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Johann Sebastian Bach: Motet No.6 Lobet Den Herrn Alle Heiden BWV 230: Mixed
6.50
Johann Sebastian Bach: Motet No.6 Lobet Den Herrn Alle Heiden BWV 230: Mixed
Choeur Mixte (SATB) Et Instrument(s) Ad Lib
Barenreiter
2. Violin-Lobet den Herrn alle Heiden BWV 230 - Motet for four-part mixed choir...
(+)
2. Violin-Lobet den Herrn alle Heiden BWV 230 - Motet for four-part mixed choir.In Bach’s voluminous output of music the motets form a small group of modest proportions particularly as compared to the 200 or so surviving cantatas. In historical perspective however the corpus of motets is especially distinguished being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the present day.- Urtext of the New Bach Edition
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Johann Sebastian Bach: Motet No.6 Lobet Den Herrn Alle Heiden BWV 230: Mixed
6.50
Johann Sebastian Bach: Motet No.6 Lobet Den Herrn Alle Heiden BWV 230: Mixed
Choeur Mixte (SATB) Et Instrument(s) Ad Lib
Barenreiter
Viola-Lobet den Herrn alle Heiden BWV 230 - Motet for four-part mixed choir.In ...
(+)
Viola-Lobet den Herrn alle Heiden BWV 230 - Motet for four-part mixed choir.In Bach’s voluminous output of music the motets form a small group of modest proportions particularly as compared to the 200 or so surviving cantatas. In historical perspective however the corpus of motets is especially distinguished being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the present day.- Urtext of the New Bach Edition
6.50 GBP - vendu par Musicroom GB
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Suite Orchestrale #3 / Orchestral Suite #3 Bwv 1068 En Ré Majeur
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Suite Orchestrale #3 / Orchestral Suite #3 Bwv 1068 En Ré Majeur
En Français
Piano seul
Delatour France
Les Suites de Bach n'ont jamais été éditées pour piano à quatre mains. Ces ...
(+)
Les Suites de Bach n'ont jamais été éditées pour piano à quatre mains. Ces oeuvres ont été écrites entre 1718-1723 pour le Collegium Musicum de Cöthen et pour le Collegium Musicum de Leipzig. Chaque suite comporte une instrumentation originale et spécifique qui parfois rend hommage à un instrument soliste ou un groupe d'instrument. La difficulté pour les deux interprètes sera de retrouver la richesse du timbre, les phrasés et les articulations propres aux instruments de l'orchestre. / Piano
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Suite No2 En Si Mineur Bwv 1067
15.80
Suite No2 En Si Mineur Bwv 1067
En Français
Flûte traversière et Piano
[Partition]
Billaudot
La référence GB3172 de l'éditeur Billaudot dont l'auteur célèbre est Bach J...
(+)
La référence GB3172 de l'éditeur Billaudot dont l'auteur célèbre est Bach Johann Sebastian, qui a pour titre SUITE Nø2 EN SI MINEUR BWV 1067, a été écrite et composée pour Flûte Traversière et plus particulièrement pour Flûte Et Piano. Cette partition musicale appartient à la catégorie Classique. / Flûte Et Piano / Partition
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Johann Sebastian Bach: Goldberg Variationen BWV 988: Piano: Instrumental Work
13.50
Johann Sebastian Bach: Goldberg Variationen BWV 988: Piano: Instrumental Work
Piano seul
[Partition]
G. Henle
Goldberg Variations BWV 988-Sans conteste le cycle pour clavier le plus importan...
(+)
Goldberg Variations BWV 988-Sans conteste le cycle pour clavier le plus important du XVIIIe siècle les Variations «Goldberg» eurent une telle portée que seules au XIXe siècle les Variations «Diabelli» de Beethoven peuvent leur être comparées. Le manuscrit autographe de Bach n?est pas conservé mais on possède l?impression originale corrigée de la propre main du compositeur de l? ?Aria mit verschiedenen Veraenderungen vors Clavicimbal mit 2 Manualen? (Aria avec différentes variations pour le clavecin à deux claviers) ainsi que le mentionne la page de titre. Cette édition originale sert de base principale à notre édition mais fut également comparée à d?autres sources comme par exemple l?«Aria» (letitre est ici différent) se trouvant dans le Notenbüchlein für Anna Magdalena et comportant des annotations de la propre main de Bach.
