Samuel Coleridge-Taylor's The Lee Shore is a four-part song for SATB choir with words written by Thomas Hood. A Piano accompaniment is included here for rehearsal purposes only.

Par COLERIDGE-TAYLOR SAMUEL. The period of composition (ca. 1893) for the Suite de Pièces for violin and piano or violin and organ was especially productive for Samuel Coleridge-Taylor (1875-1912) in the realm of chamber music. Unpublished works include a piano quintet, clarinet sonata, nonet, piano trio, and a piano sonata. It is notable that the different versions of the Suite for piano and organ are so contrasting. Typically, pieces in this genre that exist in versions for piano and organ have little that separate them in terms of musical content. However, Coleridge-Taylor not only approaches each keyboard instrument quite differently but conceived the violin part with notable melodic differences. This can be considered exceptional as they were both issued by the same publisher within a close timeframe. Coleridge-Taylor would have been very familiar with the organ from his early church experience as a boy in addition to studies at the Royal College of Music with Walter Alcock. His writing is consistently idiomatic for the instrument. The few registrational directions in the first edition, assuming they are by Coleridge-Taylor, demonstrate an understanding of the need to balance the organ part with the violin part so that the organ is not too loud. Rather than numbering the manuals I and II, with II being the quieter manual, the score indicates Swell and Choir but there is no requirement for the Great to be used. There are also extended sections where no manual indication is given at all. Whether the registration markings were made by Coleridge-Taylor or an editor at Schott is unclear but the indication for a Choir manual suggests not so much the need for an organ of three manuals but an instrument with a range of foundational colours for writing that is often accompanimental in nature. / Date parution : 2023-06-01/ Répertoire / Violon et Orgue

Coleridge-Taylor 'Now Late On The Sabbath Day' arranged for mixed voice choir SATB with organ accompaniment.

Coleridge-Taylor 'In Thee O Lord' arranged for mixed voice choir SATB with organ accompaniment.

Par COLERIDGE-TAYLOR SAMUEL. Samuel Coleridge-Taylor\'s Christmas Overture appeared posthumously in 1925. Originally orchestrated by Sydney Baynes, it features God Rest Ye Merry Gentlemen and Hark the Herald Angels Sing. It is thought by some to have been put together from incidental music he wrote for a children\'s play called The Forest of Wild Thyme. This band arrangement, based on Baynes\' orchestra score, omits the largely developmental middle section of the original, shortening the performance time by two minutes, while retaining all of the traditional carol material. / Date parution : 2022-09-20/ Répertoire / Concert Band

Par COLERIDGE-TAYLOR SAMUEL. Samuel Coleridge-Taylor's beautiful Impromptu No. 2 in B minor, first published in 1911, received its world premiere recording earlier this year on Isata Kanneh-Mason's latest CD, Summertime. The Impromptu was also performed as an encore by Isata's younger sister Jeneba Kanneh-Mason at her BBC Proms debut in August 2021. / Date parution : 2021-11-03/ Répertoire / Piano

Détendez-vous au piano avec cette collection exceptionnelle de morceaux apaisants. Jouez certaines pièces des plus grands compositeurs classiques de tous les temps : Bach, Beach, Beethoven, Chopin, Coleridge-Taylor, Debussy, Mozart, Schumann et bien d'autres. Certaines oeuvres ont été transposées et simplifiées./ Recueil / Piano

A chromatic but bare setting of a poem by Mary Elizabeth Coleridge a descendant of Samuel Taylor Coleridge. Its sparse texture reflects the eerie haunting atmosphere created by the evocative imagery of the poetry.

Par . Flexi Violin 2 is a refreshingly diverse collection for violin with both piano and violin duet accompaniments from leading educational authors Paul Harris and Jessica O?Leary. Suitable for Grade 3 to 5 (Intermediate) level players, it features a wide range of composers and the pieces have both piano and violin duet accompaniments. / Date parution : 2022-09-20/ Recueil / 1-2 Violons et Piano

ABRSM Grades 4-6. This special collection of intermediate piano repertoire has been lovingly curated by internationally renowned pianist, Isata Kanneh-Mason. Inspired by her musical journey from childhood prodigy to accomplished performer, and drawing on her championship of female composers and composers of colour, Isata has handpicked a wonderfully diverse melange of music for players to explore. Alongside well-known classical masterpieces, Isata presents stunning pieces by Florence Price, Amy Beach and Eleanor Alberga, as well as a beautifully evocative new work by Natalie Klouda and her very own Waltz. Carefully edited and fingered, Piano Inspiration 1 is ideal both for recreational playing and those seeking own-choice repertoire for ABRSM Performance Grades (Grades 4'6). ' 16 pieces for intermediate players, each holding special significance to Isata ' A wonderful array of styles, composers and traditions that span four centuries of piano music ' Original works by Isata Kanneh-Mason and Natalie Klouda, specially composed for this collection ' Ideal for own-choice repertoire selection in ABRSM Performance Grades (Grades 4'6) Pianist Isata Kanneh-Mason is in great demand in the UK and internationally as a soloist and chamber musician. She offers eclectic and interesting repertoire and has performed at many of the world's finest concert venues, including the Royal Albert Hall for her BBC Proms solo debut in 2023. As a Decca recording artist, she entered the UK classical charts at No. 1 with her 2019 album Romance, and has since released Summertime, featuring twentieth-century American repertoire; Muse, a duo album with her brother Sheku; and Childhood Tales, which showcases music inspired by a nostalgia for youth. Isata is recipient of the coveted Leonard Bernstein Award and the Opus Klassik Award for best young artist.

for clarinet in A 2 violins viola & violoncello-A new corrected edition of an important and substantial work which has been constructed from the existing set of parts by Russell Denwood.It was written in 1895 when the composer was still a student at the Royal Collegeof Music. His composition teacher Charles Villiers Stanford was so impressed by the piece that he took it with him on a visit to Berlin in 1897 where he arranged for the Joachim Quartet to play it. It was published in 1902 butno score appears to exist and the parts required corrections to be made.For Clarinet in A 2 Violins Viola and Cello. A reduction for clarinet and piano is also available (EME651).