Time-honored words are supported and expanded upon by a new text creating a loving portrait of Christ for Holy Week. Incorporating the hymn Man of Sorrows What a Name the music is uncluttered and restrained allowing the words to speak and minister. Each verse receives special musical consideration with varying harmonic textures key and mode changes and accompaniment treatment so that the words communicate and penetrate. For churches of any size looking for an expressive choral moment!

Worship Band Play-Along Volume 4-The Worship Band Play-Along series is a flexible and innovative tool for worship leaders and bands. Each volume offers five separate correlated book/CD packs: Keyboard Guitar Bass Drumset and Vocal.Bands can use the printed music and chord charts to play live together and members can rehearse at home with the CD tracks. Worship leaders without a band can play/sing along with the CD for a fuller sound. The eight songs in each volume follow a similar theme for easy set selection and the straight-forward arrangements are perfect for bands of any level.The CDs are playable on any CD player and also enhanced so Mac and PC users can adjust the recordingto any tempo without changing pitch to learn the songs at their own pace.Volume 4 includes: Beautiful One; God of All; He Is Exalted; In Christ Alone; Lord Most High; Lord Reign in Me; We Want to See Jesus Lifted High; Worthy Is the Lamb.

Seven lyrical trumpet solos based upon sacred melodies. Presents a beautiful array of moods designed to be appropriate in varied worship celebrations. Keyboard accompaniment included.

Instrumental Accompaniment-In this suite - inspired by a trip to Switzerland - each song is a postcard capturing lush romantic moments in full. The songs are dedicated to Jerusalem born Hila Plitmann - poet of the beautiful text and the composer's wife. The suite is scored for SATB chorus with either string quartet accompaniment or piano and violin.

Miniature score to this work for SATB chorus mezzo-soprano solo two alto flutes organ and five male speaking voices.Duration c. 8mins. This is a special item which is made to order. Please e-mail our Mail Order Departmentfor further information.

Christmas Proclamation-A Christmas proclamation for tenor (or baritone) solo SATB choir and organ. This work was commissioned by Winchester Cathedral in tribute to Martin Neary for his work at Winchester Cathedral during the years 1972-1987. It wasfirst performed in December 1987 by the Choir of Winchester Cathedral conducted by Martin Neary.

Cantata for tenor (or soprano) solo SATB chorus and organ. Words by Patrick Carey. Composed for David Lumsden and the choir of New College Oxford.

A wonderful collection of 21 inspirational pieces specially arranged for solo piano. Includes Amazing Grace Ave Maria Deep River and Jesu Joy Of Man's Desiring. Suitable for intermediate pianists.

For Mixed-Voice Choirs-A useful new resource for choirs the New Novello Book Of Short & Easy Anthems For Mixed-Voice Choirs is perfect for groups of all sizes and abilities.The pieces in this exciting collection have been carefully chosen to offer a selection of interesting contemporary works alongside older and more well-known anthems. It is recognised that many choirs have limited rehearsal time and frequently limited vocal resources. This collection aims to provide works that are easily and quickly learnable with few splits in voice parts. In addition many of the pieces in the New Novello Book Of Short & Easy Anthems For Mixed-VoiceChoirs can be adapted to work as unison settings with accompaniment or in other flexible forms.The New Novello Book Of Short & Easy Anthems For Mixed-Voice Choirs is arranged for SATB Choir with Organ accompaniment.In the January 2015 edition of the Journal of the Association of Anglican Musicians Jason Overall writes that '[t]he wealth of new music of modest technical difficulty makes this an interesting and useful collection for nearly every choir.'In the September 2015 issue of the Organists' Review Michael Bell calls this a 'welcome and stimulating publication' suggesting that it provides a counter to claims that 'choir repertoires include little seriously modern music.'