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Wolfgang Amadeus Mozart: Missa D Major K. 220 - Sparrow Mass: SATB: Vocal Score
12.50
Wolfgang Amadeus Mozart: Missa D Major K. 220 - Sparrow Mass: SATB: Vocal Score
Chorale SATB
SATB, Orgue
[Vocal Score]
Barenreiter
Spatzenmesse (C)-This Mozart Mass together with BA7520 and BA7521 has been arr...
(+)
Spatzenmesse (C)-This Mozart Mass together with BA7520 and BA7521 has been arranged for solo voices chorus and organ from the Urtext of the “New Mozart Edition” thereby making them accessible in all their beauty to choruses and church choirs with limited financial means at their disposal. Martin Focke has based the “concertante” Organ parts on the orchestral writing doing full justice to the timbre of the original. The solo parts and choruses of course leave the Urtext of the “New Mozart Edition” entirely untouched. The “Sparrow Mass” is one of the most significant pieces of church music fromMozart’s years in Salzburg. Thanks to its clarity and largely homophonic texture it remains even today a work that is easily mastered in church and concert hall performances. Self-contained version with Organ instead of Orchestra Straightforward and easy-to-play Organ part Ideal for church services and concert performances
12.50 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Requiem K.626: SATB: Vocal Score
10.99
Wolfgang Amadeus Mozart: Requiem K.626: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Novello & Co Ltd.
Vocal Score Large Print-The story of the composition of Mozart's Requiem has a s...
(+)
Vocal Score Large Print-The story of the composition of Mozart's Requiem has a strange fabulous quality that is entirely typical of the events of his life. Whether we are considering his amazing exploits and achievements as a youthful virtuoso and maestro or the depth of his financial misfortunes in Vienna in the late 1780s there is little that is mundane about the main biographical facts.It comes as no surprise then to find that these facts have often been coloured and embroidered to enhance their emotional effect and to create a legend about this most remarkable musician. The simple story of the genesis of the Requiem is in itself striking - that in the last weeks of his lifeMozart was working on a Mass for the Dead that this work was the result of an anonymous commission and that the commissioner's envoy in order to avoid giving an address paid Mozart several unannounced visits like a messenger from another world - this story can easily be filled out with portents and hints of the supernatural.Even the account by Franz Niemetscheki (first published in 1798 based on information given by Mozart's widow Constanze and later receiving 'official' approval by being incorporated into the Mozart biography by Constanze's second husband Georg von Nissen) writes of the commissioner's agent appearing 'like a ghost' and Friedrich Rochlitz's account goes much further in suggesting that the composer was possessed by a demoniac and feverish desire to complete the Requiem and conscious of approaching doom
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Power Of Voice Wedding Edition - Mozarts Reich Mir Die Hand Mein Leben(Für Gemischtchor SATB Mit Orgel). Sheet Music for SATB Organ Accompaniment
Chorale SATB
Peer Musik Verlag
Mozarts Reich Mir Die Hand Mein Leben-Die 'Wedding-Edition' aus der Reihe 'Power...
(+)
Mozarts Reich Mir Die Hand Mein Leben-Die 'Wedding-Edition' aus der Reihe 'Power of Voice' besteht aus Chor-Titeln für den schönsten Tag im Leben eines Paares. Hier Reich mir die Hand mein Leben (Duettino aus Don Giovanni) von W.A. Mozart. Die Bearbeitung für Chor SATB mit Orgelbegleitung ist von Thorsten Kuhn. Ebenso erhältlich mit Klavierbegleitung unter der Bestellnummer PMV16158G. Beispielcover (alle Cover dieser Serie sind bis auf den Titel identisch).
2.95 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Power Of Voice Wedding Edition: SATB: Single Sheet
2.95
Wolfgang Amadeus Mozart: Power Of Voice Wedding Edition: SATB: Single Sheet
Chorale SATB
Peer Musik Verlag
Mozarts Reich Mir Die Hand Mein Leben-Die 'Wedding-Edition' aus der Reihe 'Power...
