| Selected Lute Works I Luth Theodore Presser Co. 9.10 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Lautenbuch Luth Schott 24.20 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Solothurner
Lautentabulatur Luth [Partition] Amadeus Verlag 47.40 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Lautenmusik A.D.
Renaissance 2 Luth Breitkopf & Härtel 18.90 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Selected Lute Works II Luth Theodore Presser Co. 9.10 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Manuscript Songs Lute
Songs (II FERRABSCO) Luth Stainer and Bell
Par II FERRABSCO. / Recueil / Luth
43.80 EUR - vendu par LMI-partitions Délais: Sur commande |
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| The Younger Ayres 1609
(FERRABSCO) Luth Stainer and Bell
Par FERRABSCO. / Recueil / Luth
61.30 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Suite XVIII (WEISS /
CHIESA) Luth [Partition] Suvini Zerboni
Par WEISS / CHIESA. / Répertoire / Luth
46.60 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Partita In B Flat Maj
From The Warsaw
Manuscript Rm 4137 (WEISS
SILVIUS LEOPOLD) Luth [Partition] Ut Orpheus
Par WEISS SILVIUS LEOPOLD. / Répertoire / Luth
23.80 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Works For Lute
(FIORENTINO PERINO) Luth [Partition] Ut Orpheus
Par FIORENTINO PERINO. / Recueil / Luth
26.70 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Damiani Andrea - Method
For Renaissance Lute
(english Version) Luth Ut Orpheus
Traduction Doc Rossi Compositeur : Damiani Andrea Instrumentation : Lu...(+)
Traduction Doc Rossi Compositeur : Damiani Andrea Instrumentation : Luth Publication Date: 1999 Series: Teoria e Didattica della Musica (Theoretical and Educational Texts) Pages: pp. 208 CONTENTS * Preface * Introduction * CHAPTER 1. TUNING AND TABLATURE Tuning - Tablature (French tablature - Italian tablature - Rhythm symbols - Fingering and other symbols) - Stringing and doubling - Tuning practice (Practical advice on tuning - Tuning problems) - Strings * CHAPTER 2. BASIC TECHNIQUES Posture and position of the lute - Right-hand position - Right-hand functions - Sound production (Positioning p - Forearm movement - Attack - Positioning i) - Alternating p and i - Finger articulation for polyphonic passages (Positioning p - Positioning i) - Preparatory exercises - Differences from guitar technique - Body control * CHAPTER 3. THE RIGHT HAND Forearm and accentuation - Fingering * CHAPTER 4. THE LEFT HAND General principals - Preparatory exercises - Avoiding stiffness - Differences from guitar technique - Hand coordination * CHAPTER 5. SCALES Right-hand scale technique (Forearm movement - Finger articulation - Integrating the two techniques) * CHAPTER 6. EXERCISES FOR TWO LUTES Exercises on a ground bass - Contrapuntal exercises - Articulation - Dances and ground basses * CHAPTER 7. SHIFTING LEFT-HAND POSITIONS Fundamental principals - Position changes using the same finger - Position changes by substitution - Position changes by jump * CHAPTER 8. EXERCISES FOR TWO LUTES WITH POSITION CHANGES * CHAPTER 9. RIGHT-HAND TECHNIQUE IN POLYPHONIC MUSIC p-i articulation - Positioning m - Rest stroke with p - Left-hand positions and movement - m-i articulation - Combining p, i and m - Easy pieces in two voices - Two-voice scales * CHAPTER 10. COUNTERPOINT Voice progression and intervals - The species - Florid counterpoint - Imitation - Syncopation - Suspension * CHAPTER 11. CONTRAPUNTAL PIECES IN TWO VOICES * CHAPTER 12. THREE VOICES The right hand - Combining chords and single notes - Repeated chords and monophonic passages - Arpeggios - Chords and counterpoint * CHAPTER 13. CONTRAPUNTAL PIECES IN THREE VOICES Technical aspects: three-voice scales, the barre - Contrapuntal pieces in three voices * CHAPTER 14. CHORDS OF FOUR OR MORE NOTES The ring finger (a) - Five- and six-note chords - Chords played with p * CHAPTER 