Par SCHUMANN ROBERT. In 1925, Breitkopf & Härtel approached the young pianist Wilhelm Kempff to prepare Clara Schumann’s “Instructive Edition” of her husband’s works for the new engraving. “[…] The comparison with the autograph and the Urtext edition [First Schumann Complete Edition], the results of the Schumann research, the modern principles of notation – all of this would have to be taken into account in the new engraving and could lead to a significant improvement in the edition without compromising the spirit of editing by Clara Schumann. ” The present edition thus conveys the reading of one of the most important pianists of the twentieth century, which we make fully accessible intime for the 200th birthday of Clara Schumann. Contents: op. 1 Abegg-Variations in F major op. 2 Papillons op. 3 Studies on Caprices by Paganini op. 4 Intermezzi for piano op. 5 Impromptus on a Romance by Clara Wieck (1st version 1833) op. 5 Impromptus on a Theme by Clara Wieck (2nd version 1850) op. 6 Davidsbuendlertaenze (1st version 1837) op. 6 Davidsbuendlertaenze (2nd version 1850) op. 7 Toccata in C major op. 8 Allegro in B minor / Date parution : 2019-10-24/ Répertoire / Piano

Clara Schumann's Piano Notebook. This book presents seven piano solos that represent the wonderful variety of compositions by Clara Schumann. The brilliant ?Polonaise? was composed and performed by Clara as a child prodigy. The enchanting ?Prelude, Op. 16, No. 2?, and ?Romance, Op. 21. No.2? are both beautiful and suitable for many occasions. The joyful ?Mazurka? makes a great recital piece as well as ?Scherzo? in C minor. ?Nocturne in F, Op. 6, No. 2" is one of the most beautifully written nocturnes. Chopin once told Clara that she was the only woman in Germany that could play his music. She may have been inspired to compose this piece after performing many of Chopin's works in her concerts. The final piece in this collection of Clara Schumann?s Piano Notebook is her ?Theme and Variations?, which she dedicated to Robert Schumann. Robert composed and published many variations of his own on Clara's theme. Her own variations remained unknown until recently. These variations are very interesting, and the theme is easily recognizable throughout. ?Theme and Variations? truly showcases Clara?s unique sense of creativity. These piano selections are presented as examples of Clara Schumann's legacy?a great composer of the 19th century. Her music is timeless and must be preserved for future generations of pianists. This collection will be valuable for recitals, programs and your own enjoyment.

for the Concerto for Piano and Orchestra No. 3 c minor op. 37, 1. movement by Ludwig van Beethoven. Par BEETHOVEN LUDWIG VAN. The volume unites 11 cadenzas from 200 years of music history to form one of the most frequently performed concertos in the piano literature, including several first publications. Among them are not solely highly virtuoso and, sometimes, even romantic lyrical tributes to the genius of classical music, but also cadences with a humorous and ironic touch: Fazil Say's cadence imitated - a music box! With cadences by: Charles Henri Alkan - Ludwig van Beethoven - Gabriel Fauré - Franz Liszt - Ignaz Moscheles - Michael Rische - Fazil Say - Erwin Schulhoff - Clara Schumann - Bedrich Smetana - Viktor Ullmann/ Répertoire / Piano

Par SCHUMANN ROBERT. In 1925, Breitkopf & Härtel approached the young pianist Wilhelm Kempff to prepare Clara Schumann’s “Instructive Edition” of her husband’s works for the new engraving. “[…] The comparison with the autograph and the Urtext edition [First Schumann Complete Edition], the results of the Schumann research, the modern principles of notation – all of this would have to be taken into account in the new engraving and could lead to a significant improvement in the edition without compromising the spirit of editing by Clara Schumann. ” The present edition thus conveys the reading of one of the most important pianists of the twentieth century, which we make fully accessible intime for the 200th birthday of Clara Schumann. Contents: op. 56 Studies for Pedal Piano op. 58 Four Sketches for Pedal Piano op. 68 Piano album for the Youth op. 72 Four Fugues op. 76 Four Marches op. 82 Forest Scenes In 1925, Breitkopf & Härtel approached the young pianist Wilhelm Kempff to prepare Clara Schumann’s “Instructive Edition” of her husband’s works for the new engraving. “[…] The comparison with the autograph and the Urtext edition [First Schumann Complete Edition], the results of the Schumann research, the modern principles of notation – all of this would have to be taken into account in the new engraving and could lead to a significant improvement in the edition without compromising the spirit of editing by Clara Schumann. ” The present edition thus conveys the reading of one of the most important pianists of the twentieth century, which we make fully accessible intime for the 200th birthday of Clara Schumann. Contents: op. 56 Studies for Pedal Piano op. 58 Four Sketches for Pedal Piano op. 68 Piano album for the Youth op. 72 Four Fugues op. 76 Four Marches op. 82 Forest Scenes/ Répertoire / Piano

