Pieces for Organ without pedal-At the cutting edge of scholarship.Music in every key for church worship and concert performance.Detailed Foreword Critical Commentary (Fr/Eng/Ger) and facsimiles.Volume VI presents 42 easy to moderately difficult pieces without pedal for Organ or Harmonium in every key and brings the complete edition of Theodore Dubois Organ works to a close. With their contrasting length and character the pieces offer a wide range of performance possibilities both inside and outside the liturgy.Since Dubois was a master of melody several of the pieces can also be rendered on the Piano further enhancing the collection's practicalvalue.Already published:Volume I: Early Works and Works with Minimal or Optional Use of the Pedals BA 8468Volume II: Organist an La Madeleine Douze Pi?cesBA 8469Volume III: Trois Pi?ces pour Grand Orgue (1890) Messe de Mariage Cinq Pi?cesBA 8470Volume IV: Organist an La Madeleine Douze Pi?ces Nouvelles Offertoire pour la f?te de l???AscensionBA 8471Volume V: Dix Pieces pour Grand Orgue; Fantasietta avec Variations BA 9208

Toccata and Lament was composed on commission in 2008 to inaugurate the large new organ in the Christ Church Cathedral Rochester NY USA. This instrument is a detailed reconstruction of a late Baroque organ of 1776 from Vilnius in Lithuania. The point of departure a clash of contrasting eras and musical cultures on two continents already bodes excitement. Martin Herchenröder a composer and professor of music theory has incorporated these contrasts in his roughly eight-minute composition. The result is a musical idiom of rare distinction universal in its musical resources and alternating between tonal triads and extremely dissonant clusters. The heart of the pieceis a dirge which using the Baroque doctrine of the affections relates to Eastern European cultural history in and around Vilnius a history marked by the predations of 20th-Century war.Expressive and effective contemporary organ musicAmalgam of musical traditions from the 18th to 21st CenturyExplanatory foreword by the composer (Ger/Eng)

Bach, Johann Sebastian Organ Works, Volume 6 Preludes, Toccatas, Fantasias and Fugues II / Early Versions and Variants to I (Volume 5) and II (Volume 6) Editor Kilian, Dietrich / Wollny, Peter Johann Sebastian Bach: Complete Organ Works in revised editions Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the interest of scholars and performers alike. Now all of Bärenreiter's new performing editions of Bach's organ works are being revised to reflect the current state of scholarship and to convey maximum fidelity to the sources by being linked to 'Bach digital'. The present volume is an updated edition of Series IV, Volume 6 of the 'New Bach Edition' (NBA), prepared by Dietrich Kilian in 1964. The discovery of new sources and a reassessment of existing handwritten copies have brought about changes to the contents of the volume, which now includes the 'Fantasia in C minor' (BWV 1121), the 'Fantasia in G major' (BWV 571), the 'Fugue in G major' (BWV 577) and the C major version of the 'Toccata and Fugue in E major' (BWV 566). On the other hand, the 'Prelude in G major' (BWV 568) as well as the alternative versions of the 'Fugue in C minor' (BWV 574a) and the 'Prelude in A major' (BWV 536a) have been discarded as presumably spurious. Besides the new compilation and corrections of the musical text, the volume also contains a detailed Foreword by Peter Wollny with observations on each work and the extant sources. Page turns have been re-examined and improved. In collaboration with the Bach Archive Leipzig and its 'Bach' digital database, links are provided to all the major sources. The website http://links.baerenreiter.com enables readers to access the relevant page in the source simply and conveniently via short URLs. The links stored there are examined for their validity on a regular basis. Contents: BWV 551, 563-566 (version in E major), 569-571, 573-575, 577-579 and 1121 / Early versions and variants to I (Vol. 5) and II (Vol. 6): BWV 532a, 533a, 535a, 543a, 545a, 549a, 566 (version in C major) and 574b ' New detailed Foreword (Ger/Eng) by Peter Wollny on the works and their sources ' New contents reflecting the current state of source evaluations ' Links to sources in 'Bach digital' ' Complete new engraving and revised page-turns · Composer / Author: Bach, Johann Sebastian Toccata in C BWV 564 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 570 · Composer / Author: Bach, Johann Sebastian Fantasia in c BWV 1121 früher BWV Anh. 205 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 573 Fragment · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574 über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 575 · Composer / Author: Bach, Johann Sebastian Toccata con Fuga in d BWV 565 · Composer / Author: Bach, Johann Sebastian Toccata in E BWV 566 · Early Versions and Variants to I (Volume 5) and II (Volume 6): · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in C BWV 545a · Composer / Author: Bach, Johann Sebastian Toccata Fassung in C zu BWV 566 · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574b über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in D BWV 532a · Composer / Author: Bach, Johann Sebastian Praeludium ô Fantasia in d BWV 549a · Composer / Author: Bach, Johann Sebastian Praeludium in e BWV 533a · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in g BWV 535a · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 543a · Composer / Author: Bach, Johann Sebastian Fantasia in G BWV 571 · Composer / Author: Bach, Johann Sebastian Fuga in G BWV 577 · Composer / Author: Bach, Johann Sebastian Fuga in g BWV 578 · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 569 · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in a BWV 551 · Composer / Author: Bach, Johann Sebastian Fantasia in h BWV 563 · Composer / Author: Bach, Johann Sebastian Fuga in h BWV 579 über ein Thema von Arcangelo Corelli