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Mozarts Reich Mir Die Hand Mein Leben-Die 'Wedding-Edition' aus der Reihe 'Power of Voice' besteht aus Chor-Titeln für den schönsten Tag im Leben eines Paares. Hier Reich mir die Hand mein Leben (Duettino aus Don Giovanni) von W.A. Mozart. Die Bearbeitung für Chor SATB mit Klavierbegleitung ist von Thorsten Kuhn. Ebenso erhältlich mit Orgelbegleitung unter der Bestellnummer PMV16158O. Beispielcover (alle Cover dieser Serie sind bis auf den Titel identisch).
2.95 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Requiem K.626: Orchestra: Score
155.50
Wolfgang Amadeus Mozart: Requiem K.626: Orchestra: Score
Chorale SATB
SATB, Orchestre
[Partition]
Barenreiter
Requiem K.626 The Requiem completed by Franz Xaver Süssmayr in its traditiona...
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Requiem K.626 The Requiem completed by Franz Xaver Süssmayr in its traditional form. Mozart’s final work the Requiem K.626 was left incomplete and it is fraught with questions and emotions: the expressive depth of its music sorrow at the great composer’s early death truth and legend fragments and attempts to complete the work. The completion of the fragmentary score by his assistant Franz Xaver Süssmayr who helped him with The Magic Flute has the character of a historical source with utmost closeness to Mozart’s thoughts. - Urtext of the New MozartEdition - Full score (BA4538-01) performance material (BA4538) vocal score (BA4538-90) and study score format 22.5 x 16.5cm (TP152) available for sale - Facsimile edition BVK2346
155.50 GBP - vendu par Musicroom GB
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Missa In C (MOZART WOLFGANG AMADEUS)
23.90
Missa In C (MOZART WOLFGANG AMADEUS)
Chorale SATB
SATB, Clavier
[Partition]
Carus Verlag
Tonalité : C-Moll - Kv 427. Par MOZART WOLFGANG AMADEUS. The Mass in C minor, K...
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Tonalité : C-Moll - Kv 427. Par MOZART WOLFGANG AMADEUS. The Mass in C minor, K. 427, Mozart's 'Great Mass' remaines a torso - a circumstance which is extremely regrettable, especially given the monumentality of this work. Mozart finished only the Kyrie, Gloria, Sanctus, 'Osanna', and Benedictus of the Mass. For two movements from the Credo he only completed sketches without instrumentation. In March 1785 Mozart arranged Kyrie and Gloria, supplemented by a tenor and a soprano aria, for the Italian oratorio 'Davide penitente'. In his arrangement of the Mass in c minor, Richard Maunder added Creed wind and brass instruments to the Credo sketches. Mozart's Missa in C for SATB. The Mass in C minor, K. 427, Mozart's 'Great Mass' remaines a torso - a circumstance which is extremely regrettable, especially given the monumentality of this work. Mozart finished only the Kyrie, Gloria, Sanctus, 'Osanna', and Benedictus of the Mass. For two movements from the Credo he only completed sketches without instrumentation. In March 1785 Mozart arranged Kyrie and Gloria, supplemented by a tenor and a soprano aria, for the Italian oratorio 'Davide penitente'. In his arrangement of the Mass in c minor, Richard Maunder added Creed wind and brass instruments to the Credo sketches. / Messe / Répertoire / Solistes SATB, Choeur SATB/SATB, Flûte Traversière
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Wolfgang Amadeus Mozart: Hark! A Thrilling Voice Is Sounding: Mixed Choir a
11.25
Wolfgang Amadeus Mozart: Hark! A Thrilling Voice Is Sounding: Mixed Choir a
Chorale SATB
[Vocal Score]
Daybreak Music
Uses: Advent Christmas Scripture: Isaiah 9:2-7; Mark 1:1-3; John 1:29 An early ...