Pour la présente édition, l'éditeur s'est servi des manuscrits autographes pour les pièces 1, 6 et 7, de la première édition et, en cas de doute d'interprétation, de la deuxième édition. Les Scènes d'enfants, composées en 1838, font partie de cette période où Schumann écrit exclusivement pour le piano solo. Avant ces pièces pour enfants , certaines grandes couvres ont vu le jour: Le Carnaval (opus 9), Les Davidsbündlertânze, Fantaisie (opus 17), etc. Les Scènes d'enfants sont des regards jetés en arrière par un adulte sur sa propre enfance, des souvenirs pour les personnes qui ont grandi , écrit Schumann à Clara. OEuvre pleine de poésie, de tendresse, de candeur, d'intimité exquise, de grâce juvénile, de virile tendresse, pages apparemment simples mais chargées de tous ces rêves dont veut se délivrer un adulte à la recherche du temps perdu de son enfance. Robert écrit à Clara: Les qualités qui donnent leur prix à cette musique ne dépendent que d'une grâce toute simple, naturelle et sans apprêt. Le 17 mars 1838, Schumann écrit encore à Clara: Est-ce une réponse à ce que tu m'écrivis un jour, tu me fais parfois l'impression d'un enfant, s'il en est ainsi, tu verras que des ailes ont poussé à cet enfant car j'ai écrit plus de trente petites pièces et j'en ai choisi une douzaine que je réunirai sous le nom de Scènes Enfantines. Tu prendras sans doute plaisir à les jouer, mais il te faudra oublier que tu es une virtuose. Treize pièces ont été retenues parmi les trente pour l'opus 15 - les autres pièces trouvèrent place dans l'albumblätter ou dans Bunte Blätter. Schumann donne, pour la plupart de ses oeuvres, les indications de tempo en allemand. Dans l'opus 15, les indications sont données en tempos métronomiques, sauf dans la pièce n° 11. Les tempos indiqués en tête de chaque pièce sont de Robert Schumann et ceux indiqués en fin sont de Clara Schumann. Ils figurent dans la deuxième édition. L'interprète choisira parmi ces différentes indications métronomiques le tempo qu'il jugera le mieux adapté au caractère de ces pièces. Contenu : Compositeur/Auteur : SCHUMANN Robert Discipline/Instrument : piano Collection : Urtext Support : Partition Style/Genre : classique Date de parution : août-97 Nombre de pages : 15

by Beethoven (Opus 37, Opus 58) and Mozart (K466). Par SCHUMANN CLARA. Clara Schumann?s cadenzas to piano concertos by Beethoven (Opp. 37 and 58) and Mozart (K466) not only give a unique insight into her performing and composing style; they also throw light on her relationship with Johannes Brahms, whose cadenzas have considerable similarities to those of Schumann. This Urtext edition of the cadenzas includes a preface in which the renowned Canadian pianist Ludwig Sémerjian explores the interaction between Schumann and Brahms. The edition also marks the first publication of Clara Schumann?s early cadenzas for Mozart?s D minor Piano Concerto, previously only available in the manuscript in the Library of Congress in Washington DC. / Date parution : 2023-06-01/ Recueil / Piano

Robert Schumann's Kreisleriana for piano is a cycle of eight contrasting pieces composed in 1838. The work belongs to one of Schumann's most creative periods. It was influenced by the writings of author E. T. A. Hoffmann and was inspired by Schumann's love for his wife, Clara. The current edition has been thoroughly researched, with comparisons made between all early sources. The 1850 second edition has been used as the primary source, which includes revisions made by Schumann and reflects his final intentions. Discrepancies with the first edition (1838), third edition (1858), and various Clara Schumann editions have been discussed in critical notes. Prefatory matter discusses the genesis of Kreisleriana, the relationship between Hoffmann's writings and Schumann's journalism and compositions, and the early champions and performers of this masterwork. Also included are discussions of the form of each piece and helpful performance suggestions. Editorial pedaling and fingering suggestions have been provided to facilitate learning and performance.Charles Timbrell is Professor of Music and Coordinator of Keyboard Studies at Howard University in Washington, D.C., where he teaches piano, piano literature, and piano pedagogy. He also maintains an active career as a performer, author, lecturer, and adjudicator. / Piano

