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20th Century Italian Composers: Anthology 2: Violin: Instrumental Album
15.99
20th Century Italian Composers: Anthology 2: Violin: Instrumental Album
Violon et Piano
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The first signs of a revival in Italian music at the beginning of the twentieth ...
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The first signs of a revival in Italian music at the beginning of the twentieth century are mostly found in the important contributions of a generation of musicians all born in and around the year 1880: Ottorino Respighi Ildebrando Pizzetti Gian Francesco Malipiero and Alfredo Casella.Thanks to them the music scene in Italy began to widen its horizons which basically meant going beyond the 'exclusive cultivation of melodramatic opera and encouraging an awareness of symphonic music in the country.' This anthology provides a meaningful overview of the music for Violin and Piano written by these composers the founders of the movement and also by thosethey inspired. The pieces have been selected for their musical value their didactic usefulness and their ability to represent a particular period in the history of Italian music and culture.
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Lionel Salter: Eighteenth-Century Violin Sonatas Book 2: Violin: Instrumental
11.50
Lionel Salter: Eighteenth-Century Violin Sonatas Book 2: Violin: Instrumental
Violon
ABRSM Publishing
Another tremendous compilation of fabulous Violin Sonatas from the Eighteenth Ce...
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Another tremendous compilation of fabulous Violin Sonatas from the Eighteenth Century. Featuring three works by Francesco Geminiani Antonio Vivaldi and Richard Jones set for Violin and Keyboard instrument accompaniment. Ideal for intermediate level repertoire these are wonderful examples all from the golden age of Violin music.
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20th Century Italian Composers: Anthology 1: Violin: Instrumental Album
15.99
20th Century Italian Composers: Anthology 1: Violin: Instrumental Album
Violon et Piano
[Partition]
-
Intermédiaire/avancé
Ricordi
The first signs of a revival in Italian music at the beginning of the twentieth ...
(+)
The first signs of a revival in Italian music at the beginning of the twentieth century are mostly found in the important contributions of a generation of musicians all born in and around the year 1880: Ottorino Respighi Ildebrando Pizzetti Gian Francesco Malipiero and Alfredo Casella.Thanks to them the music scene in Italy began to widen its horizons which basically meant going beyond the 'exclusive cultivation of melodramatic opera and encouraging an awareness of symphonic music in the country.' This anthology provides a meaningful overview of the music for Violin and Piano written by these composers the founders of the movement and also by thosethey inspired. The pieces have been selected for their musical value their didactic usefulness and their ability to represent a particular period in the history of Italian music and culture.
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10 Sonate per violino e basso: Violin
18.50
10 Sonate per violino e basso: Violin
Violon et Piano
Ricordi
a cura di Cesare Fertonani-The series Eighteenth Century Italian Music includes ...
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a cura di Cesare Fertonani-The series Eighteenth Century Italian Music includes compositions of special historical and musical significance. Each edition is based on the original sources to offer performers works that satisfy clear critical and musicological criteria. This anthology includes ten sonatas carefully selected from among those written by ten of the most important eighteenthcentury Italian composers of violin music. Tomaso Albinoni: Sonata op. VI n. 7 - Arcangelo Corelli: Follia op. V [n. 12] - Francesco Geminiani Sonata op. IV n. 11 H. 95 -Pietro Antonio Locatelli: Sonata op. VI n. 5 - Pietro Nardini: Sonata op. V n. 3 - Gaetano Pugnani: Sonata op. VII n. 1 - Giuseppe Tartini:Sonata op. I n. 10 B. g 10 [?Didone abbandonata?] - Francesco Maria Veracini: Sonata op. II n. 8 - Giovanni Battista Viotti: Sonata op. IV n. 4 W. V/4 - Antonio Vivaldi: Sonata RV 10
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Ernest Chausson Franz Schubert: Poeme - Rondo: Violin Solo: Instrumental Album
16.99
Ernest Chausson Franz Schubert: Poeme - Rondo: Violin Solo: Instrumental Album
Violon
[Partition + CD]
Music Minus One
Music Minus One Violin-Chausson's lovely Poeme a lush late-nineteenth-century s...