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Uses: Advent Christmas Scripture: Isaiah 9:2-7; Mark 1:1-3; John 1:29 An early Latin hymn text has been combined with a Mozartian tune and the result is this superb anthem for Advent. Present with piano or use the optional flute obbligato or chamber orchestration for an added flair. Flute part included. Score and Parts (fl ob cl bn perc timp vn 1-2 va vc db) available on CD-ROM and as a digital download.
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Sing, Choirs!: Anthems, Psalms And Hymns For Choirs (SATB/Organ)
24.87
Sing, Choirs!: Anthems, Psalms And Hymns For Choirs (SATB/Organ)
Chorale SATB
SATB, Orgue
Novello & Co Ltd.
Sing, Choirs! is a library in miniature. It contains many of the Christian churc...
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Sing, Choirs! is a library in miniature. It contains many of the Christian church's popular traditional anthems, including at least one example that will be suitable for each of the major services of the year. A number of Anglican chants (Psalms, Magnificat and Nunc Dimittis) are included, set out in a way that should enable those who are unfamiliar with the style to perform them easily. The selection of movements from the Mass can be used to enrich the music of the liturgy in services. Many of the works in Sing, Choirs! are presented in their original form, such as Bruckner's Locus Iste and Mozart's Laudate Dominum . Others are arrangements, adaptations or longer pieces, abridged to bring them into the scope of a useable anthem, including choral arrangements of Handel's Largo , the Ave Marias by Schubert and by Bach and Gounod, and Franck's Panis Angelicus amongst many others. This collection has practicability as a priority. The Organ parts can be played on either the Piano or the Keyboard. Much of the music in Sing, Choirs! will be suitable for special occasions, making this an indispensable volume for choirs singing at weekly church services, weddings, funerals and in the concert hall. / Choeur Mixte (SATB) Et Orgue
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Wolfgang Amadeus Mozart: Mass in C major K.317: SATB: Vocal Score
12.50
Wolfgang Amadeus Mozart: Mass in C major K.317: SATB: Vocal Score
Chorale SATB
satb (soli), SATB (chœur), Clavier
[Vocal Score]
Barenreiter
Krönungsmesse-Composed in 1779 Mozart?s ?Coronation Mass? in C major K.317 i...
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Krönungsmesse-Composed in 1779 Mozart?s ?Coronation Mass? in C major K.317 is one of the most popular settings of the Ordinary thanks to its festive character and the wealth and variety of its musical ideas. This arrangement for solo voices chorus and organ is based on the Urtext of the New Mozart Edition and makes the work available in all its radiant beauty to choruses and church choirs with limited financial resources. The ?concertante? organ part prepared by Martin Focke from Mozart?s orchestral accompaniment does full justice to the beauty of the original.Self-contained version with organ instead of orchestraIdeal for church services and concertperformancesStraightforward and easy-to-play organ partThe Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed.The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists singers and organist alike.
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Wolfgang Amadeus Mozart: Requiem K.626: SATB: Vocal Score
16.50
Wolfgang Amadeus Mozart: Requiem K.626: SATB: Vocal Score
Chorale SATB
SATB, Orgue
[Vocal Score]
-
Intermédiaire/avancé
Barenreiter
Mozart?s Requiem has entered the realm of myth. This is surely the best-known o...
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Mozart?s Requiem has entered the realm of myth. This is surely the best-known of all sacred choral works and is performed all over the world. Now a new version for solo voices chorus and organ allows this legendary masterpiece to be performed without orchestra and thus without strain on the budget. The choral writing has been taken unaltered from the Urtext of the New Mozart Edition while the organ part by Martin Focke adheres strictly to the original orchestral writing. The result is a version as convincing as it is self-contained.Franz Xaver Süssmayr?s additions have been used to complete Mozart?s unfinished original.Self-contained version withorgan instead of orchestraIdeal for church services and concert performancesClear and well-presented organ partThe Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed.The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists singers and organist alike.
