So To Speak is an extended meditation on an anthem for Pentecost by Thomas Tallis entitled Loquebantur Variis Linguis (they spoke in many tongues). After organizing the material for the piece I wrote a melody that works against underneath and above Tallis’s lines to create counterpoint made of old and new elements. Patterns of aggressive woodwind scales and ornaments evoke some of the hysteria inherent in glossolalia (ecstatic speaking in tongues). The central section of the piece gestures towards an insect-like musical and religious fervor.  So To Speak is scored for orchestra and lasts seven minutes. It is dedicated to Amiel Melnick. 

Gilbert And Sullivan's Patience opened April 23 1881 at the Opera Comique and ran for 578 performances at both the Opera Comique and Savoy Theatres. Full vocal score with piano accompaniment.

Scatter the Mud is a collection of three traditional jigs: Scatter the Mud Up Sligo and Cock of the North. And included by way of light relief the Air: Factory Girl. The tunes are presented in the way they may appear in a session or ceilidh played several times each one after the other. Ideally suited to a quartet that plays for functions - weddings parties etc. - a crowd-pleasing encore. This work is also suitable for string orchestra and if you have purchased this set of score and parts additional individual parts are available separately price: £2.00 each.

Turbulence - or ‘the underlying forces usually hidden’- an Opera in three scenes by Juliana Hodkinson (2013). Libretto by Cynthia Troup.For soprano voice with electronic pocket piano* and groovebox* young female actor with hand-held microphone and shortwave radio vintage fans audio samples (*may be redistributed to off-stage player or sound desk).The libretto and score for Turbulence were commissioned by Chamber Made Opera in 2012. Turbulence was first performed by Deborah Kayser (soprano) and Anneli Bjorasen (actor) and directed by David Young with sound design in performance by Jethro Woodward — thepremiere season opened in Melbourne on 3 October 2013 as part of Chamber Made Opera’s Living Room Opera series.

50 Arrangements-These original transcriptions of fifty popular opera melodies for solo Piano constitute about half of the current performance repertoire. From A da to Turandot and more the collection includes contributions from nearly all ofthe major composers. Individual introductions offer a brief synopsis of the source opera and archival images place each piece within its larger context.Suitable for intermediate-level pianists selections include piecesfrom Amahl and the Night Visitors The Barber of Seville The Bartered Bride Carmen Cavalleria Rusticana Die Fledermaus Der Rosenkavalier Die Meistersinger von Nürnberg Don Giovanni Eugene Onegin Faust Hansel andGretel I Pagliacci I Puritani Il Trovatore La Bohème L'Africaine Lakmé La Traviata Lohengrin Lucia di Lammermoor Madama Butterfly The Magic Flute Martha Prince Igor Rinaldo Samson et Dalila Tales of Hoffmann Tannhäuser Tha s Tosca Tristan und Isolde and more.

A collection of Preparatory Exercises by Aloys Schmitt. This set of studies and exercises for Piano are an ideal way to help acquire the greatest possible independence and evenness of the fingers. This edition has been edited with appendix written by Victoria McArthur.

This Henle Urtext Edition contains Edvard Grieg's Sonata in A Minor Op.36 and a selection of other works all for Cello and Piano.

The two existing manuscripts (1915 and 1926) of these extracts 'arranged' by Falla himself correspond to the very beginning and end of a long period during which El Amor Brujo can be seen in a series of different states.They demonstrate the care which the composer generally brought to the task of instrumentation and more particularly the aptness and validity of this piece in his own eyes as chamber music. It is clear that Falla's art oforchestration (and notably his feeling for instrumental idiom) gives his score a profound sense of balance. Score. Piano player reads from full score string parts available separately.

Presents 140 of the most frequently played tunes in old time fiddle contests as well as the most popular bluegrass square dance and country tunes heard throughout the United States. The performance length arrangements of contesttunes include standard as well as challenging variations on hoe-downs rags polkas show pieces and waltzes complete with suggested accompaniment chords. This encyclopedia of fiddle tunes and variations spotlights Americanpopular fiddle music as played by the great fiddlers of our time.

Eight of their Greatest Songs-Here's your chance to master the melodic punk guitar playing of Green Day frontman Billie Joe Armstrong with nine of their hottest anthems in Guitar Tab and with superb soundalike backing tracks.From the unstoppable genre-defining classic Basket Case to the political ranting of American Idiot these eight Green Day favourites span the breadth of their awesome career. A specially recorded CD gives you the opportunity to take Billie's place within the songs and full performance demonstrations have been provided by Tom Fleming. Every song is presented with Tab melody line and guitar chord symbols.

Andrea Bocelli - Verdi. A selection of arias from the operas of Verdi, arranged for piano and solo voice. Selected by Andrea Bocelli, incuding arias from operas such as La Traviata, Rigoletto and Aida.

Richard Strauss' Songs Album 1 for Low Voice with Piano accompaniment with English words by John Bernhoff.