Grade 3-Janet Way's Grade By Grade series draws on the rich and varied Boosey & Hawkes catalogue of classical contemporary and educational repertoire highlighting composers including Serge Prokofieff Dmitri Shostakovich Karl Jenkins Carol Barratt and Christopher Norton alongside arrangements of traditional music from around the world by Peter Wastall Vera Gray and others.This practical anthology of carefully selected pieces provides the complete repertoire resource for the aspiring Grade 3 Oboe player and creates the perfect package for teaching exam preparation and performance.Each volume contains:19 pieces & shortstudies each complemented by a useful practice and performance tip.Grade-appropriate scales and arpeggios linked to the repertoire through bespoke text and exercises.Brand new sight-reading activitiesNewly-commissioned aural awareness tasks.A Piano accompaniment booklet. This book for Grade 3 Oboe players includes the pieces Gavotte by Francois Couperin Beach Front by Christopher Norton the traditional English The Trees They Do Grow So High and more.Janet Way: Grade By Grade Oboe (Grade 3) comes complete with a CD of full performance demonstrations Piano backing tracks and grade-appropriate aural awareness resources.

Traditional Carol. Par HERZOG EDGAR. Langue: English(UK)/ Répertoire / 2 Trompettes, Cor en Fa ou Bugle, Trombone, Tuba

This collection of oboe music written by living composers is an invaluable resource for any oboist of Grade 8 and conservatoire standard who is curious about widening their repertoire and exploring the various languages ofmodern music. The term 'modern music' can alienate many minds who may think it will be too difficult technically; aurally unknown and therefore unsatisfying; harmful or damaging to their musical sensibility. To all these pointsthis volume has the answers. Every one of these pieces requires challenging technical skills demanded of any of the more traditional oboe repertoire and additionally they will improve technique. Each piece portrays a characterand language that is approachable and compelling. Far from damaging musical sensibility these musical types will open the ear and enrich the spirit. Some are physically demanding and require very good breath control others needpatience in learning new fingerings and timbres and some travel to extreme registers. But in all cases the effort will be rewarding and not only that the knowledge gained about the oboe and how it works will be equallyentertaining and stimulating.

Grade 4-Janet Way's Grade By Grade series draws on the rich and varied Boosey & Hawkes catalogue of classical contemporary and educational repertoire highlighting composers including Serge Prokofieff Dmitri Shostakovich Karl Jenkins Carol Barratt and Christopher Norton alongside arrangements of traditional music from around the world by Peter Wastall Vera Gray and others.This practical anthology of carefully selected pieces provides the complete repertoire resource for the aspiring Grade 4 Oboe player and creates the perfect package for teaching exam preparation and performance.Each volume contains:19 pieces & shortstudies each complemented by a useful practice and performance tip.Grade-appropriate scales and arpeggios linked to the repertoire through bespoke text and exercises.Brand new sight-reading activitiesNewly-commissioned aural awareness tasks.A Piano accompaniment booklet. This book for Grade 4 Oboe players includes the pieces Duet by Benoit Berbiguier Peru by Mike Mower Cantata by J. S. Bach and more.Janet Way: Grade By Grade Oboe (Grade 4) comes complete with a CD of full performance demonstrations Piano backing tracks and grade-appropriate aural awareness resources.

Oboe and Piano-'The Sapphire' is dedicated to Heath's daughter Naima Sapphire. On the day she was born in 2000 Heath was walking over the meadows in Edinburgh to see her and could hear bagpipes playing in the distance. That inspired him to write this piece.The melody and over-all style are influenced by Scottish traditional music however the harmonies come from modern jazz.