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Johann Sebastian Bach: Cantata BWV 158 Der Friede Sei Mit Dir: SATB: Part
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Johann Sebastian Bach: Cantata BWV 158 Der Friede Sei Mit Dir: SATB: Part
Basse, Choeur Mixte (SATB), Hautbois, Violon (Flûte Traversière) Et Basse Continue
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Cantata for Easter Tuesday-Der Friede sei mit dir BWV 158Cantata for Easter Tues...
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Cantata for Easter Tuesday-Der Friede sei mit dir BWV 158Cantata for Easter TuesdayThe cantata Der Friede sei mit dir is one of those works of Bach’s which present the most problems. Neither the author of the text nor the history of the work’s composition is known to us; and to judge by appearances the version that has come down to us is but a fragment compounded of a number of once disparate elements and gives little indication of the work’s original form.Yet the movements that have come down to us are of such uncommon musical interest that we would not want to be deprived of them just because they may be incomplete. The modesty of its requirements is at least in partresponsible for the comparatively wide popularity enjoyed by this cantata.- Urtext of the New Bach Edition- Full score & performance material (BA10158) vocal score (BA10158-90) available for sale
3.50 GBP - vendu par Musicroom GB
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Johann Sebastian Bach: Motet No.4 Fürchte dich nicht ich bin bei dir: Double
4.50
Johann Sebastian Bach: Motet No.4 Fürchte dich nicht ich bin bei dir: Double
2 Choeurs Mixtes (SATB Et SATB) Et Instrument(s) Ad Lib
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Motet for two four-part mixed choirs-Fürchte dich nicht ich bin bei dir for tw...
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Motet for two four-part mixed choirs-Fürchte dich nicht ich bin bei dir for two four-part mixed choirs A major BWV 228All of Bach’s six authenticated motets were written between 1723 and 1727 for St Thomas’ Church Leipzig where Bach was appointed as director of music in 1723. During this period Bach composed most of his cantatas and it seems likely that for ordinary Sunday services he used existing motets from the seventeenth century tradition reserving his own motet compositions for special occasions.- Urtext of the New Bach Edition.- Performance material and choral score (BA5133) available for sale.-Complete edition of the 6 Motets vocal score with piano reduction (BA5193-90) choral score (BA5193)
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Johann Sebastian Bach: Motet No.4 Fürchte dich nicht ich bin bei dir: Double
4.50
Johann Sebastian Bach: Motet No.4 Fürchte dich nicht ich bin bei dir: Double
2 Choeurs Mixtes (SATB Et SATB) Et Instrument(s) Ad Lib
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Motet for two four-part mixed choirs-Fürchte dich nicht ich bin bei dir for tw...
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Motet for two four-part mixed choirs-Fürchte dich nicht ich bin bei dir for two four-part mixed choirs A major BWV 228All of Bach’s six authenticated motets were written between 1723 and 1727 for St Thomas’ Church Leipzig where Bach was appointed as director of music in 1723. During this period Bach composed most of his cantatas and it seems likely that for ordinary Sunday services he used existing motets from the seventeenth century tradition reserving his own motet compositions for special occasions.- Urtext of the New Bach Edition.- Performance material and choral score (BA5133) available for sale.-Complete edition of the 6 Motets vocal score with piano reduction (BA5193-90) choral score (BA5193)
4.50 GBP - vendu par Musicroom GB
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Johann Sebastian Bach: Motet No.4 'Fürchte Dich Nicht Ich Bin Bei Dir': Double
6.50
Johann Sebastian Bach: Motet No.4 'Fürchte Dich Nicht Ich Bin Bei Dir': Double
Chorale SATB
SATB/SATB (Double)
[Partition]
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Motet for two four-part mixed choirs-Fürchte dich nicht ich bin bei dir for tw...