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Music Minus One Violin-Chausson's lovely Poeme a lush late-nineteenth-century symphonic poem for violin and orchestra and Schubert's Rondo another single concerted movement but from the first part of that century make perfect companion pieces. Filled with luscious 19th-century themes but given the very different treatments typical of each composer and also of their very different musical eras. Both are marvelous concert-pieces. Contains a printed score and a compact disc featuring both concerti in split-channel stereo with the violinist on the right channel then again in a stereo accompaniment version minus the solo violin part. Performed by Geoffrey Applegate violin Accompaniment:Stuttgart Symphony Orchestra Conductor: Emil Kahn
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Chanson de matin
21.65
Chanson de matin
Quatuor à cordes: 2 violons, alto, violoncelle
Schott
8 Twentieth-Century Pieces. Having touched on the romantic era in 'To a Wild Ros...
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8 Twentieth-Century Pieces. Having touched on the romantic era in 'To a Wild Rose' and the classical era in 'An die Musik', Kember moves forward to the twentieth-century with this thoughtfully chosen collection for string quartet. The Schott String Quartet Series With the first books in the series focusing on baroque, classical and romantic styles, The Schott String Quartet Series has expanded to cover music ranging from traditional pieces through to Eastern-influenced works. Aside from 'Indian Summer', which features original compositions, each book contains original arrangements of well known themes, which have often never been arranged for string quartet before. An important characteristic of these arrangements is that they allow all four instruments to demand the attention throughout the music. The pieces are suitable for amateur musicians or school students and are ideal for public performance./ Recueil / Quatuor à Cordes
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Celtic - Play Along (DIVERS AUTEURS (ARR)
22.14
Celtic - Play Along (DIVERS AUTEURS (ARR)
Violon et Piano
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Universal Edition
8 Easy To Intermediate Play-Alongs Of Well-Known Pieces From Ireland, Scotland, ...
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8 Easy To Intermediate Play-Alongs Of Well-Known Pieces From Ireland, Scotland, Wales, Cornwall And Brittany. Par DIVERS AUTEURS (ARR.MARTIN TOURISH). Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic” presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often 'skeletal”, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic” is available in four formats, each with complete recordings and backing tracks on CD: as solo versions for violin, flute or saxophone (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán. / Niveau : Facile / Recueil / Violon et Piano
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Harald Weiss: Après Un Rêve: String Quartet: Score
11.99
Harald Weiss: Après Un Rêve: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
Schott
Fragment of the string quartet Silent Walls-'Novelty of form selected modulatio...
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Fragment of the string quartet Silent Walls-'Novelty of form selected modulations strange tone colours the use of completely unexpected rhythms' this is how Camille Saint-Saëns praised the debut work of a young colleague and continued: 'Above everything is a charm that surrounds the whole work and makes the mass of average listeners accept the most surprising audacities as something entirely natural.' The First Violin Sonata by Gabriel Fauré (1845 1924) was indeed an extraordinary composition which at the same time opened the way for the oeuvre of one of the most important French composers in the late 19th century and early 20th century: It was particularly with songs and pianomusic that he could win the heart of the audience. In the 1870s Fauré wrote three songs which were originally not meant to be a unity but were later assembled under opus number 7. The first song is 'Après Un Rêve' a romantic rapturous song which like a 'Song Without Words' by Mendelssohn is perfect for making music with an accompanied solo instrument.
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Easy to Play Violin Airs and Ballads (CLARKE GENE)
16.51
Easy to Play Violin Airs and Ballads (CLARKE GENE)
Violon
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Mel Bay
Par CLARKE GENE. Easy to Play Violin Airs and Ballads is a collection of 25 nine...
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Par CLARKE GENE. Easy to Play Violin Airs and Ballads is a collection of 25 nineteenth-century and early twentieth-century folk and popular songs from England, Scotland, Ireland, and the United States. All of the songs are written in easy rhythms, entirely in first position, with bowing indications and suggested guitar chords. Each tune corresponds with the same song in Easy to Play Viola Airs and Ballads and Easy to Play Cello. / Niveau : Facile / Date parution : 2021-11-03/ Recueil / Violon
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Jeno Hubay: Jeno Hubay: Rosza Czardas For Violin And Piano: Violin: Instrumental
3.99
Jeno Hubay: Jeno Hubay: Rosza Czardas For Violin And Piano: Violin: Instrumental
Violon
Bosworth
This chamber piece is the first of a two-part work depicting the dances of Hunga...
