Cette série d'anthologies de l'année liturgique et importantes occasions d'église qui convient particulièrement pour les musiciens d'église non professionnels a été élargi par un second volume en réponse à une demande fréquente.L'objectif principal de 'Louange et Merci pour Orgue II' se trouve dans le répertoire du 19e siècle.En son centre, sont des paramètres choral pour les 'Hymns of Praise' et 'louange et de reconnaissance' de la Hymnbook protestante allemande ainsi que la section 'Louange et Merci' à partir de la Hymnbook catholique allemande.oeuvres pour orgue éprouvées librement composé sont également inclus, comme l'op 'Festpostludium' de Christian Fink. 63 et fantaisies de choral.- Collection de moindre organe connu fonctionne adapté à toutes les confessions- Compositions d'orgue gratuits et des paramètres choral éprouvée du 19ème siècle- Facile à niveau moyen de difficulté / Orgue

Hallelujah Ukulele: 19 Of The Best And Most Beloved Hymns and Spirituals is a truly special collection of gospel favorites drawn from the traditions of many faiths and cultures.Hallelujah Ukulele: 19 Of The Best And Most Beloved Hymns and Spirituals brings a delightful mix of treasured worship songs - songs of praise and petition, hymns of joy and thanksgiving, spirituals that have given strength and endurance through life's journeys and challenges.Solemn and sacred songs are presented with glorious melodies and inspirational lyrics. Light-hearted and jubilant songs celebrate blessings received and the anticipation of heaven's 'golden shore.? But there are sad numbers too that recall trials and suffering, the oppression of slavery and bondage, and the sustaining faith to overcome.Hallelujah Ukulele: 19 Of The Best And Most Beloved Hymns and Spirituals contains basic melodies with notes and tablature, exciting creative harmonies, chord symbols and large, easy-to-read diagrams, and selected solos and lyrics.If you've never tried gospel songs on your ukulele, now is the time. You're in for a great treat, a rich and rewarding experience to enjoy personally and to share with family and friends. / Ukulélé

Work for Solo Voices SATB Chorus Timpani Tubular Bells and Strings. Text: Arch-Priest Gregory Petrov.

Contents include: Morning Dew; Spanish Guitars; Sunday Morning March; Tall Trees; Sneaky Sam; Spanish Garden; Thanksgiving Prayer; Fox on the Run; Broadway Melody; Summer Day.

Vocal Score for John Tavener's Three Hymns Of George Herbert for SATB chorus percussion and strings. Commissioned by the Legatum Institute [www.LI.com] as part of its ?British and American Notions of Liberty?programme in the year of the Diamond Jubilee of Her Majesty Queen Elizabeth II. First performance on 21st April 2013 in Washington National Cathedral by the City Choir of Washington conducted by Robert Shafer.'The ThreeHymns of George Herbert were written after a long illness and represent for me a Hymn of thanksgiving to God for a relative return to health. They are intended to be sung in a large resonant acoustic with the main choir andstring orchestra at one end of the building and an echo choir and string quartet at the other. The percussion (tubular bells gongs and tam-tams) should sound from a gallery or other raised position.The Hymns wereinspired by the transparent poetry of George Herbert and are dedicated in gratitude and love to the memory of Mother Thekla former Abbess of the Orthodox Monastery of the Assumption Normanby near Whitby who died in 2011.' -John Tavener

An anthem for SSATTB Choir with Organ accompaniment. Suitable for Harvest Thanksgiving or general use.

Anthem for SATB (unaccompanied) commissioned by Christ's Hospital Horsham for a service of thanksgiving in Westminster Abbey on October 7 1966.

This is heartfelt music pure and simple - just the thing to lift voices in the spirit of Thanksgiving for SATB chorus.

A graded series of sacred favourites for Piano arranged by Melody Bober and Bernadine Johnson. Contents include: Sunday school songs hymns gospel music and songs for holidays such as Thanksgiving Christmas and Easter. Includes: He Is Lord; For the Beauty of the Earth; Hallelujah!; Glory! Glory Hallelujah!; The B-I-B-L-E; God is So Good; Deep and Wide; Away in a Manger; Jesus Loves Me; The Wise Man and the Foolish Man.

The texts of these three antiphons commissioned by the World War II Commemorations Team and St. Paul's Cathedral are taken from the Psalms and Isaiah which have been set to music by this masterful contemporary composer.Theantiphons received their first performance in May 1995 at St. Paul's Cathedral London on the occasion of the Service of Thanksgiving Reconciliation and Hope to commemorate the 50th anniversary of the end of the war in Europe.

This work written for AAB soli SATB chorus and orchestra was first performed at the thanksgiving for the Treaty of Utrecht held in St Paul's Cathedral London on 7th July 1713. Together with Te Deum it was quickly established in standard use on such occasions as the Festivals of the Sons of the Clergy.This vocal score edited by Watkins Shaw includes an organ arrangement of Handel's instrumental score.

For Manuals-This edition includes a diverse selection of music designed for the intermediate standard organist especially designed for wedding thanksgiving and other festival occasions. The volume includes works by composers from Purcell through Bach Handel and Mozart to Beethoven and Elgar. Although the pieces in this book had suggestions for registration on an organ of two (and sometimes three) manuals they can be played effectively on a one manual instrument with appropriate stops. This edition will prove to be a handy companion in all celebratory services.

Leighton's setting of the Morning Canticles was commissioned in 1967 for the centenary service of the Monkton Combe School in Bath. The Venite like all three movements of the setting is scored for Unison Voices SATB Choir and Organ.Kenneth Leighton (1929-1988) was a Yorkshireman and one of the most distinguished post-war composers in Britain. While he is best known for his choral works he also wrote 3 symphonies for orchestra and being a fine pianist himself also wrote regularly for the Piano. His works are often characterised by a warmth and sympathy for the ensemble he is writing for.