Horn and Piano-Part of the Anglo Music Play-Along Series Philip Sparke's 15 Intermediate Classical Solos is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparke's 15 Easy Classical Solos.Specifically tailored to suit the individual instrument this book introduces the developing player to the world of the classics by using simple yet attractive melodies that fit their limited range.The carefully selected pieces include music from the 17th to the 19th century and cover a wide variety of styles from Handel to Tchaikovsky and from Clementi to Brahms.The book will provide invaluable additional material tocomplement any teaching method and includes both piano accompaniment and a demo/play-along CD.

Par PROUST PASCAL. Le compositeur Pascal Proust puise à volonté dans son immense expérience de musicien et professeur de musique ; son catalogue d’oeuvres englobe plusieurs centaines de compositions pour divers instruments. Il a écrit 14 Intermediate HornQuartets pour cornistes ayant environ 4 à 5 années de pratique, dans un style musical accessible et coloré. De ce fait, ces quatuors sont des pièces idéales pour tout examen ou audition de jeunes ensembles de cors. / Niveau : Intermédiaire / Date parution : 1905-07-09/ Répertoire / 4 Cors

Faisant partie de l'Anglo Music Play-Along Series les 15 Intermediate Christmas Carols(15 chants de Noël de niveau intermédiaire) de Philip Sparke visent les instrumentistes qui arrivent à jouer environ une octave etdemi. Adapté pour convenir à chaque instrument spécifique ce recueil introduit le musicien de niveau moyen aux chants de Noël les plus populaires en sélectionnant les mélodies simples les plus intéressantes qui correspondent à leur registre limité.Ce livre fournit du matériel supplémentaire indispensable qui complète n'importe quelle méthode pédagogique et inclut un accompagnement pour piano ainsi qu'une version sur CD avec démos.

Category: Instrumental SeriesFormat: Book and CDInstrument: French HornInstrumentation: French HornLevel: IntermediateEach collection contains 11 songs arranged for the instrumentalist wanting to play in a jazz style -- without the need to learn to improvise. All of the books are compatible, with only minimal changes in the variation section to accommodate the ranges and unique characteristics of the instruments.Titles are: I Got Rhythm * But Not for Me * Embraceable You * A Foggy Day * Fascinating Rhythm * I've Got a Crush on You * 'S Wonderful * How Long Has This Been Going On * Nice Work If You Can Get It * Someone to Watch Over Me * Strike Up the Band.

Two specially selected themes from 'Harry Potter and The Prisoner of Azkaban'. The arrangements are for Flute, Clarinet, Alto Sax, Tenor Sax, Trumpet, French Horn and Trombone. As they are compatible volumes, they can be played together.The book is for the early/intermediate player, with a piano accompaniment suitable for either a teacher or intermediate level student. A backing CD is also included and provides both a demonstration version and also the playalong track.

Solo Arrangements of 14 Classic Songs with CD Accompaniment-Now solo instrumentalists can play play along with 14 intermediate-level tunes from Musicals like The Sound of Music Mary Poppins and Beauty and the Beast. These books include CDs with orchestral accompaniment tracks.

An outlined course of study designed to follow the elementary and intermediate levels of any instructional method the Rubank Advanced Methods are considered to be one of the gold standards of advanced instrumental study. Thespecially designed units provide a a complete pedagogy:• Scales and Arpeggios All of the major and minor keys are covered in the complete two-book course• Melodic Interpretation Including20+ contest level duets in each book• Solo Preparation Six contest level solos included• Articulation Studies Specialized for each instrument• Exercises in Fingering(woodwinds) Flexibility (brass) and Sticking (percussion)• Ornamentation All types are introducedGenerations of musicians have been taught with Rubank methods – join the tradition!

Saxofoon Methodes en Etudes-Blues Horn Ensemble Playing is the result of the combined efforts of Andrew D. Gordon and Frank Villafranca to present the material in a way in which beginning and intermediate horn players can gain an understanding of blues ensemble playing quickly and easily.The twenty examples recorded on the CD provide a dual purpose. They take you through a variety of musical styles including swing blues slow blues funky blues jazz blues latin blues minor blues mostly based on the standard 12 bar blues chord progression and include four choruses each. The first two choruses are recorded with the horns and rhythm section consisting of keyboards guitar bass and drumsand the last two choruses are rhythm section only. On the last two choruses you may want to play the riffs again or practice playing your own melodic blues solos.These examples will help you build a repertoire of riffs you can use in a live situation. Hopefully they will also provide inspiration to help you come up with your own ideas.