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This chamber piece is the first of a two-part work depicting the dances of Hungary and songs of the Hussars. The brilliant virtuoso Rózsa Csárdás is full of typical rhythms of Eastern European music and delightful if demanding moments. After a career spanning decades and all of Europe ending as one of Hungary?s most significant musical figures of the last century Jenö Hubay fell out of the music-loving public?s consciousness for a time. Recent scholarship and support has begun to return this maestro to his rightful place in the heart of serious 20th century music. Born in Pest now Budapest Hubay began his solo Violin career at the age of 11 performing throughoutEurope. After establishing himself in Paris founding several quartets and chamber groups and heading the department at the Brussels Royal Conservatory. At the request of Franz Liszt he returned home to lead the Conservatory of Budapest and launch a parade of highly accomplished Violinists onto the world stage.
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Oscar Rieding: Concerto in B Minor Op. 35 for Violin and Piano: Violin:
9.25
Oscar Rieding: Concerto in B Minor Op. 35 for Violin and Piano: Violin:
Violon et Piano
G. Henle
The name Oskar Rieding may seldom appear in concert programmes but for students...
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The name Oskar Rieding may seldom appear in concert programmes but for students of the violin it is all the more familiar. To this day his short concert pieces for violin and piano written at the start of the twentieth century especially for beginners on the instrument have maintained their place in lessons and class recitals. Restricted to the first position the b-minor Concerto op. 35 is ideal for beginners. For this Urtext edition based on the first printing editor Annette Oppermann received talented support the Slovenian Rieding specialist Maruša Zupan i contributes an interesting preface on the little-known composer.The name Oskar Rieding may seldom appear in concert programmes but for students of the violin it is all the more familiar. To this day his short concert pieces for violin and piano written at the start of the twentieth century especially for beginners on the instrument have maintained their place in lessons and class recitals. Restricted to the first position the b-minor Concerto op. 35 is ideal for beginners. For this Urtext edition based on the first printing editor Annette Oppermann received talented support the Slovenian Rieding specialist Maruša Zupan i contributes an interesting preface on the little-known composer.
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Georg Philipp Telemann: Trio For Two Violins And Basso Continuo: Violin Duet:
2 Violons et Basse continue
[Partition]
Barenreiter
Trio for two Violins and Basso continuo in E-flat major (TWV 42:Es1)Tafelmusik I...
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Trio for two Violins and Basso continuo in E-flat major (TWV 42:Es1)Tafelmusik IIf Telemann was regarded by his contemporaries as one of the greatest of all composers his star faced with the overwhelming presence of Bach and Handel paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music Telemann once considered purely an instrumental composer has emerged into a highly cultivated culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again and againwe discover an individual approach in his works that seems to abandon the musical conventions of his day both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733 the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments.- Urtext of the Telemann Edition
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Robert Saxton: Fantazia For String Quartet: String Quartet: Score
8.99
Robert Saxton: Fantazia For String Quartet: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
Quoting Saxton: My Fantazia for String Quartet was complete in December 1993 in ...
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Quoting Saxton: My Fantazia for String Quartet was complete in December 1993 in response to a commission from the London International String Quartet Competition for a test piece for the 1994 competition. Funds were provided bythe John S Cohen Foundation.The title gives the clue to the nature of the music: the viol fantasia was the chosen form of composition for the greatest English composers of the mid-seventeenth century Lawes Jenkins Ferraboscoin particular. They inherited the techniques of vocal polyphony from Byrd and Gibbons and forged a new instrumental polyphonic style. The culmination of this genre was reached in the magnificent works of Henry Purcell around1680 and it was Purcell who adopted the spelling ‘Fantazia’.I have always loved this music and when asked to write a short piece for strings I decided to pay tribute to this under-rated tradition. Most fantazias consistedof short joined sections and I have expanded this to create and eight-minute piece in three larger sections the essence being contrapuntal interplay and equality of part-writing. (Any idea of stylistic reference would be absurdion the late twentieth century). The first section is a lyrical allegro moderato which leads into a sustained and intense slow movement; this in turn gives way to a final quick section of a dancing character a featurefrequently encountered in Purcell’s own consort pieces.
