Words to over 150 hymns and songs used in assembly-Key Stage 1 - 3Contains all the words for No Pianist for Assembly' No Problem. Words to over 150 hymns and songs used in assembly

Faites un voyage à la croix et au-delà comme on le voit à travers les yeux de ceux qui ont suivi Jésus. Tissage musique classique de Carême et de Pâques avec de beaux nouveaux hymnes, ce 25 minutes cantate peut être réalisée comme une oeuvre complète ou utilisé comme hymne séparés tout au long de la saison de Carême. Artisanat artistique de Lee et Susan Dengler circule à travers le travail. La narration est sous la forme de monologues simples qui peuvent être lus ou mémorisés. / Choeur

Francis Pott’s My song is love unknown sets all of Samuel Crossman’s famous verses but one (commonly omitted when the poem is sung metrically as a hymn). The music begins with offbeat repeated chords prompted—not inappropriately—by the opening to Richard Strauss’s tone poem  Death and transfiguration. In its early stages only trebles and altos are heard. The sequential flow of Crossman’s poem is soon disrupted with particular dramatic ends in mind. After a seemingly anxious harmonic distortion of the opening chords the word ‘crucify’ arises initially as a mere mutter from the lowervoices so timed as to afford assonance with other words in the upper parts and thus remain barely discernible as if only imagined. In due course however cries of ‘Hosanna’ find themselves on a collision course with a rising tide of ‘Crucify’ during which the ‘Hosanna’ faction gradually loses heart and sheep-like defects until a single treble voice—plaintively daring to repeat the ‘offending’ word—is swept aside by a murderous outcry. In due course ‘Crucify’ recurs as a further angry climax before the opening music returns this time expanding into an extended polyphonic final section for double choir and SATB soloists. The principal climax of the work subsides into a form of epilogue crowned sorrowfully by a treble soloist to whom the music in toto has by now presented many challenges. The anthem ends in the key and mood of its opening. The character of its demanding organ part reflects the possibility that it may one day be orchestrated.   My song is love unknown was composed in memory of Michael Renton a craftsman and largely self-taught ‘Renaissance’ man who was not only a member of the Winchester cathedral congregation but also the cathedral’s stonemason. He was beloved of many in the Cathedral community; a true and

The task: to write a piece that could involve children as players singers and composers alongside a professional symphony or chamber orchestra. The solution: a peace-cry for the biosphere in which the collaborative nature of theenterprise is a metaphor for a wished-for human enlightenment to the ways of the natural world. Davies provides five musical elements and five ways of development and uses these to illustrate five branches of life on earth:water-plants trees fish birds and mammals (including man). There is a space for answers from children's instrumental groups and then a larger space in which the children can develop the given ideas perhaps with members of theorchestra. Davies returns as composer to depict through an excess of development creation turned sour. Finally everyone comes together with a unison hymn with orchestra and instrumental groups celebrating the turn of thetide.This work for young instrumentalists children's chorus and orchestra was commissioned by the Association of British Orchestras as the centrepiece of an education project which coincided with the implementation of theNational Curriculum for music in schools in England and Wales echoing similar developments in Scotland and Northern Ireland.Score. Duration c. 25mins.

And Other Classic American Folk Songs-Oh Shenandoah & Other American Folksongs forms part of the Choral Basics series which has been carefully designed to provide rewarding varied repertoire for beginner choirs from world music to pop classics and showtunes.These American folk songs are arranged for soprano alto and combined men's voices - ideal for beginner choirs and for choirs in which the male singers are few or at the stage when their voices are changing. The straightforward piano accompaniment provides good support for the singers. Included are the beautiful title song an enchanting version of the Shaker hymn Simple gifts and a barn-storming medley of US country dances Low-down onthe Hoe-down! Stetsons at the ready...

Par VINE CARL. A large-scale work for chorus, organ and orchestra by this gifted young Australian composer. It sets a creative myth of Akkadia (c.1250 BC) describing the creation of the world from primeval chaos. The text is interspersed with hymns to the Earth, the Moon and the Sun from the Homeric Hymns of c.400 BC./ Recueil / Chorale

One day we'll join the choir of angels singing the thund'rous anthem, 'Alleluia,' forevermore! What an exciting promise we have in Christ our King, to join Him triumphantly in eternity! Arranged by Bruce Greer, don't miss this incredibly joyous offering of praise from the inspired, contemporary hymnwriters, Keith and Kristyn Getty. Instrumental parts and a fully-orchestrated accompaniment CD are available. / Choeur

Par ANDERSON JULIAN. Une pièce magnifique, éminemment appropriée pour la grand choeur ou un petit groupe de chanteurs expérimentés. Le texte, d'un livre de l'hymne américain du XIXe siècle, est défini avec amour et simplement des lignes mélodiques, chantantes qui misent à cordes riches et efficace Climax./ Feuillet / Choeur