Par SUBLIME. 16 fan favorites arranged with vocal melody and chord diagrams for standard G-C-E-A tuning. / Date parution : 2022-07-30/ Recueil / Ukulélé

Guitar Play-Along Volume 83. Par SUBLIME. The Guitar Play-Along Series will help you play your favorite songs quickly and easily! Just follow the tab, listen to the online audio to hear how the guitar should sound, and then play along using the separate backing tracks. The melody and lyrics are also included in the book in case you want to sing, or to simply help you follow along. 8 songs: Badfish · Ebin · Pawn Shop · Santeria · Smoke Two Joints · STP · What I Got · Wrong Way. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Date parution : 2022-07-23/ Recueil / Guitare

Bergerettes also known as Shepherdess' Airs were an form of early rustic French song. French composer Jean Baptiste Weckerlin's (1821-1910) arrangements of these popular songs for Voice and Piano are a sublime addition to the repertoire. The Bergerette is traditionally in strophic form. Weckerlin's 20 harmonisations of some of the most favourite French Bergerette provides truly sublime additions to the vocal repertoire. For all aspiring vocalists Weckerlin's arrangements of traditional Bergerettes cannot be missed.

Jon Washburn Choral Series-The works of Swiss composer Ivo Antognini have been described as sublime. This setting of the beloved hymn by Franz Gruber certainly qualifies as sublime with the rich jazz chord voicings and unique choral textures. It may beperformed by a vocal jazz group chamber choir or larger concert ensemble for a beautiful and warm concert moment.

In the early 1700s, Bach's chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of 'common practice' harmony and voice leading. And by virtue of their sublime beauty, musicians continue to perform the chorales to this day. The four-part texture of the chorales can make their performance on guitar ? with its fingering limitations ? somewhat problematic. But by sometimes thinning the texture to three or two parts, and sometimes inverting the lower parts (allowing the alto or tenor to temporarily serve as the bass), we've created easy-to-play classical guitar solos that capture all the interest and beauty of Bach's original compositions.

Par PESSON GERARD. On a trouvé dans les papiers de Stéphane Mallarmé, après sa mort, une enveloppe de carton rouge contenant 210 feuillets de petit format (12,5 x 7,5) couverts d'une écriture au crayon, très légère, rapide et presque effacée aujourd'hui. Au verso du feuillet 6, sensiblement plus petit que les autres, on lit, difficilement, trois mots qu'on aura mis plus de trente ans à déchiffrer: fureur contre informe. Cette oeuvre inachevée, à la fois produite et empêchée par la douleur, a été écrite après la mort d'Anatole Mallarmé (16 juillet 1871 - 8 octobre 1879), le fils du poète. C'est un tombeau, une consolation poétique, brûlante, laconique, exempte de toute préciosité. L'oeuvre aura été comme asphyxiée par la charge autobiographique, par un JE pathétique et véhément qui lacère la matière poétique et finalement condamne l'essai de résurrection. Le trio à cordes reprend, en treize fragments enchaînés, les trois ordres, les trois temps non chronologiques imaginés par Mallarmé pour ce théâtre abstrait à trois personnages (père, mère, fils). I. Moment de la révolte et du cri, déclenchement de la maladie, mort qui frappe / tempo rapide, refrain, stridences fugitives II. Temps de la maladie, moment de la mort du fils, de l'ensevelissement (assomption paternelle) / silence coloré III. Résolution, projet poétique, essai de triomphe spirituel / cantilène, chant funèbre L'impossible à écrire est au centre du projet mallarméen, où le fragment, l'esquisse deviennent moments d'un acte poétique fondé en l'inachèvement. Le suspendu, l'inaffirmé sont souvent évoqués par Mallarmé dans ces feuillets comme la registration d'une musique intérieure qu'on ne peut faire entendre à quiconque - 'Manquer le but sublime' (f 105). Le projet est laissé en sa nudité. La brisure, le non-résolu révèlent alors à Mallarmé que l'actualité de la pensée, le noyau irréductible de la tentative poétique, ce qui est absolument moderne, est néant de chagrin, veille, rien d'affirmé donné à entendre. Feuillet 61: or parti, et vent de rien qui souffle (là, le néant ? moderne) Feuillet 57: et III peut-être rien - (d'affirmé) sur mort et donné à entendre simplement - en l'espace de 'il est mort de I II Fureur contre informe a été commandé par la WDR et créé par le trio Recherche à Cologne le 6 février 1999. Enregistrement: 1 CD aeon, AE0106, Mes béatitudes Mes béatitudes - Nebenstück - Fureur contre informe - Récréations françaises - Cinq Chansons - Bruissant divisé - Rebus Ensemble Recherch / contemporain / Date parution : 1998-01-01/ Répertoire / Trio à Cordes