15. IDIOMATIC LUTE COMPOSITIONS Chords and divisions - Characteristics of lute composition * CHAPTER 16. TRANSFORMATION OF LUTE TECHNIQUE DURING THE 16th CENTURY Evolution of right-hand position - Exercises for m-i alternation * CHAPTER 17. TECHNIQUE Scales (Full-length scales in all keys - Scales with divisions) - Speed - Left-hand legato and ornamentation - The barre (Preparatory exercises - Barre exercises) - Scales in two and more voices (Two-voice scales - Three-voice scales) - Polyphonic patterns - Right-hand exercises * CHAPTER 18. RENAISSANCE PERFORMANCE PRACTICE Interpretation (Rhetoric - Sound quality - Rhythmic inequality) - Ornamentation (16th-century sources - The first half of the 16th century - The second half of the 16th century - The first half of the 17th century - The Elizabethans) * CHAPTER 19. TEMPERAMENT Meantone temperament - Equal temperament
43.60 EUR - vendu par Woodbrass Délais: Sur commande |
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| Berceuse with seven
variations (MUHLY NICO) Luth [Partition] St Rose Music Publishing
Par MUHLY NICO. Berceuse with seven variations is constructed around a cycle of ...(+)
Par MUHLY NICO. Berceuse with seven variations is constructed around a cycle of twenty-four chords, spaced with maximum distance between the lowest and highest notes. Each variation explores various paths through this cycle, but always keeping the idea of a cradle-song, a berceuse, in the background. Some of the variations treat this music subtly and calmly, and other times, exploding the chords into fast-moving notes found at the extremes of the instruments. The piece ends with the chords dispersed, inverted, and made gentle again. ? NICO MUHLY / Date parution : 2022-09-20/ Répertoire / Théorbe
13.50 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Nico Muhly: Berceuse with
seven variations Luth St Rose Music Publishing
Berceuse with seven variations
7.50 GBP - vendu par Musicroom GB Délais: En Stock |
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| Sonata de los misterios
(BROUWER LEO) Archiluth [Partition] Ediciones Espiral Eterna
Par BROUWER LEO. / Répertoire / Archiluth
21.90 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Manuel D'Initiation
A La Lutherie Lutherie IMD (International Music Diffusion) 17.90 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Tablature For Two Lutes:
Book 2 (NORTH NIGEL) Luth Stainer and Bell
North Nigel (Ed). Par NORTH NIGEL. Music by Cutting, Johnson and Ferrabosco, amo...(+)
North Nigel (Ed). Par NORTH NIGEL. Music by Cutting, Johnson and Ferrabosco, amongst others/ Tablatures / 2 Luths
23.49 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Méthodes Et
Traités - Vol.1 -
France 1600 - 1800 Luth Anne Fuzeau Productions
/ Flûte Et Piano / 192 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
75.80 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Tablature For Two Lutes:
Book 1 (NORTH NIGEL) Luth Stainer and Bell
North Nigel (Ed). Par NORTH NIGEL. Music by anonymous Elizabethan composers/ Tab...(+)
North Nigel (Ed). Par NORTH NIGEL. Music by anonymous Elizabethan composers/ Tablatures / 2 Luths
23.49 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Tablature For Two Lutes:
Book 3 (NORTH NIGEL) Luth Stainer and Bell
North Nigel (Ed). Par NORTH NIGEL. Edited Robert Spencer ANONYMOUS Drury's accor...(+)
North Nigel (Ed). Par NORTH NIGEL. Edited Robert Spencer ANONYMOUS Drury's accords; Duncomb's Galliard; Merry mood DANIEL, John/ Tablatures / 2 Luths
23.49 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Pozniak: Renaissance Bd5
Lautenmusik: Lute:
Instrumental Album Luth PWM (Polskie Wydawnictwo Muzyczne)
Renaissance Bd5 Lautenmusik
16.50 GBP - vendu par Musicroom GB Délais: Info (stock) sur le site |
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| Giles Swayne: Groundwork
Op.80: Lute: Instrumental
Work Luth [Partition] Novello & Co Ltd.
