Pocketbook Deluxe Series. Par BAY WILLIAM. Un complet 96-page, cas et de poche taille parfait livre de diagrammes d'accords écrit spécifiquement pour les guitaristes acoustiques contemporains de d'aujourd'hui. Accords comprennent majeur 7 ajouter 9, suspendu, 7 grands ajouter 6, major 13 et beaucoup plus. Chords apparaissent dans toutes les clés. / Niveau : Débutant / American - Chord Book / Etude / Guitare

Par DEMILLAC YVON. / Niveau : Assez Facile / classique / Répertoire / Guitare

This collection of 36 solos, etudes and technique studies was written especially for the developing intermediate guitarist. A variety of musical styles and genres are presented, along with a colorful assortment of flatpicking techniques and melodies. In addition to their appealing sound and being fun to play, many of these pieces are suitable for performance in recitals or concerts. Every effort has been made to be sure that these musical selections lie well under the fingers,� and are very guitaristic or idiomatic in nature.Guitar Solos for Improving Technique is ideal as a standalone solo collection or as a technique-building text. The collection also works well as a supplement to any intermediate guitar method. Includes access to an online audio recording of each piece./ Etude / Guitare

Par MOURAT JEAN-MAURICE. / Niveau : Intermédiaire / Répertoire / Guitare Seule

Par PHILIPPON PIERRE. / variété - jazz / Date parution : 1997-01-19/ Méthode / Guitare

Par VILLANUEVA GLORIA. / Niveau : Intermédiaire / Répertoire / Guitare Seule

Band 2. Par PUJOL EMILIO. / Méthode / Date parution : 1905-06-28/ Méthode / Guitare

Par TESAR MILAN. Pièces faciles. / Niveau : Débutant / classique / Recueil / Guitare

Cumbees - Marizapalos - La Jotta. Par MURCIA SANTIAGO DE. The dances and sets of variations published in this volume come from the Codice Saldívar, a manuscript that was discovered by the Mexican musicologist Dr. Gabriel Saldívar y Silva in León (Mexico) in 1943. Although the title page of the manuscript is missing, we can assume with great certainty that it is the work of Santiago de Murcia. The manuscript dates from around 1732 and the handwriting, paper format and watermark are the same as those from another work by de Murcia. This collection demonstrates de Murcia's interest in a wide range of music for guitar and, like many other Spanish composers, the inspiration he found in the new sounds and rhythms brought home by the Spanish seafarers. The result is a rich and colourful feast of the baroque guitar repertoire./ Recueil / Guitare