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Wolfgang Amadeus Mozart: De Profundis Organ Piano: SATB: Vocal Score
8.75
Wolfgang Amadeus Mozart: De Profundis Organ Piano: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Schirmer
(Psalm 130)-Mozart’s De Profundis (Psalm 130) K.93 for SATB Choir with O...
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(Psalm 130)-Mozart’s De Profundis (Psalm 130) K.93 for SATB Choir with Organ or Piano accompaniment edited by Don Smithers. Composed in Salzburg in the summer of 1771 to the words of Psalm 130 a Penitential Psalm used in liturgical prayers for the faithful departed in Western liturgical tradition. Instruction in English Psalm in Latin. For intermediate (Grade 4-6) level.Wolfgang Amadeus Mozart was a prolific and influential composer of the Classical era. Born in Salzburg Mozart showed prodigious ability from his earliest childhood. Already competent on Keyboard and Violin hecomposed from the age of five and performed before European royalty. During his life he composed over 600 works many acknowledged as pinnacles of symphonic concertante chamber operatic and choral music. He is among the most enduringly popular of classical composers and his influence on subsequent Western art music is profound.
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Vesperae Solennes De Dominica (MOZART WOLFGANG AMADEUS)
18.60
Vesperae Solennes De Dominica (MOZART WOLFGANG AMADEUS)
Chorale SATB
SATB, Orgue
[Partition]
Barenreiter
Par MOZART WOLFGANG AMADEUS. Ausgaben Für Die Praxis Nach Der Neuen Mozart-Ausg...
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Par MOZART WOLFGANG AMADEUS. Ausgaben Für Die Praxis Nach Der Neuen Mozart-Ausgabe. Urtext/ Répertoire / Solistes (SATB), Choeur Mixte (SATB), Orchestre et
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Wolfgang Amadeus Mozart: Te Deum Laudamus In C K.141: SATB: Score
16.50
Wolfgang Amadeus Mozart: Te Deum Laudamus In C K.141: SATB: Score
Chorale SATB
SATB, Orchestre
[Partition]
Barenreiter
Mozart's only Te Deum K141 was probably composed in Salzburg at the end of 176...
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Mozart's only Te Deum K141 was probably composed in Salzburg at the end of 1769 and is modelled almost exactly on Michael Haydn's Te Deum of 1760. It is scored for SATB chorus Trumpet (4) Kettledrum Strings Organ.Full score Vocal score (BA4885-90) and performance material (BA4885) based on the Urtext New Mozart Edition is available for sale.
16.50 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Shorter Sacred Works: SATB: Vocal Score
16.50
Wolfgang Amadeus Mozart: Shorter Sacred Works: SATB: Vocal Score
Chorale SATB
satb (soli), SATB (chœur), Clavier
[Vocal Score]
Barenreiter
This selection of relatively short sacred works by Wolfgang Amadeus Mozart gives...
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This selection of relatively short sacred works by Wolfgang Amadeus Mozart gives active choruses an opportunity to perform these pieces without having to hire an expensive instrumental ensemble. The works including the moving ?Te Deum laudamus ? (K. 141) the brilliant ?Jubilate? from ? Benedictus sit Deus? (K. 117) and the immortal ?Ave verum? are well-suited to performance in church services or concerts. Andreas Köhs has sensitively arranged the orchestral parts for organ using the original score to produce self-contained versions for chorus and organ. The vocal parts follow the Urtext of the New Mozart Edition.Self-contained versions with organ instead oforchestraIdeal for church services and concertsStraightforward easy-to-play organ partThe Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed.The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists singers and organist alike.
16.50 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Exsultate jubilate K.165: SATB: Score
16.00
Wolfgang Amadeus Mozart: Exsultate jubilate K.165: SATB: Score
Chorale SATB
[Partition]
Barenreiter
Edited with additional material from the Salzburg version“In Italy nowaday...