Par DUCKETT RICHARD / LOANE C.. Team Woodwind is designed for everyone who wants to learn to play woodwind. This method: presents a flexible course which can be tailored to suit each student is ideal for individual, group or class tuition contains plenty of carefully graded music in a wide variety of styles encourages ensemble playing with varied repertoire for mixed wind group and integrates with ensemble music in Team Strings, Team Brass, Team Recorder and Team Percussion offers more than 40 pieces which can be played in unison between flute and clarinet contains over 50 well-known titles selected from the worlds of pop, jazz and theshows, as well as traditional and folk material provides imaginative piano accompaniments for selected pieces and chord symbols where appropriate develops instrument-related aural skills, improvisation and composition offers helpful notes for the teacher, together with clear ensemble scores./ Recueil / Hautbois

Work for Oboe Violin Viola and Cello. Parts available: CH56341.This quartet was commissioned by the Institute of Contemporary Arts and written in the autumn of 1967. It is dedicated to Lady Norton and is the second of LennoxBerkeley’s three works written with the oboist the late Janet Craxton in mind the other two being his Sonatina OP 61 and Sinfonia Concertante OP 84.The work begins with a fairly extended introduction leading without a breakinto an Allegro. The whole composition is based on the internal of a third (sometime major sometimes minor) which is heard in the opening phrase of the introduction and again in the main theme of the Allegro though here in atotally different context. The allegro is in more or less traditional sonata form. The middle movement is a kind of Scherzo growing out of a rhythmical figure for the strings and a rapid arpeggio (major and minor chords) forthe oboe. This is a Presto; a more relaxed middle section corresponding to the Trio in a classical work is followed by a much shortened version of the Scherzo. The last movement is brief but very slow all four instrumentstaking up in turn a gently rocking figure that moves to and fro between two notes always a major or minor third apart. The music becomes more animated but returns to the opening figure and dies away each instrument droppingout one after the other leaving the cello alone in the last bar.

for Double Wind Quintet. Par CESARINI FRANCO. Les danses folkloriques sont très répandues dans toute la Grèce. Dans cette pièce, Franco Cesarini a voulu utiliser quelques danses typiques de la tradition populaire grecque. Il a sélectionné trois chansons folkloriques traditionnelles, les adaptant librement. Le premier mouvement est un kalamatianos, une danse festive qui a des racines remontant à l'antiquité, dans les premiers écrits d'Homère. Elle est considérée comme la danse nationale grecque. Sa caractéristique la plus distinctive est le rythme irrégulier en 7/8. Selon l'occasion et l'habileté des danseurs, certains pas peuvent être exécutés en sautant et en s'accroupissant. Le deuxième mouvement représente un zeibekiko. Contrairement à la plupart des danses traditionnelles grecques, le zeibekiko n'est pas une danse exécutée en groupe ; il n'y a pas d'étapes particulières à suivre, seulement certaines figures. Le troisième mouvement, un hasapiko, est une danse traditionnelle avec des racines à Constantinople. Le hasapiko, qui a inspiré le sirtaki, est une danse qui passe d'un rythme lent à un rythme plus rapide. Le hasapiko est dansé en ligne ou en cercle ouvert, chaque danseur plaçant ses mains sur les épaules du voisin. / Date parution : 2022-04-01/ Répertoire / Double Quintette de Vents

An outlined course of study designed to follow the elementary and intermediate levels of any instructional method the Rubank Advanced Methods are considered to be one of the gold standards of advanced instrumental study. Thespecially designed units provide a a complete pedagogy:? Scales and Arpeggios All of the major and minor keys are covered in the complete two-book course? Melodic Interpretation Including20 contest level duets in each book? Solo Preparation Six contest level solos included? Articulation Studies Specialized for each instrument? Exercises in Fingering(woodwinds) Flexibility (brass) and Sticking (percussion)? Ornamentation All types are introducedGenerations of musicians have been taught with Rubank methods ? join the tradition!

