This creative collection of easy pieces is intended to open up the wealth of Romantic music to clarinettists in the early stages of their development. This volume includes well known and popular themes by the great composers of this era. The book concludes with short studies by Friedrich Demnitz - a famous clarinettist of the period.The pieces selected here have been sensitively arranged for clarinet and piano, so that they are satisfying and enjoyable to play. They are suitable for studying in lessons, as well as repertoire for recitals and concerts. Of course they may also be enjoyed when played at home, along with the accompaniment tracks on the CD. / Clarinette Et Piano

25 Pieces. This creative collection of easy pieces is intended to open up the wealth of Romantic music to clarinettists in the early stages of their development. This volume includes well known and popular themes by the great composers of this era. The book concludes with short studies by Friedrich Demnitz - a famous clarinettist of the period. The pieces selected here have been sensitively arranged for clarinet and piano, so that they are satisfying and enjoyable to play. They are suitable for studying in lessons, as well as repertoire for recitals and concerts. Of course they may also be enjoyed when played at home, along with the accompaniment tracks on the CD.

Par KARLSSON LARS. Romantic modernist - or modern romanticist - Lars Karlsson (b. 1953) composed his Clarinet concerto (2013-2015) for Christoffer Sundqvist. Connections with Nordic mythology and clarinettist as a shaman turned to a more traditional concerto concept in three movements. Harmonic and melodic use of fourths and fifths forms an important basis for the musical material. This product includes a solo part and a piano reduction (B4 sized). Orchestral material available on hire from the publisher. Instrumentation: 1( picc).1.1( cl picc).1-1.2.1.0-1.2-str Percussion: Timpani, gong, piatto sospeso, tamburo piccolo, silofono, campanelli / Date parution : 2023-06-01/ Répertoire / Clarinette et Piano

Six easy pieces. Par MULLER IVAN. Ivan Müller was born in Reval in Russia (now Tallinin, Estonia) on 3 December 1786 and died in Bückeburg (Germany) in 1854. In 1808/09 he performed widely as a clarinet virtuoso - in Berlin, Leipzig, Wien, Paris and many other places where he also presented the new ?clarinette omnitonique? in B flat which he had invented. The system of keys in use in Germany to this day is based on Müllers invention. As a composer Müller was an exponent of the early Romantic style and wrote numerous concertos for his chosen instrument as well as this Serenade for Clarinet and Piano (or Harp or Guitar). The editor Dieter Klöcker writes: ?These rather beautiful and accessible Romantic miniatures enjoyed great popularity in their day and I assume that even today they will meet with the approval of professional and amateur players alike.? / Niveau : facile - moyen / Date parution : 2023-05-06/ Répertoire / Clarinette et Piano

Trio in d minor op. 3-Alexander Zemlinsky is mainly known for his operas and orchestral songs with their opulent late Romantic orchestration. His earlier inspired hit the Trio For Clarinet Op. 3 written in 1896 owes agreat deal to Zemlinsky’s first important role model Johannes Brahms as far as inflection and instrumentation are concerned. It was also Brahms who following its first performance in Vienna enthusiastically recommendedthe trio to his publisher Simrock.As the autograph has disappeared Henle’s edition follows the musical text in the first edition. It underwent careful examination and was cleared of numerous partly blatant engraver’serrors. Alongside the Piano score Henle’s edition comprises a part for Clarinet in Bb/A and an authentic alternative part for Violin as well as a Cello part.

Performed by Stanley Drucker clarinetAccompaniment: Judith Olson pianoAdvancing clarinetists will love this challenging collection drawn from widely used State Contest Pieces including great repertoire fromClassical (Mozart) Romantic (Brahms) and Modern (Hindemith) eras. The scores are annotated by the soloist on this album Stanley Drucker of the New York Philharmonic. Includes a high-quality printed music score annotated withperformance suggestions and a digitally remastered stereo compact disc with complete versions (with soloist) followed by piano accompaniments to each piece minus the soloist. Also includes a slow-tempo practice version of theRondo from Mozart's clarinet concerto to help you get up to speed.

Romantic Latin contient dix pièces mélodieuses et faciles aux rythmes balancés. Historia de un Amor Solamente una Vez Besame Mucho La Playa et tous les autres morceaux de ce recueil vous sont présentés deux fois : dans leur instrumentation complète et en version avec accompagnement seul pour vous permettre de jouer en solo !

for Clarinet and Piano-Performed by Anton Hollich clarinet Accompaniment: Harriet Wingreen piano Here is a spectacular collection of classic pieces arranged for clarinet with piano accompaniment penned by the greatest composers of all time. Symphonic excerpts concert-pieces and themes from famous concerti combine to create an album filled with material for the advancing clarinetist. Drawn almost entirely from the golden age of classical and romantic German repertoire you will find thrilling music by Carl Maria von Weber Mozart Mendelssohn Beethoven Schumann and many more. These classic pieces have been assembled for early-intermediate and higher-level players to help develop a wide range ofinterpretational and technical skills. Listen to virtuoso clarinetist Anton Hollich perform these masterpieces then you step front-and-center with the illustrious Harriet Wingreen as your accompanist. Bravo! Includes a newly engraved authoritative printed solo part and two compact discs containing a complete version with soloist in digitally recorded stereo; then a digital stereo version of the accompaniment minus the soloist.