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Edited with additional material from the Salzburg version“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers.” One composition matching this description is the solo motet Exsultate jubilate K. 165/158a which Mozart wrote in Milan early in 1773 following the highly successful performance of his opera Lucio Silla.In 1978 when the music manuscripts in Bavaria were being sorted and cataloged in a project sponsored by the Deutsche Forschungsgemeinschaft a set ofmanuscript parts for a previously unknown second version was discovered in the town parish church of St. Jakob in Wasserburg am Inn. The music and text of the concluding Alleluja movement were written out by the Salzburg court bassoonist and copyist Joseph Richard Estlinger (c. 1720–1791) who frequently worked for Mozart and his father.The vocal text of this Salzburg manuscript departs from that of the Milan version in the first aria and in the recitative. It was entered in a different hand. The Salzburg version of the text is clearly related to the feast of the Holy Trinity. There is much evidence that this version was sung for the first time in the Dreifaltigkeitskirche on 30 May 1779 (i. e. Trinity Sunday) by the Salzburg male soprano Francesco Ceccarelli during a service mentioned by Nannerl Mozart. On that day Leopold and Wolfgang Mozart together with Ceccarelli were invited to the church’s vicarage at midday. The additional text underlaying of the first aria enabled the solo motet to be employed for the Christmas service as well.- Urtext of the New Mozart Edition- Full score performance material (BA4897) and vocal score (BA4897-90) available for sale
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Vesperae Solennes De Confessore (MOZART WOLFGANG AMADEUS)
15.10
Vesperae Solennes De Confessore (MOZART WOLFGANG AMADEUS)
Chorale SATB
[Partition]
Barenreiter
KV 339. Par MOZART WOLFGANG AMADEUS. Ausgaben Für Die Praxis Nach Der Neuen Moz...
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KV 339. Par MOZART WOLFGANG AMADEUS. Ausgaben Für Die Praxis Nach Der Neuen Mozart-Ausgabe. Urtext / Hymnes et chorals / Répertoire / Solistes (SATB), Choeur Mixte (SATB), Orchestre et
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Kyrie In F (MOZART WOLFGANG AMADEUS)
1.50
Kyrie In F (MOZART WOLFGANG AMADEUS)
Chorale SATB
SATB, Cordes
[Partition]
Carus Verlag
Tonalité : F-Dur - Kraus, Eberhard (Arr.) - Kv 33. Par MOZART WOLFGANG AMADEUS....
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Tonalité : F-Dur - Kraus, Eberhard (Arr.) - Kv 33. Par MOZART WOLFGANG AMADEUS. the first 18 bars come from a joint autograph of Leopold and Wolfgang Amadeus Mozart / Messe / Répertoire / Choeur SATB, 2 Violons, Alto, Violoncelle/Basson/C
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Kyrie In F (MOZART WOLFGANG AMADEUS)
1.50
Kyrie In F (MOZART WOLFGANG AMADEUS)
Chorale SATB
SATB, Cordes
[Partition]
Carus Verlag
Tonalité : F-Dur - Kraus, Eberhard (Arr.) - Kv 33. Par MOZART WOLFGANG AMADEUS....
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Tonalité : F-Dur - Kraus, Eberhard (Arr.) - Kv 33. Par MOZART WOLFGANG AMADEUS. the first 18 bars come from a joint autograph of Leopold and Wolfgang Amadeus Mozart / Messe / Répertoire / Choeur SATB, 2 Violons, Alto, Violoncelle/Basson/C
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Wolfgang Amadeus Mozart: Te Deum Laudamus In C K.141: Mixed Choir: Vocal Score
5.50
Wolfgang Amadeus Mozart: Te Deum Laudamus In C K.141: Mixed Choir: Vocal Score
Chorale SATB
SATB, Orchestre
[Partition]
Barenreiter
Mozart's only Te Deum K141 was probably composed in Salzburg at the end of 176...
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Mozart's only Te Deum K141 was probably composed in Salzburg at the end of 1769 and is modelled almost exactly on Michael Haydn's Te Deum of 1760. It is scored for SATB chorus Trumpet (4) Kettledrum Strings Organ.Full score vocal score (BA4885-90) and performance material (BA4885) based on the Urtext New Mozart Edition is available for sale.
