Par POOS HEINRICH / BIALAS GUNTER / BRAHMS JOHANNES / . Vier Volksliedsätze/ Feuillet / Choeur

Par SCHUMANN ROBERT. Robert Schumann once described his lieder as a ”mirror image of his self”. This applies particularly to his compositions from Heinrich Heine's 'Buch der Lieder”. What began as a lyrical intermezzo, then developed into 'Dichterliebe”, a work with which Schumann identified the ardour of his love for Clara Wieck. This work still presents an enigma to performers- how Schumann interpretes Heine's irony in his music is often discussed. But one thing is certain: with 'Dichterliebe” the composer created what is perhaps the best-loved and one of the most tightly-woven lieder cycles of the Romantic period. This new edition presents the work based on the first edition. It takes Schumann's autograph score into consideration, an autograph score where there have recently been discussions as to whether it should be presented as an independent alternative version. The four lieder omitted by Schumann from the printed edition are included in the appendix. - High-quality Urtext edition of this well-known song cycle - Appendix includes four lieder by Schumann which he did not include in the original cycle - Comprehensive foreword and critical commentary (Ger/Eng)/ Répertoire / Chant et Piano

Composer : Scheidemann, HeinrichInstrumentation : OrgEdition : UrtextEditor : Beckmann, Klaus

for Violin and Orchestra-Nous sommes heureux de pouvoir vous présenter avec ce recueil une nouveauté mondiale dans le domaine de la pédagogie instrumentale pour violon : la première édition d?un recueil d?études connues pour violon de Charles Dancla Heinrich Ernst Kayser Hans Sitt et Franz Wohlfahrt avec accompagnement d?orchestre. Nous souhaitons donner avec cette édition pratique une impulsion et une motivation nouvelles à tous les violonistes pour l?exercice quotidien des études. Avec de nouveaux arrangements pouraccompagnement d?orchestre les études connues ressemblent à des concertos pour violon en miniature. Ainsi le travail des études deviendra une expérience dun type nouveau qui apportera aussi beaucoup de plaisir aux débutants.1-4 Charles Dancla (1817-1907): Etüde in G-Dur4-8 Charles Dancla (1817-1907): Etüde in A-Dur9-12 Heinrich Ernst Kayser (1815-1888): Etüde in C-Dur13-16 Heinrich Ernst Kayser (1815-1888): Etüde in A-Dur17-20 Franz Wohlfahrt (1833-1884): Etüde op. 45 Nr. 4 in G-Dur21-24 Franz Wohlfahrt (1833-1884): Etüde op. 45 Nr. 14 in D-Dur25-28 Franz Wohlfahrt (1833-1884): Etüde op. 45 Nr. 17 in D-Dur29-32 Hans Sitt (1850-1922): Etüde op. 32 Nr. 1 in C-Dur33-36 Hans Sitt (1850-1922): Etüde op. 32 Nr. 2 in G-Dur37-40 Franz Wohlfahrt (1833-1884): Etüde op. 45 Nr. 3 in G-Dur

Komisches Singspiel In Versen Für Kinder. Par RHEINBERGER JOSEF GABRIEL. Die Geschichte vom armen Waisenkind Heinrich, der von der Stiefmutter gehasst und auch noch verhaftet wird, weil er die Katze der Nachbarin getötet haben soll, nimmt ein glückliches Ende: Heinrich entpuppt sich als der entführte Neffe des Grafen. Gereimte Dialoge wechseln sich mit elf Musikeinlagen ab. Neben den schönen Sololiedern des armen Heinrich gibt es eine Reihe komischer, ironisch überspitzt komponierter Chöre und Ensembles. / Opéra-opérette / Répertoire / 6 Solistes, 6 Récitants, Choeur SSA et Piano (2 à

