Fly is a song by Ludovico Einaudi from his bestselling album 'Divenire'. Scored for Piano and Electronics Fly was featured on the soundtrack for the French film 'TheIntouchables'.     The first bar should be sampled and looped continuously throughout the piece. Alternatively this could be played live on Piano Harp Marimba or similar instrument byanother performer. A series of electronic sound effects feature towards the end of the piece. These are contained on the pre-recorded track which should be played from bar 81 onwards. The effects continue for a short time afterthe pianist has finished playing and fade out with the Piano sample. An accompanying CD is included with this score.

The Piano Particles project by pianist Steffen Wick and his artistic partner Simon Detel combines classical and contemporary musical elements. This songbook features 20 selections of the last album of the project as well as some new songs, arranged for solo Piano.Influenced by pop, electro and film music, all of the compositions combine these elements to create a modern musical language that's interesting and highly enjoyable to play. Compared to the opulent live performances which combine electronics, vocals, strings, light and video installations, these solo Piano songs reveal the purity of the original compositions. / Piano

Par TIERSEN YANN. 'I think there is a similarity between the infinite big and the infinite smallness of everything,' says Yann Tiersen. 'It's the same experiment looking through a microscope as it is a telescope.' Named after a chapel in a small village on the island of Ushant, Kerber marks a new chapter in Tiersen's career. A chapter still true to Tiersen's nuanced and subtle approach but one that sets out with his most overtly electronic material to date. Beautifully textured, highly immersive and thoughtfully constructed, Tiersen creates an electronic world, providing an environment in which the piano source exists. A sense of place has often been a central theme in Tiersen's work and here that is no different. Each track is tied to a place mapping out the immediate landscape that surrounds Tiersen's home, linking back to his thoughts on the possibilities of the infinite smallness. Kerber is an extraordinary collection of seven pieces for Solo Piano and Electronics by critically acclaimed composer Yann Tiersen. This official, exclusive folio is beautifully printed on high-quality, uncoated paper with striking graphic artwork. All seven pieces are presented for Solo Piano and follow a preface from the composer. Check out the official video for 'Ker al Loch' below: https://www.youtube.com/watch'v=RHiYco6Sd_k/ Recueil / Piano

Szymanski was born in Warsaw on 28th March 1954. He graduated with honours from the National Higher School of Music in Warsaw where he studied composition with Wlodzimierz Kotonski (1974-78) and Tadeusz Baird (1978). In themeantime in 1976 he took part in the INTERNATIONAL SUMMER ACADEMY OF ANCIENT MUSIC at Innsbruck and in 1978 1980 and 1982 participated in the INTERNATIONAL SUMMER COURSES OF NEW MUSIC at Darmstadt working also with theExperimental Studio of the Polish Radio in 1979-81 the Independent Studio of Electroacoustic Music in 1982-84 and the Electronic Music Studio of the Cracow Academy of Music in 1983. As a Herder scholar Szymanski continued hisstudies with Roman Haubenstock-Ramati in Vienna in 1984-85 and as a holder of the Deutscher Akademischer Austauschdienst grant in 1987-89 worked at the Electronic Studio of the Technische Universitaet.The Two Studies forsolo piano written in 1992 peck and impact in slow progression - again sounding both familiar in the style of Bach yet dissected in an unhurried and surprisingly avant-garde exhibition. The second study moves to slough off thefirst at about 6.03. The second glitters in Mozartian gemwork. Transcribed into computer notation by Jacques Bailhé.

Early to Later Elementary Level. Par HUSSEY CHRISTOPHER. Many students today don\'t have access to an acoustic piano or they may prefer the ease of a portable electronic keyboard that also allows for a quieter practice environment in small homes or spaces. This comprehensive step-by-step course by Christopher Hussey adapts John Thompson\'s trusted teaching style to an electronic keyboard. It features original compositions, games and puzzles, teacher accompaniments, and outstanding audio orchestrations, in addition to being a fun, effective guide on how to read music!A new method aimed at the many students today that have limited (if any) access to an acoustic piano, or that may prefer the ease of a portable electronic keyboard that allows for a quieter practice environment in small homes or spaces./ Méthode / Piano

Produced in close collaboration with the composer this exclusive Piano folio presents four tracks from the special edition of Ludovico Einaudi's Elements along with imagery and exclusiveillustrations. Suitable for intermediate pianists this collection comprises pieces from the deluxe album — ‘Drop Solo’ and ‘Twice Solo’ — plus two versions of‘Elegy For The Arctic’ specially written for Greenpeace. Also included are photos from Einaudi’s incredible floating performance on the Arctic Ocean and unique text and illustrations.Einaudi’s 2015 album Elements broke records not only in the classical realm but also the pop charts overtaking Taylor Swift and James Bay and pushing into further genres with remixes byelectronic artists including Mogwai and Starkey. The solo Piano versions of the two tracks ‘Drop’ and ‘Twice’ return the music to a purer form offering a more intimate experiencefor fans enthusiasts and students. Four new transcriptions for Piano solo Notes from the composer Unique illustrations and imagery from Einaudi’s performance on the Arctic OceanIncludes… Elegy For The Arctic Drop Solo Twice Solo and the extended studio version of Elegy For The Arctic Learn the official 'Elegy for the Arctic' Sheet Music for Piano included in the new SpecialEdition 'Extra Elements' in this exclusive video brought to you by Musicroom.  