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Motet for two four-part mixed choirs-Fürchte dich nicht ich bin bei dir for two four-part mixed choirs A major BWV 228 All of Bach’s six authenticated motets were written between 1723 and 1727 for St Thomas’ Church Leipzig where Bach was appointed as director of music in 1723. During this period Bach composed most of his cantatas and it seems likely that for ordinary Sunday services he used existing motets from the seventeenth century tradition reserving his own motet compositions for special occasions. - Urtext of the New Bach Edition. - Performance material and choral score (BA5133) available for sale. -Complete edition of the 6 Motets vocal score with piano reduction (BA5193-90) choral score (BA5193)
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Johann Sebastian Bach: Motet No.4 Fürchte dich nicht ich bin bei dir: Double
4.50
Johann Sebastian Bach: Motet No.4 Fürchte dich nicht ich bin bei dir: Double
2 Choeurs Mixtes (SATB Et SATB) Et Instrument(s) Ad Lib
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Motet for two four-part mixed choirs-Fürchte dich nicht ich bin bei dir for tw...
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Motet for two four-part mixed choirs-Fürchte dich nicht ich bin bei dir for two four-part mixed choirs A major BWV 228All of Bach’s six authenticated motets were written between 1723 and 1727 for St Thomas’ Church Leipzig where Bach was appointed as director of music in 1723. During this period Bach composed most of his cantatas and it seems likely that for ordinary Sunday services he used existing motets from the seventeenth century tradition reserving his own motet compositions for special occasions.- Urtext of the New Bach Edition.- Performance material and choral score (BA5133) available for sale.-Complete edition of the 6 Motets vocal score with piano reduction (BA5193-90) choral score (BA5193)
4.50 GBP - vendu par Musicroom GB
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Johann Sebastian Bach: Motet No.4 Fürchte dich nicht ich bin bei dir: Double
10.00
Johann Sebastian Bach: Motet No.4 Fürchte dich nicht ich bin bei dir: Double
2 Choeurs Mixtes (SATB Et SATB) Et Instrument(s) Ad Lib
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Motet for two four-part mixed choirs-Fürchte dich nicht ich bin bei dir for tw...
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Motet for two four-part mixed choirs-Fürchte dich nicht ich bin bei dir for two four-part mixed choirs A major BWV 228All of Bach’s six authenticated motets were written between 1723 and 1727 for St Thomas’ Church Leipzig where Bach was appointed as director of music in 1723. During this period Bach composed most of his cantatas and it seems likely that for ordinary Sunday services he used existing motets from the seventeenth century tradition reserving his own motet compositions for special occasions.- Urtext of the New Bach Edition.- Performance material and choral score (BA5133) available for sale.-Complete edition of the 6 Motets vocal score with piano reduction (BA5193-90) choral score (BA5193)
10.00 GBP - vendu par Musicroom GB
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Johann Sebastian Bach: Motet No.1 Singet dem Herrn ein neues Lied: Double Choir:
12.50
Johann Sebastian Bach: Motet No.1 Singet dem Herrn ein neues Lied: Double Choir:
2 Choeurs Mixtes (SATB Et SATB) Et Instrument(s) Ad Lib
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Motet for two mixed choirs-Singet dem Herrn ein neues Lied BWV 225 - Motet in B ...
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Motet for two mixed choirs-Singet dem Herrn ein neues Lied BWV 225 - Motet in B major for two four-part mixed choirsIn Bach’s voluminous output of music the motets form a small group of modest proportions particularly as compared to the 200 or so surviving cantatas. In historical perspective however the corpus of motets is especially distinguished being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the present day.Urtext of the New Bach EditionPerformance material and choral score (BA5129) available for sale6 Motets Complete vocal score (BA5193-90) choral score (BA5193)
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Johann Sebastian Bach: Motet No.1 Singet dem Herrn ein neues Lied: Double Choir:
6.50
Johann Sebastian Bach: Motet No.1 Singet dem Herrn ein neues Lied: Double Choir:
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Motet for two mixed choirs-Singet dem Herrn ein neues Lied BWV 225 - Motet in B ...
