This revised book and DVD package is great for guitarists who know the basics and are ready to take the next step. Learn everything from harmonics and funk strumming to swing, Celtic, bluegrass, and Delta blues styles. Master the upper positions of the fretboard using major scales, triads, and pentatonic scales. Learn alternate tunings and perform examples in the styles of the masters. The new DVD is hosted by guitar virtuoso Jared Meeker and includes essential demonstrations and performances. If you have completed Beginning Acoustic Guitar or you are an advanced beginner, Intermediate Acoustic Guitar takes you to the next level. Second Edition Features * Updated examples in the styles of acoustic guitar masters * New companion DVD demonstrating the examples in the book * Improved instruction on acoustic guitar techniques and theory, covering flatpicking, fingerstyle, and strumming / Guitare

12 Easy-Intermediate Studies For Guitar. Par STANLEY YATES. These twelve 'mechanical studies' for guitar are intended as an atmospheric modern counterpart to the classical arpeggio study, a fundamental aspect of right-hand training. Accordingly, the left hand is kept relatively in the background while the right hand explores a particular pattern, texture, or technique. / Niveau : Débutant à Intermédiaire / Classic - Technic / Etude / Guitare Classique

Par DOWNLAND JOHN. For years, classical guitarists have enjoyed playing the lute music of the English composer, John Dowland (1563-1626). Forty of his beautiful compositions are included in this volume. The book is intended for the guitarist with intermediate to advanced fingerstyle technique, and can be played on both nylon and steel string instruments. In order to help capture the unique character of Dowland\'s music, renaissance lute tuning (capo on the third fret with the G string tuned to F sharp) is used throughout. The pieces progress more or less in order of increasing difficulty, and special care has been taken to be sure any group of consecutive pieces can be played with satisfyingresults. Standard notation only. Includes access to online audio. For years, classical guitarists have enjoyed playing the lute music of the English composer, John Dowland (1563-1626). Forty of his beautiful compositions are included in this volume. The book is intended for the guitarist withintermediate to advanced fingerstyle technique, and can be played on both nylon and steel string instruments. In order to help capture the unique character of Dowland\'s music, renaissance lute tuning (capo on the third fret withthe G string tuned to F sharp) is used throughout. The pieces progress more or less in order of increasing difficulty, and special care has been taken to be sure any group of consecutive pieces can be played with satisfyingresults. Standard notation only. Includes access to online audio. / Niveau : 4 / Classique / Répertoire / Guitare Classique

Par VINITSKY ALEXANDER. These 21 original pieces for classical guitar feature bright melodies, convenient fingering, and exquisite harmonies. They are composed so that their performance gives an impression of two or three instruments sounding simultaneously. The collection contains 12 12-bar blues, all in different keys, at an intermediate level - a difficult etude in blues form - and six jazz preludes which are easy to intermediate. Written in notation only. / Niveau : Débutant à Intermédiaire / Jazz and Blues - Solos / Recueil / Guitare Classique

Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ Méthode / Guitare

This collection of 36 solos, etudes and technique studies was written especially for the developing intermediate guitarist. A variety of musical styles and genres are presented, along with a colorful assortment of flatpicking techniques and melodies. In addition to their appealing sound and being fun to play, many of these pieces are suitable for performance in recitals or concerts. Every effort has been made to be sure that these musical selections lie well under the fingers,� and are very guitaristic or idiomatic in nature.Guitar Solos for Improving Technique is ideal as a standalone solo collection or as a technique-building text. The collection also works well as a supplement to any intermediate guitar method. Includes access to an online audio recording of each piece./ Etude / Guitare

48 great classical guitar solos for intermediate to advanced level players-The Classical Guitar Collection contains 48 classical guitar solos from classical greats such as Mozart Grieg Purcell and J.S. Bach. This collection features many of Julian Bream?s classic arrangements of well-known guitar masterpieces for Intermediate to Advanced level guitar students.

?The aim of this book is to gather in one place a compendium of techniques specific to the classical guitar. Each technique has a written explanation preliminary exercises and two original compositions providing theopportunity to use the techniques in a musical context.? - Steve Marsh Mel Bay Publications was founded on Mel?s simple pretext of ?finding a need and fillingit.?  Mel Bay author Steve Marsh continues in that tradition with the publication of The Anthology of Classical Guitar Techniques a highly original concept that fills a distinct need in the guitar studyrepertoire.  Graded from lower intermediate to higher intermediate in difficulty this anthology avoids fundamental skills known to most beginners and goes straight to intermediate-level techniques such as: arpeggio barré campanella glissando harmonics pizzicato rapid scales rasgueado tambour tremolo vibrato and more. Each of the 32 techniques is illuminated with preliminary studies and two original compositions all writtenin standard notation only. If you?re ready to take the next step with the classical guitar this book will improve your technique and musicianship in general increase your ability to listen to yourself critically and so lead to more productive practice sessions.