Par FRANCES-HOAD CHERYL. For piano and Commodore 64, Game On, Cheryl Frances-Hoad writes, 'was inspired variously by Game Theory, Commodore 64 gaming music, the stock market and financial crash, and the constant presence of technology in modern day life.' For information on procuring the electronics part, please write to promotion@wisemusic.com. / Date parution : 2023-06-16/ Répertoire / Piano

for piano. Par LARCHER THOMAS. Smart Dust' devices are tiny wireless microelectromechanical sensors (MEMS) which are able to sense everything from light to vibrations. Thanks to new developments in silicon processing, these 'motes' are no larger than a sand grain even though they are provided with sensors, circuits, wireless communications and a power supply. They collect enormous amounts of data, perform calculations and are able to exchange such information even over distances of 300 metres. Today, one is developing commercial application possibilities, such as for the search for manufacturing defects or for the care of patients, but of course this 'Smart Dust', this barely visible intelligent dust, is particularly suited to spy on people and detect movements of the enemy in the case of war. Perhaps, one day, we will get rid of a potential observer when rubbing a sand grain from our eyes. They are tiny cells which are able to communicate with each other, build up a network among themselves, observe the environment and, above all, they can be blown through open windows into rooms without being noticed. The music too is about similar tiny cells, about strange sounds of a sound-reduced piano, 'simple circuits', i.e. basic information which are retransmitted, musical motifs from the everyday urban environment which then have to be aligned with each other and processed in a control centre, in the head of the listener. Omnipresent, dangerous elements. The motor energy (the power from the battery) decreases in the course of the little pieces, the flow of information slows down. The piano is deprepared during its course, the elements become more readable and audible. A broad stylistic expanse is traversed in a very brief space, as if a 'smart dust transmitter' lands on the turban of a muezzin and the next one a hundred metres farther in a discothèque. Or even better: one transmitter in a Lachenmann score, the next one in the beard of Arvo Pärt. - Thomas Larcher/ Répertoire / Piano

This unique folio provides piano transcriptions and performance notes from two classic jazz compositions: Waltz for Debby and Very Early. Artist Transcriptions are authentic, note-for-note transcriptions of the hottest wind, electronic, guitar and keyboard artists. These outstanding, accurate arrangements are in an easy-to-read format which includes all essential lines. Artist Transcriptions can be used to perform, sequence or reference.

The Esbjorn Svensson Trio is a phenomenon: A jazz trio which sees itself as a pop band that plays jazz which broke with the tradition of leader and sidemen in favour of equality within its members which not only plays jazz-venues but also venues usually reserved for rock bands which uses light effects and fog-machines in their live shows which gets a whole audience to sing-a-long with jazz-standards as eg. Thelonious Monk???s Bemsha Swing is a trio that goes beyond the scope of the usual classic jazz trio. Their music can be found in the pop-charts and their videos are playing on MTV Scandinavia. With their unique sound scape combining jazz with drum???n??? bass electronic elements funk rhythm and pop and rock as well as European Classical music e.s.t. won an audience spanning from the classic jazz-fans to the youngest Hip Hop fans. Critics and audiences world-wide agree: E.S.T. is definitely one of the most innovative jazz bands of today.

Piano Solo-For any electronic keyboard or acoustic piano. A fantasy trip for second year piano students! Each song title-for example The Unicorn Faeries Medusa March of the Gnomes The Sorcerer-comes complete with ancient-looking pen-and-ink drawing of the character in the title a descriptive caption and suggested musical settings to make the mood spooky and authentic.

With electronic keyboards synthesizers and MIDI available today this new collection of seven hymns arranged at medium-difficulty level is the perfect vehicle to utilize harpsichord sounds. And if you are blessed with a realharpsichord all the better. Baroque and classical era mordants trills and other ornamentations are carefully explained and written out in the foreword. This book will be a refreshing change of pace for keyboard players. Titlesinclude: Fairest Lord Jesus • God Rest Ye Merry Gentlemen • Jesus the Very Thought of Thee • O God Our Help in Ages Past • and more.

Kevin Volans' L'Africaine for Piano solo. Duration: 22 minutes. Composers Note: Most of the piano music I have written has focussed on a number of 20th century musical concerns: withcomplex rhythmic patterning a- and poly-tonality multiple layering of parts on occasion introducing different tone colours (like playing inside the instrument or electronic modulation) ' but above all resonance. The development of the piano in 19th century with its increased size pitch and dynamic range led above all to an instrument capable of rich and full resonance that could rival even an orchestra. All centred around thepedal ' in Anton Rubinstein's words: The soul of the piano. This time I thought it would be interesting to write a piece which pays no attention to this tradition; to write a piece from the point of view ofsome African compositional methods and ways of patterning ' mainly interlocking parts which result in shifting downbeats. For a large part of the piece I treat the left and right hands as two complementaryperformers. So hardly any pedal no concerns with contemporary harmony style structure or technology. I did slip in a slightly concealed reference to Debussy's L'Isle Joyeuse however. The pieceis roughly 22 minutes long in three sections and the title is a slightly tongue-in-cheek reference to Couperin.