SKU: BA.BVK02168
ISBN 9783761821688. 24 x 16 cm inches. Language: German. Preface: Wolfgang Sandberger/Volker Scherliess.
SKU: M2.MOS-68023-01
ISBN 9790203772057.
Die vorliegende kleine Kantate Dietrich Buxtehudes ist original fur zwei Soprane, Bass, zwei Violinen, Fagott und Bc komponiert. Die vorliegende Ausgabe wurde vom Kirchenmusiker Gerhard Trubel um Alt, Tenor und Viola erweitert, die dem Werk eine grossere Klangfulle verleiht ohne dabei die musikalische Substanz anzutasten. Das der Vorlage entsprechende Fagott kann ebenso gut von einem Violoncello ausgefuhrt werden. Die einstimmigen Strophen 2, 3 (Sopran) und 4 (Bass) konnen wahlweise von Solisten, Favoritstimmen oder dem Chor ausguhrt werden.
SKU: M2.MOS-68023-60
ISBN 9790203772071.
SKU: M2.MOS-68023-11
ISBN 9790203772064.
SKU: M2.MOS-68023
ISBN 9790203770664.
SKU: CA.3601350
ISBN 9790007132088.
Scor e available separately - see item CA.3601300.
SKU: CA.3601212
ISBN 9790007213572. Key: C major. Language: German/English.
Bux tehude's numerous vocal compositions which was written for performance in the Lubeck Marienkirche, are stylistically quite varied. The cantata Singet dem Herrn ein neues Lied is based on a text from the first verses of psalm 98 which occupies a unique position in the oeuvre of Buxtehude, since it employs only one solo instrument. The composition, which is in concertato style, offers both soloists rewarding challenges. Score and part available separately - see item CA.3601200.
SKU: AP.36-M159691
ISBN 9798888521625. UPC: 676737751470. English.
Danish composer and organist Dietrich Buxtehude (1637-1707) is a prime example of the North German baroque school and an influence on Johann Sebastian Bach's style. The works in this three-volume collection were found in a family-book, which for centuries was handed down in the Danish family of Ryge until their discovery in the mid-20th century. The collection of 19 suites, 6 works of variation, and 3 anonymous works (likely by Buxtehude) have been compiled and edited by Emilius Bangert. Vol. 1 includes Suites I-X; Vol. 2 includes Suites XI-XIX; Vol. 3 includes Works of variation and anonymous works.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: AP.36-M159491
UPC: 660355143854. English.
SKU: AP.36-M159591
UPC: 660355143878. English.
SKU: CA.3600215
ISBN 9790007052614. Language: German/English.
The re are many so called arias in the works of Buxtehude. These compositions are based on a poetic text like those chorale cantatas, but do not use of preexisting melody. Score and part available separately - see item CA.3600200.
SKU: CA.3601719
ISBN 9790007293925. German. Text: Luther, Martin.
This setting of Luther's hymn perfectly typifies the basic concept of a chorale cantata as Buxtehude probably envisaged it. The first two verses are set, line by line, in a four-part homophonic texture. The two violins add interludes to the chorale, and lead in a kind of ritornello to the next verse. In the third and last verse Buxtehude departs from this model as the violins also play the chorale, and in which the lines of the hymn follow each other without a break. This cantata has come down to us in a tabulatur from the Duben Collection. It belongs in the context of a number of chorale cantatas which were copied around 1685. Score and parts available separately - see item CA.3601700.
SKU: CA.3601619
ISBN 9790007144388. Language: German.
This work has survived in an autograph, unfortunately undated, preserved in the Duben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24-26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on Nun danket alle Gott create the work's structure. In Nun danket alle Gott Buxtehude indicated in detail, in at least one instance, the use of an a cappella entrance of the choir. If the sections without instrumental accompaniment are sung by soloists, the choir is added in the tutti passages. Score and parts available separately - see item CA.3601600.
SKU: CA.3601605
ISBN 9790007112578. Language: German.
This work has survived in an autograph, unfortunately undated, preserved in the Duben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24-26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on Nun danket alle Gott create the work's structure. In Nun danket alle Gott Buxtehude indicated in detail, in at least one instance, the use of an a cappella entrance of the choir. If the sections without instrumental accompaniment are sung by soloists, the choir is added in the tutti passages. Score available separately - see item CA.3601600.
SKU: CA.3620016
ISBN 9790007214135. Language: German. Text: Eber, Paul. Text: Paul Eber.
Liturgically, the present cantata is meant to be performed at the turn of the year. For his setting of the text Buxtehude chose a two-part form with a concluding Amen. This plea for a propitious new year is given a special musical interpretation. Score and part available separately - see item CA.3620000.
SKU: CA.3600219
ISBN 9790007139070. Language: German/English.
The re are many so called arias in the works of Buxtehude. These compositions are based on a poetic text like those chorale cantatas, but do not use of preexisting melody. Score and parts available separately - see item CA.3600200.
SKU: CA.3601614
ISBN 9790007213787. Language: German.
This work has survived in an autograph, unfortunately undated, preserved in the Duben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24-26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on Nun danket alle Gott create the work's structure. In Nun danket alle Gott Buxtehude indicated in detail, in at least one instance, the use of an a cappella entrance of the choir. If the sections without instrumental accompaniment are sung by soloists, the choir is added in the tutti passages. Score and part available separately - see item CA.3601600.