Lush and expressive are the two words that best describe this fresh arrangement from Michael Larkin. One of the most beloved hymns of all time is sensitively set in a quodlibet with the spiritual Deep River. At the River is amoving anthem for All Saints' Day memorials or general worship use.

Uses: General Communion Lent Scripture: Romans 8:38 John 3:16 Jeremiah 31:3 I John 3:1 Two stunning musical and lyrical testaments to God's eternal and matchless love are joined in this creative choral arrangement. Musically similar the songs flow seamlessly and gracefully together with rich vocal part-writing and idiomatic piano writing. An orchestration adds a lush option for churches with instrumental resources. Stunning!

One day as a young wife and mother busy with her regular household tasks Annie Hawks became so filled with a sense of nearness of God that these words came to her. She had no idea what solace they would bring to so many people over the years. This arrangement is by famed Mormon organist Darwin Wolford.

Ed. Maitland-Squire, Rev. Dover Edition. The most remarkable, and in many respects the most valuable collection of Elizabethan keyboard music. ' - Grove's Dictionary of Music and Musicians. Volume Two of the famous early 17th century collection of keyboard music features 300 airs, variations, fantasies, toccatas, pavanes, and more by Morley, Byrd, Bull, Gibbons, and others. Modern notation. Reprint of the Breitkopf & Härtel edition. 'The most remarkable, and in many respects the most valuable collection of Elizabethan keyboard music' (Grove's Dictionary of Music and Musicians). The close to 300 airs, variations, fantasies, toccatas, pavanes, galliards, allemandes and courantes in these two volumes include some of the finest examples of Elizabethan and Jacobean Music: Morley, Gibbons, Farnaby, Warrock, Ferdinando Richardson, Peter Phillips, Tomkins and practically every other composer of the virginalistic school. John Bull and William Byrd, two of England's greatest composers are represented by over 100 works. The pieces herein, while composed for the virginal, can be played without difficulty on thepiano or any other keyboard instrument. Maitland and Squire set the music into modern notation, preserving faithfully the intent of the composers./ Recueil / Piano