and Epiphany for Mixed Voice Choirs-Noël! is an exciting Christmas collection for Mixed Voice Choirs selected and edited by David Hill. Featuring a beautiful selection of carols and festive pieces these traditional and modern pieces have been wonderfully arranged.    The contents range from the Renaissance to the present featuring some absolute Christmas sheet music favourites and some lesser-known pieces that will no doubt be a pleasant surprise for audiences. Numerous composers are represented in this here from the polyphony of Victoria and Byrd via Bach familiar settings of traditional and lesser known carols through the ages and works by today'scomposers including Richard Rodney Bennett Judith Bingham John Tavener and Judith Weir make Noël! one of the best choices for choirs for Christmas sheet music.Mixed voice choirs of all levels will find new arrangements of favourite carols here as well as stimulating works for the Christmas and Advent periods from the easy to learn to the more challenging and unconventional. Whichever your choir chooses to perform all are guaranteed to impress audiences with their distillation of the Christmas spirit into some incredible music.    For Christmas carol sheet music look no further than Noël! for Mixed Voice Choirs. This great selection will be a joy to perform and an even bigger joy for your audiences to hear. They're fun and at times challenging but the beauty of these anthems and carols will absolutely herald in the festive spirit for performers and listeners alike.

Il volumes de cette série en expansion sont consacrés à un large éventail de sacrés motets renaissance avec des textes latins et contiennent un mélange de pièces bien connus et inconnus, dont certaines sont publiées pour la première fois. Toutes semblent complètement nouvelles éditions par Anthony G. Petti. / Voix

This outstanding collection of 90 carols offers a balanced mixture of accompanied and unaccompanied items which will appeal immediately to conductors singers and audiences alike. Mostly for mixed voices it includes 16 carols and a further 39 arrangements published here for the first time. From Gabrielli to Judith Weir medieval melodies to spirituals the range of styles covers a wide spectrum of tastes. Conductors will welcome the availability of optional orchestral material available on hire for 24 of the carols to allow for performances without organ. This major issue of carols is edited by William Llewellyn a well established figure in the world of choral music.

Tudor Anthems-These editions taken from the acclaimed Tudor Anthems anthology represent some of the most popular musical works from the volume. They include sacred works of various lengths and standards of difficulty for mixed voice choir accompanied and unaccompanied by an array of composers including Batten Byrd Gibbons Philips Sheppard Tallis Taverner and Weelkes. The works are prepared in an easily understood performing edition by Lionel Pike.

William Byrd (c. 1540-1623) was an English renaissance composer who wrote several well-known works in both the Catholic and Anglican traditions many of which are still highly popular today. He studied under ThomasTallis at the Chapel Royal before becoming organist and master of the Choristers at Lincoln. He later returned to the Chapel Royal as Gentleman and Organist. Ego Sum Panis Vivus was inspired by theantiphon to the Benedictus at Lauds on the feast of Corpus Christi. It makes a perfect anthem for any Eucharist service or Mass. It is scored for SATB choir with Piano reduction for rehearsal purposes.

The Spanish School For 4 Voices-The volumes of this expanding series are devoted to a wide range of sacred renaissance motets with Latin texts and contain a mixture of well known and unfamiliar pieces some of which are published for the first time.Allappear in completely new editions by Anthony G. Petti.

Motet for five voices (SATBB) for Feasts of the Blessed Virgin Mary. Edited by H.B. Collins.

For Four Part Choir Satb-A Medieval Carol is for unaccompanied SATB and is a setting of a text transferred from medieval English by Stephen Pegg. Originally written for the Headington Singers the carol has been performed widely by choral societies and school choirs since 1989. Duration: approx 3 minutes.

Bullard's carol for unaccompanied SATB chorus sets a Renaissance-period text by Ben Johnson.

Motet scored for SATB Choir for Christmas and the Circumcision. Edited by H.B. Collins.

Christmas And Advent Motets For 4 Voices-The volumes of this expanding series are devoted to a wide range of sacred renaissance motets with Latin texts and contain a mixture of well known and unfamiliar pieces some of which are published for the first time.Allappear in completely new editions by Anthony G. Petti.

William Byrd (c. 1540-1623) was an English renaissance composer who wrote several well-known works in both the Catholic and Anglican traditions many of which are still highly popular today. He studied under ThomasTallis at the Chapel Royal before becoming Organist and Master of the Choristers at Lincoln. He later returned to the Chapel Royal as Gentleman and Organist. O Sacrum Convivium was inspired by the Antiphonto the Magnificat at the 2nd Vespers of Corpus Christi. It makes a perfect anthem for any Eucharist service or Mass. It is scored for SATB choir with Piano reduction for rehearsal purposes.