SKU: MA.EMR-58252
SKU: MA.EMR-58048
SKU: MA.EMR-58031
SKU: MA.EMR-58065
SKU: MA.EMR-58218
SKU: MA.EMR-58167
SKU: BT.DHP-1226352-070
ISBN 9789043162128. English-German-French-Dut ch.
SKU: FL.FX074436
Instruments:Str ing Quartet: 2 Violins 1 Alto 1 Cello; Difficuly Level: Grade 2; Duration: 1 mn 05; Musical Style: Classical; Category: Arrangement; Composer: Henry PURCELL; Arranger: Eric VIRETON.
SKU: FL.FX074410
Instruments:Str ing Quartet: 2 Violins 1 Alto 1 Cello; Difficuly Level: Grade 2; Duration: 0 mn 35 s; Musical Style: Classical; Category: Arrangement; Composer: Franz LISZT; Arranger: Eric VIRETON.
SKU: BA.TP00538
ISBN 9790260108967. 22.5 x 16.5 cm inches. Key: F major.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: DS.169423
A string quartet with optional violin for viola. After a full ensemble introduction the piece gives way to a duet in the viola and cello. With the violins entering one at a time the piece now becomes full with all parts present gravitating to motivic development moving to a modulation. The next section gives the tune to the cello with the upper lines adding punctuated accompanied figures. The next section uses motivic patterns while passing portions of the tune to the various players. A modulation- then the parts become increasingly more active in a variation style. With a solid ensemble altering the melody; a brake; then, repose.Key of G, C, D.
