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fs Acc (1)
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E FLAT INST/PFA::Instruments · Eb, Accompagnement… (1)
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Julian Lloyd Webber: Cello Moods: Cello: Instrumental Album
18.99
Julian Lloyd Webber: Cello Moods: Cello: Instrumental Album
Violoncelle
-
Intermédiaire/avancé
Kevin Mayhew
Thirteen exquisite pieces- Thirteen exquisite pieces selected and edited by Juli...
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Thirteen exquisite pieces- Thirteen exquisite pieces selected and edited by Julian Lloyd Webber: Franck 'Panis Angelicus' Elgar 'Chanson De Matin' Elgar 'Salut D'Amour' Debussy 'Reverie' Bach 'Air On A G String' Massanet'Meditation From Thais' Japanese Traditional 'Sakura-Sakura' Caccini 'Ave Maria' Glazunov 'Melodie Op20 no1' Chopin 'Nocturne Op9 No2' Boccherini Adagio' Rheinberger 'Cantilena' Bruch 'Kol Nidei'. This title is included in the Trinity College London Cello Grade 7 Syllabus 2016-2019.
18.99 GBP - vendu par Musicroom GB
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Bärenreiter's Sassmannshaus - The Sassmannshaus Tradition. Early Starton The Cello, Vol.4 (SASSMANNSHAUS EGON / SASSMANNSHAUS KURT)
18.60
Bärenreiter's Sassmannshaus - The Sassmannshaus Tradition. Early Starton The Cello, Vol.4 (SASSMANNSHAUS EGON / SASSMANNSHAUS KURT)
En Français
Violoncelle
[Partition]
Barenreiter
Par SASSMANNSHAUS EGON / SASSMANNSHAUS KURT. For more than three decades the S...
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Par SASSMANNSHAUS EGON / SASSMANNSHAUS KURT. For more than three decades the Sassmannshaus Tradition has been the household name for excellence in beginner string methods in German-speaking countries. More than half a million students have successfully learned to play string instruments using this publication. The publication of the four Violin books in 2008 in a fully adapted English version has been a big success. On the back of this success story Bärenreiter has now published the four books for Cello in a newly adapted version for todays English speaking children. What makes this Cello method so unique? The leading German Cello method now available in English. - Large print notes andtexts as well as many colourful illustrations are ideal for pre-school as well as school children. - Note reading is emphasised from the first lesson, encouraging ensemble playing from the very beginning. - Songs and scales in different positions are easily mastered within the first year of playing to ensure that children are not confined to first position playing. - Advanced Cello techniques such as varied bow strokes and shifting are introduced in a basic form./ Méthode / Violoncelle
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Mannheim Steamroller: Mannheim Steamroller Christmas: Cello Solo: Instrumental
15.99
Mannheim Steamroller: Mannheim Steamroller Christmas: Cello Solo: Instrumental
Violoncelle
[Partition + Accès audio]
Hal Leonard
Instrumental Play-Along-Arrangements for a dozen holiday favorites in the unique...
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Instrumental Play-Along-Arrangements for a dozen holiday favorites in the unique neo-classical electronic music style of Mannheim Steamroller are featured in this collection perfect for budding instrumentalists. It features online access to audio demonstration tracks for download or streaming to help you hear how the song should sound. Includes: Carol of the Bells · Deck the Halls · God Rest Ye Merry Gentlemen · Hark! the Herald Angels Sing · Joy to the World · Silent Night · Traditions of Christmas · and more. Online audio is accessed at halleonard.com/mylibrary
15.99 GBP - vendu par Musicroom GB
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The Irish Cello Book: Cello Solo: Instrumental Tutor
27.99
The Irish Cello Book: Cello Solo: Instrumental Tutor
Violoncelle
[Partition + Accès audio]
Berklee
Learn to play traditional Irish melodies on the cello. The Irish Cello Book cove...