Maria Inês Guimarães (*1959 à Uberaba, Brésill)
Pianiste, musicologue, compositeur, pédagogue
Maria Inês Guimarães a commencé ses études avec Odette Camargos à Uberaba, Minas Gerais et à São Paulo a travaillé avec Eudóxia de Barros et Rafael dos Santos. Elle a aussi suivi les masters classes de Magdalena Tagliaferro. Elle a suivi des formations avec les musiciens de jazz et musiques improvisées Jean Marie Machado et Bruno Wilhelm.
Depuis le début de sa carrière, Maria Inês Guimarães consacre toujours une partie de ses programmes de concerts à la musique brésilienne tant traditionnelle que classique. Que ce soit au Brésil ou ailleurs, Bach, Beethoven, Fauré et Kurtág côtoient ainsi Nazareth, Mignone, Abreu, Villa-Lobos et Antunes.
Avec son groupe Ilustrando o CHORO, composé d'un piano, flûte, basse et de percussions brésiliennes, elle maintient bien vivante la tradition du Chorinho qui est plus que centenaire.
En France depuis 1988, Maria Inês Guimarães a travaillé avec Anna Stella Schic et Françoise Parrot-Hanlet. Elle a soutenu en décembre 1996, sous la direction d?Edith Weber, une thèse de doctorat en Histoire de la Musique et Musicologie (Sorbonne-Paris IV), grâce à une bourse du gouvernement brésilien, qui lui a permis d'étudier l'oeuvre du compositeur Lobo de Mesquita (1746-1805). Sa thèse a été publiée par les Presses Universitaires du Septentrion en 1997.
L'improvisation libre étant une de ses passions Maria Inês Guimarães fonde en 2004 le Duo Asymétrie avec la percussioniste brésilienne Brenda Ohana et en 2007 le Trio Wilhelm-Guimarães-Mendy avec Bruno Wilhelm et Paul Mindy. Elle est membre fondateur du groupe L?attachement des Bobines formé en 2006. Avec ses trois formations elle travaille sur la composition dans l?instant, née de l?écoute mutuelle et de la recherche de l?unité en utilisant différents aspects de la matière sonore. La publication d'articles ainsi que de partitions et le poste de professeur titulaire au Conservatoire d'Antony, complètent l'activité de musicienne de Maria Inês Guimarães qui a enregistré 10 disques en tant qu'interprète, compositeur et musicologue.


Fausto Reis (*1978), cavaquiniste
Fausto Reis a joué avec des grands noms du Choro et de la musique brésilienne : Pernambuco do Pandeiro, Hamilton de Holanda, Zé da Velha, Jaime Ernest Dias, Dirceu Leite, Ezequiel Piaz, Bruno Rian ...
Il habite au Brésil où il suit une carrière de soliste, compositeur, arrangeur et pédagogue. Son travail basé sur la transmission orale du choro est un modèle du genre. Il forme une nouvelle génération de musiciens en utilisant la manière des anciens de transmettre la musique populaire tout en complétant la formation par des matières plus académiques. / Partitions classique / Bois / Hautbois / EGGE VERLAG

Comme le troisième après la deuxième La Seconde Guerre mondiale chaîne résultante est également Trio Laks 'pour hautbois, clarinette et basson de 1965 à la vie du compositeur, non publié. Le virtuose, pièce ludique est à son tour dans la tradition de néoclassicisme français, avec son accent sur ??la clarté formelle, la transparence de la texture et Melodizität élégante. La précision razor-sharp avec laquelle lakhs dans slugfest motivique et thématique de idiomatique humour instruments guidée générée peut penser de Stravinsky - en plus de Szymanowski et Ravel le plus garant important de, Jeunes Musiciens Polonais ', qui, quelques puissants' de compositeurs polonais, le Paris la vie musicale depuis les années 1920, et a été enrichi pour les protagonistes de Laks 1926e / Hautbois, Clarinette Et Basson / 76 pages / Partition

French pianist conductor and composer Jean-Michel Damase (1928-2013) was composing by the age of nine. He studied at the Paris Conservatoire under many significant professors and won the 1947 Prix de Rome. 17 Variations for Wind Quintet is no exception to the composer's success. Damase is remembered for tackling every genre of music in order to bring further elegance to the tradition of French music. Frequently played in concerts 17 Variations for Wind Quintet is a charming work for an advanced quintet containing a Flute Clarinet Oboe Bassoon and French Horn. For all aspiring advanced Wind Quintets Damase's 17 Variations is an exciting addition to the ensemble's repertoire.