Traditional piano-school with trilingual excersises incl. fingering phrasing tempi and how-to -play for advanced players.

Continuing the ever popular six book In Recital series this book showcases Jazz and Blues works for the early advanced pianist expertly arranged by Edwin McLean and Kevin Olson.Students will experience walking bass figures swing bebop boogie-woogie traditional blues stride bass as well as Latin Jazz and Jazz Ballads. The works are true crowd pleasers and will fill many hours at the Piano with delight!

A superb 160 page volume packed with solo Piano arrangements of great American music from the 19th to 20th centuries. By composers including Barber, MacDowell, Sousa, Joplin, Bacharach and Glass. <br> <br>A specially-written foreword places the music in historical and national context and includes biographical details of many of the featured composers. The arrangements are intended for the intermediate to advanced pianist, but the book will give any player a unique practical and historical insight into America's immense contribution to the international world of music. / Partition /

Original Solos - Book 2-The most recent addition to this successful series is this 12-piece collection strongly rooted in the classical music tradition polonaises serenades barcarolles toccatas rhapsodies that also contains jazz and Latin music.Written by 11 composers these works will capture the attention of audiences and showcase the virtuosic abilities of the advancing pianist either with technical bravura emotional intensity or with jazz prowess.Titles include: Incognito; Danza; True Blue; Bossa Pipa; Toccata in A Minor; and Rhapsody in D-flat.

20 jazzy interpretations of traditional Christmas carols for the intermediate to advanced pianist-Microjazz Christmas Collection provides the intermediate to advanced pianist with fresh repertoire for the festive season. Containing 20 innovative arrangements of traditional carols in styles such as jazz blues swing rock 'n' roll and reggae this set of Piano pieces will help you to capture the magic of Christmas.

Concerto No.2 'Haydn' A series of works based on the surviving two bars of Haydn's 'lost' Double Bass Concerto. Based on the two surviving bars of Haydn's 'lost' Double Bass Concerto and dedicated to David Heyes, this magnificent new concerto is a tour-de-force from a respected and leading Czech bassist-composer. In a tonal and accessible style, there are musical and technical challenges for the advanced bassist and this edition is only available in solo tuning. Influenced by the late 18th-century style, but imbued with Czech lyricism and influences, this new three-movement concerto is a major addition to the repertoire and utilises the entire range of the double bass. The concerto has been performed throughout Europe many times, most recently in Macedonia and Serbia by the composer. Miloslav Gajdos has composed and transcribed many works for double bass in a 40 year career and is Professor of Double Bass at the Vejvenovsky Conservatoire in Kromeriz (Czech Republic) alongside many international recitals and masterclasses. Concerto No.2 'Haydn' is available in three orchestrations alongside the published edition with piano. Please contact the publishers for more information about the various orchestrations. Performance Level: Advanced Miloslav Gajdos is one of Europe's most active and inventive bassist-composers. He was born in northern Moravia in 1948 and initially learned violin before transferring to the double bass, studying with Alois Kriz, Jiri Bortlicek and Ludwig Streicher. He has been Professor of Double Bass at the Vejvenovsky Conseravtoire in Kromeriz (Czech Republic) since 1971, and was a member of the Olomouc Symphony Orchestra for a number of years. He is Director of the Gregora International Double Bass Competition, founded in 1979 and held every two years in Kromeriz, and has been a juror at many competitions in Hungary, Germany and the Czech Republic. Miloslav Gajdos is a prolific composer and arranger and, for almost 40 years, has produced a vast body of original works and transcriptions for double bass which are performed worldwide. His original works combine Czech lyricism and melody with brilliant technical demands, and music from one to sixteen double basses. He writes in a traditional and accessible style, producing music for every level of performer, particularly for the advanced bassist, and his many works for unaccompanied double bass are frequently chosen as international competition repertoire. Miloslav Gajdos was Recital Music's Featured Composer in 2007 and has recently revised a number of earlier works for the intermediate bassist which will be published by Recital Music.

Per Flauto E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / Flûte Traversière et Piano

Per Pianoforte A Quattro Mani (O Due Pianoforti). Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire à Avancé / Répertoire / Piano 4 Mains