I sat at the piano one day with a tape recorder. I improvised for a while and later played it back and wrote down the interesting bits. It is in parts rather jolly rather sad and rather romantic. Hopefully it caught my moods. I hope you will feel the same. - LAURIE HOLLOWAY

Robert Schumann wrote his Fantasy Pieces for clarinet and piano in the course of two days in February 1849. Only a few days later they were premiered by Clara Schumann and the Dresden clarinetist Johann Gottlieb Kotte. Initially choosing the title Soirée Pieces for his works, Schumann finally decided to have them published as Fantasy Pieces, thereby emphasizing their poetical aspects. These connotations are also at the centre of clarinetist Elisabeth Eichenberg's notes on interpretation with special reference to the contemporary aesthetics of the clarinet sound. The edition is based on the first edition published in 1849 and also incorporates subsequent corrections in Schumann's personal copy. The compositional manuscript that has survived served as an important corrective. Besides the original clarinet part in A the edition also includes a transposed part for the B clarinet in order to make these standard works of the Romantic clarinet repertoire available to a wider circle of the clarinet community. / Clarinette Et Piano

piano reduction with solo part. Par WEBER CARL MARIA VON. Carl Maria von Weber (1786-1826), the great German romantic composer, was, after Mozart, the first master to write distinguished works for the solo clarinet. They include two compositions with piano accompaniment: the Grand Duo Concertant, and Theme and Variations ; two compositions for clarinet and string quartet: the Clarinet Quintet and a set of Variations ; three works for clarinet and orchestra: the Concertino and two Concertos. The Clarinet Concerto No. 2 In E Flat Op. 74 is a lively and majestic piece, which truly explores the sonorities and technical capabilities of the instrument& the opening two notes of the solo Clarinet part span an interval of three octaves, showing off the range and compass of the instrument! This is a tremendous work for solo Clarinet and Orchestra, arranged here for B flat Clarinet with Piano accompaniment, and edited by Eric Simon. The solo Clarinet in B flat part is also included on a separate insert. / Répertoire d'Examen / Répertoire / Clarinette et Orchestre

Novelty of form selected modulations strange tone colours the use of completely unexpected rhythms' this is how Camille Saint-Saëns praised the debut work of a young colleague and continued: 'Above everything is a charm that surrounds the whole work and makes the mass of average listeners accept the most surprising audacities as something entirely natural.The First Violin Sonata by Gabriel Fauré (1845 1924) was indeed an extraordinary composition which at the same time opened the way for the oeuvre of one of the most important French composers in the late 19th century and early 20th century: It was particularly with songs and Pianomusic that he could win the heart of the audience. In the 1870s Fauré wrote three songs which were originally not meant to be a unity but were later assembled under Opus Number 7. The first song is 'Après un rêve' a romantic rapturous song which like a 'Song Without Words' by Mendelssohn is perfect for making music with an accompanied solo instrument.

Terence ?Terry? Greaves (1933-2009) was a British composer music teacher and examiner. He was a chorister at Welbeck Abbey in Nottinghamshire and read Music at Keble College Oxford before becoming a lecturer at theBirmingham School of Music and later Dean at the Royal Manchester College of Music. He was also a dedicated examiner and moderator for the ABRSM for over 40 years writing many works as examination pieces. ClarinetValsante is a romantic waltz for Clarinet and Piano. First published in 1989 it is suitable for intermediate players and makes the ideal piece for any concert or recital.

The most important clarinet literature in one volume: Best of Clarinet Classics contains numerous original works for clarinet in arrangements for clarinet in Bb and piano. With pieces from the early days of the instrument (C. Stamitz, X. Lefèvre, W.A. Mozart) via the era of virtuosos (C. Baermann, I. Müller, B.H. Crusell), the Romantic era and the age of Impressionism (N. Gade, C. Debussy) to the 20th-century composers (C. Nielsen, M. Reger). / Clarinette

Most collections of studies for the clarinet concentrate on featuring a technical problems. The basic aim of this volume however has been to assemble tuneful romantic studies in all the major and minor keys which are also eminently suitable for public performance.