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Learn to play traditional Irish melodies on the cello. The Irish Cello Book covers traditional articulations concepts and practices of Irish music many traditionally for fiddle but here adapted to thecello. It includes technical lessons and a tune book of over 100 traditional Irish melodies. The demonstration and play-along tracks features a traditional Irish ensemble. You will learn to play Irish melodies usingtraditional articulations and performance nuances such as cuts pats rolls and slurs. You'll also learn to recognize distinguishing features of song forms adapt melodies to the cell play in a traditional Irish ensemble andmuch more.
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Castles Kirks And Caves (NEWTON ABBY)
26.13
Castles Kirks And Caves (NEWTON ABBY)
Violoncelle
Mel Bay
Traditional Tunes For Cello From Scotland And Ireland. Par NEWTON ABBY. This is ...
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Traditional Tunes For Cello From Scotland And Ireland. Par NEWTON ABBY. This is the second popular book of beautiful Celtic tunes compiled and arranged for the cello by Abby Newton. Most of the tunes in this collection are from her recent recordings, Castles Kirks and Caves and Ferintosh. The book is organized in three parts: Tunes, Sets, and Duos. The first part, Tunes, contains an assortment of twenty-eight tunes culled mostly from the well know Scottish and Irish traditional tune books including collections by Capt. Simon Fraser, Patrick McDonald, Niel Gow and James Oswald. The second part, Sets, consists of several tunes played in succession. Part three, Duos, includes two part scores (with treble and bass lines) that come mainly from James Oswald's Airs for the Seasons and Burke Thumoth's Collection of Scots and Irish Tunes 1745. / Niveau : Débutant à Intermédiaire / Celtic/Irish - Solos / Recueil / Violoncelle
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Hymns Made Easy For Cello (CLARKE GENE)
13.79
Hymns Made Easy For Cello (CLARKE GENE)
Violoncelle
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Facile
Mel Bay
Par CLARKE GENE. Hymns Made Easy for Cello is a collection of favorite tradition...
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Par CLARKE GENE. Hymns Made Easy for Cello is a collection of favorite traditional hymns with guitar accompaniment, suitable for church, teaching or recreational settings. The material includes cello parts and bowing indications in first position, with guitar chord names written above the staff. All the arrangements in this book are compatible with Hymns Made Easy for Violin and Hymns Made Easy for Viola. Hymns Made Easy for Cello is a collection of favorite traditional hymns with guitar accompaniment, suitable for church, teaching or recreational settings. The material includes cello parts and bowing indications in first position, with guitar chord names written above the staff. All the arrangements in this book are compatible with Hymns Made Easy for Violin and Hymns Made Easy for Viola. / Niveau : Facile / Musique religieuse / Date parution : 2019-05-27/ Recueil / Violoncelle
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Irish Folk Tunes for Cello
20.60
Irish Folk Tunes for Cello
Violoncelle
[Partition + Accès audio]
Schott
51 Traditional Pieces. Par . Cellist Ben Davis presents a collection of pieces f...
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51 Traditional Pieces. Par . Cellist Ben Davis presents a collection of pieces for solo cello drawn from the rich tradition of Irish folk music. The collection covers a range of styles including Jigs, Reels, Hornpipes and Marches. The volume includes notes on the tunes, and is accompanied by recordings of all tunes. German and French translations of all texts are available as PDF downloads from the Schott Music website. Suitable for players of grades 3-8. / Niveau : Intermédiaire-Avancé / Date parution : 2023-08-12/ Recueil / Violoncelle
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First 50 Classical Pieces
22.67
First 50 Classical Pieces
Violoncelle
[Partition]
Hal Leonard
You Should Play On The Cello. Par . 50 simply arranged, must-know works by Bach,...
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You Should Play On The Cello. Par . 50 simply arranged, must-know works by Bach, Brahms, Handel, Tchaikovsky, and more for cello! The book includes piano accompaniment and a separate pull-out part for cello. Selections include: The Blue Danube Waltz (Johann Strauss II) ? Canon in D (Johann Pachelbel) ? Dona Nobis Pacem (traditional) ? Evening Prayer (Engelbert Humperdinck) ? Jupiter Chorale (Gustav Holsts) ? Ode to Joy (Ludwig van Beethoven) ? Pomp and Circumstance (Edward Elgar) ? Sheep May Safely Graze (J.S. Bach) ? Swan Lake (Theme) (Pyotr Il\'yich Tchaikovsky) ? To a Wild Rose (Edward MacDowell) ? and many more. / Date parution : 2022-11-10/ Recueil / Violoncelle
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Latin Philharmonic
22.14
Latin Philharmonic
Violoncelle
[Partition + CD]
Alfred Publishing
Bring the excitement of traditional Latin dance to the string orchestra with thi...