A rare work for the Lute-based Theorbo. Below is the programme note from the com...(+)
A rare work for the Lute-based Theorbo. Below is the programme note from the composer.In July 1998 I decided that I would use a theorbo in Havoc a piece I was writing for the 1999 Proms (premiere September 8th 1999). Since my knowledge of the instrument was negligible I contacted David (The Orbo) Miller and appealed for help since I knew he would be playing in the Proms piece. He kindly and with admirable patience showed me how the instrument worked and I began writing groundwork as a technical exercise - hence one meaning of the title. The other is that it is a set of variations over a ground bass.Since the theorbo possesses eight diapason bass strings - whichare plucked like those of a harp not stopped with the left and - it seemed sensible to use these for the ground bass which consists simply of a rising eight-note scale using all diapason strings in turn. This ground is stated at the beginning and developed through 16 variations. Nos 1 to 7 are straightforward except that some of them compress the ground into itself. Nos 8 to 16 are in stretto: they are gradually overlapped with each other the new ground beginning one note earlier each time. The climax of the piece comes at variations 10 to 11; variations 12 to 14 bring it gradually down to earth; no. 15 is quiet and puts the decorated ground in relaxed canon with itself (in octaves using the top and bottom strings of the instrument). Variation 16 strips the ground of decoration putting tight scrunchy chords over it and the piece ends with the lowest diapason string (G) a quiet raspberry ripple of the other seven diapason strings and a final harmonic G to tell us that our little journey is over. I hope you enjoy the scenery.Giles Swayne
14.99 GBP - vendu par Musicroom GB |
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| Rob MacKillop:
Introduction to the Lute:
Guitar: Instrumental
Tutor Luth [Partition + Accès audio] Mel Bay
This book is aimed at beginner lute and guitar players interested in playing Ren...(+)
This book is aimed at beginner lute and guitar players interested in playing Renaissance lutemusic on either instrument. Lute and guitar tablature are included along with notes on technique biographies of lute composers from the 16th century and general advice on buying stringing and tuning a lute. The book startswith single-line melodies before progressing to two-part and full repertoire pieces. Selections include works by great Renaissance composers such as John Dowland Francesco da Milano Alonso Mudarra Francesco Spinacino andothers with music from England Scotland Italy France and Germany. A useful chord chart is also included. Every piece in the book has been recorded for download by Rob MacKillop--in itself an album worth owning. Includesaccess to online audio.
18.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| Rob MacKillop:
Renaissance Lute
Repetoire: Lute:
Instrumental Collection Luth Mel Bay
Renaissance Lute Repertoire-Lute Tablature Edition can be viewed as either a sup...(+)
Renaissance Lute Repertoire-Lute Tablature Edition can be viewed as either a supplement to the popular Introduction to the Lute: for Lute and Guitar Players or as a standalone edition of 16th-century lute tablatures. Play from beautifully-typeset scores, music by John Dowland, Francesco da Milano, Vincenzo Galilei (father of the famous astronomer) and many others, including vihuela composers Narváez and Milán. Together, this collection provides a beautiful and extensive overview of music for the renaissance lute. This edition is in French lute tablature. There is a separate edition in guitar tablature, Renaissance Lute Repertoire-Guitar Tablature Edition.
18.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| Collected English
Lutenist Partsongs I:
Lute Luth Stainer and Bell
Edited by David Greer70 partsongs by Michael Cavendish Robert Jones Francis Pi...(+)
Edited by David Greer70 partsongs by Michael Cavendish Robert Jones Francis Pilkington and John Bartlett are presented in four-part score with lute tablature and transcription.First published in 1987.
