Four Romantic Madrigals is a new edition of selected madrigals (for unaccompanied SATB choir) composed by John Stainer (1840 1901). Jeremy Dibble of Durham University brings Stainer’s expressive and enticing part-songs to a wider audience by presenting them in modern notation. This edition coincides with the release of the CD English Romantic Madrigals (Hyperion CDA68140) an exciting new recording of works by Stainer Sir Hubert Parry Elgar and other composers of nineteenth-century English part-songs performed by Rupert Gough and the Royal Holloway Choir.

Blue Moon written by Richard Rodgers and Lorenz Hart in 1934 has had many treatments over the decades. Mel Tormé made a smooth hit version in the 1940s Elvis Presley put it on his first album in 1956 and The Marcels had a doo-wop hit with it in 1961 but ?An American Werewolf in London? was the first movie to associate this most romantic of songs with lycanthropy.This brand new arrangement by Simon Foxley & Christopher Hussey for SATB choir makes the evocative standard a welcome addition to the Novello Choral Pops series. The juxtaposition of melancholy and melodic creates a bittersweet atmosphere of love and lust perfect for a classicallyromantic addition to your choir's repertoire. Your choir's own interpretation of this standard will thrill audiences invigorating the already-long list of cover versions.

John Rutter's Three Choral Amens for SSAATTBB and SSATB choir unaccompanied.The three Choral Amens in this set were written to fill a liturgical and musical gap in chapel services where the prevailing style of the music is romantic. This is the first publication of two of the Amens (in F and A) and the musical style of the three may be characterised as Anglican-romantic.

Here is an impressive yet romantically intimate piece by David Dickau inspired by the wonderful mood of Sara Teasdale's poem. A lovely choice for the mature high school choir and beyond or for a festival performance. Duration: ca. 4:00.

Blue Moon , written by Richard Rodgers and Lorenz Hart in 1934, has had many treatments over the decades. Mel Tormé made a smooth hit version in the 1940s, Elvis Presley put it on his first album in 1956 and The Marcels had a doo-wop hit with it in 1961, but 'An American Werewolf in London' was the first movie to associate this most romantic of songs with lycanthropy. This brand new arrangement by Simon Foxley and Christopher Hussey for SATB choir makes the evocative standard a welcome addition to the Novello Choral Pops series. / Choeur Mixte (SATB) Et Piano

John Denver became a star as a bright-eyed clear-voiced singer-songwriter in glasses and a cowboy hat.His love for the environment and his then wife Annie Martell inspired this romantic and wildly successful Annie's song which is said to have been written in ten minutes on a ski lift. Here it has been arranged for SATB Choir with Piano accompaniment by Frank Metis.

In this suite - inspired by a trip to Switzerland - each song is a postcard capturing lush romantic moments in full. The songs are dedicated to Jerusalem born Hila Plitmann - poet of the beautiful text and the composer's wife. The suite is scored for SATB chorus with either string quartet accompaniment or piano and Violin.

SATB a cappella. One of the greatest songs of all time Jerome Kern's classic romantic ballad shimmers in a rich a cappella setting highlighted by lush harmonies and gently arched phrasing in a superb arrangement by Kirby Shaw. Available: SATB a cappella. Performance Time: Approx. 2:55.

A huge hit for Adele in 2011 Someone Like You has here been expertly arranged by Chris Hussey for choirs seeking a powerful centrepiece to their repertoire.Full of gripping emotion and resolve this dignified tale of romantic reflection won Adele the 2012 Grammy for Best Pop Solo Performance and now choirs too can reap the rewards of this show stopping signature tune.Arranged here for SATB with piano accompaniment.

Par REGER MAX. Die Drei Chören (The Three Choirs) op. 6 are hardly mentioned in the young Reger's correspondence. The only meaningful reference is Reger's announcement to his London publisher George Augener on August 1, 1892: 'I will send the choruses op. 6 ? which your son liked very much ? to you tomorrow morning [...]'. George Augener had spent five weeks from undergoing treatment in Wiesbaden and had met on this occasion not only Hugo Riemann but also his 'favorite pupil' Reger. After the publication, the Allgemeine Musik-Zeitung remarked on the 'entirely Brahmsian character to the work'. It praised its polyphonic structure and its'romantic chiaroscuro [...], the effect of which the accompanying piano knows how to exalt excellently'. The work was nevertheless to remain Reger's only composition for this instrumentation.Separate edition from Volume 11, 'Lieder und Chorwerke' of the Max Reger Hybrid Edition of Works. / Date parution : 2023-06-01/ Répertoire / SATB et Piano

An impressionist setting of five poems by Hermann Hesse which is characterized by influences from pop and jazz music, but from the Romantic era as well. Haaf set the texts in five movements, each of which being complete in itself, yet together forming an integral work. / Choeur Mixte (SATB) Et Piano

Deemed one of the most romantic love poems of all time the text in Elizabeth Barrett Browning's How Do I Love Thee? is beautifully set to music by Dave and Jean Perry. Gorgeous tone colors and lush harmonies make this well-known literary work the perfect choice for contests or concert. Available SATB and SSA.

40 Love Songs Satb For Wedding And Concert. In every century, love is probably the most frequently-celebrated theme. The choral anthology for the latest LIEDERPROJEKT installment brings together 40 love songs from all eras in well-known and new, easy-to-sing settings. The collection contains a wide range of settings from the 16th and 17th centuries, the Romantic period, arrangements of popular music as well as settings of well-known and contemporary love songs specially arranged for this choral collection./ Répertoire / SATB

These five part-songs were composed over ten years from 1903 to 1913 but only the first was published in the composer’s lifetime. Bridge’s early works those written before the first World War were more late Romantic in style warmly expansive than his mature works. These songs display Bridge’s skill and craftsmanship.British composer Frank Bridge was active in the early decades of the 20th century and was a highly respected conductor violist and teacher his sole composition student having been Benjamin Britten. Britten honoured his former teacher in his work Variations on a Theme of Frank Bridge based on a theme from one of Bridge’s pieces for String quartet.