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Sonate Nr. 1 in d-Moll op. 75 (SAINT-SAENS CAMILLE)
37.06
Sonate Nr. 1 in d-Moll op. 75 (SAINT-SAENS CAMILLE)
Violon et Piano
[Partition]
Barenreiter
Par SAINT-SAENS CAMILLE. The second half of the 19th century represented somethi...
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Par SAINT-SAENS CAMILLE. The second half of the 19th century represented something of a ?Golden Age? of the violin sonata in France: Influential violin sonatas such as those by Franck, Fauré and Saint-Saëns were among the successful works of this genre, inspiring many further compositions. Saint-Saëns? Violin Sonata No.1 was incorporated into the repertoire of numerous late 19th-century violinists soon after it was written. It was also this sonata which inspired Marcel Proust when he wrote about the fictional sonata by the composer Vinteuil in his novel ?À la recherche du temps perdu?. This performing edition edited by Fabien Guilloux and François de Médicis is based on the musical text from ?Saint-Saëns ? ?uvres instrumentales complètes?, volume III/4 in which Saint-Saëns? lengthy corrections of the Durand first edition as well as the autograph sources have been meticulously evaluated. - With a detailed Foreword (Fr/Eng/Ger) on the genesis and performance history - Performing edition based on the Urtext of the ?Saint-Saëns ? ?uvres instrumentales complètes? - Optimum layout in the violin part and piano score / Date parution : 2022-11-29/ Répertoire / Violon et Piano
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English Madrigals: Wind Ensemble: Score and Parts
10.50
English Madrigals: Wind Ensemble: Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
Spartan Press
Madrigals are vocal compositions and can be traced back to 13th Century Italy. D...
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Madrigals are vocal compositions and can be traced back to 13th Century Italy. During the latter part of the 16th Century Nicholas Yonge of St. Paul's Cathedral in London published a collection of Italian Madrigals and translated the words into English. Thomas Morley organist of St. Pauls and around the same time as nicholas Yonge wrote many of the finest madrigals of this the greatest madrigal period. It was a very rich period of English musical compoosition made so by such illustrious names as Byrd Gibbons Tallis and Weelkes. Madrigal societies are still active and date from 1741 when the first was formed in the City of London. America also has participated in therevival of singing madrigals and has activated madrigal singing in universities and high schools.
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Tema E Variazioni Op. 5A (CALLIGARIS SERGIO)
44.36
Tema E Variazioni Op. 5A (CALLIGARIS SERGIO)
Clarinette, Violoncelle et Piano
[Conducteur et Parties séparées]
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Per Clarinetto, Violoncello E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligar...
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Per Clarinetto, Violoncello E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / Clarinette, Violoncelle et Piano
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Michael Nyman: String Quartet No. 1 Score: String Quartet: Score
22.99
Michael Nyman: String Quartet No. 1 Score: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
Dedicated to Thurston Dart Michael Nyman?s professor at King?s College London ...
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Dedicated to Thurston Dart Michael Nyman?s professor at King?s College London much of String Quartet No. 1 borrows and is inspired by the works of seventeenth century composer John Bull whosecomplete keyboard works Dart gave Nyman as a birthday present. The other main source of inspiration was Schöneberg?s Second String Quartet from the early 20th century.In his introduction to the piece Nymandescribes his two background ideas when composing the work: first to make an almost ?orchestral? chamber music and second to exorcise the impressive and oppressive history of the String quartet by making his work a compendium ofquotations from the quartet repertoire. Commissioned by the Arditti Quartet and first performed by them in 1985 String Quartet No. 1 has a duration of 25:44 minutes.Michael Nyman is an Englishcomposer of minimalist music pianist librettist and musicologist known for numerous film and his multi-platinum soundtrack album to ?The Piano?. He has additionally written a number of operas six concerti four stringquartets and many other chamber works.
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Drei Romanzen op. 22 (SCHUMANN CLARA)
25.46
Drei Romanzen op. 22 (SCHUMANN CLARA)
Violon et Piano
Barenreiter
für Violine und Klavier. Par SCHUMANN CLARA. The Romances op. 22 are today amon...