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Motet for two mixed choirs-Singet dem Herrn ein neues Lied BWV 225 - Motet in B major for two four-part mixed choirsIn Bach’s voluminous output of music the motets form a small group of modest proportions particularly as compared to the 200 or so surviving cantatas. In historical perspective however the corpus of motets is especially distinguished being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the present day.Urtext of the New Bach EditionPerformance material and choral score (BA5129) available for sale6 Motets Complete vocal score (BA5193-90) choral score (BA5193)
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Johann Sebastian Bach: Motet No.1 Singet dem Herrn ein neues Lied: Double Choir:
6.50
Johann Sebastian Bach: Motet No.1 Singet dem Herrn ein neues Lied: Double Choir:
2 Choeurs Mixtes (SATB Et SATB) Et Instrument(s) Ad Lib
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Motet for two mixed choirs-Singet dem Herrn ein neues Lied BWV 225 - Motet in B ...
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Motet for two mixed choirs-Singet dem Herrn ein neues Lied BWV 225 - Motet in B major for two four-part mixed choirsIn Bach’s voluminous output of music the motets form a small group of modest proportions particularly as compared to the 200 or so surviving cantatas. In historical perspective however the corpus of motets is especially distinguished being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the present day.Urtext of the New Bach EditionPerformance material and choral score (BA5129) available for sale6 Motets Complete vocal score (BA5193-90) choral score (BA5193)
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Johann Sebastian Bach: Motet No.2 Der Geist hilft unser Schwachheit: Mixed
6.00
Johann Sebastian Bach: Motet No.2 Der Geist hilft unser Schwachheit: Mixed
2 Choeurs Mixtes Et Orchestre (Instrumentation Originale)
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Motet for two four-part mixed choirs and instruments-Der Geist hilft unser Schwa...
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Motet for two four-part mixed choirs and instruments-Der Geist hilft unser Schwachheit auf BWV 226 - Motet for two four-part mixed choirs and instruments.In Bach’s voluminous output of music the motets form a small group of modest proportions particularly as compared to the 200 or so surviving cantatas. In historical perspective however the corpus of motets is especially distinguished being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the present day.- Urtext of the New Bach Edition.- Performance material (BA5130) and choral score (BA5131) available for sale.- 6 Motets Complete vocal score(BA5193-90) choral score (BA5193)
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Johann Sebastian Bach: Motet No.2 Der Geist hilft unser Schwachheit: Mixed
6.00
Johann Sebastian Bach: Motet No.2 Der Geist hilft unser Schwachheit: Mixed
2 Choeurs Mixtes Et Orchestre (Instrumentation Originale)
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Motet for two four-part mixed choirs and instruments-Der Geist hilft unser Schwa...
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Motet for two four-part mixed choirs and instruments-Der Geist hilft unser Schwachheit auf BWV 226 - Motet for two four-part mixed choirs and instruments.In Bach’s voluminous output of music the motets form a small group of modest proportions particularly as compared to the 200 or so surviving cantatas. In historical perspective however the corpus of motets is especially distinguished being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the present day.- Urtext of the New Bach Edition.- Performance material (BA5130) and choral score (BA5131) available for sale.- 6 Motets Complete vocal score(BA5193-90) choral score (BA5193)
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Johann Sebastian Bach: Italian Concerto BWV 971: Piano: Instrumental Work
8.50
Johann Sebastian Bach: Italian Concerto BWV 971: Piano: Instrumental Work
Piano seul
Wiener Urtext
Johann Sebastian Bach's Italian Concerto BWV 971 for solo Piano.
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Johann Sebastian Bach: Suite No.2 In B Minor BWV 1067 - Flute/Piano: Flute:
11.95
Johann Sebastian Bach: Suite No.2 In B Minor BWV 1067 - Flute/Piano: Flute:
Flûte traversière et Piano
[Reduction]
Peters
Bach’s Suite No.2 In B Minor BWV 1067 is one of the four surviving orchest...