Tonalité : Es-Dur - Horn, Paul (Arr.) -. Par BIBER HEINRICH IGNAZ FRANZ. Stylistically, this anonymous sonata for scordatura violin, which has been preserved in the holdings of the Dresden Court Orchestra, points to the southern German-Austrian school of violin, and it shows the high level of the art of violin playing in Germany in the late 17th and early 18th centuries. A contemporary, handwritten note on the cover of the music refers to Heinrich Ignaz Franz Biber and there are actually amazing similarities to works by this composer which would suggest that he indeed composed the work. However, a definitive clarification of this question must remain open./ Répertoire / Violon et Basse Continue

Weihnachtskantate. Par SCHMELZER JOHANN HEINRICH. With this pastoral Christmas cantata by the long-serving Royal Hofkapellmeister of Vienna, Johann Heinrich Schmelzer, we wish to draw attention to a prominent baroque composer whose vocal and instrumental works have yet to achieve their historical place in the “early music scene“ which they richly deserve. Schmelzer’s easily performable pastoral music is characterized by simple melodic lines in an alpine idiom, partly in the style of Venetian baroque opera. A texture of five to seven voices alternates with settings for one or two voices accompanied by continuo./ Répertoire / Solistes TT, 2 Violons, 2 AltoSBasson et Basse Con

Par BACH JOHANN CHRISTOPH / BACH HEINRICH. Formerly attributed to Heinrich Bach/ Répertoire / Solo A, Violon, 4 Violes de Gambe (3 Altos et Viol

Tonalité : A-Moll - Carsten, Heinrich (Trad.) -. Par REINECKE CARL HEINRICH CARSTEN. Weltliche Chorsätze - Langue : Allemand/ Répertoire / Choeur SATB

Weihnachtskantate. Par SCHMELZER JOHANN HEINRICH. With this pastoral Christmas cantata by the long-serving Royal Hofkapellmeister of Vienna, Johann Heinrich Schmelzer, we wish to draw attention to a prominent baroque composer whose vocal and instrumental works have yet to achieve their historical place in the “early music scene“ which they richly deserve. Schmelzer’s easily performable pastoral music is characterized by simple melodic lines in an alpine idiom, partly in the style of Venetian baroque opera. A texture of five to seven voices alternates with settings for one or two voices accompanied by continuo./ Répertoire / Solistes TT, 2 Violons, 2 AltoSBasson et Basse Con

Par HERZOGENBERG HEINRICH VON. The four Sacred songs op. 89 for high voice, violin and organ were composed in 1895, when Heinrich von Herzogenberg was Professor of Composition at the Berlin Conservatory. They are dedicated to Anna Schulze, who was a colleague of Herzogenberg at the Conservatory which was headed by Joseph Joachim. Perhaps Herzogenberg’s choice of instruments for these songs was guided by his personal connection with both of his colleagues. In the religious sphere he achieved a unique transformation of the art song, represented not only by the organ accompaniment but also by the older, symbolic connotation of the violin as an angel’s instrument./ Répertoire / Choeur Mixte a Cappella

Heinrich Poos is not the first composer inspired by Friedrich Gottlieb Klopstock's poem 'Die Auferstehung', as even Gustav Mahler had already used these verses in the fifth movement of his Second Symphony 'Auferstehung'. Mahler was inspired to use a choral movement at the end of his symphony at the funeral of the conductor Hans von Bülow where a choir sang a chorale based on said text by Klopstock. Heinrich Poos wrote his deeply moving choral piece in remembrance of the organist Hubert Schoonbrodt. / Choeur De Femmes (SSAA) A Cappella

Par BAERMANN HEINRICH JOSEPH. Voici un très bel Adagio écrit en 1821 par Heinrich Baermann, le célèbre dédicataire des oeuvres pour clarinette de Weber. Longtemps considéré comme une oeuvre de jeunesse de Richard Wagner, ce n'est qu'en 1964 que l'on s'aperçut que ce manuscrit non signé, découvert en 1922, était en fait l'Adagio du Quintette #3 Opus 23 avec Cordes détaché de sa partition originale. - Renaud ESCRIVA / Niveau : Difficile / Répertoire / Clarinette en Sib et Piano