Partition pour chant et piano Support : Partition Date de parution : 02/04/2001 Contenu : Adios pampa mia - As de Copas - Ascot Blues - Basin Street Blues - El Choclo tango - Every Day I Have the Blues - Harlem Rag - Insaisissable - Jelly Roll Blues - La Cumparsita - La Paloma - Moi je suis tango (Libertango) - Poema - Royal Garden Blues - Saint James Infirmary - Si tu reviens - Sugar Blues - Temptation Rag - The Entertainer - Volver

Matthiesen Bill (Edtd). Par MATTHIESEN BILL. Un échantillonneur étonnant de piano romantique les solos dès les premiers jours du tango. Voici la première grande collection de musique ancienne de tango jamais publiée à l'extérieur de l'Argentine. Cette anthologie présente 42 scores fac-similé de piano dans un large éventail de styles de tango trouvé au XIXe siècle l'Argentine et l'Uruguay. Sélections comprennent des classiques de l'Argentine et l'Uruguay compositeurs plus célèbres guardia vieja (vieille garde), écrits druring années de formation du tango entre 1900 et 1920. Bon nombre de ces pièces évoquent parallèles musicales avec des chiffons piano américains de la même époque. Ces merveilleuses tangos début incarnent la profondeur émotionnelle complète et la complexité rythmique de ce genre fascinant, mais sont accessibles aux joueurs de capacités variées. / Niveau : Intermédiaire / Latin American - Solos / Recueil / Piano

Par URI AYN ROVNER. Mel Bay Publications, Inc. est fière de vous présenter cette fascinante collection de quatorze tangos par des compositeurs français arrangés pour piano solo. Le tango est une danse d'origine latino-américaine, caractérisé par longues pauses et les positions du corps stylisé. La plupart de ces restitutions instrumentales ont été publiée à l'origine comme pièces de Musette en France de la 1930 à travers les années 1960 (avec un couple de nouveaux arrangements). Intermédiaire en difficulté. / Niveau : Intermédiaire / French - Solos / Recueil / Piano

Gustavo Beytelmann has taken some of the most beautiful tango music ever written and created his own arrangements for solo piano. His collection shows how varied the genre is, from the ragtime-like lilt of El esquinazo to the romantic waltz La loca de amor by Pablo José Vázquez and the energetic El entrerriano by Rosendo Menizabal, as well as a new arrangement of Carlos Gardel's immortal El dia que me quieras. Beytelmann shows too how technically varied these works can be. Each of the pieces features specific performance techniques such as accents, tempo changes, balance and attack and he advises "Spend some time concentrating on these elements and you will find the works even more enjoyable." These immensely rewarding pieces are equally suited to the concert stage as to the piano lesson. Gustavo Beytelmann has made a significant contribution to the evolution of the Tango, through his numerous recordings, performances and through his teaching. Born in Argentina, he began his professional career writing music for the cinema, working as pianist and arranger for the record industry and performing with various jazz ensembles. After moving to Paris, Astor Piazzolla invited him to participate in his European tour. He has continued to perform and compose across Europe and the Americas. From 1993 onwards he intensified his work as a composer.

«?Veni, vidi, vici?: Señor Albéniz aurait toutes les raisons d?inscrire ces mots sur son blason!» C?est ainsi que la presse londonienne commenta la marche triomphale de l?Espagnol en Angleterre entre 1889 et 1893.

C?est précisément sur les Îles Britanniques qu?il se consacra plus intensivement à des sujets en rapport avec sa patrie, composant entre autres España (HN 857).

Aussi étonnant que cela puisse paraître, Albéniz glissa dans cet hommage à la Péninsule ibérique un tango revêtant l?habit d?une habanera cubaine.

Derrière cette charade multiculturelle se cache l?une des oeuvres les plus populaires d?Albéniz, remplie d?une douce nostalgie des pays exotiques. Facile d?exécution, cette oeuvre est désormais disponible en édition séparée. / Classique / Partition / Agrafé /

For Piano Solo-One of the most exciting composers of his generation Jonathan Cole was awarded the Royal Philharmonic Society Composition Prize in 1999.In ???Go Tango??? fragments of various imaginary tangos are juxtaposed in an attempt to kick start a realtango. As these attempts become increasingly frustrated the possibility of a tango resulting from them seems ever more remote. In the coda a gentle Haba?era emerges as if from outside the preceding musical argument.

Schmitz: Mini-Tango Tangissimo! It's not only our legs, but our fingers, too, that find the tango rhythm irresistible! Manfred Schmitz proves this in all 34 pieces of his Mini Tango. From the first Tango charlatán to the closing Adios Tango, a South American flair wafts through the pieces ' and their titles, which are also printed in Spanish. In the tangos for piano duet, the two parts are of equal difficulty. Altogether the palette ranges from very easy to medium difficulty. Tangissimo is a rewarding complement to the previous Mini Jazz (DV 31091-93) and Mini Rock (DV 31101 ' 03), both of which are published in three books. Table des matières 01 Parrot Tango 02 Penguin Tango 03 Evening Tango 04 Morning Tango 05 Little Tango Method I 06 Little Tango Method II 07 Sad Tango 08 Tango for Manuela 09 Tango for Pedro 10 Tell me a Story, Tango 11 Tango for TWO 12 ango on the Rainbow 13 Solo for ... 14 Little Tango Dream 15 Lonely dancing Girl 16 Tango for Elise 17 Tango Prelude I 18 Tango Scene 19 Tango-Intermezzo 20 Tango Fantasy 21 Melancholy Tango 22 Tango Aurora 23 Tango Serenade I 24 Tango Festival I 25 Tango Prelude II 26 Goodbye, Argentina 27 Tango Serenade II 28 Tango under a starry Sky 29 Tango Festival II 30 The Tango Pianist 31 Jasmine 32 Spring Tango 33 Black Rose 34 Farewell Tango