This second book of solos is a direct continuation of the first. It takes students to a point where they can begin to tackle the standard sonata and concerto repertoire. The book is designed to cover many of the technical problems encountered by the intermediate horn player and later pieces introduce important techniques such as hand-stopping and the bass clef. As with book one many pieces are originally associated with the horn and notes at the back of the book give background information and tips for interpretation. Edited and arranged for Horn and Piano by Arthur Campbell.

F Horn-Introducing the first-ever curriculum for high school band! Essential Musicianship for Band is the perfect tool to assist your ensemble in developing the skills needed to read rehearse and perform band repertoirewith precision and artistry. Using proven methods for superior sound production and ensemble technique your students will transform printed notes into a meaningful musical experience. Fits easily into the traditional concert bandsetting. Masterwork Studies focuses on six landmark compositions for band (score/parts not included). Two CD-ROMs are included featuring: 1. Exemplary recordings of each work performed by some of theworld's finest ensembles 2. Practice ?loops? on the more difficult passages for each individual instrument including tempo adjustment software on-screen assessment and a built-in metronome3. Scale arpeggio and articulation studies in all keysAlso available in the Essential Musicianship curriculum: ? Ensemble Concepts (HL00960059 ? 00960077). Designed to helpensembles to acquire maximum performance skills while increasing overall musicianship. Every aspect of ensemble development is introduced individually in developmental order then combined for more advancedpractice.? Ensemble Concepts - Fundamental Level (HL00960110 ? 00960127)? Ensemble Concepts ? Intermediate Level (HL00960129 ? 00960146)

Volume 3 : 40 études moyenne force-In six books Maxime Alphonose provides 200 progressive studies for the Horn. The third volume of Deux Cents ?tudes Nouvelles M?lodiques Et Progressives is essential to intermediate level Horn players seeking to improve their technique on the instrument. Alphonose's studies focus on elements including tempo rhythm articulation rests dynamics syncopation breath control and neatness among other musical aspects. Compiled in 1924 Alphonse's Deux Cents ?tudes Nouvelles M?lodiques Et Progressives has enhanced the studies of many prolific Horn players. With notes in French English German and Japanese this Alphonse book is versatile and crucial to the progress of any Horn player.

Ten intermediate level solos of Christmas classics. The CD features individual members of the Canadian Brass playing solos (tuba ? Charles Daellenbach trombone ? Eugene Watts horn ? David Ohanian trumpet? Fred Mills and Ronald Romm) plus accompaniment tracks. Songs include: Angels We Have Heard on High ? The First Noel ? Gesu Bambino ? I Saw Three Ships ? O Holy Night ? Silent Night ? and more.

Intermediate to Advanced Studies-(Essential Technique for Band is fully compatible with Essential Technique 2000)A technique-building program for any band Essential Technique for Band is also an excellent tool for individual or smallgroup study. This is Book 3 of the Essential Elements for Band beginning band system and features:Key-Centered System? Nine major and related minor keys? Scales etudes shortchorales and music technique exercisesIndividual Instrument Studies? Demonstrated by a professional soloist on your instrument? Professionally recorded accompaniments (notsynthesized)Special Studies Section Reading Skill Builders Rhythm Pages Jazz Style and Improvisation Full Chorales Rubank Scales and ArpeggiosIntegrated History Theory and CreativityMoreGreat Music Classical world music folk and more Book also includes My EE Library* (www.myeelibrary.com) - Instant Stream/Download/CD*...with Play-along mp3 tracks for ALLexercises*Internet access required for My EE Library. Book includes instructions to order free optional CD.

Chant Lointain is a piece for F Horn and Piano by Eugène Bozza. Written for intermediate players this melodious work is divided into three distinct parts: Slow (6/8) Allegro moderato (4/4) and Slow (6/8). Really energetic  Chant Lointain sees the Piano and the Horn answering to each other. The piece lasts a total of four minutes during which the Horn appears as a really majestic instrument. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin conducting and composition as well as the Grand Prix de Rome. He composedseveral operas chamber works and ballets among others.

Rhapsody In Blue is a major addition to the woodwind quintet repertoire.This version of Rhapsody In Blue includes a score and five parts and has been arranged for Flute Oboe Clarinet in B-flat Horn in F and Bassoon at an intermediate playing level.Many people know the famous Clarinet glissando opening to Gershwin’s Rhapsody in Blue but very few know that the original version was scored for two Pianos and that the glissando was initially just an ascending scale.Joachim Linckelmann’s superb arrangement of this modern classic is based on this original version and with the exception oftwo solo Piano passages that cannot be realised by a woodwind quintet the entire work is presented.