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Bring the excitement of traditional Latin dance to the string orchestra with this collection. Explore the 'clave,' or rhythmic groove styles, such as the Merengue, Tango, Mambo, and others in a flexible format. All instruments have the melody, a harmony part, and an accompaniment/bass line. Easy hand percussion parts are included for the string players to perform or the optional drumset part can be used. The use of piano and guitar is recommended for authenticity but not necessary. All text appears in both English and Spanish. / Violoncelle Et Contrebasse
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Fiddlers Philharmonic
12.15
Fiddlers Philharmonic
Violoncelle
Alfred Publishing
At last the excitement of traditional folk fiddling can be experienced by your e...
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At last the excitement of traditional folk fiddling can be experienced by your entire string orchestra! Written by two renowned educators, this fun and motivating collection of 16 cross-cultural fiddle tunes is presented in a unique format that makes it perfect for players of any level or age. Each tune includes a solo version, followed by a 3-part 'arrangement' for group performance. Chord symbols, for improvisation of additional instruments (guitar, mandolin, etc.) are also included. / Violoncelle
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Suite Op. 28 (CALLIGARIS SERGIO)
21.68
Suite Op. 28 (CALLIGARIS SERGIO)
Violoncelle
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Intermédiaire
Ricordi
Per Violoncello Solo. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosar...
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Per Violoncello Solo. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligariss composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composers personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-13/ Répertoire / Violoncelle
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Abby Newton: Crossing To Scotland: Cello
10.99
Abby Newton: Crossing To Scotland: Cello
Violoncelle
[Partition]
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Facile
Mel Bay
Today the cello is usually considered a classical instrument but from the late ...
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Today the cello is usually considered a classical instrument but from the late 17th to early 19th centuries it was used in folk ensembles to provide low driving rhythms for dance tunes and to render haunting Scottish airs.Within the folk music revival of the past forty years there has been a small but dedicated movement to restore the unique richness of the cello to traditional music and Abby Newton has been on the forefront of that movement. Abbyhas been deeply involved with Scottish music ever since traveling to and performing in Scotland many times. The airs planxties and reels in this book come from traditional and contemporary sources including the 18th-centuryfiddler Neil Gow harper Turlough O'Carolan Daithi Sproule David Hornung Alasdair Fraser Ronnie Aimes and others. All 19 of the tunes are written for solo cello with chord symbols included on most tunes for an accompanyinginstrument. The text also includes the author's notes on the origin of each tune.
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Jones: Jigs Reels And More: Cello: Instrumental Album
19.99
Jones: Jigs Reels And More: Cello: Instrumental Album
Violoncelle
Boosey and Hawkes
Jigs Reels And More is a fantastic collection of traditional tunes from England...
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Jigs Reels And More is a fantastic collection of traditional tunes from England Ireland and Scotland arranged for Cello with Piano Accompaniment by Edward Huws Jones. Some of these traditional pieces are popular and others are less well-known but all are absolutely authentic.Along with the jigs and reels you will find varieties of county and morris dance honpipes a strathspey and some contrasting slow airs.The piano accompaniment part is also included on a separate insert.
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Fiser Lubos - Sonates Pour Violoncelle
33.80
Fiser Lubos - Sonates Pour Violoncelle
Violoncelle
Barenreiter
Fi'er, Lubo' Sonatas for Violoncello - Highly effective concert pieces - Fingeri...