Edited by Clara Schumann-Dover Publications continues its series of playing editions of musical masterpieces with this selection of Robert Schumann's later compositions for solo piano edited by Clara Schumann. This book has been especially designed as a playing edition - the noteheads are large and easily readable at the piano and the margins and spaces between staves are adequate for written notes fingerings and turnovers. It is also most useful for analysis or simply for listening along with records.

Par SCHUMANN ROBERT. À l’occasion du 200é anniversaire de la naissance de Robert Schumann en 2010, un projet dédition ambitieux a été conlcu: pour la première fois après l’édition par Clara Schumann des oeuvres complètes de Schumann en 1879–93, toutes les oeuvres pourpiano solo sont publiées dans le cadre dune même édition. Pendant près de dix ans de travail minutieux, tous les titres de Schumann déjà publiés aux Éditions G. Henle ont été soumis à une révision détaillée. Ernst Herttrich, spécialiste de Schumann, avait passé chaque édition au banc d’essai, se consacrant aussi aux oeuvres jusqu’ici absentes de notre catalogue. La présente collection comprenant six volumes est disponible en version brochéeou reliée et dans la série «Studien-Edition» en coffret. Classée de façon explicite selon les numéros d’opus, cette publication regroupe non seulement toutes les oeuvres pour piano de Schumann conformes à l’état actuel de la recherche, mais elle renferme aussi des textes d’accompagnement informatifs, desversions alternatives et bien d’autres choses. Contenu: Exercises - Etüden in Form freier Variationen über ein Thema von Beethoven- Variationen über ein eigenes Thema in Es [Geistervariationen] Es-dur - Drei Fantasiestücke op. 111- DreiKlaviersonaten für die Jugend op. 118- Albumblätter op. 124- Sieben Klavierstücke in Fughettenform op. 126- Gesänge der Frühe op. 133 - 'Einsame Blume' aus Waldszenen op. 82- Bunte Blätter op. 99 / Partition reliée / Date parution : 2010-10-15/ Répertoire / Piano

Complete Piano Works - Volume V. Par SCHUMANN ROBERT. À l’occasion du 200é anniversaire de la naissance de Robert Schumann en 2010, un projet dédition ambitieux a été conlcu: pour la première fois après l’édition par Clara Schumann des oeuvres complètes de Schumann en 1879–93, toutes les oeuvres pourpiano solo sont publiées dans le cadre dune même édition. Pendant près de dix ans de travail minutieux, tous les titres de Schumann déjà publiés aux Éditions G. Henle ont été soumis à une révision détaillée. Ernst Herttrich, spécialiste de Schumann, avait passé chaque édition au banc d’essai, se consacrant aussi aux oeuvres jusqu’ici absentes de notre catalogue. La présente collection comprenant six volumes est disponible en version brochéeou reliée et dans la série «Studien-Edition» en coffret. Classée de façon explicite selon les numéros d’opus, cette publication regroupe non seulement toutes les oeuvres pour piano de Schumann conformes à l’état actuel de la recherche, mais elle renferme aussi des textes d’accompagnement informatifs, desversions alternatives et bien d’autres choses. Contents: Faschingsschwank aus Wien op. 26- 3 Romanzen op. 28- Scherzo, Gigue, Romanze und Fughette op. 32- Album für die Jugend op. 68 - Vier Fugen op. 72- Vier Märsche op. 76- Waldszenen op. 82 / Partition brochée / Répertoire / Piano

On the 200th anniversary of Robert Schumann's birth an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879-93 all of the works for Piano solo are appearing as oneeditorial project.Spanning almost ten years of painstaking work all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined eachedition and also dedicated himself to those works that were previously missing from the catalogue.The result is being published in this new collection comprising six volumes as well as study editions in a slipcase. Theyreplace the former four volumes (HN108-HN115). Arranged clearly according to opus numbers it includes not only all of Schumann's Piano works revised to reflect the latest scholarly findings but also informative accompanyingtexts alternative versions and much more besides.Being a complete works collection a general difficulty level cannot be applied to these volumes. As a result we have assigned a difficulty of 'advanced' as a guide to thegeneral proficiency required to play all the pieces.Contents:Symphonic Etudes op. 13 Piano Sonata with Early Version: Concert sans Orchestre f minor op. 14 Scenes from Childhood op. 15Kreisleriana op. 16