The works of composer Herbert Howells have long been staples of Anglican church services worldwide, with a number of his compositions hailed as some of the finest of the 20th century. This Collection Of Songs For Voice And Piano is a perfect opportunity to further explore more of Howells' sublime works.These songs are indicative of Herbert Howells' incomparable talent, expressing his unique ability to create entire landscapes and worlds through sound and music. Furthermore, the Herbert Howells sheet music is a joy to perform for musicians of all levels, whether professional, amateur or a beginner, there is something for everyone in the Collection Of Songs. The musicality of these expertly-composed pieces is simply a joy to hear, and audiences will continue to be impressed by the inventiveness and technique of each song. / Voix Et Piano

Pour Soprano Quintette Vent Et Harpe-French composer Joseph Canteloube (1879-1957) is best known for his Cinq Chants D'Auvergne. Composed between 1923 and 1930 for Soprano and Orchestra Chris Allen's arrangement of the popular work for Soprano Wind Quintet and Harp enforces the composition's favour. The Cinq Chants D'Auvergne are a collection of five folksongs from the Auvergne region of France. Composed in the local language of Occitan the best known of the five songs is the second Baïlèro which to this day remains frequently performed and recorded. Famous Sopranos who have recordedCanteloube's much loved work include Madeleine Grey Dawn Upshaw Sarah Brightman and Barbara Streisand. For all Wind Quintets Sopranos and Harpists seeking exciting ensemble repertoire Canteloube's Cinq Chants D'Auvergne ensures a sublime performance for both performers and audiences alike.

Among the best of Jean Sibelius’ oeuvre are his 1917 compositions the Humoresques. This fabulous and charming concerto was divided into two groups for publication Opus 87 and Opus 89 and demonstrates his sublime skill with the Violin. He used a considerably smaller Orchestra accompaniment to the Violin in the second group but maintained the subtlety of depth and texture. Though there are traditional elements to all parts of this opus Humoresque No. 4 harks back to the past the most reminiscent of the delicacy of mid-nineteenth century musical miniatures. Virtuosic and challenging the soloist has the opportunity to indulge in a more traditionallyexhibitionistic display. This work features a seperate Violin part with a Piano reduction of the String Orchestra by Karl Ekman.

Today the Gloria RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period.Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Piet around 1716. In the twelve movements of the ?Gloria? Vivaldi displays the whole range of his mastery from festive sublime outer movements to tender transparently scored solopassages.The same mastery has also been applied to the ? Kyrie? RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works.- Attractive choral pieces which can be combined to form a short mass.- Vocal score as well as choral score available for the ?Gloria?.- Informative foreword (Ger/Eng).

This book contains many arias as well as traditional favorites that have never been arranged for accordion utilizing all of its superb orchestral capabilities. Some of the world's greatest composers and singers have expressedthemselves in this sublime musical language. The contents include arias such as Nessun Dorma Quando men vo and O mio babbino caro to name a few.

The Rose film culte avec une Bette Midler poignante et bouleversante s'appuie sur une bande originale sublime faite de petits bijoux tels que The Rose le titre-phare éblouissant signé Amanda McBroom. Juri Briat en a fait un arrangement épuré et d'une grande fluidité.

Ce choral magnifique de Bert Appermont s?épanouit lentement. Les différentes groupes d?instruments reprennent le m?me thème et sont menées au climax sublime. Puis le tout s?éteind d?une manière posée.

Today the Gloria RV 589 (BA 7674) is one of Vivaldi’s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the “Gloria” as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Pietà around 1716. In the twelve movements of the “Gloria” Vivaldi displays the whole range of his mastery from festive sublime outer movements totender transparently scored solo passages. The same mastery has also been applied to the “ Kyrie” RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages. Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works. - Attractive choral pieces which can be combined to form a short mass. - Vocal score as well as choral score available for the “Gloria”. - Informative foreword (Ger/Eng).