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Fi'er, Lubo' Sonatas for Violoncello - Highly effective concert pieces - Fingering and bowing for the Sonata for Violoncello solo by Marek Jerie - Foreword by Joná' Hájek (Cz/Eng/Ger) This edition contains three cello compositions by Lubo' Fi'er: Sonata for Violoncello and Piano (1975), Sonata for two Violoncellos and Piano (1980), and Sonata for Violoncello solo (1985-1986). Lubo' Fi'er was a remarkable personality in the Czech music scene of the 20th century. He is known for combining traditional notation and aleatory elements. The music of the sonatas is dramatic and expressive. These are effective concert pieces with a performance duration of approximately eight minutes each. The edition is based on first prints of the works supplemented by various other sources. The part of the Sonata for Violoncello solo was revised by cellist Marek Jerie during the composer's lifetime.
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I Can Read Music, Vol.1 : A Note Reading
24.36
I Can Read Music, Vol.1 : A Note Reading
Violoncelle
Warner Bros
I Can Read Music is a beginning note-reading book for violincello students who h...
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I Can Read Music is a beginning note-reading book for violincello students who have learned to play using an aural approach such as the Suzuki Method, or for those traditionally taught students who need extra note-reading practise. Rhythm and pitch are taught separately, so that the student can work on one thing at a time. When the aspects of reading are established, they can be combined successfully at a later date. / Violoncelle
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Aaron Minsky: Ten American Cello Etudes: Cello: Instrumental Tutor
14.75
Aaron Minsky: Ten American Cello Etudes: Cello: Instrumental Tutor
Violoncelle
Oxford University Press
Although the popularity of the Cello is rising and its use in popular music is ...
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Although the popularity of the Cello is rising and its use in popular music is growing the repertory remains limited. The studies in this book are intended to reinforce traditional technique and to expand it through the recovery of old traditions. Each of the studies in this book is also suitable for use in recitals either as small sets or encores.
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Suzuki S. - I Can Read Music Vol. 1 - Violoncelle
17.90
Suzuki S. - I Can Read Music Vol. 1 - Violoncelle
Violoncelle
-
Facile
Warner Bros
These easy-to-read, progressive exercises by Joanne Martin develop a student's r...
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These easy-to-read, progressive exercises by Joanne Martin develop a student's reading skills one stage at a time, with many repetitions at each stage. I Can Read Music is designed as a first note-reading book for students of string instruments who have learned to play using an aural approach such as the Suzuki Method, or for traditionally taught students who need extra note reading practice. Its presentation of new ideas is clear enough that it can be used daily at home by quite young children and their parents, with the teacher checking progress every week or two.
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Fazil Say: Dort Sehir op. 41: Cello: Vocal Score
35.99
Fazil Say: Dort Sehir op. 41: Cello: Vocal Score
Violoncelle
[Vocal Score]
Schott
(Four Cities)-Faz'l Say?s ?Four Cities? Sonata can be considered as a journey th...
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(Four Cities)-Faz'l Say?s ?Four Cities? Sonata can be considered as a journey through four cities of Anatolia. This work has taken its inspiration from Faz'l Say?s memories and events of his life. Bodrum is well known as a city greatly frequented by tourists which sets it apart from the other three locations. These four very different cities with their individual cultures have been selected from the nearly 2000-km wide expanse of Anatolia. SivasSivas is a conservative city located in Eastern Anatolia which is known for its large Alevi population. As¸'k Veysel is an Alevi Ozan (poet) and Faz'l Say has been inspired by his song ?Saz'm? (my saz/myinstrument) in the first part of this work. The movement is concluded on a melancholy tone in imitation of this ethnic instrument. HopaA traditional wedding provided Faz'l Say with his inspiration for this second movement which embraces Eastern Black Sea culture. Horon is a very fast folk dance in 7/16 time which is played on the kemence a typical instrument of the Eastern Black Sea region. The music also touches on Caucasian Georgian and Laz dances anonymous songs ?Laz women? and ?Cilveloy nanayda? (a Turkish song). AnkaraAnkara was declared the capital city of Turkey by Atatürk in 1923. This city with its population of four million was where the composer was born and also spent his childhood. ?Ankara?n'n Tas¸'na Bak? a rebellious song dating back to the First World War can be discerned in the mournful middle section. The movement with its atmosphere of tragedy evokes the republican spirit and the ambience of former times. BodrumBodrum is universally known as the Saint-Tropez of Turkey. A famous street in the city is fringed with countless bars and pubs from which a cacophony of different music can be heard ranging from jazz pop and rock to folk songs. Faz'l Say blends the sounds from these pubs in this movement which includes a walking theme in a swinging jazz tempo. The movement makes a
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Amanti Lucio Franco - Jazz Suite - Cello
18.50
Amanti Lucio Franco - Jazz Suite - Cello
Violoncelle
Schott
'The idea of writing a 'Jazz Suite for cello solo' came out when I tried to imag...