100.00 GBP - vendu par Musicroom GB |
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| Dowland J. - Lute Song
Of John Dowland Vol.1 And
Vol.2 Luth Dover Publications
The Original First and Second Books Including Dowland's Original Lute Tablature....(+)
The Original First and Second Books Including Dowland's Original Lute Tablature. THE FIRST BOOK OF SONGS I. Unquiet thoughts II. Who ever thinks or hopes of love III. My thoughts are wing'd with hopes IV. If my complaints could passions move V. Can she excuse my wrongs' VI. Now, O now, I needs must part VII. Dear, if you change VIII. Burst forth, my tears IX. Go crystal tears X. Think'st thou then by thy feigning XI. Come away, come sweet love XII. Rest awhile you cruel cares XIII. Sleep, wayward thoughts XIV. All ye, whom Love or Fortune XIVa. All ye, whom Love or Fortune XV. Wilt thou, unkind, thus reave me XVI. Would my conceit XVII. Come again XVIII. His golden locks XIX. Awake, sweet love, thou art return'd XX. Come, heavy Sleep XXI. Away with these self-loving lads ------ My Lord Chamberlain his Galliard (For two to play...) THE SECOND BOOK OF SONGS I. I saw my Lady weep II. Flow my tears III. Sorrow, stay IV. Die not before thy day V. Mourn, day is with darkness fled VI. Time's eldest son, Old Age (The first part) VII. Then sit thee down (The second part) VIII. When others sing Venite (The third part) IX. Praise blindness eyes X. O sweet woods XI. If floods of tears XII. Fine knacks for ladies XIII. Now cease my wand'ring eyes XIV. Come ye heavy states of night XV. White as lilies was her face XVI. Woeful heart XVII. A shepherd in a shade XVIII. Faction that ever dwells XIX. Shall I sue XX. Toss not my soul XXI. Clear or cloudy XXIa. Clear or cloudy XXII. Humour say what mak'st thou here (a Dialogue)
24.50 EUR - vendu par Woodbrass Délais: Sur commande |
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| Dowland J. - John
Dowland's Lute Songs,
Third And Fourth Book
With Original Tablature Luth Dover Publications
Unsurpassed in his day as a lute virtuoso, John Dowland (1563'1626) today contin...(+)
Unsurpassed in his day as a lute virtuoso, John Dowland (1563'1626) today continues to delight singers, musicians, and music lovers alike. This collection of 45 songs includes all the works in Dowland's original third and fourth books of lute songs, the composer's contributions to his son's anthology of 1610, and a dance for solo guitar. Content : THE THRID AND LAST BOOKE I. Farewell too fair II. Time stands still III. Behold a wonder here IV. Daphne was not so chaste V. Me, me and none but me VI. When Phoebus first did Daphne love VII. Say Love if ever thou didst find VIII. Flow not so fast ye fountains IX. What if I never speed' X. Love stood amaz'd XI. Lend your ears to my sorrow XII. By a fountain where I lay XIII. Oh what hath overwrought XIV. Farewell unkind farewell XV. Weep you no more, sad fountains XVI. Fie on this feigning XVII. I must complain XVIII It was a time when silly bees could speak XIX. The lowest trees have tops XX. What poor astronomers are they XXI. Come when I call (for two voices and two lutes) A PILGRIMES SOLACE I. Disdain me still II. Sweet stay awhile III. To ask for all thy love IV. Love those beams V. Shall I strive with words to move (Mignarda, a galliard is Dowland's title for the solo lute version of the lyre Shall I strive with words to move. VI. Were every thought an eye VII. Stay Time awhile thy flying VIII. Tel me true Love (with chorus) The next three with treble and bass viols ofr violin and cello: IX. Go nightly cares X. From silent night XI. Lasso vita mia XII. In this trembling shadow XIII. If that a sinner's sighs A three-part work: XIV. Thou mighty God XV. When David's life XVI. When the poor cripple XVII. Where sin sore wounding XVIII. My heart and tongue were twins The next with chorus: XIX. Up merry mates XX. Welcome black night XXI. Cease these false sports THREE AYRES FROM A MUSICALL BANQUET Far from triumphing Court Lady if you so spite me In darkness let me dwell GALLIART TO LACHRIMAE A lute solo from A Pilgrimes Solace, transcribed for guitar
23.20 EUR - vendu par Woodbrass Délais: Sur commande |
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