Composed in 1890  Ten Pieces For Organ by Eugène Gigout is a piece that is widely enjoyed. Featuring the renowned Toccata in B minor which is often played in recitals a Scherzo in E major can also be found among these pieces. Well-known as an organist Eugène Gigout was also a composer and one of the main organists in one of Paris' main churches: Saint Augustin. Really good for interpretations he was also skilled in an improvisational context.

An advanced and highly skilled work for Full Organ manuals and pedals by Eugene Gigout. There are notes and explanation as to how to reproduce the two separate voices of the dialogue. For Grade: 8

Eugene Gigout's Grand Choeur Dialogue is a challenging but entertaining work for full organ with manuals and pedals.

Felix-Alexandre Guilmant-Amédée (Boulogne-sur-Mer March 12 1837 - Meudon March 29 1911) was a French composer and organist. Like many other composers he was very talented on a young age he was 12 years when he was playing organ smoothly. He studied with Lemmens with Charles-Marie Widor and Gigout. Between 1871 and 1901 he the leading man in the Paris organ scenery along with his fellow students later on he teached at the Paris Conservatoire National Superieur de Musique inter alia Joseph Bonnet and Marcel Dupre. Known are his organ sonatas which are equivalent to the famous organ symphonies of Widor. His work was very popular. Also knownunder the title Morceau Symphonique Opus 88.

Par HANCOCK GERRE. for solo organ This virtuoso showpiece, dating from 2002, is worthy to stand alongside the Toccatas of Gigout and Boellmann, and makes a superb conclusion to a service or recital on any size of organ./ Répertoire / Orgue

Cours complet de Formation Musicale, l'Ouverture à la musique propose à l'élève une méthodologie l'amenant à être le plus autonome possible, à s'ouvrir sans inhibition aux différents paramètres sonores, à découvrir un vaste répertoire, à appréhender de manière ludique l'acte musical, sa lecture, son écriture et sa théorie. Chacun des 5 chapitres se divise en deux parties : rythmique et mélodique. Un accent particulier est mis sur le travail rythmique et harmonique. La lecture se fait par le chant en utilisant la lecture relative. Les notions théoriques sont abordées tout le long de l'ouvrage. De nombreux exercices permettent de mettre en place et d'approfondir les notions abordées. L'Ouverture à la musique propose un répertoire varié, du grégorien à la musique d'aujourd'hui, des musiques populaires aux musiques savantes. Benoît Menut, Pierre Chépélov Répertoire - Traditionnels et anonymes : allemand, américain, amérindien, anglais, arménien, auvergnat, breton, écossais, français, irlandais, israélien, japonais, lesothan, mexicain, norvégien, occitan, polynésien, tunisien, yiddish. - Oeuvres de : Albinoni, Bach, Berlioz, Bizet, Brahms, Cairanne, Castérède, Chausson, Clapisson, Chépélov, Clarchies, Czerny, Da Firenze, Dandrieu, De Francia, Debussy, Dowland, Falk, Fauré, Foster, Franck, Gigout, Gounod, Grieg, Hartmann, Haussmann, Hinrich, Langlais, Leguay, Mahler, Massenet, Mendelssohn-Bartholdy, Menut, Monsigny, Mozart, Mullendore, Pesson, Plé-Caussade, Rubinstein, Strauss, Suppé, Telemann, Tyers, Vivaldi, Weyse, Woel?, Zacara da Teramo, Zelter.

J'ai conçu ces pièces dans le but qu'elles ne soient pas trop difficiles techniquement, et qu'elles puissent servir pour la liturgie, De même, l'esthétique des pièces est souvent très épurée, de manière à pouvoir toucher un large public, et notamment les jeunes générations, Enfin, la Toccata finale sera source de progrès et motivera les jeunes élèves à l'instar de celles de Eugène Gigout, ou Léon Boellmann, - Procession (02'30'')- Bourdon (04'00'')- Dolce (04'30'')- Communion (05'30'')- Toccata (05'00'') / Orgue

Felix-Alexandre Guilmant-Amédée (Boulogne-sur-Mer March 12 1837 - Meudon March 29 1911) was a French composer and organist. Like many other composers he was very talented on a young age he was 12 years when he was playing organ smoothly. He studied with Lemmens with Charles-Marie Widor and Gigout. Between 1871 and 1901 he the leading man in the Paris organ scenery along with his fellow students later on he teached at the Paris Conservatoire National Superieur de Musique inter alia Joseph Bonnet and Marcel Dupre. Known are his organ sonatas which are equivalent to the famous organ symphonies of Widor. His work was very popular. Also knownunder the title Morceau Symphonique Opus 88.

A Treasury of European Service Music for Organ is a generous collection of music by many of the fine organist-composers who flourished in the 18th 19th and early 20th centuries.The style is romantic and ideallysuited for Service use: the pieces are just the right length sight-readable and delightful to the ear.Richard Lloyd has edited them expertly for playing on modern instruments.Contents:Adagio by FrançoisVerhelstAdoro te by Pierre-François BoëlyAndante by Arthur de HovreAndantino by Louis AndlauerAntiphon by Georges Debat-PonsanAria by Albert H. OswaldAve Maris Stella by François BenoistBenedicamusDomino by Pierre-François BoëlyCantilène by Paul FauchetCantilène by Arthur de HovreChorale by Louis BottazzoCommunion by Louis BottazzoCommunion by Marc DelmasCommunion by Adolphe d'HulstCommunion byAlfred MarichelleCommunion by Edouard TorresCoro Religioso by Orlando A. MansfieldDeux Canons by Ludvig Mathias LindemanDeux Interludes by Eugène GigoutElégie by Domenico BellandoElégie by RobertoRemondtElégie by August WiltbergerElévation by Domenico BellandoElévation by Adolphe d'HulstElévation by Jean HuréElévation by Otto MallingElévation by Edouard TorresFughetta by Oscar DepuydtFuguein E minor by Guillaume LasceuxFugue in E minor by Jean-Nicolas MarriguesFugue in G minor by Jean-Jacques Beauvarlet-CharpentierImprovisation by Gustaf HäggImprovisation by Joseph NesveraImprovisation by AugustWiltbergerInterlude by Santiago TafallInterlude by Emile WambachInterlude in E by Amédée ReuchselInvocation by Alexandre Winkel Kyrie 'Orbis Factor' by François BenoistLarghetto by J. SurzynskiLe Carillonde Balleroy by A. ManciniMeditation by A. ManciniNoël by Alphonse MaillyNoël Lorrain by Guillaume LasceuxNorwegian Song by Peter LindemanOffertoire by Louis BottazzoOffertoire by Oscar DepuydtOffertoire

Né d'une passion commune pour la pédagogie et du constat que nos élèves sont de plus en plus jeunes, ce recueil écrit par Marta Gliozzi et damien Simon propose une découverte de l'orgue renouvelée. Différentes sections ont été conçues pour que chacun puisse aborder la musique et l'orgue sous divers angles, sans ordre de priorité : écriture classique, musique graphique, improvisation, jeux rythmiques et aussi quelques amusements et éléments historiques.Marta Gliozzi et Damien Simon ont composé cette méthode basée sur leur expérience de professeur de conservatoire, proposant ainsi aux débutants un apprentissage progessif, varié et ludique basé sur une grande variété de partitions simples ou adaptées aux débutants. / Orgue