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Wolfgang Amadeus Mozart: Missa in C major K.257: Voice: Vocal Score
15.50
Wolfgang Amadeus Mozart: Missa in C major K.257: Voice: Vocal Score
Chorale SATB
SATB, Piano
[Partition]
-
Intermédiaire/avancé
Barenreiter
The Missa K.257 bears the non-authentic dating 1776 and was presumably composed ...
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The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
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Wolfgang Amadeus Mozart: Misericordias Domini K.222: Mixed Choir: Vocal Score
6.50
Wolfgang Amadeus Mozart: Misericordias Domini K.222: Mixed Choir: Vocal Score
Chorale SATB
SATB, Piano
[Partition]
Barenreiter
The offertory “Misericordias Domini” K.222 (205a) has a special plac...
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The offertory “Misericordias Domini” K.222 (205a) has a special place among Mozart’s minor ecclesiastical works. A letter from Wolfgang to Padre Martini dated 4 September 1776 informs us that the piece was written in January or February 1775 in Munich at the request of the Prince Elector of Bavaria and was performed there on 5 March. Drawing closely on the carefully wrought works of Mozart’s Salzburg predecessors and incorporating a motif from Johann Ernst Eberlein’s “Benedixisti Domine” this contrapuntal masterpiece unites polyphony with expressive tension-laden harmonies. Unfortunately as the copy sent to Padre Martinicannot be located in Bologna the authenticity of the viola part is still open to question.- Urtext of the New Mozart Edition- Full score performance material (BA4789) and vocal score (BA4789-90) available for sale.
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Wolfgang Amadeus Mozart: Misericordias Domini K.222: Mixed Choir: Score
16.50
Wolfgang Amadeus Mozart: Misericordias Domini K.222: Mixed Choir: Score
Chorale SATB
SATB, Cordes
[Partition]
Barenreiter
The offertory “Misericordias Domini” K.222 (205a) has a special plac...
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The offertory “Misericordias Domini” K.222 (205a) has a special place among Mozart’s minor ecclesiastical works. A letter from Wolfgang to Padre Martini dated 4 September 1776 informs us that the piece was written in January or February 1775 in Munich at the request of the Prince Elector of Bavaria and was performed there on 5 March. Drawing closely on the carefully wrought works of Mozart’s Salzburg predecessors and incorporating a motif from Johann Ernst Eberlein’s “Benedixisti Domine” this contrapuntal masterpiece unites polyphony with expressive tension-laden harmonies. Unfortunately as the copy sent to Padre Martinicannot be located in Bologna the authenticity of the viola part is still open to question. - Urtext of the New Mozart Edition - Full score performance material (BA4789) and vocal score (BA4789-90) available for sale.
16.50 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Mass In C Minor K.427 / K.417a: Mixed Choir: Vocal
17.00
Wolfgang Amadeus Mozart: Mass In C Minor K.427 / K.417a: Mixed Choir: Vocal
Chorale SATB
SATB, Piano
[Partition]
Barenreiter
Credo and Sanctus reconstructed and completed by Helmut Eder.Mozart began work ...
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Credo and Sanctus reconstructed and completed by Helmut Eder.Mozart began work on this ambitious setting of the Mass text in 1782 and there has been much speculation as to the reasons why it was abandoned unfinished. This edition based on the Urtext New Mozart Edition has the Credo and Sanctus reconstructed and completed by Helmut Eder.- Vocal score for sale (BA4846-90)- Study score for sale (TP255)- Performance material for hire (BA4846-72)- Full score hardback containing Mozart's incomplete score (BA4592-01)
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Wolfgang Amadeus Mozart: The Genius Of Mozart - SATB: SATB: Vocal Score
14.99
Wolfgang Amadeus Mozart: The Genius Of Mozart - SATB: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Kevin Mayhew
His Choral Music SATB-Celebrating the 250th anniversary of his birth Mozart's mu...