für die Silbermann-Orgel in der St. Georgenkirche Rötha-The composition ?Silberklänge? was commissioned for the 2020 International Johann Sebastian Bach Competition in Leipzig. The composer noted: ?During my first visit to the Georgenkirche in Rötha I was impressed by the immensely vibrant and noble sounds of the historic Silbermann organ (1721) the endless variety of possible timbre combinations the stellar acoustics of the church and the historic atmosphere which shaped and tamed my musical thoughts transporting me into my very own ?baroque? world.? This edition contains registration marks that reflect the soundscape the composer intended to achieve with this particular organ. Performing the work on an organ with differentregistration possibilities will open up a new spectrum of possible timbres.

The Complete Buxtehude Organ Works in a five volume performing edition. This truly reliable and comprehensive edition of Buxtehude’s Organ works is based on the latest musicological research. Editions published previously were either incomplete or editorial amendments were not identified as such. Primarily a practical edition these volumes reflect the state of the art in Buxtehude scholarship. Each volume includes a comprehensive preface (German/English) and every editorial decision is available for examination in the critical report. All volumes also available separately: Set BA 8220; separate BA8221-8223 BA 8404 BA 8405. Volume 2 BA8222.Freely Composed Organ Works.Preludes Fugues Toccatas Canzona Ciacona in E maj E min F maj F-sharp min G maj BuxWV 141-147 156 157 160 162 169.

Orgue / Die Ausgabe enthält festliche, stille oder meditative Orgelkompositionen, vor allem aber beliebte, für Orgel bearbeitete Vokal- und Instrumentalwerke Vorwort / Popular Organ music for weddings in easy arrangements for organ with and without pedalboard

Preludes Toccatas Fantasias and Fugues II/Early Versions and Variants to I (Vol. 5) & II (Vol. 6)-Johann Sebastian Bach's Complete Organ Works in revised editions.Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the interest of scholars and performers alike. Now all of Bärenreiter?s new performing editions of Bach?s Organ works are being revised to reflect the current state of scholarship and to convey maximum fidelity to the sources by being linked to ?Bach digital?.The present volume is an updated edition of Series IV Volume 6 of the ?New Bach Edition? (NBA) prepared by Dietrich Kilian in 1964. The discovery of new sources and a reassessmentof existing handwritten copies have brought about changes to the contents of the volume which now includes the ?Fantasia in C minor? (BWV 1121) the ?Fantasia in G major? (BWV 571) the ?Fugue in G major? (BWV 577) and the C major version of the ?Toccata and Fugue in E major? (BWV 566). On the other hand the ?Prelude in G major? (BWV 568) as well as the alternative versions of the ?Fugue in C minor? (BWV 574a) and the ?Prelude in A major? (BWV 536a) have been discarded as presumably spurious.Besides the new compilation and corrections of the musical text the volume also contains a detailed Foreword by Peter Wollny with observations on each work and the extant sources. Page turns have been re-examined and improved.In collaboration with the Bach Archive Leipzig and its ?Bach? digital database links are provided to all the major sources. The website http://links.baerenreiter.com enables readers to access the relevant page in the source simply and conveniently via short URLs. The links stored there are examined for their validity on a regular basis.Contents:BWV 551 563-566 (version in E major) 569-571 573-575 577-579 and 1121 / Early versions and variants to I (Vol. 5) and II (Vol. 6): BWV 532a 533a 535a 543a 545a 549a 566 (version in C major) and 574b.New detailed Foreword (Ger/Eng) by Peter Wollny on the works and their sources.New contents reflecting the current state of source evaluations.Links to sources in ?Bach digital?.Complete new engraving and revised page-turns.

