.5x0.029 inches.
Incorporati ng texts from Mahatma Ghandi, Dr. Martin Luther King, Jr., Matthew 5:15 and Laura Farnell herself, this energetic and rhythmic commission conveys a singular force for change. Now available for 2-part choirs, with Djembe and Shaker complement!
SKU: CF.CM9742
ISBN 9781491161555. UPC: 680160920204. Key: E minor. English. Iyana Davis.
This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!.This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revel ation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!
SKU: CF.CM9569
ISBN 9781491153680. UPC: 680160911189. 6.75 x 10.5 inches. Key: Gb minor. English. English Ballad.
An old English ballad, Scarborough Fair relates the tale of a jilted maiden who instructs her listener to tell her former lover that she will have him back after he performs a series of impossible tasks: making a shirt without a seam, washing it .An old English ballad, Scarborough Fair relates the tale of a jilted maiden who instructs her listener to tell her former lover that she will have him back after he performs a series of impossible tasks: making a shirt without a seam, washing it in a dry well, to name a few. A modern equivalent might be when pigs fly. Keep it light and bring out the differing accents in the meters, especially the dotted quarter notes. While there is no percussion part written in the score, we had a djembe player play along to bring out the various accents. Feel free to add your own as well. Have fun!.An old English ballad, Scarborough Fair relates the tale of a jilted maiden who instructs her listener to tell her former lover that she will have him back after he performs a series of impossible tasks: making a shirt without a seam, washing it in a dry well, to name a few. A modern equivalent might be when pigs fly.Keep it light and bring out the differing accents in the meters, especially the dotted quarter notes. While there is no percussion part written in the score, we had a djembe player play along to bring out the various accents. Feel free to add your own as well. Have fun!
SKU: MN.50-5176
UPC: 688670551765. English.
At once timeless and topical, this rhythmic piece combines choir, djembe, and a killer piano accompaniment to produce a result that transcends calling it multi-cultural in feeling. Written for the 50th anniversary of the Presbyterian Association of Musicians, it aptly looks at past, present, and future, presenting a message of encouragement.
SKU: LO.15-4063H
ISBN 9780787779641.
Usin g compelling metaphorical language, Mark Burrows brings us this rhythmic and engaging original piece with djembe accompaniment and body percussion. With feet march for justice, helping hands, words that heal, and hearts that beat for kindness, we can be complex forces for good. SATB choirs of all kinds will find this to be a programming option that is suitable for many situations and seasons.
SKU: LO.30-2677L
UPC: 000308127447.
A beautiful acclamation of faith, How Great Is Our God is an anthem that truly expresses the awesomeness of the living God. A quote of I Sing the Mighty Power of God is woven masterfully into this marvelous arrangement by Lloyd Larson, which can be performed with optional instrumental parts that enhance the spirit of the piece.
SKU: GI.WW1581
UPC: 785147009160. Xhosa. Text Source: Xhosa Prayer.
A traditional Xhosa song that almost every black South African grew up singing in church. It is commonly sung during the Holy Communion, as it is significant to do so, considering the text.
SKU: HL.502725
UPC: 196288073208. 6.75x10.5x0.031 inches.
10th Anniversary Edition. “Kusimama” is written in the world music style that is accessible for all choirs. The text which is in both Swahili and English, is about standing tall on the earth, not with anger or aggression, but with hope, strength, acceptance, and a positive spirit. The voices along with hand claps, stomps, Djembe, shaker and piano all combine for an exciting world music presentation.