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für Violine und Klavier. Par SCHUMANN CLARA. The Romances op. 22 are today among Clara Schumann’s most popular chamber music works. For violinists and pianists, they’re also of particular importance due to the wealth of information by Schumann, Joseph Joachim, and Wilhelm Joseph von Wasielewski on fingering, bowing, and phrasing in these three pieces. While working on the composition and publication of the Romances op. 22, Schumann was in close contact with these two great violinists of the nineteenth century. She consulted Wasielewski while completing an early version of Romance no. 1, while Joachim was involved in a later, complete version and the preparation of the first edition. Jacqueline Ross’ scholarly-critical edition is the first to include, in addition to the first edition, the numerous manuscript sources that survive today, such as: Schumann’s draft manuscript, presentation autographs for Wasielewski and Joachim, as well as copyists’ parts once owned by the two violinists. This edition has two separate parts for the violin, allowing its use in two ways: first, as a straightforward Urtext edition: and second, as an edition informed by historical performing practice, supported by the detailed Performing Practice Commentary on nineteenth-century violin and piano technique./ Répertoire / Violon et Piano
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Jakob Dont: Études et Caprices for Violin solo op. 35: Violin: Instrumental Work
15.25
Jakob Dont: Études et Caprices for Violin solo op. 35: Violin: Instrumental Work
Violon
G. Henle
The Viennese Jakob Dont is considered one of the most important Violin pedagogue...
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The Viennese Jakob Dont is considered one of the most important Violin pedagogues of the nineteenth century and wrote numerous study pieces that are indispensable classics of the pedagogical literature for the Violin to this day. Among them are foremost his 24 ?Études et Caprices? op. 35 which were written between 1840 and 1849 but issued in their definitive form by Dont in an overhauled anthology from 1880. This very advanced collection of etudes (conservatory level) was rapidly so successful that innumerable new mostly heavily reworked editions appeared in the twentieth century from violinists such as Carl Flesch Max Rostal or IvanGalamian. Now for the first time G. Henle Publishers? Urtext edition restores access to the unadulterated original with Dont?s authentic fingering and bowing suggestions and in impressive graphic quality with practical fold-out pages. World-class violinist and prominent pedagogue Antje Weithaas acted as a consultant for this edition and carefully supplemented Dont?s original marking.
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Tema E Variazioni Op. 5B (CALLIGARIS SERGIO)
44.36
Tema E Variazioni Op. 5B (CALLIGARIS SERGIO)
Piano Trio: piano, violon, violoncelle
[Conducteur et Parties séparées]
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Intermédiaire
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Per Violino, Violoncello E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris ...
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Per Violino, Violoncello E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / Violon, Violoncelle et Piano
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4 Cadenzas: Violin: Instrumental Work
15.99
4 Cadenzas: Violin: Instrumental Work
Violon
Schirmer
The practice of letting the soloist improvise their own Cadenza during a Concert...
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The practice of letting the soloist improvise their own Cadenza during a Concerto had almost died out by the nineteenth century since composers disliked the way performers frequently used the oppurtunity to showcase their own virtuosic talent rather than working out a cadenza which would suit the music. These four Cadenzas for Mozart Beethoven Brahms and Paganini concerti however have been carefully worked out and performed by the modern violinist Nathan Milstein. They are extremely challenging but avoid 'empty virtuosity' - they have real musical value as one would expect from one of the finest Violinsts of the Twentieth Century. They can be used for performance or as astudy aid to the art of Cadenza improvisation. All four Concertos have been recorded by Milstein.