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'The idea of writing a 'Jazz Suite for cello solo' came out when I tried to imagine how it would have sounded like if one of the baroque masters (Gabrielli, Buxtehude, Bach) had lived in our time and wanted to write a suite of dances. I thought it would probably still keep some of the conventions of the traditional form, like maybe the use of a Prelude to establish the key and the alternation of slow with fast movements. But some things would have definitely been different: the harmonies, for example would probably have been more complex and not always tonal. Also the popular dances used as a workbench for the suite would have been not gigues or Bourees but perhaps latin american or Jazz standards. Well, since the great masters are unfortunately not able at the moment to accept my challenge, I had to write it myself. I hope you will enjoy it. The famous cello player Janos Starker says: "Lucio Amanti is a very fine cellist and imaginative composer. His Jazz Suite is an enjoyable mix of jazz and classicism. I much appreciate his work.' (Janos Starker)
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Antonín Dvo?ák: Dvorak - Quintet in A minor Op. 81: Cello Solo: Instrumental
15.99
Antonín Dvo?ák: Dvorak - Quintet in A minor Op. 81: Cello Solo: Instrumental
Violoncelle
[Partition + CD]
Music Minus One
Music Minus One Cello-The second movement of this beautiful quintet is patterned...
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Music Minus One Cello-The second movement of this beautiful quintet is patterned after the Dumka traditional dance form in Dvorak's native Czech Republic. Beautiful melodies wonderful orchestration. A quintet of rare quality. In short wonderful music! Includes a complete high-quality printed music score and a compact disc voluminously indexed for ease of practice containing a complete performance with soloist then performed again with accompaniments only minus you the soloist. Accompaniment: Harriet Wingreen piano Manhattan String Quartet
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Gene Clarke: Hymns Made Easy for Cello: Cello: Instrumental Collection
9.99
Gene Clarke: Hymns Made Easy for Cello: Cello: Instrumental Collection
Violoncelle
-
Facile
Mel Bay
Hymns Made Easy for Cello is a collection of favorite traditional hymns with gui...
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Hymns Made Easy for Cello is a collection of favorite traditional hymns with guitar accompaniment suitable for church teaching or recreational settings. The material includes cello parts and bowing indications in first position with guitar chord names written above the staff. All the arrangements in this book are compatible with Hymns Made Easy for Violin and Hymns Made Easy for Viola.
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Michael Berkeley: Iberian Notebook: Cello: Instrumental Work
13.25
Michael Berkeley: Iberian Notebook: Cello: Instrumental Work
Violoncelle
Oxford University Press
A suite in six movements for unaccompanied cello inspired by the composer's tra...
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A suite in six movements for unaccompanied cello inspired by the composer's travels in Spain Portugal and Morocco. It incorporates fragments of traditional melodies and the composer chose the cello as a suitable instrument to depict the heat richness and cruelty that are part of Spanish history.
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David Diamond: Kaddish: Cello and Accomp.: Instrumental Work
15.99
David Diamond: Kaddish: Cello and Accomp.: Instrumental Work
Violoncelle
Schirmer
This is a deeply felt concerted work for cello and orchestra. It is in a moderat...
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This is a deeply felt concerted work for cello and orchestra. It is in a moderate twentieth century style modal rather than chromatic a tonal work with a mood that is elegiac and dramatic. The Kaddish is a prayerordinarily given during Jewish services for the dead though it never mentions Death. There are traditional melodies and Hebrew cantillation associated with the text but Diamond did not use any of these nor indeed anyparticular Jewish music. The themes he says are his own concept. In describing the form and style of the music Diamond relates the Kaddish to others of his compositions that have some connection to ritual neither theater musicnor abstract music.The music is primarily melodic. Its modal quality suggests the work's Jewish connection but the actual mode is not specifically Jewish in sound. The work rises to a serious and affirmative climaxtowards its end then subsides.
