Popular and well-loved classical themes. Includes 'Bolero' (Ravel), 'Nimrod' (Elgar) and 'Radetzky March' (Strauss), plus many famous symphonies. / Saxophone

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ' Maintenance ' Reeds ' Mouthpieces ' Ligatures ' Sound ' Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW's alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it's all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here's the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book's 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn't think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, 'Now the Fun Begins'. There are also interesting side comments we don't often hear like: in the 70s so many young players like Ponzol were trying to get Trane's recorded sound by working on metal Links because that's what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn't have as much spit in the sound for him. It's interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I've never heard anyone else recommend these exercises and yet here they are in Peter's book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So 'the circle is unbroken' LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

Par LOPEZ ALAIN. Commande de Michel Supéra pour le concours Européen ClariSax 2013, cette composition à la mélodie plaintive et mélancolique est construite en quatre parties (lent/cadence/modéré/lent). Ce morceau pédagogique est idéal pour être étudié en classe mais aussi là était bien le but, interprété devant un public. - Alain LOPEZ - Une Pièce originale adaptée pour une audition ou un examen de Fin de Cycle I - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Saxophone Soprano ou Ténor 1 Piano - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 3 mn 40 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Alain LOPEZ - / Niveau : Intermédiaire / Classique, Pédagogique / Répertoire / Saxophone Soprano ou Saxophone Ténor et Piano

Solo Arrangements of 15 Chart Breakers with Audio Accompaniment. Par . La célèbre collection De Haske Instrumental Play-Along s'enrichit d'un nouveau recueil intitulé Super Hits composé d'une sélection de 15 des plus grands succès internationaux des années 2010. La liste des interprètes se lit comme un Who's Who des plus grands artistes de ces dernières années : de Taylor Swift à Billie Eilish en passant par Camila Cabello, et de Justin Timberlake à Lewis Capaldi ou encore Ed Sheeran, il y en a pour tous les goûts. Les fichiers audio sont disponibles en ligne sous deux formes différentes : une version comportant uniquement l'accompagnement et l'autre avec préenregistrement de la ligne mélodique pour s'entraîner. / Date parution : 2022-02-10/ Recueil / Saxophone Alto

Par LOPEZ ALAIN. Musique Cubaine de structure A-B-A'. Chaque phrase commence toujours par 3 blanches conjointes suivies d'intervalles inversés (en croches) et se terminant par une liaison rythmique. Il est possible d'aborder cette pièce en la mémorisant afin de se rapprocher de la tradition orale. Les phrases ne sont pas difficiles à apprendre et le support du MP3 sera une aide non négligeable dans ce domaine. - Alain LOPEZ - Une Pièce originale adaptée pour une audition ou un examen de 1er Cycle B - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Saxophone Soprano ou Ténor 1 Piano - Niveau de Difficulté : 2/6 - Facile - Durée : 2 mn 10 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Alain LOPEZ - / Niveau : Facile / Classique, Pédagogique / Répertoire / Saxophone Soprano ou Saxophone Ténor et Piano

Instrumental Play-Along-Great solo arrangements of beloved melodies from Bach Beethoven Brahms Gounod Debussy Handel Rossini Satie and more! Contains: Ave Maria ? Brandenburg Concerto No. 5 ? Caro Mio Ben ? Clair de Lune ?Funeral March of a Marionette ? Gymnopédie No. 1 ? Hallelujah Chorus ? Hungarian Dance No. 5 ? Minuet ? Piano Sonata No. 14 (?Moonlight?) ? Pomp and Circumstance ? Symphony No.5 ? William Tell Overture.

Music Medals Saxophone Ensemble Pieces are five volumes of enjoyable and accessible repertoire for the developing ensemble progressively graded Copper Bronze Silver Gold and Platinum. They contain original pieces and imaginative arrangements for duets trios and quartets forming a smashing collection of fun pieces and arrangements in various styles to provide much needed diversity and enjoyment. This exciting range is suitable for lessons concerts or as Part of a Music Medal and forms ideal group-teaching material for the development of ensemble playing. For E-flat or B-flat saxophones.

Par HOPKINS JOHN HENRY / ARR.MIDDLETON ANDY. Langue: Deutsch/ Recueil / 5 Saxophones (SATTBar)

Instrumental Play-Along. Now instrumentalists can play-along with some of today's top hits! These songbooks feature solo instrumental arrangements with professionally-recorded demonstration and backing tracks so after a little bit of practice, you can sound like you're playing with the band! Songs include: Anti-Hero (Taylor Swift) · As It Was (Harry Styles) · Easy on Me (Adele) · Flowers (Miley Cyrus) · Glimpse of Us (Joji) · Golden Hour (JVKE) · Hold My Hand (Lady Gaga) · I Ain't Worried (One Republic) · Lift Me Up (Rihanna) · Made You Look (Megan Trainor) · Until I Found You (Stephen Sanchez). Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

?Le Printemps?, extrait des célèbres '4 saisons' de Vivaldi dans une version audacieuse de Nicolas Prost pour 5 saxophones (saxophone soprano alto et quatuor de saxophones).Partie solo : 3e cycle.Partie quatuor : dès le 2e cycle.Idéal à programmer pour les concerts et auditions de classe. / 5 Saxophones