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Bach’s Suite No.2 In B Minor BWV 1067 is one of the four surviving orchestral suites or Ouvertures - that is dance suites in the French style – as he would have named them. The second suite for Flute Strings and Basso Continuo is a beautiful work comprising 8 short movements and is arranged here for Flute with Piano Accompaniment by Erich List and Johannes Weyrauch. This Urtext edition provides you with an accurate realisation of the composer’s original intentions (for the Flute part that is) and thoroughly detailed editorial markings and suggestions.
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Johann Sebastian Bach: French Suites BWV 812-817: Piano: Instrumental Album
15.99
Johann Sebastian Bach: French Suites BWV 812-817: Piano: Instrumental Album
Piano seul
Wiener Urtext
Johann Sebastian Bach's French Suites BWV 812-817 for solo Piano.
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Johann Sebastian Bach: Mass in G minor BWV 235 Lutheran Mass 3: Mixed Choir:
4.50
Johann Sebastian Bach: Mass in G minor BWV 235 Lutheran Mass 3: Mixed Choir:
Soli (ATB), Choeur Mixte (SATB), Orchestre Et Orgue
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Lutheran Mass 3-Mass G minor BWV 235 'Lutheran Mass No.3'for Alto solo Tenor so...
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Lutheran Mass 3-Mass G minor BWV 235 'Lutheran Mass No.3'for Alto solo Tenor solo Bass solo mixed choir (SATB) and orchestraOften overshadowed by the more famous Mass in B minor the four Lutheran Masses feature glorious choruses and sincerely moving arias. They are largely taken from various cantata movements and adapted to the Mass texts. Urtext of the New Bach EditionFull score performance material and vocal score for all 4 Masses (BA5182-BA5185) available for sale
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Johann Sebastian Bach: Mass in G minor BWV 235 Lutheran Mass 3: Mixed Choir:
12.00
Johann Sebastian Bach: Mass in G minor BWV 235 Lutheran Mass 3: Mixed Choir:
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
[Partition]
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Lutheran Mass 3-Mass G minor BWV 235 'Lutheran Mass No.3'for Alto solo Tenor so...
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Lutheran Mass 3-Mass G minor BWV 235 'Lutheran Mass No.3'for Alto solo Tenor solo Bass solo mixed choir (SATB) and orchestraOften overshadowed by the more famous Mass in B minor the four Lutheran Masses feature glorious choruses and sincerely moving arias. They are largely taken from various cantata movements and adapted to the Mass texts. Urtext of the New Bach EditionFull score performance material and vocal score for all 4 Masses (BA5182-BA5185) available for sale
12.00 GBP - vendu par Musicroom GB
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Johann Sebastian Bach: Mass in G major BWV 236 Lutheran Mass 4: Mixed Choir:
10.50
Johann Sebastian Bach: Mass in G major BWV 236 Lutheran Mass 4: Mixed Choir:
Chorale SATB
SATB, Piano
[Partition]
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Mass G major BWV 236 'Lutheran Mass 4'Soprano solo Alto solo Tenor solo Bass ...
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Mass G major BWV 236 'Lutheran Mass 4'Soprano solo Alto solo Tenor solo Bass solo Mixed choir (SATB) Oboe (2) Strings Basso continuo.Often overshadowed by the more famous Mass in B minor the four Lutheran Masses feature glorious choruses and sincerely moving arias. They are largely taken from various cantata movements and adapted to the Mass texts.- Urtext of the New Bach Edition.- Full score performance material and vocal score for all 4 Masses (BA5182-BA5185) available for sale.
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Aus Liebe Will Mein Heiland Sterben (BACH JOHANN-SEBASTIAN)
20.54
Aus Liebe Will Mein Heiland Sterben (BACH JOHANN-SEBASTIAN)
Flûte traversière et Piano
Alry Publications
Arrangeur: Elizabeth Walker. Par BACH JOHANN-SEBASTIAN. Johann Sebastian Bach (1...