The Perfect Way To Rediscover The Piano-Did you used to play the piano' Would you like to play again' Play it again: Piano uses real pieces from the piano repertoire to teach specific techniques and tips getting you playing fluently once again. This is the second book which is for the more confident 'former' piano player or for those continuing their journey from Book 1. The level of pieces in this second book progresses from around UK grades 5 to 8 (intermediate to late advanced). 'I used to play the piano''Aimed at 'returning' players who have spent some time away from the keyboard Play it again: Piano gives you the confidence to revisit this fulfilling pastime and go beyond what you previously thoughtyou could achieve.Each of the 21 pieces in Book 2 is accompanied by two full pages of easy-to-understand practice tips all designed to get your fingers speeding comfortably across the keys once again! There are more comprehensive Piano Technique and Theory sections at the front and back of each book so you can also delve deeper to regain a fuller understanding of music and technique. A refresher course for all abilities each book is arranged in 4 progressive sections with Book 1 moving from 'Elementary' to 'Intermediate' and Book 2 taking you from 'Late Intermediate' to 'Late Advanced'. Dip in and out wherever your level of playing suits: this two-book course starts with simple and elegant miniatures and concludes with the famously showy Prelude in C-sharp minor by Rachmaninoff! Confident pianists could start with Book 2 but there is a wealth of delightful repertoire and valuable practice tips in Book 1 it's always useful to go 'back to basics'. From Schumann to shuffles. Baroque Classical and Romantic works sit alongside Jazz Ragtime contemporary or traditional pieces at every level so each lesson brings something different and you'll learn to play in a range of styles some of which may be new to your fingers. If you often find yourself saying 'I used to play the piano'' but wish you still did then Play it again:

This is one of four level-one books in the American Popular Piano series - the educational piano course by Christopher Norton and Scott McBride Smith.The series has 11 difficulty Levels and each Level contains: Repertoire album with CD; Etudes album (including Improvisation); Skills book; Technic (technique) book. Level One For advanced beginners- Hands play together- Whole note half note quarter note dotted half note- Whole rest half rest quarter rest dotted-half rest- pp p mp mf f ff crescendo and diminuendo- Slur legato staccato accent- 3/4 4/4 and 5/4 time signatures- Key signatures up to one sharp and one flat- Repeat 8va tie fermata ritardando atempoEtudes Albums:complement the corresponding Repertoire Album with traditional technical etudes in both classical and popular styles and through a revolutionary module-based approach to improvisation.? Technical Etudes: builds solid fundamentals by focusing on specifictechnical and musical elements; offers an enjoyable approach to improving facility;? Improvisation Etudes: delivers a practical framework for learning improvisation; integrates effortlessly into traditional piano lessons; module structure provides intuitive progressive development from the very first level; encourages creativity and spontaneity; trains critical active listening skills.The CD which comes only with the Repertoire Album contains accompanying instrumental backings both for the Repertoire Album's ensemble pieces and the Etudes Album's Improvisation modules: ? provides convenient practice and performance tempos for realistic support of the learning process; ? stimulates daily ensemble playing; ? creates a full band improvisation experience; ? makes reaching a polished performance just plain fun!About the American Popular Piano series:???Why can???t I play more music like this'??? asked a fourteen-year-old piano student. ???My friends like to hear me play cool music.??? Why not indeed. J.S. Bach taught

Bastian New Traditions. Par . Christmas Classics are collections of timeless (and most requested) traditional carols that students are sure to enjoy and cherish throughout the holiday season! Each book of arrangements are designed to go along with the corresponding levels of the Bastien New Traditions All-In-One Course, or the comparable level of any (similar) piano course. In each book, the carols appear in progressive order of difficulty. Duets for each carol (Primer A, Primer B and Level 1 only) provide students with wonderful ensemble playing opportunities. The duets offer a rhythmic foundation for student beginners and may be played by the teacher, a student?s parent or sibling, or a more advanced student. Holiday-themed activity pages are woven into each book to provide fun review and reinforcement of beginning concepts. Gorgeous, full-color illustrations enhance the student experiences. / Date parution : 2021-12-09/ Recueil / Piano

Bastian New Traditions. Par . Christmas Classics are collections of timeless (and most requested) traditional carols that students are sure to enjoy and cherish throughout the holiday season! Each book of arrangements are designed to go along with the corresponding levels of the Bastien New Traditions All-In-One Course, or the comparable level of any (similar) piano course. In each book, the carols appear in progressive order of difficulty. Duets for each carol (Primer A, Primer B and Level 1 only) provide students with wonderful ensemble playing opportunities. The duets offer a rhythmic foundation for student beginners and may be played by the teacher, a student?s parent or sibling, or a more advanced student. Holiday-themed activity pages are woven into each book to provide fun review and reinforcement of beginning concepts. Gorgeous, full-color illustrations enhance the student experiences. / Date parution : 2021-12-09/ Recueil / Piano

Bastian New Traditions. Par . Christmas Classics are collections of timeless (and most requested) traditional carols that students are sure to enjoy and cherish throughout the holiday season! Each book of arrangements are designed to go along with the corresponding levels of the Bastien New Traditions All-In-One Course, or the comparable level of any (similar) piano course. In each book, the carols appear in progressive order of difficulty. Duets for each carol (Primer A, Primer B and Level 1 only) provide students with wonderful ensemble playing opportunities. The duets offer a rhythmic foundation for student beginners and may be played by the teacher, a student?s parent or sibling, or a more advanced student. Holiday-themed activity pages are woven into each book to provide fun review and reinforcement of beginning concepts. Gorgeous, full-color illustrations enhance the student experiences. / Date parution : 2021-12-09/ Recueil / Piano