Sixteen swinging blues compositions for guitar ensembles penned by renowned jazz guitarists and educators Chris Buzzelli, Dave Frackenpohl, Barry Greene, Adrian Ingram and Steve Schenkel. The arrangements are presented in graded form, from easy to intermediate in difficulty. All charts are for 4 guitars and a 5th guitar part is added to some of the arrangements. Score and 1st guitar part are included in the hard copy book. Other guitar parts are offered as free internet downloads. This is the companion volume to Mel Bay's 'Jazz Guitar Ensembles' levels 1, 2 and 3 (MB99875, MB99876, MB99877). / Guitare / 104 pages / niveau : Débutant/Intermédiaire / Partition+Online Pdf - Format: 11 X 8,5

Anyone interested in learning to play acoustic guitar can pick up this well-paced, comprehensive method and get started right away. Beginning concepts include right- and left-hand technique, reading music, basic improvisation, barre chords, picking technique, playing bass lines, and basic arranging. Intermediate topics include alternate tunings, scales, how to play in upper positions of the fingerboard, and a rundown of styles like acoustic funk, New Orleans, gypsy swing, Celtic, bluegrass, Cajun, and more. This comprehensive book concludes with more advanced techniques, including 'machine gun strums,' right-hand muting, slapping, tapping, slap harmonics, and tremolo---as well as styles like reggae, African/Brazilian, norteño, and conjunto. Whether you are starting to learn acoustic guitar or an advanced player looking to improve your playing, this is the one book on acoustic guitar you will ever need. An MP3 CD for demonstration and play-along is included. / Guitare

Have fun, study and jam all at the same time with this unique tutorial DVD featuring renowned session guitarist Michael Casswell.Jam With Michael Casswell contains three top quality backing tracks and can be approached in two ways, first you can 'jam' with the tracks alone, experimenting with different ideas, licks and solos. Alternatively you can trade solos with Casswell, drawing inspiration from the ideas and techniques that he uses.Each track has three performances from Casswell working across three levels of difficulty. Although the solos are improvised he has taken care to go for a basic intermediate and advanced level for each track. All the solos are transcribed and are available in PDF format along with the lessons. On screen graphics with chords and scales are provided when it's your turn to jam.This tutorial is an exciting way to interact with Michael Casswell while learning new licks and phrases performed in a real musical environment. This DVD is designed to be an enjoyable musical experience for everyone - whatever your style you will find this tutorial fun and inspiring. / Guitare

Learn essential Classical Guitar techniques with Danny Gill. This superb Classical Guitar tutorial is designed for the beginner to intermediate player looking to develop their finger style Guitar techniques from basic ideas to more challenging pieces. Not only will you develop your finger independence through a variety of practical exercises, you will also learn such classical favourites as Greensleeves and Bach's Bouree In E Minor. A must for anyone interested in solo Guitar! / Guitare / Dvd

This compilation contains 50 pieces for intermediate to advanced guitar players. It contains pieces by de Narvaez, J.S. Bach, Sor, Carulli, Carcassi, Tarrega, Brouwer and many more. The collection is aimed at senior classes within music schools, at students minoring in music, at musicians who participate in competitions, and last but not least at music lovers looking for performance literature to enjoy. / Guitare

Par EMMANUEL TOMMY. Mel Bay Publications presents a collection of arrangements and original compositions from Australian guitarist Tommy Emmanuel's 2005 CD, Endless Road. Not for the faint of heart, this outstanding collection of intermediate to advanced solos includes two pop standards ('Somewhere Over the Rainbow” and 'Mona Lisa”) plus thirteen of Tommy's incredible compositions. You'll gain insights into Tommy's playing style through note-for-note notation and tablature transcribed by Mark Pritcher who has added suggested chord progressions to each tune to serve as a harmonic guide to the player. In addition, detailed performance notes and select chord grid diagrams further enhance accessibility to the works of this masterful guitar tunesmith. Tommy's music incorporates thumbpicking, jazzy single lines, chord-melody arranging techniques, complex use of harmonics and more. Playing through this collection will give you a whole new appreciation for your guitar! / Niveau : Intermédiaire à Avancé / Acoustic Music - Solos / Recueil / Guitare