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Arrangeur: Elizabeth Walker. Par BACH JOHANN-SEBASTIAN. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute and Piano is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute and Piano is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question./ Répertoire / Flûte Traversière et Piano
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Aus Liebe Will Mein Heiland Sterben (BACH JOHANN-SEBASTIAN)
23.97
Aus Liebe Will Mein Heiland Sterben (BACH JOHANN-SEBASTIAN)
Quatuor de Flûtes : 4 flûtes
[Conducteur et Parties séparées]
Alry Publications
Arrangeur: Elizabeth Walker. Par BACH JOHANN-SEBASTIAN. Johann Sebastian Bach (1...
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Arrangeur: Elizabeth Walker. Par BACH JOHANN-SEBASTIAN. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute Quartet is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question. Using the parts provided, this arrangement can be performed as either a quartet with 3 C Flutes and Alto Flute, or as a quartet with 3 Alto Flutes and Bass Flute. For the latter, the Alto Flutes are to play the original C Flute parts, and the Bass Flute plays the supplemental part provided. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute Quartet is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question. Using the parts provided, this arrangement can be performed as either a quartet with 3 C Flutes and Alto Flute, or as a quartet with 3 Alto Flutes and Bass Flute. For the latter, the Alto Flutes are to play the original C Flute parts, and the Bass Flute plays the supplemental part provided./ Répertoire / 4 Flûtes Traversières
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Brich Dem Hungrigen Dein Brot (BACH JOHANN SEBASTIAN)
34.00
Brich Dem Hungrigen Dein Brot (BACH JOHANN SEBASTIAN)
Solistes SAB, Choeur SATB, 2 Flûtes à Bec F1, 2 Ha
[Partition]
Carus Verlag
Kantate Zum 1. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Drinker, Henr...
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Kantate Zum 1. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Drinker, Henry (Trad. ) BWV 39 / Musique religieuse / Répertoire / Solistes SAB, Choeur SATB, 2 Flûtes à Bec F1, 2 Ha
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Johann Sebastian Bach: Duet and Chorale: Children's Choir
3.75
Johann Sebastian Bach: Duet and Chorale: Children's Choir
Choeur D'Enfants (SA), Piano Et Cordes Ad Libitum
Boosey and Hawkes
from Cantata BWV 93-SS. Bach Js
3.75 GBP - vendu par Musicroom GB
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Johann Sebastian Bach: Concerto For Harpsichord No.6 In F Major: String
5.00
Johann Sebastian Bach: Concerto For Harpsichord No.6 In F Major: String
Clavecin, 2 Flûtes A Bec Et Instrument(s) A Cordes
Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...
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In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F major BWV 1052 is the sixth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). The initials at the end of the piece SDGl ('Soli Deo Gloria') form a pendant to the J.J. ('Jesus Juva') found at theopening of the D-minor Concerto BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus the only authentic and self-contained collection of concertos we have from Bach apart from his presentation copy of the Brandenburg Concertos (1721). Like all the other concertos in this series BWV 1057 is an arrangement of an earlier work in this case the Fourth Brandenburg Concerto in G major (BWV 1049).Urtext of the New Bach EditionFull score & parts (BA5229) two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
5.00 GBP - vendu par Musicroom GB
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Johann Sebastian Bach: Concerto For Harpsichord No.6 In F Major: String
Clavecin, 2 Flûtes A Bec Et Instrument(s) A Cordes
Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...
(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F major BWV 1052 is the sixth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). The initials at the end of the piece SDGl ('Soli Deo Gloria') form a pendant to the J.J. ('Jesus Juva') found at theopening of the D-minor Concerto BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus the only authentic and self-contained collection of concertos we have from Bach apart from his presentation copy of the Brandenburg Concertos (1721). Like all the other concertos in this series BWV 1057 is an arrangement of an earlier work in this case the Fourth Brandenburg Concerto in G major (BWV 1049).Urtext of the New Bach EditionFull score & parts (BA5229) two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
5.00 GBP - vendu par Musicroom GB
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