Easy to Intermediate Level / G. Schirmer Instrumental Library-An ideal collection for a student performing in a contest or recital after 3-4 years of study. All of the pieces can be played comfortably in first position.Cello recordings are by Joseph Johnson principal Cello for theMilwaukee Symphony Orchestra and Pianist Judit Jaimes.

Arrangements for string quartet of 'Romance for string orchestra, op 11' (1928), 'Elegy for violin and piano, op 22' (1940), and 'Prelude for string orchestra, op 25' (1940s). 'Romance' (8 mins) was first performed in 2009 by the Finzi Quartet at London's Wigmore Hall, and has been recorded by them on Resonus Classics RES 10109. 'Elegy' (9 mins) and 'Prelude' (5 mins) were first performed in 2014 by the Marilla Quartet at Downe House School, Berkshire, UK. The arrangements are presented as three separate works and form an attractive addition to the string quartet repertory.Difficulty:Prelude: intermediateRomance and Elegy:intermediate/advanced. / Quatuor De Cordes

Intermediate-level arrangements of well-known Classical and Romantic works. Par AUTEURS DIVERS / BROOKER DAVID (Arr.). In his preface to 'Piano Trios on Stage”, the arranger, David Brooker, reminds us that, just as the string quartet, the piano trio has always been one of the pillars of chamber music. In the 19th and early 20th century, it was almost like the later invention of the gramophone record, allowing larger works, in arrangement, as well as lighter pieces to be presented to small audiences, often as background music. David comments that string players have plenty of easy material to introduce them to the pleasure of making music with other instrumentalists but when it comes to piano parts these are usually written or arranged with a teacher or more advanced student in mind. David sets out to rectify that imbalance and his arrangements aim to put all three players on an equal footing. Of easy to intermediate standard, they are ideal for violinists, cellists and pianists who are now ready to try their hand at proper chamber music. The music is fun and instantly recognizable, drawing on Grieg's 'Peer Gynt”, Tchaikovsky's 'Nutcracker” and Leopold Mozart's 'Musical Sleigh Ride”./ Recueil / Violon Ou Flûte, Violoncelle Et Piano

20 Easy to Intermediate Pieces from four Centuries. Par NEUMANN EVA-MARIA (Arr.). Making music in a quartet uniquely nurtures young string players’ musical development, ensemble playing, listening to each other, and intonation. So, what could be more obvious than introducing the scoring of this genre, often referred to as chamber music’s supreme discipline, as early as possible. Indeed, composers have all along advised the classical string quartet’s outstanding compositions, but they are hardly easy to play for beginners. Here, with the present collection, is where Eva-Maria Neumann comes in. The two volumes include A total of 20 easy to intermediate arrangements of pieces from Bach to Bartók, together with specifically composed ones in string-quartet friendly keys - Reading scores and individual parts - additionally, individual part for violin III instead of viola - Tips on warming up, intonation, bowing, fingering, tempos, dynamics, and playing musically - Specific instructions for the individual pieces - Lists of supplementary original literature The pieces are also effective as scored for chorus./ Recueil / Quatuor à Cordes

10 Intermediate-Level Arrangements. Par DIVERS AUTEURS (ARR.BROOKER DAVID). Since graduating from the Guildhall School of Music and Drama, David Brooker has been a performer on the viola and a music educator with a special interest in using ensemble music in instrumental teaching. His first two books, 'Stringplay” and 'Stringplay Around the World” reflected this, providing resources for elementary string orchestra and now 'String Trios from Around the World” takes the idea to the smaller ensemble of violin, viola and cello. This book of folk music from four continents, with an emphasis on love songs, keeps to the spirit of the original pieces while making the music idiomatic and fun to play. The parts are equal in difficulty (easy to intermediate) - in fact, David says that, as a violist himself, he has made sure that the violinist doesn't get all the tunes! The arrangements include a few unusual techniques but David promises they are not as hard as they look or sound./ Recueil / Trio à Cordes

Media Type : Book Level : Beginning-Intermediate Musical Genre : Sacred Number of pages : 80 This is a collection of twelve sacred pieces from the classical repertory, arranged for cello solo with piano accompaniment. All time favorites like the Pachelbel Kanon, Jesu, Joy of Man's Desiring and Ave Maria are included. The cello part is intermediate level, never going higher than G on the A string. This is a very valuable source of solos that can be used for weddings, memorial services and worship gatherings.

The latest volume of the popular series extends the repertoire of beginner and intermediate cello students with excellent transcriptions of works by music historys three great Bs. Árpád Pejtsik, the editor of the series, has transcribed for three cellos the Trio Sonata in G Major for Flute, Violin and Continuo by Bach, a witty bagatelle by Beethoven and two works originally written for the piano (Sarabande, Gavotte) by Brahms in his youth. While at least intermediate instrumental skills are required due to the use of higher positions when playing the top parts, the bottom parts can be performed by beginner cellists. Interpretation is helped by the fingering and bowing being provided by the editor. / 3 Violoncelles

13 pieces of easy to intermediate standard ideal for lessons and concerts. As well as popular Baroque sonatas by the likes of Vivaldi and de Fesch, there are also some charming, lesser-known compositions by Lanzetti and Zocarini. Also included are Classical sonatas by J. C. F. Bach, Stephen Paxton and Beethoven alongside pieces from the Romantic era including Mendelssohn's Song Without Words Op. 109, Fauré's Sicilienne Op. 79 as well as two little pieces by Goltermann. / Violoncelle Et Piano

Each of the solos in this collection has been carefully selected from the most popular of the great orchestral pieces and expertly arranged for the intermediate to advanced cellist with Piano accompaniment. The arranger Geoffrey Pratley has included performance notes for each piece.The 8 pieces in Great Orchestral Solos For Cello - Book One include movements from Carmen Haydn's Symphony No. 95 Beethoven's Die Geschopfe Des Prometheus Tchaikovsky's Sleeping Beauty and others. Pull-out part for Cello.

Strolling Strings Vol. 2-Arranged for Intermediate level Cello with Piano accompaniment by James 'Red' McLeod.

für 2 Celli (1. Cello sehr leicht 2. Cello mittel)-The Small Tricks are a delight for cello beginners especially when accompanied by a more advanced student or their tutor (1st cello: very easy; 2nd cello: intermediate). A separate guitar accompaniment is available and can replace the second cello. Guitar accompaniment: SY 2883

Set for the Trinity College examinations Grades 1/2.See Intermediate Section for Books 2 & 3 (Refs. 7761B and C) and Advanced Section for Book 4 (Ref. 7761D).

Media Type : Book Level : Beginning-Intermediate Musical Genre : Classic Number of pages : 48 This collection includes music from Mozart's Viennese Sonatas. The piano parts frequently double the cellist to aid in performance. Features a pull-out� cello part with bowings and fingerings.

J. S. Bach’s two-part keyboard pieces form a significant body of musical literature but only occasionally have they been arranged for strings. This carefully transcribed collection of cello duets and its two companion volumes Duets for Two Violins (MB # 21437) and Duets for Two Violas (MB # 21438) bring many additions taken from Bach’s suites preludes and inventions to the string player’s repertoire. Intermediate and advanced instrumentalistswill delight in the musical complexity contrapuntal dialogue and variety of moods in these pieces. Since bowing and fingering preferences vary greatly among string players editorial marks have been kept to a minimum. These arrangements are an attractive valuable addition to string ensemble work.