Par MASSON THIERRY. Ce recueil s'adresse aux élèves qui, après avoir étudié la flûte à bec soprano durant les deux premières années, débutent la flûte à bec alto et souhaitent découvrir le plaisir du duo avec des jeunes pianistes. Les pièces présentées sont courtes, peu difficiles, afin de se consacrer à la musicalité et à l'écoute, deux qualités essentielles pour jouer ensemble. Mes remerciements les plus sincères à Aline Béhar pour sa compétence apportée à la réalisation de ce recueil. Je remercie également Claire-Dominique Jullien pour sa collaboration. / Niveau : Débutant / classique / Répertoire / Flûte à Bec Alto et Piano

31 Works for Treble (Alto) Recorder and Piano. Peter Bowman and Kathryn Bennetts present the third volume in the Renaissance Recorder Anthology series. Featuring well-known and lesser known pieces scored for treble recorder and keyboard instrument from the Renaissance period. Including CD. / Niveau : 3 / Date parution : 2017-11-20/ Recueil / Flûte à Bec Alto et Piano

Par SCHUBERT FRANZ. Presented for alto recorder and piano, the two most famous Ave Marias in music. Gounod’s, based on Bach’s first prelude and Schubert’s equally well known composition. They offer an undemanding blow for treble recorder in these arrangements by Sylvia Corinna Rosin or, perhaps a little more challenging, the Schubert will fit the tenor recorder, whose mellower tone will suit the music perfectly./ Répertoire / Flûte à Bec Alto et Piano

Dans ce travail récent Genzmer fusionne le langage musical d'une chanson d'amour anglais traditionnel avec son propre idiome infailliblement contemporaine. Les quatre Variations et Coda sont un prendre joliment différent sur une mélodie de vieux préférée. / Flûte A Bec Alto Et Piano

Par MEYNAUD MICHEL. / Niveau : Elémentaire / classique / Répertoire / Flûte à Bec Alto et Piano

/ Flûte A Bec Alto (Flûte Traversière Ou Violon) Et Basse Continue / Partition

Par ZIPP FRIEDRICH. / Répertoire / Flûte à Bec Alto ou Flûte Traversière ou Violon et

Par BONSOR BRIAN. The best way to learn any instrument is to have lessons from a good, experienced teacher. Although, happily, the number of such teachers is constantly growing, the recorder is still frequently taught by enthusiastic but inexperienced teachers and many players start by teaching themselves. This series of books sets out to help learners of all ages in all three situations. Experienced teachers, who may choose to disregard much of the text as personal demonstration is always clearer than the written word, will find exercises and fine tunes a-plenty to support their own mathod at each stage. The less experienced willbenefit from many valuable teaching hints culled from long experience and may rely on the books to lead to a sound playing technique and a mastery of simple notation. Those learning by themseves - and I started in this way - are urged to work carefully and systematically through the books, taking plenty of time to assimilate each point before moving on. For them, without the personal model provided by a live teacher, it is vitally important to listen as often as possible to fine players, in person or on record, so that they have in their mind's ear a clear notion of the kind of sound they would like to produce. But however they start, I can only wish that all who use these books will derive as much pleasure and musical satisfaction and gain as many lasting and valued friendships as I have through this most subtle, delightful and sociable of instruments. (Brian Bonsor) “...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken“ (Oliver James, Contact Magazine) These two tutors, with accompanying teacher's books, are for newcomers to the instrument who are beginning on the treble and so assume no previous knowledge either of the instrument or of musical notation. / Pédagogie / Recueil / Flûte à Bec Alto et Piano

Sonate BWV 1014
Die sechs Sonaten für Violine und Obligato-Cembalo BWV 1014-1019 komponierte Bach vermutlich in seiner Köthener Zeit.
Es sind besondere Sonaten, denn sie sind in erster Linie für das Cembalo gedacht, mit Begleitung eines Melodie-Instruments. Nun hat Clémence Grégoire die Sonate BWV 1014 für Altblockflöte und Cembalo eingerichtet und so transkribiert, dass sie perfekt auf die Gegebenheiten der Blockflöte passt.
/ Partitions classique / Bois / Flûte à bec / HEINRICHSHOFEN