The fourth edition of the succesful Urtext-edition includes the already published edition II and edition III expected publishment 2008 as well as compositions fpr three-manual organ from Dubois ’ time as an organ at the Parisian

The Ten Choral Preludes for Organ are intended for both liturgical purposes and concert performance. For this reason the notation is written in two staves which is not usual for the Organ. The former of the two purposes forced the composer to respect certain limitations of technical complexity so that even an untrained organist could perform the pieces. The themes to each overture are taken from Bohemian Brethren chorales which appear in their original form as brief ?intonations? in the first few bars preceding each overture. The piece was composed in 1971.Contents:O svetlo Trojice svatá / Es geht daher des Tages Schein / Oh Light the HolyTrinity.Ej nuz lacn z zniv / Wohlauf die ihr hungrig seid / Ye Who Are Hungry and Trinity.D ky vzdávám / Ich Dank dir schon durch deinen Sohn / I giv Thank.In Natali Domino.Jiz zasla slunce záre / Hinunter ist der Sonne Schein / The Sunshine Has Departed.Umucen N. P. Jezu Krista / Jesu Kreuz Leiden und Pein / The Suffering of Our Lord Jesus Christ.O clovece povstaniz / Sonne der Gerechtigkeit / Oh Man Arise.Hr chu svych oplakej / Es sind doch selig alle / Bewail Thy Sins.Nastala noc / Die Nacht ist gekommen / Night Has Fallen.Jat jsem v tom rozveselen / Lob Gott getrost mit Singen / I Rejoice In It

Fünf Sonaten für zwei Violinen Orgel Violoncello und Bass-About Complete Church Sonatas. Volume 25 Sonatas for two Violins Organ Violoncello and Bass. By Wolfgang Amadeus Mozart. Edited by Minos E. Dounias. For Violin 1 Violin 2 Organ Violoncello Contrabass. Playing Score; Set of Parts; Urtext Edition (paperbound). Published by Baerenreiter-Ausgaben (German import). (BA4732) ISBN M006454525. Contents:KV 244 F-dur /4`KV 245 D-dur /5`KV 274 (271d) G-dur /5`KV 328 (317c) C-dur /4`KV 336 (336d) C-dur /3`

This collection contains settings from the late Romantic period through to the Early Modern. It sets a new standard in terms of the range and the broad stylistic features of popular as well as unknown compositions. Included are original Ave-Maria settings specifically arranged for medium voice and organ. Solo singers and musicians will find these settings arranged for ease of performance and playability.With works from Bizet, Bruckner, Cherubini, Dvorak, Franck, Gounod, Guilmant, Liszt, Rheinberger , Saint-Saëns, Schubert and others.The EditorPeter Wagner is a church musician, concert organist and editor. Currently he teaches organ and composition at the Episcopal Church Music Seminar in Würzburg . / Voix Et Orgue / Partition

Long ago popular styles have conquered the traditional pipe organ. Various characters have been espressed. The continuing succes of the first two editions of our series ?Jazz Inspirations for Organ?

?Mors et vita? death and life. This antithesis opens a stanza of the ancient 11th-century Easter sequence Victimae paschali laudes where life and death are locked in mutual struggle. Zsigmond Szathmáry?s 12-minute composition of 2015 commissioned for the Freiburg Minster interprets this primal human experience with mighty explosions of sound. Here the organ can show what it?s capable of: its grandeur and strength are fully exploited but not at the expense of soft and gentle contrasts. Typical of Szathmáry?s compositional style is the alternation of seemingly improvised recitative-like writing and passages in strict rhythm. Time and again the composer takes upelements from the church hymn Christ ist erstanden von der Marter alle (Christ the Lord is risen again).