Without Jealousy-Per Nørgård's A Tortoise Tango (Without Jealousy) is a work for Piano Solo composed in 1984.Programme noteA Tortoise´s Tango(1984) ´Light of a Night - Paul with bird (1989) and ´Esperanza - Hermit Crab Tango´(1997) are (the first) three movements of a suite ´Animals in Concert´ for piano. 1. A Tortoise´s Tango - Skildpadde-tango (1984) - dur.: 4´ 2. Light of a Night - Paul meets bird (1989) - dur.: 6´ 3. Hermit Crab Tango Esperanza (1997) - dur.: 5´ The movements can be performed separately. The tortoise as tango dancer must presumably possess certain rhythmic peculiarities which I have chosen to express by letting the tune of the tortoise shuffle broadly tripartite through the strict four partite time of tango. Tortoise Tango was the original title of this piece 'written for Achilles' (the pianist Yvar Mikhashoff) for his so called tango project' including new tangos for piano by composers from all over the world. Esperanza and Tortoise Tango were later arranged for saxophone quartet (by Jesper Nordin) and for bandoneon and small ensemble (by Niels Rosing-Schow ) Per Nørgård

This collection showcases the syncopated piano music of Latin American during the nineteenth and early twentieth centuries. It features Latin rhythms, which are really African rhythms brought to the Americas by slaves and applied to the music of the European colonists. These rhythms are varied and complex and so is their history. They've had a widespread and profound influence on the evolution of popular music not only in Latin America, but also in the United States. The most obvious offshoots are the tango in Argentine and Uruguay and most of the other popular dances of South and Central America, as well as ragtime and jazz in the United States. Jelly Roll Morton claimed this Latin tinge is the essential element that distinguishes jazz from ragtime. These rhythms are the musical roots of groups like The Buena Vista Social Club.
Adios a Cuba (I.Cervantes) - Almendares (I.Cervantes) - Carioca (Ernesto Nazareth) - Coquetona (Danza) (Jose I.Quinton) - Cruz, Perigo!! (Ernesto Nazareth) - El Entreriano (Tango) (A.Rosendo) - El Esquinazo (Tango Criollo) (A.G.Villoldo) - El Panuelo de Pepa (Contradanza) (manuel Saumell) - El Zurdo (Tango) (Juan Maglio) - Esta Chumbado (Ernesto Nazareth) - Garoto (Ernesto Nazareth) - Ilusiones Perdidas (I.Cervantes) - l Chicotazo (Tango No.2) (Vincente Greco) - La Encantadora (I.Cervantes) - La Isabelita (J.Morel Campos) - La Luz Electrica (Tomas Leon) - La Matilde (Contradanza) (Manuel Saumell) - La Paloma (Sebastian Yradier) - La Quejosita (Manuel Saumell) - La Reina de las Flores (Tomas Leon) - Lamentos de Amor (Manuel Saumell) - Laura y Georgina (J.Morel Camppos) - No Me Toques! (J.Morel Campos) - O Que Ha' (Tango) (Ernesto Nazareth) - Por Que, Eh' (Why, Eh') (I.Cervantes) - Que Le Importa a Usted' (Tomas Leon) - Quien Sabe (Tomas Leon) - Recuerdos de Gottschalk (Contradanza) (Manuel Saumell) - Remando (Tango) (Ernesto Nazareth) - Suipacha (Tango Milonga) (Eduardo Arolas) - Tiene Que Ser (It Must Be) (I.Cervantes) - Trocha (A Cuban Dance) (Wm.H.Tyres) - Tu (Habanera) (E.Sanchez Fuentes) - Vaya Una Pregunta (Tomas Leon) - Vitorioso (Tango) (Ernesto Nazareth) - Vuelta al Hogar (I.Cervantes) - Yo Se Lo Dire a Ustted (Tomas Leon)

Dans ce deuxième volume, Diego Collatti fournit des pièces plus entraînantes mais cette fois dans des arrangements pour le joueur plus avancé montrant la diversité du genre de tango, à la fois musicalement et techniquement. Sont inclus: Libertango de Piazzolla, Don Agustín Bardi de Salgán et A fuego lento et plus encore. Encore une fois, des informations utiles sur fond de Collatti et détails de performance feront revivre les caractéristiques stylistiques du tango. / Piano

Tango is one of the most rhythmically regular works composed by Stravinsky it is also one of Stravinsky's most recorded works for Piano.Stravinsky's Tango has been rewritten and rearranged many times either by Stravinsky himself by fellow musicians or by other musicians. This arrangement is for solo Piano.