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His Choral Music SATB-Celebrating the 250th anniversary of his birth Mozart's music has given immense pleasure to millions of people for two hundred and fifty years. The unique sparkle wit vivacity and profundity of his work reveal acomposer of unlimited inspiration and technical ability.This collection includes 18 of his greatest choral music pieces in easy but effective arrangements for SATB Voices.
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Wolfgang Amadeus Mozart: Requiem K626: SATB: Vocal Score
11.50
Wolfgang Amadeus Mozart: Requiem K626: SATB: Vocal Score
Chorale SATB
Peters
Mozart?s final work the Requiem K. 626 was left incomplete. The completion of ...
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Mozart?s final work the Requiem K. 626 was left incomplete. The completion of the fragmentary score by his assistant Franz Xaver Süssmayr who helped him with The Magic Flute has the character of a historical source with utmost closeness to Mozart?s thoughts. Arranged for SATB and Piano accompaniment.
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Wolfgang Amadeus Mozart: Kyrie In F: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Carus Verlag
F-Dur-Mozart's Kyrie in F for SATB.the first 18 bars come from a joint autograph...
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F-Dur-Mozart's Kyrie in F for SATB.the first 18 bars come from a joint autograph of Leopold and Wolfgang Amadeus Mozart.
42.00 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Six Motets: SATB: Vocal Score
4.99
Wolfgang Amadeus Mozart: Six Motets: SATB: Vocal Score
Chorale SATB
SATB, Piano
[Vocal Score]
Faber Music Limited
This collection draws together six of the great accompanied motets by Mozart ex...
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This collection draws together six of the great accompanied motets by Mozart expertly edited by scholar Denis McCaldin. Originally written for choir and orchestra these motets are here made available for the first time with alternative keyboard accompaniments. Includes the classic devotional motet Venite Populi for double-choir and contemplative gradual Sancta Maria Mater Dei as well as three of Mozart's early works. Ideal both for concert programmes and liturgical use this extraordinary value-for-money collection is a must for every choir library.
4.99 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Sancta Maria Mater Dei K.273: SATB: Vocal Work
2.99
Wolfgang Amadeus Mozart: Sancta Maria Mater Dei K.273: SATB: Vocal Work
Chorale SATB
SATB
Novello & Co Ltd.
At the moment in 1777 when Mozart wrote this disarmingly simple offertory motet ...
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At the moment in 1777 when Mozart wrote this disarmingly simple offertory motet both he and his father had been dismissed from their employment in Salzburg by the Archbishop and Mozart was on the point of leaving his home to seek employment elsewhere. It has been suggested that it was written in supplication to the Virgin for safe travel at the Feast of the Blessed Virgin Mary but what is certain is that this delightful piece remains a vibrant work in the repertoire.Sancta Maria was originally written for Violins Viola Cello and Organ and is here presented with a Piano reduction.
2.99 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Mozart Plead Thou My Cause Satb: SATB: Vocal Score
3.99
Wolfgang Amadeus Mozart: Mozart Plead Thou My Cause Satb: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Novello & Co Ltd.
Mozart Plead Thou My Cause Satb
3.99 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Mass In C Minor K.427 / K.417a: SATB: Study Score
20.50
Wolfgang Amadeus Mozart: Mass In C Minor K.427 / K.417a: SATB: Study Score
Chorale SATB
Barenreiter
Credo and Sanctus reconstructed and completed by Helmut Eder.Mozart began work ...
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Credo and Sanctus reconstructed and completed by Helmut Eder.Mozart began work on this ambitious setting of the Mass text in 1782 and there has been much speculation as to the reasons why it was abandoned unfinished. This edition based on the Urtext New Mozart Edition has the Credo and Sanctus reconstructed and completed by Helmut Eder.- Vocal score for sale (BA4846-90)- Study score for sale (TP255)- Performance material for hire (BA4846-72)- Full score hardback containing Mozart's incomplete score (BA4592-01)
20.50 GBP - vendu par Musicroom GB
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