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Chanson de nuit
21.65
Chanson de nuit
Quatuor à cordes: 2 violons, alto, violoncelle
Schott
8 Twentieth-Century Pieces. Having touched on the romantic era in 'To a Wild Ros...
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8 Twentieth-Century Pieces. Having touched on the romantic era in 'To a Wild Rose' and the classical era in 'An die Musik', Kember moves forward to the twentieth-century with this thoughtfully chosen collection for string quartet. The Schott String Quartet Series With the first books in the series focusing on baroque, classical and romantic styles, The Schott String Quartet Series has expanded to cover music ranging from traditional pieces through to Eastern-influenced works. Aside from 'Indian Summer', which features original compositions, each book contains original arrangements of well known themes, which have often never been arranged for string quartet before. An important characteristic of these arrangements is that they allow all four instruments to demand the attention throughout the music. The pieces are suitable for amateur musicians or school students and are ideal for public performance./ Recueil / Quatuor à Cordes
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A.C. MacKenzie: Benedictus for Violin and Piano: Violin: Score and Parts
8.99
A.C. MacKenzie: Benedictus for Violin and Piano: Violin: Score and Parts
Violon et Piano
[Partition]
Novello & Co Ltd.
Benedictus is a work of depth and feeling that some listeners claim ?out-Elgars ...
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Benedictus is a work of depth and feeling that some listeners claim ?out-Elgars Elgar.?Composer conductor and educator Alexander MacKenzie is perhaps best known for his Choral works and his works inspired by Scottish melodies and themes as in this well-known work Benedictus . Benedictus is extracted from Benedictus is a work of depth and feeling that some listeners claim ?out-Elgars Elgar.?Composer conductor and educator Alexander MacKenzie is perhaps best known for his Choral works and his works inspired by Scottish melodies and themes as in this well-known work Benedictus . Benedictus is extracted from Six Pieces for Violin and is dedicated to Lady Hallé. During hislifetime 1847 to 1935 MacKenzie?s programmatic Scottish-inflected work was extremely popular and he is regarded as one of those who set the scene for the British musical renaissance of the late 19th century. and is dedicated to Lady Hallé. During his lifetime 1847 to 1935 MacKenzie?s programmatic Scottish-inflected work was extremely popular and he is regarded as one of those who set the scene for the British musical renaissance of the late 19th century.
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Bach's Works for Solo Violin: Instrumental Album
83.00
Bach's Works for Solo Violin: Instrumental Album
Violon
Oxford University Press
Style Structure Performance-This book combines a performance guide for violini...
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Style Structure Performance-This book combines a performance guide for violinists an analytical study an exploration of Bach's style and an investigation of musical form and continuity. J.S. Bach's three sonatas and three partitas for solo violin have been mainstays of the violin concert repertoire since the mid-nineteenth century; their long performance history evidenced in recordings as well as in editions offers an opportunity to study the ways in which notions of Baroque style have evolved. Central to the book is the question what type of analysis is best applied to Bach's music: wherever possible Lester draws his analytical tools from eighteenth-century techniques developed for thisrepertoire.
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Chopiniana con delizia (HERDZIN KRZYSZTOF)
47.48
Chopiniana con delizia (HERDZIN KRZYSZTOF)
Quintette avec Piano
PWM (Polskie Wydawnictwo Muzyczne)
Par HERDZIN KRZYSZTOF. Chopiniana con delizia is a very interesting music projec...
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Par HERDZIN KRZYSZTOF. Chopiniana con delizia is a very interesting music project. Sometimes it is difficult to draw the line where Chopin ends and Herdzin begins. The artist engages in a kind of a dialogue with the 19th-century creator. By using Chopinesque motifs, by ‘filtering’ phrases of the genius composer through his sensitivity and experience of a 21st-century artist, Herdzin has created a work that provokes me to pose the following question: what kind of music would Fryderyk Chopin write if he were to live in the present day? [...] Jakub Stankiewicz, fragment of preface, translated by Zaneta Pniewska / Date parution : 2022-11-08/ Répertoire / Quintette avec Piano
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Joe Carr: Scottish Airs And Dances For Violin Solo Or Duet: Violin
11.99
Joe Carr: Scottish Airs And Dances For Violin Solo Or Duet: Violin
2 Violons (duo)
[Partition]
-
Facile
Mel Bay
The twenty-five pieces in this collection date back to 18th and 19th century Sco...