Numerous selections from Schumann's Album for the Young have long been favorites of intermediate students, and few collections fail to include the Soldier's March, the Happy Farmer or the Wild Horseman. This historically informed edition of the entire collection clearly differentiates the markings of the first edition from Clara Schumann's later-edited version. Discussions of ornamentation and the collection's origin are also included. The Alfred Masterwork Library CD Editions conveniently combine each exceptional volume with a professionally recorded CD that is sure to inspire artistic performances. Pianist Kim O'Reilly Newman holds a Master of Music degree from the University of Illinois. She has performed throughout North America and Europe with the Hambro Quartet of Pianos and was an editor and recording pianist for Alfred Publishing. Kim is a brain tumor survivor and now specializes in performing music for the left hand.

Par SCHUMANN ROBERT. In 1925, Breitkopf and Härtel approached the young pianist Wilhelm Kempff to prepare Clara Schumann?s ?Instructive Edition? of her husband?s works for the new engraving. ?[?] The comparison with the autograph and the Urtext edition [First Schumann Complete Edition], the results of the Schumann research, the modern principles of notation ? all of this would have to be taken into account in the new engraving and could lead to a significant improvement in the edition without compromising the spirit of editing by Clara Schumann. ? The present edition thus conveys the reading of one of the most important pianists of the twentieth century, which we make fully accessible intime for the 200th birthday of Clara Schumann. Contents: op. 20 Humoresque in Bb major op. 21 Novelletten op. 22 Piano Sonata No. 2 in G minor op. 23 Night Pieces op. 26 Faschingsschwank aus Wien op. 28 Three Romances op. 32 Scherzo, Gigue, Romanze, Fughetta In 1925, Breitkopf and Härtel approached the young pianist Wilhelm Kempff to prepare Clara Schumann?s ?Instructive Edition? of her husband?s works for the new engraving. ?[?] The comparison with the autograph and the Urtext edition [First Schumann Complete Edition], the results of the Schumann research, the modern principles of notation ? all of this would have to be taken into account in the new engraving and could lead to a significant improvement in the edition without compromising the spirit of editing by Clara Schumann. ? The present edition thus conveys the reading of one of the most important pianists of the twentieth century, which we make fully accessible intime for the 200th birthday of Clara Schumann. Contents: op. 20 Humoresque in Bb major op. 21 Novelletten op. 22 Piano Sonata No. 2 in G minor op. 23 Night Pieces op. 26 Faschingsschwank aus Wien op. 28 Three Romances op. 32 Scherzo, Gigue, Romanze, Fughetta/ Répertoire / Piano

With opuses 1 2 4 5 and 10 this volume contains virtually all of Johannes Brahms??? early piano oeuvre with which the budding composer and pianist introduced himself to the public. The Scherzo op. 4 from 1851 stands alongside the sonatas composed between 1851???53 as a substantial single movement that particularly delighted Robert Schumann leading him to direct the public???s special attention to his young colleague in his famous article ???New Paths??? in 1853. Written the following year the Four Ballades op. 10 complete the volume. Already they strike a new more Romantic note that Brahms described to Clara Schumann thus: ???They are not very difficult and even less difficult tounderstand???. This Urtext edition offers a revision of the musical text based on the new Brahms Complete Edition with an extensive preface by editor Katrin Eich. With opuses 1 2 4 5 and 10 this volume contains virtually all of Johannes Brahms??? early piano oeuvre with which the budding composer and pianist introduced himself to the public. The Scherzo op. 4 from 1851 stands alongside the sonatas composed between 1851???53 as a substantial single movement that particularly delighted Robert Schumann leading him to direct the public???s special attention to his young colleague in his famous article ???New Paths??? in 1853. Written the following year the Four Ballades op. 10 complete the volume. Already they strike a new more Romantic note that Brahms described to Clara Schumann thus: ???They are not very difficult and even less difficult tounderstand???. This Urtext edition offers a revision of the musical text based on the new Brahms Complete Edition with an extensive preface by editor Katrin Eich.