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The Ceilidh Collection for Cello-Bass: Cello: Instrumental Album
Violoncelle
Taigh na Teud Music Publishers
The Ceilidh Collection for Cello and Bass has been compiled for all those musici...
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The Ceilidh Collection for Cello and Bass has been compiled for all those musicians who would like to play traditional tunes with their fiddler friends or just for themselves. The tunes are in approximate order of difficulty and where possible the keys are the same as those in the Ceilidh Collections for fiddlers. The fingering is included for cellists only and the chords are intended to facilitate the collection's use in group settings.
7.50 GBP - vendu par Musicroom GB
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Katherine Curatolo: Wedding Music For Solo Cello: Cello: Instrumental Album
11.99
Katherine Curatolo: Wedding Music For Solo Cello: Cello: Instrumental Album
Violoncelle
-
Intermédiaire/avancé
Mel Bay
For solo cello this book is a collection of straightforward wedding arrangement...
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For solo cello this book is a collection of straightforward wedding arrangements without piano. Inside you will find the most commonly requested music for wedding ceremonies from traditional favourites to beautiful classicalpieces that are sure to provide an elegant musical experience.
11.99 GBP - vendu par Musicroom GB
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L Taylor: Tenor Clef: Cello: Instrumental Tutor
8.95
L Taylor: Tenor Clef: Cello: Instrumental Tutor
Violoncelle
[Conducteur et Parties séparées]
Spartan Press
For Cello Or Fagot-This book is designed to take cellists through the process of...
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For Cello Or Fagot-This book is designed to take cellists through the process of learning to read the tenor clef in a step-by-step structured approach. New notes are introduced one at a time using traditional tunes interspersed with specially written new pieces encompassing the notes learned so far. To read the higher notes it is necessary to usen 5th 6th 7th and 8th positions all of which are covered. Complete with piano accompaniments.
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John Bauer: Progressive Scale Studies for Cello: Cello: Study
16.99
John Bauer: Progressive Scale Studies for Cello: Cello: Study
Violoncelle
[Partition]
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Facile
Mel Bay
This progressive scale system coordinates basic concepts from elementary to adva...
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This progressive scale system coordinates basic concepts from elementary to advanced scales in preparation for the Scale System by Carl Flesch. In some aspects it goes beyond the scope of the Flesch system. One-octave scales areintroduced in patterns with emphasis on half steps and finger retention. The two-octave scale patterns are non-shifting. Three-octave scales are offered with traditional and modern fingerings. The double stop scales vary infingerings in order to teach the basic concepts of double-stops. Harmonics are included beyond the scope of the Flesch system in a basic form including natural harmonics.
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Abby Newton: Castles Kirks And Caves Trad. Tunes: Cello: Instrumental Album
18.99
Abby Newton: Castles Kirks And Caves Trad. Tunes: Cello: Instrumental Album
Violoncelle
[Partition]
-
Facile
Mel Bay
From Scotland-Ireland-This is the second popular book of beautiful Celtic tunes ...
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From Scotland-Ireland-This is the second popular book of beautiful Celtic tunes compiled and arranged for the cello by Abby Newton. Most of the tunes in this collection are from her recent recordings Castles Kirks and Caves and Ferintosh. The book is organized in three parts: Tunes Sets and Duos. The first part Tunes contains an assortment of twenty-eight tunes culled mostly from the well know Scottish and Irish traditional tune books including collections by Capt.Simon Fraser Patrick McDonald Niel Gow and James Oswald. The second part Sets consists of several tunes played in succession. Part three Duos includes two part scores (with treble and bass lines) that come mainly fromJames Oswald's Airs for the Seasons and Burke Thumoth's Collection of Scots and Irish Tunes 1745.
18.99 GBP - vendu par Musicroom GB
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