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The twenty-five pieces in this collection date back to 18th and 19th century Scotland. Included are song and fiddle airs strathspeys reels jigs a hornpipe and the sword dance. The pieces are arranged for viola and cello withguitar chords. Since the viola generally has the melody the pieces can also be played by solo viola. The music of Scotland is unique. The airs have their own special beauty and the dances are fun to play with lively tempos dotted rhythms and sudden key changes. This music has been the pleasure of country fiddler and pipers. Now violists and cellists and their listeners can feel themselves transported to the Lowlands and Highlands of Scotland. Twenty-five pieces dating back to 18th and 19th century Scotland. Includes song and fiddle airs strathspeys reels jigs a hornpipe and the sword dance. Since the viola generally has the melody the pieces canalso be played by solo viola and guitar chords are included. The airs have a special beauty and the dances are fun to play with lively tempos dotted rhythms and sudden key changes.
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Sonata Op. 40 (CALLIGARIS SERGIO)
93.66
Sonata Op. 40 (CALLIGARIS SERGIO)
Violon et Piano
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Intermédiaire
Ricordi
Per Violino E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in R...
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Per Violino E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-19/ Répertoire / Violon et Piano
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Capricci E Studi (PAGANINI NICCOLO)
15.90
Capricci E Studi (PAGANINI NICCOLO)
Violon
[Partition]
Dover Publications
Par PAGANINI NICCOLO. Paganini and Wieniawski were two of the most famous violin...
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Par PAGANINI NICCOLO. Paganini and Wieniawski were two of the most famous violin virtuosos of the 19th century, and composers of a number of the most treasured masterpieces in the violin repertory. Here, in a comprehensive playing edition, are three of their most celebrated works for solo violin: Paganini's innovative Caprices, Op. 1 and Wieniawski's major collections of studies, l'Ecole Moderne, op. 10 and Etudes-Caprices, op. 18. Paganini's twenty-four Caprices are a virtual textbook of the phenomenal technical breakthroughs that he achieved, showing off his trail-blazing array of fingered octaves, double, triple and quadruple stop chords, and 'ricochet bowings'. Wieniawski's etudes fuse unmistakeableSlavonic colours with his already formidable technique and are, like Paganini's Caprices, among the most demanding works in the solo violin repertory, and essential parts of every professional violinist's training/ Répertoire / Violon
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Henryk Wieniawski Pablo de Sarasate: Violin Concerto No. 2 in D Major Op. 22:
16.99
Henryk Wieniawski Pablo de Sarasate: Violin Concerto No. 2 in D Major Op. 22:
Violon
[Partition + CD]
Music Minus One
Music Minus One Violin-This album contains two of the Romantic Era's neglected t...
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Music Minus One Violin-This album contains two of the Romantic Era's neglected treasures. Henryk Wieniawski though little known today was a potent figure in the 19th century an almost unparalleled virtuoso violinist and a respected composer. His D minor concerto op. 22 was premiered in St. Petersburg in 1862 and is a Romantic-era treasure. Pablo de Sarasate's 'Zigeunerweisen' ('Gypsy ways') is a wonderful fantasia on Romany themes composed in 1878. Both of these concerti are wonderful and often overlooked. But take our advice and discover them - they will not disappoint! Contains a printed score and a compact disc featuring both concerti in split-channel stereo with the violinist on the rightchannel then again in a stereo accompaniment version minus the solo violin part. Performed by Geoffrey Applegate violin Accompaniment: Stuttgart Symphony Orchestra Conductor: Emil Kahn
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Cyril Scott: Lotus Land for Violin And Piano: Violin: Instrumental Work
7.50
Cyril Scott: Lotus Land for Violin And Piano: Violin: Instrumental Work
Violon et Piano
[Partition]
Novello & Co Ltd.
Lotus Land was undoubtedly the work for which Scott is best known. Written in 1...
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Lotus Land was undoubtedly the work for which Scott is best known. Written in 1905 Lotus Land achieved great popularity and was arranged for a vast array of instruments. It is a dreamy impressionistic piece and extremely innovative for its era. Cyril Scott was a British composer active from the very late 19th century and through the 20th whose work could be termed late Romantic with elements of impressionism with free use of exotic harmonies. Scott was an extremely prolific composer who left more than four hundred works ranging from symphonies operas and concertos to many works for smaller ensembles solo instruments and short songs.Virtuoso Violinist Fritz Kreislerwas the premier Violinist of his day and some believe the greatest Violinist of all time. In addition to his original compositions Kreisler often transcribed or arranged the work of other composers.
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